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DIVISI62

@divisi62

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Sound and Visual Arts Label.
Established 2016. JKT / IDN.
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Gobsmacked and delighted 🫯🦾 Macho Mystic Meltdown, Chapter 2: Monster; She Wrote (2026) claws into @sgiffest 37th edition of Singapore International Film Festival 2026 for its Southeast Asian premiere, competing in the Southeast Asian Short Film Competition. Starring the one and only 🖤🦾 @asmaraabigail in a fever dream of bad taste, bodily excess, military drag, monstrous femininity and macho decay. Singapore, prepare your ears 👂🏾👂🏾👂🏾👂🏾 With care and compassion, I YAYAT U SANTI 🦾🖤🤍 Beauty is dead. Masculinity is leaking. The monster has excellent cheekbones 🦾 Monster; She Wrote is the recipient of the Han Nefkens Foundation—Loop Barcelona Video Art Production Grant 2024, in collaboration with Art Hub Copenhagen; ILHAM Gallery (Kuala Lumpur); Inside-Out Art Museum (Beijing); MAXXI (Rome); MoCA (Taipei); MOT (Tokyo); and Museu Picasso Barcelona. @hannefkensfoundation CREW Studio — Natasha Tontey Project Manager — Theodora Agni Exhibition Manager — Stephanus Ari Laksono Executive Producer — Natasha Tontey Producer — Rizky Firliansyah Agusta AD — Zidan Evalo Situmorang SC — Giannina Trixie Lapian Line Producer — Vibinur Wulandari Production Designer — Awigarda Grandisya Art Director — Wildan Putra Pratama MUA — Juraiz Taftazani DoP — Ogie Aprilian Satie Gaffer — Bakti Taufikkurahman Sound Mixer — L. H. Aim Adinegara Location Manager — Muhammad Fachruriza Prop Master — Hanif Insan Fauzi Editor & DIT — Bagas Wahyu Pratama Colourist — Ibnu Zariri VFX — Sayful Bahri Sound Design & Music — Harsya Wahono Stills — Yudha Kusuma Putera BTS Video & Film Editor — Adythia Utama Budiman by @divisi62
6
7 days ago
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aktivitas di yogyakarta 1-9 Juli 2026 bersama @omni.roar @woktherock @nursalimyadi_ @rekambergerak @artmusictoday @aimadinegara by @divisi62
1
3 months ago
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Tropenkolder’ (2025) - @riarrr @newpessimism The first step in the sound design process for ‘Tropenkolder’ utilized an ambisonic microphone to record sounds on set, which featured industrial and natural environments surrounding railways built during the colonial era. Processed noise banks were also used to create a bed of sounds to confront the textures of the field recordings and archival sounds from the BBC sound effects library - superimposing time, past and current sonic habitats to question the notions of time, acceleration and chronically possessed by modernity. The music for the ending scene were composed out of eight oscillators shaped to mimic the spectral qualities of locomotive bells and horns, each triggered to cycle on their respective perceptions of time - smelting to create a wash of clustering chords. Currently on view at @eye_film and @museummacan. by @divisi62
0
3 months ago
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‘Tropenkolder’ (2025) - @riarrr The first step in the sound design process for ‘Tropenkolder’ utilized an ambisonic microphone to record sounds on set, which featured industrial and natural environments surrounding railways built during the colonial era. Processed noise banks were also used to create a bed of sounds to confront the textures of the field recordings and archival sounds from the BBC sound effects library - superimposing time, past and current sonic habitats to question the notions of time, acceleration and chronically possessed by modernity. The music for the ending scene were composed out of eight oscillators shaped to mimic the spectral qualities of locomotive bells and horns, each triggered to cycle on their respective perceptions of time - smelting to create a wash of clustering chords. Currently on view at @eye_film and @museummacan. by @divisi62
0
3 months ago
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‘Arteria’ album sampler video out now on youtube. Tracks include: Gym, Alfa, PS5, Unswollow, and Total Assy. Link in bio. Self directed, self animated, self produced. Mixed & mastered by HW @travellinglifedrama at @studio.oposisi ‘Arteria’ is my 3rd album released on @divisi62 . Have a listen. by @divisi62
12
5 months ago
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'Arteria' - a new album by @aryoadhianto out now on Bandcamp. The title ‘Arteria’ borrows from biology, vessels of transportation in between the heart and body. As bodies and entities that have to withstand digital abuse and emotional profiling, the balance of input and output signals are crucial in managing the feedback loop. Creative impulse, here, moves in a similar direction, carrying continuity with an indefinite outcome across networks. Using humor and satire in treating ready-made samples and presets, 'Arteria' suggests a non-linear inspection of the past and apprehension of the future by stepping back from traditional binary definitions of progress versus decline, and instead by moving in and out of circulatory systems, treating memory not as read-only but read-and-write. by @divisi62
9
5 months ago
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Prep work for 'The Phantom Combatants' - upcoming work by @krazykosmickid. by @divisi62
0
6 months ago
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‘Macho Mystic Meltdown Chapter 2: Monster; She Wrote’ On view at (@mocataipei) until 19/04/2026 and ‘To Ebb is to Flow’, on 27 February at (@vamuseum) South Kensington. The sound design in this work is constructed from the debris of stock sound libraries, sampled and resampled, processed with lower slew rates and coated with grainy, home duplicated cassette resolution. Jolts of musical elements are sprinkled here and there for sitcom-like accentuation, often with comical sensibilities and deliberate mishaps. The Macho Mystic Meltdown series will further involve processed electric guitar, peculiar modulations and other ‘oscillators running wild’ techniques that echoes the wobbliness of the Space Age era electronic/psychedelia/exotica genres injected with ‘rejected laboratory dump’ aesthetics. __________________________________________________ ‘Monster; She Wrote’ is the recipient of the Han Nefkens Foundation – Loop Barcelona Video Art Production Grant 2024, in collaboration with Art Hub Copenhagen; ILHAM Gallery, Kuala Lumpur; Inside-Out Art Museum, Beijing; MAXXI; MoCA, Taipei; MOT, Tokyo; and Museu Picasso Barcelona by @divisi62
0
7 months ago
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New work by @srihanuraga - "Provincializing Bebop" out now. During the last period of his life, the late, great Indonesian jazz pianist and composer Riza Arshad expanded his musical palette by dabbling with the spectra of various gongs from the Nusantara region. Alas, he passed away before he could record the resulting eleven pieces from his latest sonic excursion. This unfortunate event led to Sri Hanuraga inheriting the piano chair at Arshad’s supergroup, SimakDialog, and ultimately to his recording and release of Arshad’s selected new works. Inspired by this auditory odyssey, Hanuraga now embarks upon his own. “Provincializing Bebop” is an attempt by Indonesian pianist and composer Sri Hanuraga to propagate Arshad’s musical heritage by dismantling and reimagining jazz standards with spectral and electronic music techniques to create something both expansive and inevitable. At its core, the work is built upon a harmonic framework constructed from the partial interpolation of Charlie Parker’s saxophone sound and the resonant tones of the Javanese gender, transmuting bebop’s sonic identity. Artwork: "Melihat Bayangan" - Goenawan Mohamad, Studio Devfto (2023) Piano, electronics, programming - Sri Hanuraga Additional production, sound design, reinterpretation of "Narsisus" and "After Countdown" - Wahono Piano recording - Kevin Leonardo Mixed and mastered at Studio Oposisi - Jakarta, Indonesia by @divisi62
0
8 months ago
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This year marks the 9th anniversary of the passing of the late great jazz pianist and composer, Riza Arshad. During the last period of his life, Riza expanded his musical palette by dabbling with the spectra of various gongs from Nusantara region. Alas, he passed away before he could record the resulting eleven pieces from his latest sonic excursion. This unfortunate event led to me inheriting the piano chair at Riza’s supergroup, SimakDialog, and ultimately to record and release Riza’s selected new works, “Gong.” Inspired by this auditory odyssey, I now embark upon my own. “Provincializing Bebop” is my tribute to Riza and attempt to propagate his musical heritage by dismantling and reimagining jazz standards with spectral and electronic music techniques to create something both expansive and inevitable. At its core, the work is built upon a harmonic framework constructed from the partial interpolation of Charlie Parker’s saxophone sound and the resonant tones of the Javanese gender, transmuting bebop’s sonic identity. Beyond harmonic hybridization, the music introduces machine-like utterances by deconstructing chosen seminal jazz recordings through granular synthesis and allowing algorithmic processes to navigate shifts in rhythm and form. This interplay of spontaneity and digital intervention composes a mycelial network where the spores of tradition and futurism fruit into an emergent intelligence. The result is a jazz idiom untethered from its historical constraints—elastic, fractured, and ghostly, yet still pulsing with the restless energy of its origins. The album is out exclusively on Bandcamp: https://divisi62.bandcamp.com/album/provincializing-bebop Big thanks to Goenawan Mohamad for the amazing artwork, I’m very much honored. Artwork: “Melihat Bayangan” - Goenawan Mohamad, Studio Devfto (2023) Piano, electronics, programming - Sri Hanuraga Additional production, sound design, reinterpretation of “Narsisus” and “After Countdown” - Wahono Piano recording - Kevin Leonardo Mixed and mastered at Studio Oposisi - Jakarta, Indonesia by @divisi62
5
8 months ago
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ᘻᗩᑢᕼᓍ ᘻᖻSᖶᓰᑢ ᘻᘿᒪᖶᕲᓍᘺᘉ Chapter 2: Monster; She Wrote (2026) Written and directed by Natasha Tontey Opening today at @MoCaTaipei Monster; She Wrote is the recipient of the Han Nefkens Foundation—Loop Barcelona Video Art Production Grant 2024, in collaboration with Art Hub Copenhagen; ILHAM Gallery (Kuala Lumpur); Inside-Out Art Museum (Beijing); MAXXI (Rome); MoCA (Taipei); MOT (Tokyo); and Museu Picasso Barcelona. CREDITS Cast — Asmara Abigail Studio Natasha Tontey Project Manager — Theodora Agni Exhibition Manager — Stephanus Ari Laksono Executive Producer — Natasha Tontey Production Producer — Rizky Firliansyah Agusta AD — Zidan Evalo Situmorang Line Producer — Vibinur Wulandari Art Production Designer — Awigarda Grandisya Art Director — Wildan Putra Pratama MUA — Juraiz Taftazani Wardrobe — Magnis P. Excela, Evi Bahira Camera/Lighting DoP — Ogie Aprilian Satie AC — Endri Fajar | Clapper — Bintang Erlin | VA — Gianina Trixie Lapian Gaffer — Bakti Taufikkurahman | Best Boy — M. Ridwan “Umet” Adzani Lighting — Yoga Prasetyo, Muhammad Fadhilah Umar Grip — Arfendo Windi Saputro Guards — Angga Zazel, Abdul Fatah Sound (On Location) Mixer — L. H. Aim Adinegara | Boom — Tara Sayman | Utilities — Yesyta Mayzahra Locations LM — Muhammad Fachruriza (w/ team) Talent — Dita Clarisa Craft — Sarko Bagus, David Awaludin (+ Galih Pongkring) Props/Set Prop Master — Hanif Insan Fauzi Standby Art — Muhammad Syafwan, Ardian Wahyu Ramadhan Set Dressers — Andhika Krismananda, Refi Tri Harliansyah Graphic — Banyu Eka Suryana Legawa Mock-up — Reza Ali Post Production Edit & DIT — Bagas Wahyu Pratama | Online — Tegar Dyon Colour — Ibnu Zariri | VFX — Sayful Bahri Sound Design & Music — Harsya Wahono | Asst — M. Ziyan Agrily Docs Stills — Yudha Kusuma Putera BTS Video and Film Editor — Adythia Utama Budiman Logistics
Production Driver — Lukman
Lighting Driver — Nasihan
Genset Operator — Iyan Supyan
Catering — Wijaya Boga With care and compassion, I Yayat U Santi 🖤🦾 by @divisi62
9
8 months ago
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✶ MAJLIS — Strange Weather ✶ we're back......a series of live works and gatherings unfolding across January 2026 ⟡⟡⟡ 18 JAN 2026 | Various Timings TUNE YOUR DRUMS by Syafiq Halid 📍 *SCAPE Ground Theatre, L2 · COMMA TUNE YOUR DRUMS is a live interpretation of @syafiqhalid debut album SWD 004 electronic soundscapes × malay percussion × movement heavy synths polyrhythms field recordings traditional drums 🪘 rebana · kompang · hadrah · jidur reimagining nusantara fantasies and contemporary malay music 🕔 Showtimes 5:00PM – 6:00PM 8:00PM – 9:00PM Strange Weather collaborates on set design and production support alongside Syafiq Halid’s original artistic direction for COMMA Performers Nazri Johar · Khairi Kep · Nasrul Haq · Ridzman Salleh · Fadhli Ramlee · Syafiq Halid Movement by Norhaizad Adam · Syarifuddin Sahari ⟡⟡⟡ 24 JAN — MAJLIS at SAW 📍 FLOCK at Kampong Java 52–56 Kampong Java Road, Singapore 228859 🕕 6PM – 10PM 🆓 Free entry ✶ invited by 19sixtyfive for Singapore Art Week MAJLIS at SAW unfolds as a continuous movement regional club culture experimental electronics sound as archive the night opens with Akhirat Strange Weather’s sound system slow pressure · rhythm · atmosphere Wahono ( @divisi62 ) follows focused solo set archival sound · cinematic electronics Y-DRA ( @yesnowavemusic , @raja_kirik ) koplo · dangdut · javanese trance east java sound system energy celebration ↔ rupture ↔ physical release the night closes as it began with Akhirat special B2B by RTJ @sideo & A’alely @aalelyzahid founding crew in convergence this is also 🜁 Strange Weather’s comeback party held in full Strange Weather fashion ⟡⟡⟡ 25 JAN — COLLECTION BOOTH 📍 Labour Block @labour_block collection of SWD 003 — bani haykal cassettes for all orders via DM / PM 🔗 registration + more info via link in bio ✶ artwork by @weims.world track by Wahono - SWD 001 - Perbatasan Tanah from Album 'Hawa Hina Dina' by @divisi62
13
9 months ago
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