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석혜원

@hyewon.suk

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I make music and sound.
Half of the @oddsonorous
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“Shallow, Deep, Grain” is an audiovisual project centered on the surface textures of lichens, unfolding through moving images and sound. There exists a world of epidermal forms composed of minute patterns and textures—surfaces that are everywhere, yet slip unnoticed from most forms of attention. Lichens are often mistaken for moss or fungi, but are in fact composite organisms formed through a symbiotic relationship between algae and fungi. Surviving on rocks, trees, and walls, they endure not by penetrating inward, but by remaining in contact with surfaces. Without roots or a central organ, lichens exist horizontally, through continuous negotiation with their surroundings. Their survival is not a strategy of conquest or domination, but of persistent coexistence. Rather than digging into depth, they remain upon the surface; rather than invading, they spread; rather than arriving at a fixed and complete form, they are continually shaped through interaction with external conditions. Here, the surface is not a mere outer skin, but a dense field of contact where life gathers, adapts, and persists. “Shallow, Deep, Grain” begins with the epidermal textures of lichens and unfolds as a synesthetic exploration of depth, surface, and perception. It does not search for an essence hidden beneath the surface, but follows the layers of sensation and relation that surfaces generate and sustain. Clear contours dissolve into blurred textures, and the images resist becoming stable visual information; they merge with sound, taking on another kind of breath and rhythm. The surface is never shallow. It is the condition through which relations emerge and life persists. “Shallow, Deep, Grain” remains with its subtle vibrations and transformations, listening to the fragile skins through which the world becomes perceptible. Listen and watch. Link in bio🌱🎧🪷 #lichen #audiovisual #soundart #ambientmusic by @hyewon.suk
1
4 months ago
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“Shallow, Deep, Grain” is out now! Originally created for an 8K media wall earlier this year, this audiovisual project has now been fully edited as a single-channel video. Centered on the surface textures of lichens, it unfolds through moving images and sound. Full video on YouTube.
Track available on Bandcamp.
Link in bio. by @hyewon.suk
3
4 months ago
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Korean Salpuri Dance meets Japanese Butoh in an interactive dance performance in Berlin — becoming a gesture of women’s solidarity beyond borders! An officially invited performance of the 2nd International Korean-German Dance Festival. -Sunday, 19. July 2026 – 07:00 PM -Studio1, Uferstudios, Berlin ‘Pseudo-Archaeological Translation: The Berlin Case’ is an interactive performance that combines contemporary performance art with media technology. The focus is on the lived realities of former Korean nurses and migrant women from various countries who now live in Berlin. Their bodies bear the marks of care work, shaped by both family and societal experiences. Drawing on their own stories and movements, they translate the diary of Trần Thanh Lan – a migrant who came to South Korea through international marriage migration and lost her life there. This embodied translation process raises questions about migration, identity, solidarity and cross-border empathy. -Production: Salad Theatre, Seoul -Organiser: Initiative WoBo, Berlin -Executive Producer: Kyong Ju Park -Co-production: Yuko Kaseki -Directed by Kyong Ju Park & Yuko Kaseki -Choreography: Yuko Kaseki -Multimedia & Video Direction: Kyong Ju Park -Text & Research on Trần Thanh Lan’s diary: Kyong Ju Park -Technical Direction & Dramaturgy: Kyong Ju Park -Audiovisual programming: Norman Wassmuth -Music & Sound: Hyewon Suk -Set Design & Props: Kyong Ju Park, Mahtab Esmaeelzadeh -Cast: Yuko Kaseki, Moung-Yul Braun, URI Dance Group, Ducksoon Park-Mohr, Apoorva Mohan, Adriana Santos, Mahtab Esmaeelzadeh, Kyong Ju Park -Cast (dance film ): Lorna de Mateo, Urna Uranchimeg, Anima Singh -With the kind support of: Theaterhaus Berlin -In collaboration with: URI Dance Group, Berlin #saladtheatre #Salpuri #Butoh #InteractivePerformance taken in Uferstudios Für Zeitgenössischen Tanz by @hyewon.suk
1
3 months ago
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@hyewon.suk @anna_phaenarete_lioka “소리꽃 위한 서정시(Ode to Sorikkot)” 23.08.2025 Plant Stories(@plant.stories_) ZK/U Berlin(@zku.berlin) “소리꽃 위한 서정시(Ode to Sorikkot)” is a poetic ritual, chant, and collective listening performance that imagines a time when plants and humans were attuned to one another. Extending from the previous project S.Abligua X Odekon, the work weaves together the recitation of poems written in the form of myths and folktales, voice, electronic sound, field recordings, and real-time environmental data collected from the performance site to construct a sonic fiction. Here, language not only delivers the meaning but also serves as poetic and sonic material. The phenomenon of “echo” is proposed as both a key concept for rethinking the relationship between plants and humans and a metaphor for symbiotic relations. Through this lens, the performance summons the cyclical memory of life—its continual birth and death—and expands the relationship between plants and humans toward ecological and planetary dimensions. Photo : Brenda Alamilla(@bre_alamilla) by @hyewon.suk
2
4 months ago
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A Scenario Of A System Off Premiere 18.-21. December 2025 Radialsystem “A Scenario Of A System Off” is a new performance by Mexican artist Ixchel Mendoza Hernández, which invites us to grapple with our sense of perception. In the gaps between memory and imagination, the work explores how everyday gestures, words and surroundings change when systems of language and categorisation start to falter. Repetitive loops made out of movement, text and sound are used to transform normal situations - like the simple phrase “I sat here” - into riddles, contradictions and poetic detours. “A Scenario Of A System Off” will celebrate its premiere in Radialsystem shortly before Christmas. Three dancers move in dialogue with “invisible” beings on the stage, forming a changeable interplay between bodies, voices and soundscapes. Lengths of material are used to create different spaces, becoming transparent shells that capture fleeting light or projections. The performance engages with the power of the imagination as a political and philosophical tool: Instead of presenting a linear narrative, the performance unfolds as a dynamic system with different levels of perception and possibilities. “A Scenario Of A System Off” transports the audience into a world in which meaning is not tied down, exploring how repetition, transformation and associative perception can open new paths towards an understanding, imagining, and living of the world. Cast Concept, choreography, text and performance Ixchel Mendoza Hernandez Performance and co-creation Chihiro Araki Angelo Petracca Sound and composition Hyewon Suk Light, video mapping und subtitles Annegret Schalke Stage design, and projection design Dora Đurkesac Costumes Malena Modéer Dramaturgy Jenny Mahla Production M.i.C.A. - Movement in Contemporary Art Distribution Tammo Walter Voice Coach Joséphine Evrard Credits A production by Ixchel Mendoza Hernández. Funded by the Capital Cultural Fund. In co-production with Radialsystem. With the kind support of Something Great – Centre for International Contemporary Performing Arts. Pictures Dieter Hartwig by @hyewon.suk
0
7 months ago
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제목 : 얕고, 깊은, 결 싱글 채널 비디오, 스테레오 오디오, 5분 40초, 반복재생 어디에나 존재하지만 대부분의 시선에서는 미끄러지듯 사라지는, 미세한 무늬와 결로 이루어진 표피들의 세계가 있다. 지의류(Lichen)는 흔히 이끼나 버섯으로 오인되지만, 실은 조류와 균류가 결합한 공생체로서, 바위, 나무, 벽면과 같은 표면 위에서 극한의 환경을 견디며 살아남는 복합 생명체이다. 뿌리도 중심 기관도 없이, 지의류는 내부로 침투하지 않고 표면과의 접촉을 통해 수평적으로 존재한다.지의류의 생존 방식은 점령이나 지배가 아닌, 환경과의 지속적인 협상에 가깝다. 그것은 깊이를 파고드는 대신 표면 위에 머물고, 침투하는 대신 확산하며, 고정된 형태로 완결되기보다 환경과의 상호작용 속에서 형성된다. 이때 표면은 단순한 외피가 아니라, 생명이 세계와 관계를 맺고 유지하는 가장 밀도 높은 장소가 된다. 〈얕고, 깊은, 결〉은 이러한 지의류의 표피를 출발점으로 삼아, ‘깊이’라는 개념 자체를 다시 바라보고자 하는 공감각적 실험이다. 이 작업은 본질이 표면 아래 감춰져 있다고 전제하기보다, 표면이 생성하고 유지하는 감각과 관계의 층위를 따라간다. 이를 위해 언어적 조건이나 의미 지시 없이 이미지의 형태적 분포를 학습하는 GAN(Generative Adversarial Network)모델을 사용하여, 지의류의 형태와 질감의 변주에 집중한다. 명확한 윤곽을 거부하고 흐릿하게 번지는 텍스처는 시각적 정보로 고정되기보다, 소리와 결합하며 또 다른 호흡과 리듬을 형성한다. 이때 시각과 청각은 서로를 보조하는 매체가 아니라, 함께 표면을 진동시키는 동등한 감각으로 작동한다. 이 작업에서 표면은 결코 얕은 것이 아니다. 안과 밖, 내부와 외부를 구분하는 경계가 아니라, 관계가 발생하고 생명이 지속되는 조건 그 자체다. 〈얕고, 깊은, 결〉은 표면을 통과해 어떤 깊이에 도달하려 하기보다는, 표면 위에 머무르며 그 미세한 변화와 진동 속에서 새로운 사유의 가능성을 탐색한다. taken in 갈현동 (과천시) by @hyewon.suk
3
8 months ago
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2025 was a special year! More adventurous than ever, and full of things to be grateful for. So thankful to everyone who walked through 2025 with me. In the new year, hopefully I can keep moving, a little healthier, with a little less burnout🥹💪💃🐚 by @hyewon.suk
1
9 months ago
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“Codas” tells the experiences and life journeys of three CODA (Children of Deaf Adults) in German sign language (DGS), as well as in German & English spoken language. The stories of CODAs are embodied by four performers. The performers—two of them Deaf and two hearing—express the tone, textures, rhythms, and emotions of the narratives through movement. A soundscape accompanies the piece, adding a unique color to each story. The first half of the piece focuses on the content of these personal accounts. In the second half, the narratives gradually fade, giving way to evolving choreography and sound. This shift mirrors how memories live in the body—deeply felt, yet often beyond the reach of words. The performance is accessible for Deaf audiences and is a relaxed performance. Duration approx. 60 min PAY WHAT YOU CAN (10/15/20/25) 5 EURO TICKETS AVAILABLE FOR BIPOC, DEAF, CODA (CHILDREN OF DEAF ADULTS) 16.10.2025 -> 20:30 17.10.2025 -> 20:30 18.10.2025 -> 20:30 19.10.2025 -> 19:00 @TANZFABRIK I UFERSTUDIOS 14 For tickets and further info -> find LINK IN BIO Artistic direction, Choreography: Inky Lee Performance & Collaboration: Hyemi Jo, jee chan, Jiayi Wu, TingAn Ying Performance & Interview: Melanie Subat, Milena Yara Klinner, Lea Löpker. Light design: Gretchen Blegen Sound design: Hyewon Suk Barrier-free consultation: Hyemi Jo DGS coach: Paulina Güllü DGS communication assistants: Caterina Macht, Hannah Stolp, Kris Chekelova, Lisa Schuler, Nancy Dominguez Production management: Christin Eckart Supported by IMPACT-Funding 2025 of the Senate Department for Culture and Social Cohesion. taken in Uferstudios by @hyewon.suk
5
a year ago
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PLANT STORIES #4 🌱 23 August 2025, Saturday 21:00 @zku.berlin 소리꽃을 위한 서정시 (Ode to Sorikkot) Performance by @oddsonorous 소리꽃을 위한 서정시 (Ode to Sorikkot) is a poetic ritual, chant, and collective listening performance that imagines a time when plants and humans were attuned to one another. Continuing from the previous project S.Abligua X Odekon, Odd Sonorous draws on mythology and ancestral cosmologies to weave together spoken poetry, voice, sound composition, and real-time environmental data collected from the performance site, ZK/U. In a collaboration with ZK/U’s long term project ClimArt, Odd Sonorous processes recorded data from the rooftop weather station and soil sensors. The live performance invites a form of listening that moves beyond language—into a space where resonance becomes a shared presence, memory moves in cycles, and being unfolds through echoic relation. Odd Sonourous are @hyewon.suk and @anna_phaenarete_lioka. Free entry. Funded by Hauptstadtkulturfonds. taken in ZK/U - Zentrum für Kunst und Urbanistik by @hyewon.suk
2
a year ago
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S.Abligua x Odekon, 2022 4 channel Experimental film, archive. “S.Abligua x Odekon” is an experimental film with 4-channel audio that actively adapts AI technology as a fundamental artistic imagination and inspiration. The story begins with the discovery of a plant that once produced sound and is now considered extinct. Based on AI-generated visual and verbal botanic archives, the artists embark on a journey to recover the lost sound. Whether humans have lost the ability to hear plant voices, or plants have ceased to sound within the human audible range, the work weaves ecological, social, and political causes of disconnection into a speculative narrative. @oddsonorous (Anna Phaenarete Lioka and @hyewon.suk ) proposes listening as an act of reconciliation and symbiosis between humans and nature, through decolonial and decentralized practices made possible by current technology. #experimentalfilm #soundart #AIart #audiovisualart #ecologicalart #plantvoices #decolonialart #posthumanart #natureculture #soundecology #speculativenarrative #installationart #newmediaart #oddsonorous taken in Berlin, Germany by @hyewon.suk
1
a year ago
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Intertwined Dialect, 2021 3-channel sound installation, Berlin, Germany. Part of Climate Care 2021 at @floatinguniversity “Intertwined Dialect” by Anna Fainareti Lioka and @hyewon.suk (@oddsonorous ) is a sound installation inspired by the spatial ecology of the Floating University, where human and non-human worlds converge. The work explores sonic symbiosis, transforming human voices into the calls of birds, both living and extinct, through machine learning. These hybrid, synthetic vocalities are reintroduced into the site, generating an entangled acoustic dialogue across species, timeframes, and environments. #soundinstallation #rewilding #climatecare2021 #floatinguniversity #soundart #natureculture #machinelearningart #posthuman #sonicecology #berlinart by @hyewon.suk
0
a year ago
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Ouroboros (2025) “Ouroboros” is a self-organizing system that continuously reshapes and sustains itself through the interaction between its internal dynamics and external disturbances. Built on a 1D neural cellular automata, the system generates complex temporal structures emerging solely from local interactions between neighboring cells. As the model continuously updates itself, it tends to maintain a target sequence. Here, sound becomes the system’s living matter—projected through moving speakers and re-entering the system via a microphone. Human participation with the microphone introduces dynamic interference, challenging the system to regenerate, re-organize, and weave itself anew. In this endless cycle of self-creation and self-dissolution, “Ouroboros” reveals a sonic organism that listens to itself in order to remain alive. Institute for Computer Music and Sound Technology (ICST) @zhdk_icst – Zurich University of the Arts Moving Loudspeaker Residency Special thanks to Peter Färber, Daniel Bisig, Micha Seidenberg, and Hannah Mehler by @hyewon.suk
9
a year ago
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