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Holy Caftan

@holycaftan

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• Hand Made in Italy
• Designed by Gabriela Fluss
• DM for Info
📍Via Santa Chiara, 23 Napoli
PARTHENOPE bag pre-order now! 👇🏻

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BY HAND - 01. UNWOVEN | Evento in boutique
Dalle 18:30 alle 20:30

In mostra le opere di Cristina Cianci
Cartapesta, fibre, colla. Materiali poveri, antichi, usati con rigore e poesia. Cristina Cianci plasma con le mani ciò che sembra immateriale: il tempo, il dolore, la coscienza. Ogni anfora, ogni ciotola è una soglia tra passato e presente, tra la concretezza della forma e la leggerezza del vuoto.

In dialogo Archivio del tempo
Un progetto curatoriale itinerante che attraversa epoche e culture, dando nuova voce a oggetti e storie senza tempo. Per questa occasione, la Sezione Giappone presenta una selezione di kimono d’epoca, dove arte tessile, memoria e tradizione dialogano con l’arte contemporanea.

Via Santa Chiara, 23 Napoli by @holycaftan

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14 days ago

A siren in your hands.

The Parthenope bag was born from the collaboration with ceramic artist @ceramiche.vanessadangelo and embodies the spirit of the collection: the sea, myth and the memory of the Mediterranean.

The sculptural ceramic handle meets deep blue fringes, transforming an accessory into a small wearable work of art.

Available at the Holy Caftan boutique, Via Santa Chiara 23, Naples and online on www.holycaftan.com by @holycaftan

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4 months ago

Parthenope emerges once again from clay.

Her face takes shape among leaves, ornaments and symbols that trace the history of the Mediterranean.

Each plate is hand-shaped and hand-painted by artist and ceramicist @ceramiche.vanessadangelo, making every piece unique.

Available at the Holy Caftan boutique, Via Santa Chiara 23, Naples, and online on holycaftan.com by @holycaftan

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4 months ago

CARLOTTA · EMBROIDERED LINEN

For her wedding in Valle d'Itria, Carlotta chose a bodice inspired by our Arcadia dress.

With the linen skirt, two sprigs of openwork leaves barely surfaced along the sides; at the hem, the ajour of the underskirt showed through. For the pool party, the same bodice was paired with linen trousers with side ajour.

#holywedding · dresses designed together with the women who will wear them.
Via Santa Chiara, 23 Na by @holycaftan

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3 days ago

ENRICA · CRINKLED COTTON

In Massa Lubrense, Enrica wore a dress in crinkled cotton.

The fabric's irregular surface gives rise to an essential line: a clean bodice, full sleeves, no superfluous detail. An unusual choice for a wedding dress, and exactly for that reason, so personal.

#holywedding · dresses designed together with the women who will wear them.
Via Santa Chiara, 23 Na by @holycaftan

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5 days ago

A dialogue between what grows and what is made by hand.

For Libia's wedding, the mood of the table was born from the garden: fresh vegetables set alongside ceramics from the Sorrento tradition.

Nothing was chosen to look beautiful. It's beautiful because it's true.

#holywedding · dresses designed together with the women who will wear them.
Via Santa Chiara, 23 Na by @holycaftan

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7 days ago

LIBIA · SILK ORGANZA

Libia's wedding took place in the garden, in Sant'Agata sui Due Golfi.

For her dress, silk organza with embroidered ecru micro polka dots, a flat-pleated plastron and embroidery running across the sleeves and skirt.

#holywedding · dresses designed together with the women who will wear them.
Via Santa Chiara, 23 Na by @holycaftan

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10 days ago

Introducing Holy Wedding

Every dress begins as a dialogue: between the one who designs it and the one who will wear it, between traditional Southern Italian embroidery and her own story.

#holywedding
Via Santa Chiara, 23 Na by @holycaftan

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12 days ago

Linen, cotton, ceramic. Different materials, the same idea underneath.

For Holy Caftan, every material is a canvas for telling a story, and this capsule, born from the meeting of the artist Gerardo Di Fiore and the ceramist Alessandra Cardosi, is no exception. by @holycaftan

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24 days ago

For Gerardo Di Fiore, a face is never just a portrait.

It's a suspended presence: something the artist has explored before, where every face carries its own weight, its own story.
In the capsule for Holy Caftan, that same language settles onto Alessandra Cardosi's ceramic: an essential mark that doesn't describe, it evokes. by @holycaftan

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a month ago

The essential line of Gerardo Di Fiore - a Neapolitan sculptor and one of the most respected voices in the city's contemporary art scene - meets the hands of Alessandra Cardosi, who translates it into a capsule for Holy Caftan.

The story between fabric and ceramic continues! by @holycaftan

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a month ago

💙 by @holycaftan

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a month ago