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⚝ DEAD EASY ⚝

@deadeasy.au

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⚝ Melbourne
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DE007: ‘NO FUNERAL’ The latest publication from Melbourne based photographer Eoin McConnin
a.k.a @3dollawine a.k.a @300dollawine 🩸 - The follow up to his 2025 zine ‘IM DYING’
‘NO FUNERAL’ drunkenly follows Eoin along the blurry line of grime and glamour.

Available now on 3dollawine.bigcartel.com - LINK IN BIO

DEAD EASY PUBLISHING taken in Melbourne, Australia by @deadeasy.au

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4 months ago

We’re saying goodbye to our Albert Street location, keep your eyes peeled for updates on the new space…

Last show will be May 2nd, details coming soon!

Shot by @thirtyfives__
At @gothmuney solo show in March taken in Brunswick, Melbourne by @deadeasy.au

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6 months ago

If you missed out last time 👀 - The second run of ‘Lapin Viet Rose’ is now available to purchase online, the 60page zine accompanied my solo exhibition of the same title in Melbourne earlier this year.

$30 AUD

60 PAGES
FULL COLOUR
120 GSM
PRINTED IN
MELBOURNE
@deadeasy.au

A selection of photographs centered around my exploration of the streets of Paris, its metro system and the historic underground within its famous catacombs.

Available via Dead Easy Publishing

deadeasystore.bigcartel.com
LINK IN BIO
or by direct message to organize collection from me personally.

COPIES ARE LIMITED! taken in Melbourne, Australia by @deadeasy.au

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3 months ago

Our last copies of NO ORDER Magazine #04 are available on the online store - Be quick!

LINK IN BIO
deadeasystore.bigcartel.com taken in Melbourne, Australia by @deadeasy.au

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4 months ago

Melbourne, 2026

THANK YOU ALL ❤️

RUSE
Exhibition . Zine Release

@jonathanpieterse
@dux.nuts
@harveybanger53
@deadeasy.au

🔴 by @deadeasy.au

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5 months ago

RUSE

EXHIBITION . ZINE RELEASE
Saturday 2 May . 5 pm
@deadeasy.au

@dux.nuts
@harveybanger53
@jonathanpieterse

EXHIBITION
ZINE RELEASE
FREE DRINKS by @deadeasy.au

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6 months ago

OPENING THIS FRIDAY 7PM

@deadeasy.au
307 Albert st BRUNSWICK taken in Melbourne, Australia by @deadeasy.au

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7 months ago

Some flicks from @c.ewfaer solo show earlier this year…

📸 @____dgtl____ taken in Brunswick, Melbourne by @deadeasy.au

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7 months ago

i MUST be dumb.. 27th of feb @deadeasy.studio at 6pm. there will be exclusive merch available on the night so dont miss it. im going stupid come see the results by @deadeasy.au

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8 months ago

THE THINGS YOU FIND TIDYING UP THE STUDIO! LAST 5 OF THESE TEES HAVE SURFACED - DIRECT MESSAGE TO CLAIM ONE
FIRST IN BEST DRESSED ;) LIMITED SIZES

Photos - @charlie__foz
Design- @homewrecker.f.c
Printing- @badrego_screenprinting taken in Brunswick, Melbourne by @deadeasy.au

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9 months ago

Super excited to announce my first solo show at @deadeasy.studio , Come down at the end of the month and check it out!

Hope to see you there 🙃 by @deadeasy.au

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9 months ago

Little Timelapse of our install @ Dead Easy Studio

Brisbane, come through to @flyingcolours_bar on Friday for our next rendition of the show.

New space, new install, same show

Video 🎥: @deadeasy.studio
Thanks for having us

TEMPORAL DISSONANCE (Brisbane)
Georg Whelan & Seamus Platt

Opening:
5th December, 5pm
Flying Colours
63 Vulture Street, West End, QLD, 4101

Returning off the back of their 2024 joint solo opening in Berlin, Whelan & Platt use their respective mediums of painting and documentary photography, though, this time to traverse the relationship between time, morality & mortality.

“They [Whelan’s paintings] are all concerned with time and change and ultimately acceptance, acceptance of things that have been and that things are but won’t be for much longer, it’s a nod to the idea of impermanence and the need to accept it, to be present with our world even as it falls apart, to be present with where we are even if our history is bleak or our society is alienating.” - Georg Whelan

“I’m a fan of using both allegory and reportage in my work. Here I’m doing it by marrying folktales, anecdotes, and photographic scenes from every-day settings with archival documents, diary entries and images made at museums/landmarks. Comprising of images made throughout Lithuania, Latvia, Germany, the United Kingdom, and Australia this series aims to hold a mirror up people receiving the work. They peer into the background, where they see the first half of the twentieth century and then into the foreground where they see the current day. Both show the catastrophes that accompany the rise of authoritarianism, imperialism, and ultranationalism. My new body of work, ‘My Močiutė sent Me’, draws parallels between past and present in an effort to warn of dark histories that are rhyming with events of today.” - Seamus Platt

#brisbaneartist #brisbaneart #artexhibition #australianart #fineartphotography #oilpainting #fineartpainting #portra400 #filmphotography #cprints by @deadeasy.au

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a year ago