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Introducing Serica, a uniwidth dot matrix type family with three shape styles and 7/9 weights plus a Variable Font. 

By avoiding any overlapping strokes, it reinterprets the historic reference to Dutch merklap embroidery through a contemporary lens. The reduction to a 7 unit tall cap height necessitates steep angles in diagonals and provides a rhythmic texture, which can be tamed by the SS01 for circular shapes or SS02 for compact shapes. 

It provides an abundance of features such as localization, swashes, ligatures, alternative letters, compact shapes, number styles, emojis and more. In total, Serica comes with 1150 Glyphs.

Get your copy now @tdfoundry (ink in bio)

Subscribers of my Beta Font Mailer receiveed an early version months prior to release, join them (also link in bio) by @danielgremme
11
7 months ago
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Out now: Memoir is a free typeface for the nostalgic beholder. 

Roman proportions, slight stroke contrast and melting joints render it warm and gentle, opening a gate into the past - sometimes blurry, sometimes sharp. Although being open source it covers 257 Languages/Dialects (2.7b speakers) and basic punctuation, making it available for a large audience using the latin script.

No lowercase or further weights planned. If you need them for your project though, reach out to me for a quote. 

Link in Bio!

#freefont #typedesign #outnow by @danielgremme
26
a year ago
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In Development: Grandessa. A type with flared serifs and flipped roman proportions.
For now it comes with 170 Glyphs, supporting 85 languages in tightly spaced uppercase letters - already working on the lowercase which is going to follow, likewise more weights.

The project started probably 1 1/2 ago, its outlines emerge from a handmade lettering found on the Book ‘Gone With The Wind’ by Margaret Mitchel. Stopped reading the book but kept a scan of its backside, traced the original outlines, decided they can stay in the past and worked out the typeface towards an appearance that makes fun of its majestic touch.

The contrast between 'noble' classical proportions and the flip some letters have seemed so silly that I decided to exchange ZZ by SS - it seems like an intervention of appropriate naivety. Anyway, it deserves a sibling called Grandezza with ‘correct' proportions. Bonus: It sounds much cooler.

Grandezza is a german term borrowed from italian which has been used in the 18th-20th century to express 'majestic and dignified elegance of demeanour or movement’. In italian it simply means ‘greatness’ in matters of size. I found the term while reading a book from 1958, which in the respective sentence, described a cat. I was catched by the word immediately, then it appeared again in a soccer documentary the next and here we are.

Many thanks to Anna Khorash @horashann for her sharp eyes and criticism.

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Interested in Beta Licensing (reduced rates) for a project or a potential release with your foundry?
Please reach out to hello@danielgremme.com taken in Den Haag, Netherland by @danielgremme
15
2 years ago
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Poster for the Project Rate Database for creatives, a joint initiative of @faktor.so and @designgewerkschaft 

Its currently hanging at @gartenbaukino in Vienna where we (Faktor) are talking tomorrow at @forwardfestivals

Add your rate on faktor.so/database and help make our industry more transparent.

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Faktor is a value-based pricing calculator for creative freelancers and small studios.

The Designgewerkschaft within the German trade union ver.di organizes designers to campaign for a fair, diverse and united design industry. This includes the political demand for legally mandated minimum fees. by @danielgremme
9
13 days ago
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Calmar, a humanist sans with minimal contrast, large counters. and x-height, as well as very short descenders. It’s a charming one really, kind of confidently smiling at its reader. I kerned it rather loose to leave the decision up to you as how tight you want it - works also well with negative tracking! 

When still studying I was looking up archive material and found the silent film La Pieuvre by Jean Painlevé from 1928, which shows an octopus and is accompanied by title sequences, which were hand drawn → which, you guessed it, informed the design of Calmar.

If you want to use it for a project, no matter which kind, please reach out to me for licensing via hello@danielgremme.com. 
Get it now through the Beta Font Mailer (link in bio) by @danielgremme
105
23 days ago
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Juhu!! 
We have the chance to talk on the open stage @forwardfestivals !
Let’s connect. Let’s challenge. Let’s push FORWARD!

Date: Friday, 28th August
Time: 16:15
Venue: Haus der Kulturen der Welt, John-Foster-Dulles-Allee 10, 10557 Berlin

Photo by Joseph Kennel @josephkennel taken in Haus der Kulturen der Welt by @danielgremme
7
2 months ago
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FFun! by @danielgremme
4
3 months ago
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I guess we all agree that figuring out pricing sucks, which is why I’ve spent several months with Rebecca and Rebecca from @behindtscope to build an online calculator for creative services. 

It works like so: Each service has a base price which is multiplied with factors for experience, location (client and creative), client industry, client size and more. This results in a proce which is supposed to be fair, cause the calue of your design grows with audience it is projected to.

My type fellows can imagine, it has its root in the font licensing approach championed by @abcdinamo @mass.driver and more, just a little adjusted.

If you want to be informed about the public availability of the website, sign up on faktor.so

Have a nice day 💥 by @danielgremme
1
5 months ago
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NEW: Serica by @danielgremme.
A uniwidth dot matrix type family with 23 styles and variable font support.

Inspired by Dutch merklap embroidery, Serica translates this traditional craft into a contemporary typographic system.

DM us “Serica” for a free trial. by @danielgremme
7
7 months ago
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Thanks @creativeboom for the feature! Serica made it into their ‘Best Fonts of March 2026’ selection. Find more useful, delightful, fresh fonts in their article, link in bio. Serica can be bought at @tdfoundry 

#featured #typeface #newfont by @danielgremme
4
6 months ago
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Dear Artist or Alike,

This coming Friday, the 12th of September, would you like to join in the celebration and launch of my new website? 

Together with Daniel Gremme, the web designer, we will let you uncover what is behind the representational drawings, the keywords, and the titles. There will be home-baked goods and tasty drinks, as well as some other experimental works of mine. 

Oh, it's taking place from 19.00 at Projektruimte West End 
Hope to see you!

Kind regards
Karin Kyto, Daniel Gremme & West End Projectspace
@karin_kyto @danielgremme @westendprojekt 
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Keyvisual: Studio Daniel Gremme
Text+Illustrations: Karin Kyto taken in Den Haag, Netherland by @danielgremme
6
a year ago
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Introducing Bougie, a WIP type that provides more – more craftsmanship, more embellishment, and seemingly more prosperity. It’s swashy style corresponds well with @ssense 's culture prediction: “As everything we eat and drink becomes functional, we’ll see a growing appreciation of useless things. Useless is the new luxury.” So here you go, I’m curious how you can make use of this useless font.

Guided by the original Letraset sheets of Magnificat by Friedrich Peter, this first version of Bougie is very close to the original and underwent just a few interventions here and there (bigger diacritics, smoothed bezier’s, ..). The single style font supports 238 latin languages/dialects (2.2b speakers) and received some new diacritics and characters. There is still much to do, but its ornamental nature covers deficiencies with glamour. :)

Easy peasy licensing available, reach out to me via hello@danielgremme.com. For trials, subscribe to my Beta Font Mailer, link in Bio.
This is a beta in development, to be continuously updated. If you're a foundry interested to release this font, write me via the mentioned mail.

Have a good day,
Daniel

#displayfont #earlystage #freetotry by @danielgremme
15
7 months ago
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