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Founded by @theeliklein in 2007, Eli Klein Gallery specializes in Asian contemporary art. #EliKleinGallery
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Introducing our artist-in-residence: Shaan Ken Rao @shaankenraoShaan Ken Rao (b.1995, New York) is an interdisciplinary artist working across photography, painting, and image transfer. Rao received a Bachelor of Fine Arts in Photography from Parsons School of Design and is part of Pratt Institute Master of Fine Arts in Integrated Practices Class of 2027. His practice is an examination of lived experience, from the inside out. His works have been featured at All Street Gallery, New York, Millennium Film Foundation, Brooklyn, and Le Petit Village, New York. Rao is also the co-founder, creative director, and frontman of band DINHO DINHO, which has played at Mercury Lounge, Bowery Electric, Nublu 151, Nicki’s Unisex, Berlin NYC. Shaan Ken Rao currently lives and works in New York.Working from autobiography without reducing to confession, he constructs images that sit in the difficult terrain between breakdown and reconstitution, probing what persists in a self after it has been taken apart, and what it means that it does. His work is less interested in resolution than in aftermath: the slow, nonlinear process of becoming legible to oneself again._Learn more about Shaan Ken Rao on Eli Klein Gallery website._Image 1: Artist Portrait, Image by Alina BobrovaImage 2: Shaan Ken Rao, Untitled, 2026, Distressed screenprint, ink, and acrylic on canvas, 24 x 24 inches (61 x 61 cm)Image 3: Shaan Ken Rao, Inside a Pixel, 2026, Pencil, graphite, and ink on canvas, 30 x 40 inches (76 x 102 cm)Image 4: Shaan Ken Rao, Repose, 2026, Distressed screenprint of chemically altered photograph, acrylic, and ink on canvas, 36 x 24 inches (91 x 61 cm)_“Best by 07/21/2026”Residency: July 21 – September 16, 2026Exhibition: September 17 – October 17, 2026Opening Reception with the artists: Thursday, September 17, 2026 | 6-8 PM by @elikleingallery
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6 hours ago
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Introducing our artist-in-residence: Tianyi Sun @tianyisun_Tianyi Sun (b.1996, Kaifeng, China) is an interdisciplinary artist based in New York. Working across sculpture, installation, painting, performance, and software, her practice examines the entanglements of technology, language, memory, and embodied experience. Sun received a Master of Fine Arts from Otis College of Art and Design, Los Angeles (2020), a Master of Fine Arts from Parsons School of Design, The New School, New York (2022), and a Bachelor of Arts in Communications and Interdisciplinary Visual Arts from the University of Washington, Seattle (2017). Her works have been presented widely in the United States and abroad, including solo and two-person exhibitions and projects at Ars Electronica Festival, Linz; Hyundai Visionhall, Yongin; Helena Anrather Gallery, New York; Shisanwu, Glendale, NY; s+t with JDJ, New York; Artists Space, New York; Bolsky Gallery, Los Angeles; Linda Hodges Gallery, Seattle.Sun’s visual language turns everyday objects and technological interfaces into sites of reflection. As she navigates between the virtual and the material, her practice reveals how the human experience is continually reshaped by digital infrastructures. They are environments where the body negotiates intimacy, communication, and power within mediated worlds._Learn more about Tianyi Sun on Eli Klein Gallery website._Image 1: Artist PortraitImage 2: Tianyi Sun, Screening [Kingfisher], 2026, Organic resin, wax, red beans, embroidery thread, acrylic polymer digital print on synthetic silk, 15 x 13 x 4 inches (38 x 33 x 10 cm)Image 3: Tianyi Sun, Crop 03 [Spectogram 5], 2026, Organic resin, wax, acrylic polymer, embroidery thread, digital print on synthetic silk, 11 x 7 x 1/2 inches (28 x 18 x 1 cm)Image 4: Tianyi Sun, Preview [size 35], 2026, Organic resin, wax, acrylic polymer, red beans, black beans, mung bean powder, digital print transfer, 5 x 4 x 1 inches (13 x 10 x 3 cm)_“Best by 07/21/2026”Residency: July 21 – September 16, 2026Exhibition: September 17 – October 17, 2026Opening Reception with the artists: Thursday, September 17, 2026 | 6-8 PM by @elikleingallery
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Introducing our artist-in-residence: Clare Hu @clare_hu Clare Hu (b. 1996, Norcross, GA) is an artist and weaver whose practice is rooted in the histories of Chinese American immigration. Hu received a Bachelor of Fine Arts in Fiber and Material Studies from the School of the Art Institute of Chicago and a Master of Fine Arts from Hunter College, New York. She has presented solo exhibitions at Spellerberg Projects, Lockhart, TX; Gibbes Museum of Art, Charleston, SC; and Dream Clinic Project Space, Columbus, OH, among others. Clare Hu currently lives and works in Brooklyn, NY.Working across woven textiles, painting, and stitching, she pulls from overshot weaving traditions to construct fabric surfaces layered with maps, family imagery, and landscape markings. She traces the routes people took while establishing themselves in the American South, and the communities that formed along the way. _Learn more about Clare Hu on Eli Klein Gallery website. _Image 1: Artist Portrait, Image by Mae Stark Image 2: Clare Hu, Prospective Patch 13, 2023, Double weave overshot, painted warp, digital image on fabric, duck cotton, thread, 18 x 17 inches (46 x 43 cm)Image 3: Clare Hu, Debris, 2025, Woven textile, moving blankets, digital images printed on cotton, hand mending, 80 x 120 inches (203 x 305 cm)Image 4: Clare Hu, Debris, 2025, Woven textile, moving blankets, digital images printed on cotton, hand mending, 80 x 120 inches (203 x 305 cm)_"Best by 07/21/2026"Residency: July 21 – September 16, 2026 Exhibition: September 17 – October 17, 2026 Opening Reception with the artists: Thursday, September 17, 2026 | 6-8 PM by @elikleingallery
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2 days ago
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Eli Klein Gallery is pleased to present “Best by 07/21/2026,” a residency-then-exhibition featuring artists Clare Hu @clare_hu (b. 1996, lives and works in New York), Tianyi Sun @tianyisun_ (b. 1996, lives and works in New York), and Shaan Ken Rao @shaankenrao (b. 1995, lives and works in New York)._Residency: July 21 – September 16, 2026 Exhibition: September 17 – October 17, 2026 Opening Reception with the artists: Thursday, September 17, 2026 | 6-8 PM _Working across sculpture, weaving, painting, and photography, the three artists will create new bodies of work using Eli Klein Gallery as their studio. The gallery will be open to the public during normal business hours throughout the duration of the residency. This is an invitation to observe the evolving process of making before the works culminate in a three-artist exhibition opening on September 17. _Borrowing its title from the language of product packaging, “Best by 07/21/2026” considers the systems that determine value, relevance, and obsolescence. Opening on its own expiration date, the project frames the residency as a space where artistic production resists the pressure to become legible, marketable, or complete._#clarehu #tianyisun #shaankenrao #elikleingallery by @elikleingallery
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9 days ago
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Coming soon at Eli Klein Gallery: Clare Hu (@clare_hu), Tianyi Sun (@tianyisun_), Shaan Ken Rao (@shaankenrao). by @elikleingallery
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11 days ago
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We are pleased to share that two photographs by Liu Bolin (@liubolin) have entered the permanent collection of the Pinacoteca di Brera (@pinacotecabrera) in Milan._Created in 2025 as part of “A Message for Beauty”, the works were realized at Santa Maria delle Grazie, the home of Leonardo da Vinci‘s “The Last Supper”, and within the architectural spaces designed by Donato Bramante.Continuing Liu Bolin’s long-standing exploration of identity, memory, history, and cultural heritage, the photographs employ his signature camouflage practice to create a dialogue between contemporary artistic expression and historic sites.Their acquisition by the Pinacoteca di Brera marks another significant institutional recognition of the artist‘s work while underscoring its enduring relevance within both contemporary art and cultural heritage discourse._#liubolin by @elikleingallery
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16 days ago
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For a long time, when I was young, I felt distant from the idea of “history.” In textbooks, history always appeared through years, wars, reforms, and changes of political power, as if it were made of events already organized and settled. Yet the history that truly remains in the body often appears in more hidden forms. It may be a silence within family narratives, a memory that one generation chooses to avoid, a recurring pattern in festive images, or a color that seems joyful while quietly carrying a wound. Very often, history continues to exist in another form, lingering in images, bodies, and everyday experience.Writer: Shuhan Zhang @hiirebecca_a Featured Show: HERE ON AND AFTERFeatured Artist: Bùi Thanh Tâm @bui_thanhtam Featured Venue: Eli Klein @elikleingallery 398 West Street, New York, NY 1001.On View through: July 18, 2026Tue- Sat, 10 am – 6 pm by @elikleingallery
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18 days ago
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In this review, Analeia writes about Here on and after, a solo exhibition by Hanoi-based artist Bùi Thanh Tâm at Eli Klein Gallery in New York. Moving through a dense field of sunflowers, traditional Vietnamese woodblock references, and recurring visual fragments, the review reflects on how images survive not through fixed meanings, but through repetition, displacement, and transformation.Echoing Aby Warburg’s concept of Nachleben, the essay follows the sunflower as it shifts across Tâm’s paintings—from emblem, monument, tower, tombstone, to eye-like presence. Alongside references to Đông Hồ, Hàng Trống, and Kim Hoàng folk woodblock prints, these forms return not as stable symbols, but as living images continually reactivated across time.In Here on and after, survival becomes a process of metamorphosis. The afterlife of images is not only something we witness, but something we momentarily inhabit.Written by Analeia @helen.analeia Featured Artist: Bùi Thanh Tâm @bui_thanhtam Featured Exhibition: Here on and afterOn View at: Eli Klein Gallery, New York @elikleingallery Duration: May 16 – July 18, 2026Click for more: https://www.artechive.org/review/survival-and-transformation-in-here-on-and-after by @elikleingallery
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22 days ago
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On view through Saturday, July 18. Bùi Thanh Tâm (@bui_thanhtam)’s solo exhibition “Here on and after” brings together works that explore memory, resilience, and cultural transformation through the visual language of Vietnamese folk traditions. In “The Value of Freedom” series, Tâm blends the delicate spirit of these traditions with the bold visual language of pop and consumer culture. Towering sunflowers rise from a densely layered field, their wounded forms embodying both vulnerability and resilience. Rather than presenting freedom as a destination, the series imagines it as an ongoing act of perseverance, one sustained by memory, collective strength, and an enduring search for light._Bùi Thanh Tâm, The Value of Freedom III, 2026, Hang Trong, Kim Hoang, Dong Ho folk paintings, acrylic on canvas71 x 49 inches (180 x 125 cm)._Bùi Thanh Tâm, The Value of Freedom II, 2026, Hang Trong, Kim Hoang, Dong Ho folk paintings, acrylic on canvas71 x 49 inches (180 x 125 cm)._#buithanhtam #elikleingallery by @elikleingallery
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23 days ago
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In the “Mutant” series, @bui_thanhtam extends transformation into a more unsettled register, hybrid, composite bodies that hover between states, shaped by mutation rather than natural evolution. Growth is rarely seamless. It carries historical violence and generational trauma, passing forward through forms fractured, then reassembled._Bui Thanh Tam, Mutant VII, 2026, Dong Ho, Hang Trong, Kim Hoang folk paintings, acrylic on canvas 37 1/2 x 25 1/2 inches (95 x 65 cm)._Bui Thanh Tam, Mutant VI, 2026, Dong Ho, Hang Trong, Kim Hoang folk paintings, acrylic on canvas 37 1/2 x 25 1/2 inches (95 x 65 cm)._#buithanhtam #elikleingallery by @elikleingallery
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a month ago
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We are pleased to share that Shen Shaomin and Miao Xiaochun are featured in “A Glimpse of the Infinite”, the inaugural edition of the Shenzhen Art and Technology Biennale (SATB), now on view at the Shenzhen International Museum of Art (SIMoA). The exhibition was recently highlighted by @e_flux._Shen Shaomin‘s multimedia practice confronts the brutality of human nature through kinetic bone sculptures and hyperreal ”sleeping“ figures, probing the line between the real and the artificial. In this exhibition, he presents a collaborative work with Liu Shaoshan, Shen Tongyi, and Jiang Suxuan. Miao Xiaochun, a leading figure in Chinese new media art, is known for digitally reimagining Western masterworks, from Michelangelo’s ”Last Judgment“ to Bosch‘s ”Garden of Earthly Delights“ by replacing their figures with virtual models of his own body.Their works join over fifty international artists, scientists, and researchers exploring the quantum condition of perception. Observation not as passive, but as an act that collapses possibility into a single, fleeting present._“A Glimpse of the Infinite”Shenzhen Art and Technology Biennale (SATB)Now on view through 30 April 2027SIMoA, No. 16 Guanghui Avenue, Guangming District, Shenzhen, China_Image 2: Miao Xiaochun, Gyro Dance No. 4, 2019, Acrylic on linen, 39 3/8 x 39 3/8 inches (100 x 100 cm).Image 3: Miao Xiaochun, Gyro Dance No. 5, 2019, Acrylic on linen, 59 x 78 3/4 inches (150 x 200 cm).Image 4: Shen Shaomin, Sagittarius, 2025, Bone, bone meal, and glue, 39 3/8 x 23 5/8 x 65 inches (100 x 60 x 165 cm).Image 5: Shen Shaomin, Unknown Creature No. 22 Dog, 2002, Bone, bone meal, and glue, 27 x 63 x 19 inches (68.6 x 160 x 48.3 cm)._#shenshaomin #miaoxiaochun #elikleingallery #satb #shenzhenbiennale by @elikleingallery
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a month ago
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In Mutant II (2019), Bùi Thanh Tâm (@bui_thanhtam) depicts a transforming body enclosed inside a geometric cage, the figure held at the threshold of becoming. Like Bacon’s screaming popes or Kiefer‘s myth-laden surfaces, Tam pulls Dong Ho, Hang Trong, and Kim Hoang folk traditions into a similar tension, where tradition and contemporary forms exist in the same suspended moment._Bui Thanh Tam, Mutant II, 2019, Dong Ho, Hang Trong, Kim Hoang folk paintings, acrylic on canvas53 x 37 1/2 inches (135 x 95 cm)._#buithanhtam #elikleingallery by @elikleingallery
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