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Thank you so much for joining the first DANCE MUSIC on 27.September. With Jana Sotzko, Pia Hüttl and Kaj Duncan David at Heizhaus/Uferstudios Berlin. What happens to music written for dance once the performance is over? Often, memorable scores remain tied to the stage and are never heard outside of this context. Listening to: DANCE MUSIC invites composers to revisit these works and present them as standalone listening experiences.
 Inspired by the intimacy of listening bars, each evening features two artists sharing newly reworked versions of their scores, alongside conversations about composition, collaboration and the journey from dance production to dedicated listening. We are looking forward to the next Event on Sunday, 24. October | Start 20:00 with Stellan Veloce @stellan_veloce + Hyewon Suk @hyewon.suk @uferstudios_tanz_berlin / Heizhaus Composers: @kajduncandavid + @__culturaljetlag playing with @pia.huettl Artists & Pieces: tão carne quanto pedra (2025) and até que se abra tudo (2026) by Michelle Moura @michellemmoura for the São Paulo City Ballet Commitment (2023) by Ana Laura Lozza @lozzaal & Bárbara Hang @barbhang Video: @zmmnn
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𝗔𝗟𝗟 𝗧𝗛𝗘 𝗥𝗜𝗩𝗘𝗥𝗦 𝗙𝗟𝗢𝗪 | 𝗟𝗶𝗴𝗵𝘁 𝗧𝗿𝗲𝗲𝘀 – 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝐈𝐧𝐤𝐲 𝐋𝐞𝐞 | 𝐏𝐚𝐮𝐥𝐢𝐧𝐚 𝐆𝐮̈𝐥𝐥𝐮̈ | 𝐇𝐚𝐞𝐬𝐨𝐨 𝐄𝐬𝐡𝐮 𝐉𝐮𝐧𝐠 | 𝐇𝐲𝐞𝐰𝐨𝐧 𝐒𝐮𝐤 | 𝐇𝐲𝐞𝐦𝐢 𝐉𝐨 | 𝐌𝐢𝐥𝐞𝐧𝐚 𝐘𝐚𝐧𝐚 𝐊𝐥𝐢𝐧𝐧𝐞𝐫 A poetic, multisensory performance set in a world of creatures and light, where violence drains the land of its color and radiance. Triggered by the Japanese government’s efforts to revise and erase the history of WWII sexual slavery, the piece metaphorically depicts this process of injustice. The piece is performed by two Deaf artists in German Sign Language, poetic sign, and Visual Vernacular. Throughout the performance, moving lights and music (with lyrics in spoken English) accompany the stories. Sometimes, the soundscore contains vibrations, so that Deaf audiences can physically feel them. Light Trees is presented as a relaxed performance. 𝐃𝐢𝐬𝐜𝐥𝐚𝐢𝐦𝐞𝐫: 𝑇ℎ𝑒𝑟𝑒 𝑤𝑖𝑙𝑙 𝑏𝑒 𝑐𝑜𝑛𝑡𝑒𝑛𝑡 𝑎𝑏𝑜𝑢𝑡 𝑠𝑒𝑥𝑢𝑎𝑙 𝑣𝑖𝑜𝑙𝑒𝑛𝑐𝑒. 𝐴 𝑓𝑜𝑔 𝑚𝑎𝑐ℎ𝑖𝑛𝑒 𝑤𝑖𝑙𝑙 𝑏𝑒 𝑢𝑠𝑒𝑑. The first version of the piece that premiered in February 2025 was supported by IMPACT-Förderung. Senatsverwaltung für Kultur und Gesellschaftlichen Zusammenhalt. 𝗦𝗵𝗼𝘄𝘀 📅 Friday, 30 October & Saturday, 31 October | 20:00 📍 ausland 👉🏽 Buy Tickets through the link in bio A DGS video flyer in German is available via the 𝗗𝗚𝗦 Highlight. Please register for a haptic tour 3 days in advance. 𝗔𝗰𝗰𝗲𝘀𝘀𝗶𝗯𝗶𝗹𝗶𝘁𝘆 If you need assistance entering ausland, please contact us via the accessibility contact form at least 3 days before the event. Please choose the category “Accessibility.” Blind and visually impaired people and their accompanying persons have free admission. Assistance dogs are welcome! 📞 Accessibility: 0178 8896746 Photos credits: Miyeon Choi #AllTheRiversFlow #Performance #ausland #Berlin
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𝗔𝗟𝗟 𝗧𝗛𝗘 𝗥𝗜𝗩𝗘𝗥𝗦 𝗙𝗟𝗢𝗪 | 𝗟𝗶𝗴𝗵𝘁 𝗧𝗿𝗲𝗲𝘀 – 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗮𝗻𝗰𝗲 𝐈𝐧𝐤𝐲 𝐋𝐞𝐞 | 𝐏𝐚𝐮𝐥𝐢𝐧𝐚 𝐆𝐮̈𝐥𝐥𝐮̈ | 𝐇𝐚𝐞𝐬𝐨𝐨 𝐄𝐬𝐡𝐮 𝐉𝐮𝐧𝐠 | 𝐇𝐲𝐞𝐰𝐨𝐧 𝐒𝐮𝐤 | 𝐇𝐲𝐞𝐦𝐢 𝐉𝐨 | 𝐌𝐢𝐥𝐞𝐧𝐚 𝐘𝐚𝐧𝐚 𝐊𝐥𝐢𝐧𝐧𝐞𝐫 A poetic, multisensory performance set in a world of creatures and light, where violence drains the land of its color and radiance. Triggered by the Japanese government’s efforts to revise and erase the history of WWII sexual slavery, the piece metaphorically depicts this process of injustice. The piece is performed by two Deaf artists in German Sign Language, poetic sign, and Visual Vernacular. Throughout the performance, moving lights and music (with lyrics in spoken English) accompany the stories. Sometimes, the soundscore contains vibrations, so that Deaf audiences can physically feel them. Light Trees is presented as a relaxed performance. 𝐃𝐢𝐬𝐜𝐥𝐚𝐢𝐦𝐞𝐫: 𝑇ℎ𝑒𝑟𝑒 𝑤𝑖𝑙𝑙 𝑏𝑒 𝑐𝑜𝑛𝑡𝑒𝑛𝑡 𝑎𝑏𝑜𝑢𝑡 𝑠𝑒𝑥𝑢𝑎𝑙 𝑣𝑖𝑜𝑙𝑒𝑛𝑐𝑒. 𝐴 𝑓𝑜𝑔 𝑚𝑎𝑐ℎ𝑖𝑛𝑒 𝑤𝑖𝑙𝑙 𝑏𝑒 𝑢𝑠𝑒𝑑. The first version of the piece that premiered in February 2025 was supported by IMPACT-Förderung. Senatsverwaltung für Kultur und Gesellschaftlichen Zusammenhalt. 𝗦𝗵𝗼𝘄𝘀 📅 Friday, 30 October & Saturday, 31 October | 20:00 📍 ausland 👉🏽 Buy Tickets through the link in bio Please register for a haptic tour 3 days in advance. 𝗔𝗰𝗰𝗲𝘀𝘀𝗶𝗯𝗶𝗹𝗶𝘁𝘆 If you need assistance entering ausland, please contact us via the accessibility contact form at least 3 days before the event. Please choose the category “Accessibility.” Blind and visually impaired people and their accompanying persons have free admission. Assistance dogs are welcome! 📞 Accessibility needs: 0178 8896746 #AllTheRiversFlow #Performance #ausland #Berlin
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Berlin 🖤👯‍♀️✨
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Listening to: DANCE MUSIC Event series What happens to music written for dance once the performance is over? Often, memorable scores remain tied to the stage and are never heard outside of this context. Listening to: DANCE MUSIC invites composers to revisit these works and present them as standalone listening experiences.
 Inspired by the intimacy of listening bars, each evening features two artists sharing newly reworked versions of their scores, alongside conversations about composition, collaboration and the journey from dance production to dedicated listening. Sunday, 27 September | doors 19:00, start 20:00 Kaj Duncan David + Jana Sotzko Saturday, 24 October | doors 19:00, start 20:00 Stellan Veloce + Hyewon Suk Sunday, 22 November | doors 19:00, start 20:00 Ethan Braun + Tian Rotteveel Heizhaus | Uferstudios Berlin Uferstr. 8/23, Berlin-Wedding @uferstudios_tanz_berlin Composers: @kajduncandavid + @__culturaljetlag playing with Pia Hüttl @pia.huettl no @stellan_veloce + @hyewon.suk @_ethanbraun_ playing with Solistenensemble Kaleidoskop: Mari Sawada, Gregoire Simon, and Sophie Notte @solistenensemble.kaleidoskop #tianrotteveel Artists & Pieces: tão carne quanto pedra (2025) and até que se abra tudo (2026) by Michelle Moura @michellemmoura for the São Paulo City Ballet Commitment (2023) by Ana Laura Lozza @lozzaal & Bárbara Hang @barbhang Figured (2018) and As Long as You Want (2024) by Sheena McGrandles @__in__other__times__ The multiplicity of the other (2023), Infinite gesture (2024), and A scenario of a system off (2025) by Ixchel Mendoza Hernández @ixchel_mendoza_hernandez The WANT (2018), TOURNAMENT (2025) by Adam Linder @_adamlinder_ and TURN (2025) by Gob Squad @gobsquadartscollective & @solistenensemble.kaleidoskop Velvet (2019) by Claire Vivianne Sobottke @claireviviannesobottke Graphic: Studio Pandan @studiopandan Idea: Kaj Duncan David + Stellan Veloce Video: @zmmnn
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SADLY CANCELLED ""소리꽃을 위한 서정시 (Ode to Sorikkot)" unfolds as a poetic ritual of collective listening, imagining a time when plants and humans existed in mutual attunement. Continuing from the duo's previous work, S.Abligua X Odekon, the performance draws on mythology, ancestral cosmologies, and speculative ecologies to explore listening as a relational practice that extends beyond language." 💫Prachtsaal is once again an official venue of the @berlinnewmediaweek , a citywide festival of digital art, audiovisual performance and electronic music. For the 2026 edition we present "Digital Romance": immersive media, performances, creative coding and playful installations, bringing together a studio residents exhibition with a program of live, audio-visual and performance-based works by resident and invited artists. Thursday 3 – Sunday 6 September 2026, daily 16.00–22.00, at Prachtsaal Studio, Jonasstraße 22, 12053 Berlin. 🌐Open to the public🪩 No need for a ticket. Grab a media-art-loving friend and let’s meet at @prachtsaal 🍬💠 #poetryperformance #berlinnewmediaweek #prachtsaal #artshowberlin #exhibitions #audiovisualshow
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A Scenario Of A System Off is a new performance by Mexican artist Ixchel Mendoza Hernández, which invites us to grapple with our sense of perception. In the gaps between memory and imagination, the work explores how everyday gestures, words and surroundings change when systems of language and categorisation start to falter. Repetitive loops made out of movement, text and sound are used to transform normal situations - like the simple phrase “I sat here” - into riddles, contradictions and poetic detours. ​Three dancers move in dialogue with three “invisible” beings on the stage, forming a changeable interplay between bodies, voices and soundscapes. Lengths of material are used to create different spaces, becoming transparent shells that capture fleeting light or projections. The performance engages with the power of the imagination as a political and philosophical tool: Instead of presenting a linear narrative, the performance unfolds as a dynamic system with different levels of perception and possibilities. A Scenario Of A System Off transports the audience into a world in which meaning is not tied down, exploring how repetition, transformation and associative perception can open new paths towards an understanding, imagining, and living of the world. Concept, choreography, text and performance: Ixchel Mendoza Hernández | Performance and co-creation: Angelo Petracca and Chihiro Araki | Sound and composition: Hyewon Suk | Light design, video mapping and subtitles: Annegret Schalke | Stage design and projection design and images: Dora Đurkesac | Costume: Malena Modéer | Dramaturgy: Jenny Mahla | Voice coach: Joséphine Evrard | Production: M.i.CA. | Distribution: Tammo Walter | Audio description text and editing: Swantje Henke and Gerald Pirner | Coproduction: Radialsystem | With the support of Something Great - Zentrum für Internationales Zeitgenössische Darstellende Künste | Funded by Hauptstadtkulturfonds | Premiere: December 2025 Berlin, Germany​
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TRAILER - THE MULTIPLICITY OF THE OTHER In THE MULTIPLICITY OF THE OTHER, the choreographer Ixchel Mendoza Hernández explores a body in constant flux, embodying the alterity within, reflecting upon the construction of the other and self. Inside a sci-fi sensuous installation space mixing sculptures, light, sound and AR objects, the body shifts between ambiguity and clarity: a body searching for transformation, seeking to escape and blur definitions to challenge the status quo. By provoking a contemplative space, the observer's senses get activated. What are the identity positions that emerge? What if the other and self could blend into one(s)? Inside a self(mirrored) observation, the distinction of the other-self becomes inspected, questioned, and multiplied.​ Concept, Choreography, text and performance: Ixchel Mendoza Hernández | Composition and sound installation: Hyewon Suk | Light design and light installation: Annegret Schalke | Sculptures, set and visual design: Dora Đurkesac | Creative technologist: Warja Rybakova | AR installation: Dora Đurkesac and Warja Rybakova | Costume: Malena Modéer | Outside eye: Christina Themeli, Elpida Orfanidou and Anna Weißenfels | A production by Ixchel Mendoza Hernández in co-production with Tanzfabrik Berlin | Supported by Fonds Darstellende Der Künste #Take Care with funds from the Federal Government Commissioner for Culture and Media as part of NEUSTART KULTUR (2021) | Residency partner Tanzhaus Zürich and Tanzfabrik Berlin (2021) | Further research was made under the project “Through our gaze” supported by Fonds Darstellende Künste, and “Under your Gaze” supported by Distanz-Solo with funds from the Federal Government Commissioner for Culture and Media as part of NEUSTART KULTUR (2023) | Residency partner Radialsystem and Tanzfabrik Berlin (2023) | Premiere: November 2023 Berlin, Germany​
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After a long and challenging journey, we finally reached this moment. In 2025, we began with our first workshop and showcase performance with three senior Korean nurses who migrated to Germany in the 1960s and 1970s. In 2026, we continued by bringing together first-generation Korean nurse artists and three migrant women artists from different countries, working toward the stage performance. The journey was not easy. For the first time in my performing arts career, I encountered unexpected challenges and disappointments within parts of the performing arts ecosystem. However, thanks to the incredible commitment of our performers and production team, we were able to bring this protocol performance to the stage for our upcoming performances in the Philippines and Vietnam in 2027. Now, after meeting the audience, receiving feedback, and sharing this work with the world, we are finally ready to move toward the next stage — the completion of this production. My deepest gratitude goes to my longtime friend Yuko Kaseki, who stood beside me throughout this difficult process as co-producer and co-director. Thank you, Yuko, for walking this path with me. I would also like to extend my deepest gratitude to Norman, our audiovisual programmer, and Hyewon, our sound artist. Your dedication, creativity, and collaboration brought this work to life and made this stage possible. Now, preparing the production budget for the first Asian performances in 2027 is my next mission. 🙏 Thank you to all the performers, artists, and production team who made this journey possible. Special thanks to all our friends who filled the audience and shared their beautiful energy with us. Your presence made this stage even more meaningful! 📸 Photos © Dieter Hartwig. All rights reserved. No unauthorized reproduction or use #SaladTheatre #PseudoArchaeologicalTranslation #Berlin #Butoh #Salpuri #MigrationStories #DanceTheatre #InternationalCollaboration #KoreaGermany #ContemporaryPerformance #WomenArtists
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🎬 WORLD PREMIERE The live-mixing dance film "Return", directed by Kyong Ju Park, will have its world premiere at this performance. Experience the premiere accompanied by Yuko Kaseki's improvised dance, an original film score by Hyewon Suk, and Norman Wassmuth's live audiovisual programing. A unique encounter between film, dance, music, and live media—experienced together for the very first time. Title of the performance: Pseudo-Archaeological Translation: The Case of Berlin Date:19 July 2026, 7:00 p.m. Venue:Studio 1, Uferstudios, Berlin Production: Salad Theatre, Seoul, South Korea Organized by: Initiative WoBo, Berlin, Germany Executive Producer: Kyong Ju Park Co-Producer: Yuko Kaseki Concept & Artistic Direction: Kyong Ju Park Direction: Kyong Ju Park & Yuko Kaseki Choreography: Yuko Kaseki Multimedia & Video Direction: Kyong Ju Park Text & Research on Trần Thanh Lan’s Diary: Kyong Ju Park Technical Direction & Dramaturgy: Kyong Ju Park Audiovisual Programming: Norman Wassmuth Sound & Music: Hyewon Suk Set Design and Props: Kyong Ju Park, Mahtab Esmaeelzadeh Cast: Yuko Kaseki, Moung-Yul Braun, Hwa-cha Schwabe, Ducksoon Park-Mohr, Yun-Soon Kim, Apoorva Mohan, Adriana dos Santos, Mahtab Esmaeelzadeh, Kyong Ju Park Dance Film Cast: Lorna de Mateo, Urna Uranchimeg, Anima Singh Format : Artistic Research Presentation Duration: 40 min With the support of : Theaterhaus berlin In collaboration with: URI Dance Group Tickets: Uferstudios, Berlin Contact: initiwobo@gmail.con
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"Pseudo-Archaeological Translation: The Case of Berlin" is an interactive performance. Through contemporary performance and technology, it brings together the lived realities of former Korean nurses and migrant women from other countries living in Berlin. Their bodies carry the folds of care work, shaped by both home and society. Through their own stories and movements, they translate the diary of Trần Thanh Lan, a migrant woman who came to Korea through a human-trafficking form of marriage migration and died there. From this embodied act of translation emerge questions of migration, identity, solidarity, and empathy across borders. Title of the performance: Pseudo-Archaeological Translation: The Case of Berlin Date:19 July 2026, 7:00 p.m. Venue:Studio 1, Uferstudios, Berlin Production: Salad Theatre, Seoul, South Korea Organized by: Initiative WoBo, Berlin, Germany Executive Producer: Kyong Ju Park Co-Producer: Yuko Kaseki Concept & Artistic Direction: Kyong Ju Park Direction: Kyong Ju Park & Yuko Kaseki Choreography: Yuko Kaseki Multimedia & Video Direction: Kyong Ju Park Text & Research on Trần Thanh Lan’s Diary: Kyong Ju Park Technical Direction & Dramaturgy: Kyong Ju Park Audiovisual Programming: Norman Wassmuth Sound & Music: Hyewon Suk Set Design and Props: Kyong Ju Park, Mahtab Esmaeelzadeh Cast: Yuko Kaseki, Moung-Yul Braun, URI Dance Group, Ducksoon Park-Mohr, Apoorva Mohan, Adriana Maria dos Santos, Mahtab Esmaeelzadeh, Kyong Ju Park Dance Film Cast: Lorana de Mateo, Urna Uranchimeg, Anima Singh 3/17Format: Artistic Research Presentation Duration: 40 min With the support of : Theaterhaus berlin In collaboration with: URI Dance Group Tickets: Uferstudios, Berlin Contact: initiwobo@gmail.con #saladtheatre #salpuri #butoh #migration
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Korean Salpuri Dance meets Japanese Butoh in an interactive dance performance in Berlin — becoming a gesture of women’s solidarity beyond borders! An officially invited performance of the 2nd International Korean-German Dance Festival. -Sunday, 19. July 2026 – 07:00 PM -Studio1, Uferstudios, Berlin ‘Pseudo-Archaeological Translation: The Berlin Case’ is an interactive performance that combines contemporary performance art with media technology. The focus is on the lived realities of former Korean nurses and migrant women from various countries who now live in Berlin. Their bodies bear the marks of care work, shaped by both family and societal experiences. Drawing on their own stories and movements, they translate the diary of Trần Thanh Lan – a migrant who came to South Korea through international marriage migration and lost her life there. This embodied translation process raises questions about migration, identity, solidarity and cross-border empathy. -Production: Salad Theatre, Seoul -Organiser: Initiative WoBo, Berlin -Executive Producer: Kyong Ju Park -Co-production: Yuko Kaseki -Directed by Kyong Ju Park & Yuko Kaseki -Choreography: Yuko Kaseki -Multimedia & Video Direction: Kyong Ju Park -Text & Research on Trần Thanh Lan’s diary: Kyong Ju Park -Technical Direction & Dramaturgy: Kyong Ju Park -Audiovisual programming: Norman Wassmuth -Music & Sound: Hyewon Suk -Set Design & Props: Kyong Ju Park, Mahtab Esmaeelzadeh -Cast: Yuko Kaseki, Moung-Yul Braun, URI Dance Group, Ducksoon Park-Mohr, Apoorva Mohan, Adriana Santos, Mahtab Esmaeelzadeh, Kyong Ju Park -Cast (dance film ): Lorna de Mateo, Urna Uranchimeg, Anima Singh -With the kind support of: Theaterhaus Berlin -In collaboration with: URI Dance Group, Berlin #saladtheatre #Salpuri #Butoh #InteractivePerformance
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