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Artist and art teacher.
Born in Costa Rica. Currently based in Colombia.
Inquiries: @pensofino
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Pausa para el café mientras trabajo en la serie Meistrel. Espero que la disfrutes. :) by @enio.ag
15
a year ago
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Thank you @brooklynrail and  @ekin_erkan_non_philosophy taken in New York, New York by @enio.ag
2
a year ago
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Thank you @hyperallergic and @valentina.diliscia taken in New York, New York by @enio.ag
0
a year ago
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Beyond grateful to everyone who helped bring this beautiful project to life, from start to finish. Special thanks to @pensofino for its unwavering dedication to my art and my artistic practice as well as @jessicaalazraki1 @saveartspace @matildalinberke @hypeart @hypebeast for being part of our journey and recognizing the cultural value in what we deeply believe in. 
Cheers to the road ahead!

Inmensamente agradecido con todos los que ayudaron a hacer realidad este hermoso proyecto, de principio a fin. Un agradecimiento especial a @pensofino por su inquebrantable dedicación a mi arte y a mi práctica artística, así como a @jessicaalazraki1 @saveartspace @matildalinberke @hypeart @hypebeast por formar parte de nuestro camino y reconocer el valor cultural de aquello en lo que creemos profundamente.
Brindemos por todo lo que está por venir! taken in New York, New York by @enio.ag
7
13 hours ago
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On view now!
@SaveArtSpace: Looking In

Selected Artist & Location
@enio.ag
Steinway St & 23rd Rd, Queens, NY

Artist Statement: 
My practice is rooted in play as a way of accessing subconscious impulses and drawing the viewer into a game whose rules are not immediately clear. I make automatic drawings daily, letting intuition lead. While my work is figurative, it resists accurate representation. I construct a deliberately childlike visual language, pairing it with carefully researched color palettes drawn from historical images and visual traditions. I use this seemingly naïve language to approach darker aspects of the human experience: desire, pain, violence, oppression, and fear. I am interested in poking at the viewer in subtle, almost incidental ways, letting unease accumulate until it becomes difficult to ignore. My practice develops through experimentation as I move between drawing, painting, and small-scale sculpture, using conventional, self-made, and found materials. I create in series, and each project becomes an obsession: I find myself reading for hours, spending entire days inside museums, or flipping through endless images. I embed biographical symbols into the work, allowing personal references to accumulate meanings beyond their original context. What first appears as a field of strawberries gradually reveals itself as a scene of violence.

Curator
@jessicaalazraki1

On view
September 11 - October 4, 2026

Artwork courtesy of The @Pensofino Collection.

#saveartspace taken in Astoria, Queens, New York by @enio.ag
2
a month ago
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@saveartspace presents "Looking In", a public art exhibition on billboard ad space in New York, NY, opening September 11, 2026, curated by Jessica Alazraki  @jessicaalazraki1 

Selected artist is Enio Arroyo Gomez @enio.ag with his painting titled "Ladron de casas" (House thief)

"Looking In" explores what it means to observe from a distance—through windows, thresholds, memories, cultures, and personal experiences. The exhibition invited artists to consider the spaces between public and private, insider and outsider, visibility and mystery. taken in New York, New York by @enio.ag
0
a month ago
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It was a successful opening at @mcbride_dillman . Thank you to everyone who was able to attend in person and help make this a special summer night. Cheers to the arts!
Midsummer. On view till August 14. taken in Lower Manhattan by @enio.ag
7
2 months ago
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On view in Midsummer through August 14, 2026

Enio Arroyo Gomez
Banana Warhol I, 2016
Mixed media on cotton paper
14 x 11 in. / 35.56 x 27.94 cm

Banana Warhol I, produced in 2016, is part of the BROTES (“Sprouts”) series. The series emerged from Enio’s fascination with the primitive line, drawing inspiration from the Chamacocos Indigenous people of Paraguay and from the research of psychologist Rhoda Kellogg, whose studies explored the universal nature of children’s scribbles. While the BROTES series initially appears playful and naive, it subtly engages with much more complex themes. In Banana Warhol I, the banana may first be read as a familiar, lighthearted fruit associated with childhood. Yet it also evokes Andy Warhol’s iconic Pop imagery, inviting associations with consumer culture, mass production, and the commercialization of everyday objects—hallmarks of Western capitalism. Seen through a Latin American lens, however, the banana also recalls the history of colonial exploitation, economic dependency, and political corruption associated with the so-called ‘banana republics.’ 

In 2016, BROTES was shown in a month-long solo exhibition at the Costa Rica National Gallery, which subsequently acquired 15 works for its permanent collection.

Enio Arroyo Gomez (b. 1982, Costa Rica), currently based in Colombia, uses play to access subconscious impulses and test how images reshape reality. Through drawing as a daily ritual, he constructs a deliberately naïve visual language that resists conventional representation while masking deeper tensions. Working across media, he explores desire, violence, and fear through distorted figures and allegory, where seemingly innocent scenes reveal underlying psychological and moral conflict. taken in Henry Street (Manhattan) by @enio.ag
0
2 months ago
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July 10 to Aug 14. @mcbride_dillman 
195 Henry St. NYC

Taking its title from the spirit of Shakespeare's A Midsummer Night's Dream, Midsummer brings together artists whose work navigates the space between reality and imagination, instability and transformation. The exhibition explores what emerges when familiar structures begin to loosen and new ways of seeing become possible.
Curated by Ashley Dillman. taken in Lower East Side Manhattan by @enio.ag
2
3 months ago
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448 Townhouse | Chelsea Gala Spring Dwell: A Multi-Sensory Sanctuary. May 7. 2026. NYC.

@utopiacollab.inc_ 
@pensofino 

@nestseekers 
@globalwealthoffice taken in Chelsea, Manhattan by @enio.ag
1
4 months ago
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448 Townhouse | Chelsea Gala Spring Dwell: A Multi-Sensory Sanctuary. May 7. 2026. NYC.

@utopiacollab.inc_ 
@pensofino 

@nestseekers 
@globalwealthoffice taken in Chelsea, Manhattan by @enio.ag
0
4 months ago
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448 Townhouse | Chelsea Gala Spring Dwell: A Multi-Sensory Sanctuary. May 7. 2026. NYC.

@utopiacollab.inc_ 
@pensofino 

@nestseekers 
@globalwealthoffice taken in Chelsea, Manhattan by @enio.ag
0
4 months ago
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