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LOEWE FOUNDATION Craft Prize Finalist 25'
Dezeen Awards Emerging Designer of the Year 24'
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Based in Helsinki
Enquiry @spazionobilegallery
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Tomorrow is the last day of the @3daysofdesign. Come and check out my wood fountain🪵⛲♥️ 

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The Wood Fountain is an outdoor sculpture created for the courtyard at @kunstglstrand for the group exhibition, A Prima Vista, during the @3daysofdesign in Copenhagen organised by @lokalhelsinki + @finindk . Resembling the form of a traditional fountain, the work is constructed entirely from wood and contains no water. It begins with a simple hypothesis: what remains of a fountain when water is removed? If the source of movement and sound disappears, what is left in the fountain?

Throughout history, fountains have continuously shifted in purpose. Early fountains emerged from practical needs for drinking water. The mythology of the fountain of youth projects the dream of eternity pursuit. As societies developed, fountains became symbols of wealth, political power, and technological achievement. Later, with the indoor pumping systems, outdoor fountains became solely decorative, detached from necessity and driven by aesthetics and entertainment. 

This trajectory somehow looks similar to the development in design history: the movement from necessity to ornament, from function to desire. Today‘s collectable design culture echoes the fountain history, where objects are valued not only for utility but also for their capacity to embody aspiration, rarity, and aesthetic excess. So, here is the open question: is this a prediction of the future in design and where will design lead us next?

The Wood Fountain, 2026
~130x~130xH175cm
Construction spruce, Linden branches, Linseed oil, metal parts, soil

The expenidture in production and mobility are supported by @kulttuurirahasto and @nordiskkulturkontakt . Year Artist grant supported by @taikegram .
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Exhibition details:

A Prima Vista 
📆 10.–12.6.2026 
📍 @kunstglstrand , Gammel Strand 48, Copenhagen

Opening party:
10.6 (Wed) 1700-2000

Exhibition organized by @lokalhelsinki x @finindk 
Curated by Lokal‘s founder @katjahagelstam 
Exhibition architecture @hannikoroma taken in Gammel Strand by @dd_ng
11
4 months ago
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A huge thanks to the @loewefoundation team for creating an incredible experience and the beautiful exhibition at @museothyssen, the National Museum at the heart of Madrid. Beyond the excitement of being one of the 30 finalists, it has been a valuable time to meet with the other artisans and learn from each of them. It is a very huge encouragement for me to keep moving on craftsmanship, push it further and keep making better works in the future. The Pleats Vase No.7 has been exhibited around in different places in the past year. Before the arrival in Madrid, it was exhibited in Brussels. A big thanks to @spazionobilegallery that's has always been supporting me and my work!

The exhibition @museothyssen will open until 29th June.

#ddng #loewefoundationcraftprize #loewefoundation taken in Museo Nacional Thyssen-Bornemisza by @dd_ng
72
a year ago
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Pleats Vase No.7 is 1 of the 30 finalists’ works for the Loewe Foundation Craft Prize 2025. Thank you @loewefoundation 

The exhibition at @museothyssen, Madrid, is on until 29th June 2025.

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Image courtesy of @loewefoundation taken in Museo Nacional Thyssen-Bornemisza by @dd_ng
24
a year ago
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Didi NG Wing Yin (@dd_ng) is a Helsinki-based designer who works almost entirely in wood. He grew up and studied industrial and product design in Hong Kong, where he was trained to be “practical and reasonably rational,” before moving to Finland for an MA at Aalto, and he has stayed ever since. Just before the pandemic, he chiselled a feather texture into a plank. “There wasn’t a strong intention to create, but the results have touched my heart.” He had never been a craft person, and the years of practice that followed changed how he thinks as much as what he makes. His work mainly uses wood to create furniture, sculpture and object, as he says “The material is your company, and you negotiate with it.” In 2024 he co-founded Minestrone Workshop, a shared woodworking space in Helsinki, and this October he shows at @asianow in Paris with Spazio Nobile ( @spazionobilegallery ).

Cover image by @petervinther 
slide 1 image by @lina_jelanski by @dd_ng
12
4 days ago
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| Recap — Crafts on Peel at Homo Faber 2026 |
That’s a wrap! Homo Faber 2026: An Island of Light has officially concluded. A huge thank you to Homo Faber (@homofaber) for the incredible opportunity to showcase Hong Kong talent on a global stage and for facilitating vital discussions on preserving craftsmanship in the modern age.

Inspired by the Venetian lagoon’s archipelago, British artist Es Devlin invited visitors to explore a narrative that unites +700 works by +500 craft artists from across the world, each an island of talent and skill within the wider waters of human talent.

We’re especially proud of Kammy Wong (@shingrealm_bonsai_arts), Leo Wong (@leowongceramics), and Inkgo Lam (@inkgolam) - our Crafts Fellows, who participated in the exhibition as exhibiting artists and demonstrators. What a sight to see their works among so many others!

As part of this year’s Homo Faber Summit, Crafts on Peel’s Creative Director, Penelope Luk, spoke at a panel alongside wonderful leaders, sharing insights on supporting traditional craftsmanship today. 

Thank you again to Homo Faber for highlighting the beauty of crafts. Looking forward to your next edition!

圓滿落幕! 威尼斯國際工藝雙年展 Homo Faber 2026: An Island of Light 已正式閉幕。衷心感謝 Homo Faber(@homofaber)提供寶貴機會,讓香港工藝登上國際舞台,並促成了一系列關於當代工藝傳承的重要對話。

英國藝術家 Es Devlin 以威尼斯潟湖群島為靈感,邀請觀眾走進一場匯聚全球逾五百位工藝家、超過七百件作品的敘事旅程——每位工藝家如同汪洋中的島嶼,各自綻放才華與技藝。

我們尤其為飄雅活藝的工藝伙伴感到驕傲——黃錦敏(@shingrealm_bonsai_arts)、王俊賢(@leowongceramics)和林嘉裕(@inkgolam)以參展工藝家及示範工藝家的身份參與展覽。看見他們的作品與世界各地的工藝相映生輝,實在令人讚嘆!

作為今屆 Homo Faber 高峰會的一環,飄雅活藝創意總監陸詠沁 Penelope 亦與多位傑出領袖同台對談,互相分享彼此對支持傳統工藝的洞見。

再次感謝 Homo Faber 讓世界看見工藝之美。期待下屆再會!

Featured Hong Kong Artisans: 
Kammy Wong (@shingrealm_bonsai_arts) , Leo Wong (@leowongceramics) , Inkgo Lam (@inkgolam), Julie & Jesse (@julieandjesse), Didi Ng Wing Yin (@dd_ng)

#HomoFaber2026 #HongKongCrafts #TraditionalCraftsmanship #CraftsOnPeel #飄雅活藝 taken in Homo Faber by @dd_ng
5
4 days ago
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It is such a wonderful experience participating in exhibition at @homofaber 2026 and meet with all the amazing people from the world. Special thanks to @spazionobilegallery for representing presenting my work pleats vase no.19 and @lisecoirier @giangius66 for the great time in Venice. Hope to see everyone again next time♥️

Homo Faber 2026
An Island of Light 
Artistic Direction by Es Devlin, curated by the Michelangelo Foundation 
1 – 30 September 2026 
Venice, Fondazione Giorgio Cini 
Curated by @homofaber In partnership with @fondazionecologni and @fondazionecini
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📷 1 @jinhye0ngjoo , 6 8 9 @lisecoirier , 10 @leowongceramics , 11 @atelier_wolfson taken in Fondazione Giorgio Cini by @dd_ng
12
12 days ago
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C’est sous un magnifique soleil automnal que j’ai la grande chance de visiter la Villa Spazio Nobile à Tervuren, lieu de vie et d’art  niché dans une verdure luxuriante.
Lise Coirier me présente les coups de ❤️ de ses artistes de référence de la Galerie éponyme, située à Ixelles.
Tout n’est que texture et beauté à l’état pur…
Entre émaux, bois, tapisserie, céramique et plumes, c’est un univers d’une délicatesse, d’une subtilité et d’une sensibilité à nulle autre pareille.
Bienvenue dans le monde créé par Spazio Nobile ❣️

It is on a glorious autumn day that I have the great pleasure of visiting Villa Spazio Nobile in Tervuren, a haven of life and art nestled amongst lush greenery.
Lise Coirier introduces me to her favourite pieces by the artists she represents at the eponymous gallery in Ixelles.
Everything is pure texture and beauty…
With enamels, wood, tapestry, ceramics and feathers, it is a world of unparalleled delicacy, subtlety and sensitivity.
Welcome to the world created by Spazio Nobile ❣️

Spazio Nobile Gallery
142 rue Frantz Merjay - Brussels
mardi au samedi / 11h-18h

@fondazionedriesvannoten 
@dd_ng 
@isaacmonte.nl 
@homofaber 
@spazionobilegallery 

#passionforart taken in Belgique by @dd_ng
11
17 days ago
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| Hong Kong Artisans in Venice — Homo Faber 2026 |
We’re proud to celebrate Hong Kong artisans at Homo Faber (@homofaber) 2026 in Venice! Across materials and traditions, their craftsmanship carries tradition forward in extraordinary new forms.

The international celebration of craft is inspired by the archipelago of the Venetian lagoon, British artist Es Devlin invites visitors to explore a narrative that unites +700 works of +500 craft artists from across the world – each an island of talent and skill within the wider waters of human talent – at Fondazione Giorgio Cini, on San Giorgio Maggiore island. 

我們很榮幸在威尼斯國際工藝雙年展 Homo Faber 2026 (@homofaber) 見證香港工藝師們的精彩亮相!跨越不同材質與傳統,他們讓傳統工藝以非凡的形態延續不息。

這場國際工藝盛會以威尼斯潟湖群島為靈感,由英國藝術家 Es Devlin 擔任藝術總監,邀請觀眾走進一場匯聚全球逾五百位工藝師、逾七百件作品的旅程——猶如才華之島,匯聚人類技藝的廣闊汪洋。威尼斯國際工藝雙年展 Homo Faber 2026 現正於聖佐治馬焦雷島上的 Fondazione Giorgio Cini 舉行。

Kammy Wong (@shingrealm_bonsai_arts) — Cycle of Preservation @ A ROOTED ASCENT

Leo Wong (@leowongceramics) — Peony Reverie @ A FEAST OF LIGHT

Inkgo Lam (@inkgolam) — Bamboo Sculpting: A Dialogue of Past and Present @ A ROOTED ASCENT

Julie & Jesse (@julieandjesse) — Without Leaving Your Room 3; Without Leaving Your Room 4 @ A FEAST OF LIGHT

Didi Ng Wing Yin (@dd_ng) — Pleats Vase Cinnabar Red @ A RAINBOW OF FORMS

Homo Faber 2026: An Island of Light
1-30 Sep 2026 | Venice, Fondazione Giorgio Cini
Curated by @homofaber
In partnership with @fondazionecologni and @fondazionecini

Photo Courtesy: Homo Faber & the artisans

#HomoFaber2026 #HongKongCrafts #TraditionalCraftsmanship #CraftsOnPeel #飄雅活藝 taken in Homo Faber by @dd_ng
5
18 days ago
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Spazio Nobile (Brussels) presents Pleats - a duo show of Pat Hui Kao and Didi Ng Wing Yin.

Pleats explores the poetic and structural language of folding as a shared gesture across materials, cultures, and continents. At Asia Now, the exhibition brings into dialogue the works of Pao Hui Kao, a woman artist and designer from Taiwan based in Eindhoven, and Didi Ng Wing Yin, a Hong Kongese designer based in Helsinki. Both artists translate pleating into their respective practices—paper for Kao and wood for Ng Wing Yin—creating a conversation that bridges East and West through material, technique, and sensibility. Pao Hui Kao’s delicate Original and Urushi Paper Pleats evoke lightness and ephemerality, where folds shape space and capture luminous moments. In contrast, Didi Ng Wing Yin carves and splits wood into sculptural pleats, revealing the grain within and conveying strength, permanence, and architectural presence. Together, their works engage in a dialogue between fragility and solidity, surface and structure, tradition and innovation, resulting in a series of collectable vessels and furniture pieces that blur the boundaries between art, design, and cultural expression.

Both have been finalists of the LOEWE FOUNDATION Craft Prize, respectively in 2022 and 2025. Spazio Nobile has published Artist Books on both following their duo shows, 25 Seasons and The Nature of Wood.

Spazio Nobile is a contemporary applied and fine arts gallery in Brussels, Belgium, known for its bold exhibitions and commitment to promoting innovative, boundary-pushing work. The gallery presents a range of emerging and established artists and designers from around the world, providing a platform for experimental practices and new creative directions in both fine art and collectable design. 

📷 Didi Ng Wing Yin, Pleats Vase No.7, 2024
Pao Hui Kao, Paper Pleats Stools, 2023
Courtesy of the artists and Spazio Nobile

📆 Asia NOW 12th edition 
Tuesday 20–24 October 2026 
VIP Preview (by invitation): Monday 19 October 
📍 Monnaie de Paris, 11 Quai de Conti, 75006 Paris by @dd_ng
0
22 days ago
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The stool was made of a spruce construction beam. It emphasised the character of spruce. All the carved and burnt marks carry the resistance of the material during making, which presents the natural quality of wood.

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Pith Stool B No.2
Spruce, ink, lacquer
72x26xh44cm
Unique piece by @dd_ng
27
23 days ago
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Sociedad de la Tierra” es una muestra de diseño y arte contemporáneo. Que  nació bajo la curaduría conjunta de la empresa colombiana Vélez (a través de su línea Vélez Artisan) y el estudio de diseño @studio__fango Su propósito fue reflexionar sobre el entorno actual, la geografía y la esencia del territorio colombiano mediante un proceso creativo colaborativo. La muestra colaborativa “Sociedad de la Tierra” reunió a un selecto grupo de cinco diseñadoras colombianas que trabajaron en conjunto con cinco mentores internacionales. @amaliaramirez.restrepo @johannaseelemann @veronicafrancol @dd_ng @lauragomezr @fernandolaposse @nataliacriado @studio_francescofaccin taken in MAMM Museo de Arte Moderno de Medellín by @dd_ng
0
24 days ago
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Some making process of the wood fountain😵‍💫 taken in Minestrone Workshop by @dd_ng
5
a month ago
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