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@faridaplz

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« i was so blinded, i had to kneel », diplôme de Farida Karim @faridaplz étudiante en 3e année Atelier Isabelle Cornaro

“How to stay grounded despite the absence of ground.

The installation unfolds entirely at ground level. The body lowers itself. Attention shifts
downward. To walk through the space is to become aware of hesitation – weight, balance,
proximity. Through unstable architectures, the work investigates grounding, submission,
collapse, and the tension between holding and letting go. Despair and potential in palpable
tension. Attempt runs through all of it. Each gesture stretches time a little further, suspending
meaning between trying to translate something and it not quite arriving.

Mourning here is not subject matter but condition: repetition, delay, return. « ROSS »
appears throughout in dispersed or absent forms, structuring the space through
disappearance. Language circulates as material – placeless writing, writing that cannot settle
anywhere. Emma Bombail (@paris_bedtime)’s fiction runs through the installation like two
people who cannot seem to speak to each other, closer to a competition than a dialogue.
The way language sets traps.

« It’s for Ross » (2026), 10’42 », a 4-channel sound work made with Roya Bari (@guelaybari)
and Anna Rimmel (@areligiousvizion). Interrupted cello rehearsals, love songs, voices that
never quite arrive. Over a YoungBoy Never Broke Again cover, Anna reads Brecht’s « To
Those Born Later », before the piece loops back.

Thank you to Isabelle Cornaro, Roya Bari, Anna Rimmel, Laura Katzauer, Regev Haim
Pardo, Magalie Vaz, Cherifa Karim, Micha Chamilov, Bantan Kante, and everyone else who
was a part of this.”

@isabellecornaro @ericdechassey #beauxartsparis #fineart #artcontemporain #ecoledart #emergingartist @culture_gouv by @faridaplz

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2 days ago

Zombie is premiering tomorrow as part of the group exhibition the kids are alright at @neuerkunstvereinwuppertal

I am so happy to share this collaborative work by @yeldakabiil @faridaplz and me that we conceived and shot in 2023 with an amazing group of people and brought into its material form for this exhibition. It emerged out of friendship and heartbreak and in heartbreak and friendship it resolves.

The exhibition is open 5.9.26 19h - 26.9.26.

In loving memory of Maât Lk Peior, who is no longer with us.
@stellafeelauhoff words cited from the exhibition text:
With great sadness we must say goodbye to Maât, who passed away far too young in May 2026. Her heart and her elegance remain immortal, her death is unjust. She will be remembered forever as an irreplaceable person, a friend, and an inspiring artist. Our thoughts are with her friends and family.

Zombie (2023-2026)
Concept @yeldakabiil @cy.klock @faridaplz
Photography @cy.klock
Steel frames @och_johanna
Art direction @yeldakabiil
Video @faridaplz
Cast @aftermaat @aureluong @garantika_forever @hausvillain @hovlms via @cmsworld.agency @jouyssif @riem.em @wazkell
Styling @jenny.shoo.pumps
Makeup/SFX @catalinasartor_
Special Thanks to @leodesaintseve @emoexistens
We are showing 6 out of 10 frames.

Thank you to for organising this exhibition and inviting us @stellafeelauhoff @paularaak @yana.bahe @nin4lu_ @lea.glodek @neuerkunstvereinwuppertal by @faridaplz

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a month ago

My diploma “i was blinded, i had to kneel” will be on view Friday 5th of June at Beaux-arts de Paris, atelier Tatiana Trouvé
Opening from 6-10pm, pass by xx

With a text by Emma Bombail @paris_bedtime
and a Sound piece with Guelay @guelaybari & Anna Rimmel @areligiousvizion by @faridaplz

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4 months ago

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a year ago

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a year ago

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2 years ago

I am standing in front of you, and… by @faridaplz

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2 years ago

#fyp by @faridaplz

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3 years ago