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Leon Schniewind

@dipshooop

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Context & Expression

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Collection sheets for @agglomerati

1. Cor by @tom_fereday
2. Mass by @fredganim
3. Sekka by @tinoseubert
4. Round Table by @fredganim

📸 Enrico Costantini, Giulio Ghirardi taken in Cologne, Germany by @dipshooop

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2 years ago

Label design for @gasthaus_scherz 2021 Riesling by @weingutbrachmann
#labeldesign #winelabel #winelifestyle #graphicdesign #printdesign #brandingidentity taken in Cologne, Germany by @dipshooop

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4 years ago

Some visual elements of the new website for multidisciplinary designer and artist @coline_le_quenven

Coline Le Quenven explores the future aesthetics of materials to encourage more sustainable practices using critical design, research, and craft to create new narratives about the human impact on Earth.

Signet by @felix_sandvoss ✏️🥷
Typeface: Roumald by @erkin_karamemet ✨ Graphic elements of a website for Coline Le Quenven, graphic design, Webdesigner, Visual, bitmap, roumald in use taken in London, Unιted Kingdom by @dipshooop

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2 years ago

🟠
Heinz Breloh
Circumspectio

03.–08.11.2026
Bahnhof Köln Messe/Deutz
Ottoplatz 7, 50679 Köln

Auf dem Weg zur diesjährigen @artcolognefair lohnt es sich, die Augen offen zu halten! Vom 3. bis 8. November 2026 begegnen euch Werke von Heinz Breloh (1940-2001) im und um den Bahnhof Köln Messe/Deutz.

Ich freue mich, mit „Circumspectio“ eine Ausstellung zu kuratieren, die Brelohs Werk in den öffentlichen Raum Kölns zurückbringt. Köln bildete den zentralen Bezugsort seiner künstlerischen Entwicklung. Seit den frühen 1970er-Jahren prägte er die experimentelle Kunstszene der Stadt aktiv mit, unter anderem als Mitbegründer der Zeitschrift „nummer“ und des Ausstellungsforums „depot“.

„Circumspectio“, lateinisch für das Betrachten von verschiedenen Seiten, knüpft an Brelohs dezidiert körperliches Verständnis von Skulptur an. Der eigene Körper wurde für ihn zum bildhauerischen Werkzeug: Performative Bewegung, distanzlose Berührung und die Ausdehnung seines Körpers im Raum bestimmten die Form seiner Plastiken.

Am Bahnhof Köln Messe/Deutz erscheinen seine Skulpturen, ausschließlich Werke der Kölner Jahre, in fotografischen Ansichten aus wechselnden Perspektiven. Grafisch freigestellt und vor monochrome Hintergründe gesetzt, werden sie auf unterschiedlichen Trägern präsentiert. Erst in der Bewegung durch Passagen, Treppenaufgänge und über Bahnsteige fügen sich die einzelnen Ansichten zur Vorstellung eines plastischen Körpers zusammen. Die Betrachter*innen sind im Transit und das Werk erschließt sich ihnen Schritt für Schritt.

In Kooperation mit @rehbeingalerie und dem Künstlernachlass @heinzbreloh, unterstützt von Ströer SE & Co. KGaA.

(1) Grafische Gestaltung von Leon Schniewind @dipshooop
(2) Credits: Künstlernachlass Heinz Breloh taken in Köln Messe Deutz by @dipshooop

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12 days ago

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3 months ago

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3 months ago

For the visual identity of the 9th Triennial of Photography Hamburg 2026, Cologne-based design studio @dipshooop challenged one of the festival’s most obvious visual conventions by creating a system that deliberately avoids using photographs. Instead, the studio built the identity around the invisible mechanics of photography itself, transforming technical artifacts into a distinctive graphic language.
Rather than relying on photographic imagery, the identity draws from three familiar but often overlooked phenomena: depth of field, lens flares, and burned film. These visual characteristics are usually considered byproducts of the photographic process rather than subjects of attention. dipshop repositioned them as the central elements of the festival’s communication, allowing the identity to reflect photography through its material qualities instead of its final images. Read More, Link in Bio Visual Identity: dipshop
Digital & Motion Design: dipshop
Graphic Design & Production of Print Media: Leon Lechner
Publication Design: Katharina Hetzeneder
Architecture and Graphic Design Deichtorhallen: Jutta Wasser #bountyhuntersarchive #graphicdesign #visualidentity #graphicdesigncommunity by @dipshooop

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4 months ago

Excited to share the identity for the 9th Triennial of Photography Hamburg 2026. 📸

Every three years, the Triennial brings together international artists, institutions and audiences through a city-wide program of exhibitions, commissions and events, making Hamburg a focal point for contemporary photography.

Developed around the theme Alliance Infinity Love, the identity is conceived as an open system that expands across formats, scales and contexts. A bold visual language creates a shared framework while allowing the festival’s many voices, venues and perspectives to coexist.

With the festival now open, the visual system extends across every facet of the Triennial — spanning exhibition architecture, digital platforms, merchandise and satellites throughout the city.

Thank you to the team @phototriennale

Graphic Design & Realisation of Print Media (Adaptation, Layout Grid, and Typographic Expansion): Leon Lechner, www.leonlechner.com
Publication Design: Katharina Hetzeneder, www.katharinahetzeneder.net
Architecture and Graphic Design Deichtorhallen: Jutta Wasser
Graphic Design & Production Triennale der Photographie Hamburg: Evelyn Nossol

🔗 in bio by @dipshooop

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4 months ago

Graphics for exhibition „DIE SENKRECHTE“ curated by @katie.eva on the 29th floor of Iconic Colonial Haus

📷 Slide 1 by @anna_lena_grau
📷 Slide 3 from Colonia Haus Archive
📷 Slide 4 by Anna K.E. taken in Colonia-Haus by @dipshooop

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9 months ago

New office, new website 💻📱

Careful redesign of dipshop.design featuring work for @documentafifteen @inderelst @gerritkotsiwos @sleepoverofficial @studio.nectar @ersanmondtag @rapha____rapha taken in Cologne, Germany by @dipshooop

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a year ago

Collection sheet for @agglomerati

Collection: Sekka by @tinoseubert

📸 @piercarloquecchia / @dsl__studio taken in Cologne, Germany by @dipshooop

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a year ago

Design Systems <-> Motion Systems

Investigating how motion systems can serve as a starting point for design systems. taken in Nippes, Nordrhein-Westfalen, Germany by @dipshooop

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a year ago