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Edward Lloyd

@edwardlloyd_

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performer-writer-researcher
Amsterdam

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Drawings from 'Fluxing', a performance lecture presented @homeofperformancepractices @artezuniversityofthearts, June 2026

Charcoal on paper, drawn while improvising by @edwardlloyd_

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10 days ago

Excerpt from 'Fluxing', a performance lecture presented @homeofperformancepractices @artezuniversityofthearts, June 2026

Documentation by @pisiou.maria and @steef_kersbergen. by @edwardlloyd_

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17 days ago

Graduated from @homeofperformancepractices at @artezuniversityofthearts

Two years of practice-based research led me to investigate my own dance practice through the lenses of access, labour and identity, and examine the institutional frameworks that structure Western European dance training.

Thanks to @pavloskountouriotis for believing in my work, the @homeofperformancepractices team, my cohort, and @doubleleapfrog #tonyeadams for their supervision and mentorship.

Video stills from ‘Fluxing’, a performance lecture presented at ArtEZ University of the Arts, June 2026

Documentation by @pisiou.maria and @steef_kersbergen taken in ArtEZ University of the Arts by @edwardlloyd_

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a month ago

Collective Desire as Rehearsal' for @club.raum Pride magazine.

An essay on crowds, looks and the practice of attuning to one another on the dancefloor.

Thanks to @charlottehingley for the invitation.

Full text available via link in bio.

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Editor-in-Chief @charlottehingley
Editor @glauco9_9
Graphic & Type Design @lion.sauterleute
Bookings/Curation @seniortwink & @_dieguita
Marketing Manager @olivia.pauletta_
Writers @edwardlloyd_ , @elmaragkou ,@fadi.houmani , @hannaewr , @brotundrosen , @raulfournier , @austerdammer ,@vicmazz , @youssefahmedhouda taken in Club RAUM by @edwardlloyd_

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a month ago

Arrival Dance, from my installation 'Scores for Arrival (a process sharing)' @bearsinthe.park during the ATLAS showings @impulstanz_festival taken in ImPulsTanz - Vienna International Dance Festival by @edwardlloyd_

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a month ago

'Scores for Arrival (a process sharing)' an installation presented at @bearsinthe.park during the ATLAS showings @impulstanz_festival

Departing from the experience of being in a constant state of arrival, in a new city, in workshops, in theatres, in studios, and at parties, the scores were developed as a way of relating to a space before choreographic work begins.

Inspired by desire lines seen around Vienna, the drawings trace the body's pathway through the studio.

The scores are available on my website (link in bio). taken in ImPulsTanz - Vienna International Dance Festival by @edwardlloyd_

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a month ago

Reflecting on my ATLAS residency @impulstanz_festival

Five weeks of mentorship with @formedview who encouraged me to develop parts of my practice I hadn't explored yet. Workshops that expanded my understanding of what choreography can be. Performances which reminded me that the dancing body can be a powerful tool of resistance. And most of all, a cohort that showed me what solidarity between artists looks like in practice, not just as an abstract idea.

Forever grateful for this experience ❤️ taken in ImPulsTanz - Vienna International Dance Festival by @edwardlloyd_

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2 months ago

Entering week 3 of my ATLAS residency @impulstanz_festival with mentorship by @formedview

Developing choreographic material based on my improvisation practice, and reverse-engineering it into
a scored system. taken in Vienna by @edwardlloyd_

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3 months ago

teaser ‘at the edge of connection’

20 june ~ research process
@intro_in_situ
3–6 september ~ performance
@culturanovafestival at @kasteelwijlre

at the edge of connection is about the fragile boundary between a place and the self, and what happens when that boundary begins to dissolve.

In the choreographic sound installation, Clarinde explores how moving through the world is never a solitary act. Every step, every gesture, holds the potential to link bodies, individual and collective, into something larger than themselves. Connection is constantly being shaped, negotiated, and felt.

This time, the garden of Dat Bolwerck acts as an active force, a presence that performs alongside the bodies within it. The work emerges from this specific ground and its conditions.

What unfolds goes beyond movement through space. It becomes a continuous exchange between environment and self — a search for where one ends and the other begins. Knowing takes place through the body, in motion.

concept and direction @clarinde_
creation and performance @edwardlloyd_ @ming_jou @clarinde_
sound design @massiftrophies
costumes @mainacamilla
camera Emo Weemhoff
editing Diego Gutiérrez & clarinde
color grading George Balatoni
technical support @rutgermuller.nl
location @datbolwerck

💚with support of @afk020 @mondriaanfonds @iona_stichting @gemeentezutphen by @edwardlloyd_

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5 months ago

Last weekend, ‘at the edge of connection’ at @datbolwerck

Sounds recorded in the garden were returned through speakers into the same place, coexisting with sounds already present.

It remained unclear whether a sound came from the garden itself or from a recording. The performers listened and responded to both, finding their way through this unstable acoustic reality.

Concept & choreography: @clarinde
Sound design: @massiftrophies
In collaboration with dancers: @edwardlloyd_ @ming_jou
Costumes: @mainacamilla & Clarinde
Technical support: @rutgermuller.nl
Special thanks to @itaichala and @xero33
Images: Emo Weemhoff

Thank you @marlici and the volunteers @datbolwerck for making this possible. by @edwardlloyd_

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7 months ago

‘at the edge of connection’ at Dat Bolwerck is a new work by artist Clarinde Wesselink, which explores environmental sounds as external forces that act upon us, inviting us to rethink our relationship to (unseen) ecological, social, and technological systems.

The work encompasses a sound installation, a choreographic map, and performers who move through this soundscape, attuned and responsive to sound.

Described by Clarinde as a “present-day myth,” the audience follows the emergence of three figures moving through shifting sonic states. It is “set in a realm shaped by the time and space of sound, where there is no beginning or end, no inside or outside, only an incessant dance of two energies that meet, in which every moment is uncertain. We witness the performers’ attempts to exist, communicate, and escape a single state of consciousness. We see a dissolution of boundaries between inner and outer realms, and between living and non-living matter.”

Sound is the driving force in this work, unsettling fixed structures and opening a field of shifting states in which boundaries dissolve and multiple realities can coexist. Sound designer @massiftrophies experiments with methods to create a dense sonic experience.

Choreography: @clarinde_
In collaboration with: @edwardlloyd_ @ming_jou
Sound design: @massiftrophies
Costumes: @mainacamilla
Technical support: @rutgermuller.nl
Special thanks to: @xero33 @itaichala , Eva Karczag and Susan Leigh Foster

Dates: 20, 21 & 22 March 2026
Time: Three performances each day between 12:00~15:00, approx. 30 min each
Location: Dat Bolwerck, Zaadmarkt 112, Zutphen
Admission: Free by @edwardlloyd_

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7 months ago

MEMENTO, @huismarseille

how far, in time and place, does war reach?

with @edwardllloyd_ , @ming_jou , @mainacamilla and @allashliakhova .
curated by @marjoleinvandermeer
trailer by
@nielslokhorst1999 + @bramvandam.mov

#MEMENTO #photographymuseum taken in Huis Marseille by @edwardlloyd_

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a year ago