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From our recent solo show at Reethaus Berlin, presented as part of Berlin Art Week Featured.

@reethausberlin @wub.wav @benmbarlow @cuno_  @annkathringrebner @ashley.systems @claussendlinger @shehryawr @monomstudios @berlinartweek by @iidajonsson_
20
2 years ago
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We spent this summer in Norberg developing the work, Vers Le Blanc, a timed activation of the spotlights at Galleri Norberg, which consist of both halogen and LED fixtures. These two systems represent two eras of museum institutional lighting, which now co-exist and at times compete within many contemporary exhibition spaces. 
  Halogen lamps start at a warmer hue when cool and then slowly register as “colder” as the lights heat up, revealing their own temperature with use. As the lamps heat at different speeds, their color temperatures first appear separately and gradually move towards harmony. This transition takes roughly four minutes to complete. In practice, the halogen lamps struggle to keep up with newer lighting technology.

Thank you @norbergfestival  @prolix_trig @agneslindbloms for inviting us and @rasmus.erichs.lang for the assistance

The work is named for Vers Le Blanc (1982), an unreleased and rarely performed composition by Finnish electronic composer Kaija Saariaho (1952-2023) that highlights the sounds produced not simply by, but between two electronically produced chords — a space in which change happens “so slowly that changes of pitch become imperceptible to the ear,” per Saariaho  — encouraging listeners to dial specifically into moments of transition.

We placed directional cinema microphones to amplify the acoustic activity of the lighting itself — the small clicks and creaks caused by the internal vibrations and temperature controls. Working with @hannes_ferm, these sounds became components in a tonal composition.

Vers Le Blanc was produced with support from @norbergfestival @regionvastmanland @gallerinorberg @ljudbildmedia by @iidajonsson_
3
a month ago
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’Riddle’ at Mimerlaven
previewing at @norbergfestival 09.07.2026

The first presentation of a more extensive work centered around Jennie June, an ‘androgyne’ and ‘female-impersonator’, who authored a queer autobiographical trilogy between 1890-1922. Her writings were published within the framework of medical case study and have since remained in limited circulation.

made by @__.ssi__ and @iidajonsson_

with performances by 
@karolaschneemann and @drmcrshr 
music by @franziskaaaigner
sound design by @zakharsix 
sound tech Zack Hart
costumes @ainolaberenz 
cinematography @__.ssi__ @iidajonsson_ 
camera team NYC @ajohnson0109 @cjohnson.jpg 
color grading: @Jasonrmoffatcolour

installation made with @alexaszk 

thank you for inviting us to your program @prolix_trig @agneslindbloms
for the artist talk with @hexosteron

supported by @norbergfestival @pioneerworks @thefciny @amosandersonsfond @koneensaatio @regionvastmanland and Norberg kommun

and our warmest thanks to Dr. Randall Sell and http://outhistory.org , mimer crew, @lukingforloveagain @jonssns  @hannes_ferm @rasmus.erichs.lang @kaaosma @charliekissyou @seeyourent @andecfilm @metpostny @liutasmvh @gabriel_florenz @paloartproductions and the team at pioneer works and fciny for all help and to @udolpho_berlin for introducing us to the book taken in Norbergfestival by @iidajonsson_
0
3 months ago
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excited to share NOVEMBER
16 discarded solar panels on display at
@inter.pblc until 10.03

made with @julijasteponaityte @__.ssi__ 
music by @alexanderiezzi by @iidajonsson_
8
3 years ago
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Data Free Zone Swe/Sápmi_1 
ISBN 978-91-987036-2-7
-
a folder and three maps archiving the shared research of @__.ssi__ @iidajonsson_ @victoriaharneskforetag focusing on data and knowledge production in one of the the largest coverage free areas in Europe.

@hampusbergander @__.ssi__ @victoriaharneskforetag @iidajonsson_ 

published by Konstmuseet i Norr, 2023
curator @hampusbergander 
design/layout @cathucath 
offset print in 4 colors + silver and binding by Printon, Estonia taken in Kin museum för samtidskonst by @iidajonsson_
5
3 years ago
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Pictures from the Áhkka Reservoir, from our publication Data Free Zones (KIN Museum of Contemporary Art, 2022)

	1.	Chair, John Åkerlund (royal architect) based on the profile of the Áhkka massif.

2–3. Victoria Harnesk’s personal archive of the undulating surface levels and its effects. taken in Kin museum för samtidskonst by @iidajonsson_
0
2 years ago
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KUNSTHAL CHARLOTTENBORG 
SPRING EXHIBITION AWARD ༼ ༎ຶ ෴ ༎ຶ༽

amazingly proud to share that @julijasteponaityte @__.ssi__ and I are awarded the Deep Forest Art Land prize for our scent greywater and video work terrarium, which is currently being presented in the Kunsthal Charlottenborg spring exhibition. 

thank you to everyone joining us for the opening, to the jury for selecting our work and nominating us, to the artistic directors of DFAL for inviting us to the forest, you are true babes.

 the show is running until March 6th at Kunsthal Charlottenborg. 

pic 1: terrarium, samsung odyssey G9 screens, found footage
pic 2: greywater, scent, aluminum barrels, electrical hand boiler taken in Kunsthal Charlottenborg by @iidajonsson_
31
4 years ago
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Night Pictures, 159x219 cm 
On show this month at @032c.gallery by @iidajonsson_
17
a year ago
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SILT (35min) 
screening at the danish film institute
presented with @inter.pblc 

public screening: March 2nd and 9th 8pm 
free of charge / rsvp: info@inter-pblc.com

made with @julijasteponaityte @__.ssi__ 
music @alexanderiezzi 
master @enyang_ha 

an extension of the exhibition NOVEMBER at @inter.pblc 
17.02.2024-10.03.2024 by @iidajonsson_
2
3 years ago
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Through ruptures in the dusty concrete walls, an olfactory haze of raw potatoe, castoreum, petrol and teenage hope are oozing like a layer of smog. the scent is spread with a diy water boiler made from industrial heaters and olive cans. 

interface trilogy: glossolalia is a temporary seizure in De Thomaskerk, Amsterdam. 

INSTALLATION
iida jonsson @iidajonsson_ 
ssi saarinen @__.ssi__ 
ona julija lukas steponaityte @julijasteponaityte taken in De Thomas by @iidajonsson_
0
4 years ago
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taken in Korpo, Länsi-Suomen Lääni, Finland by @iidajonsson_
0
a year ago
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Dreamcrusher ‘I’ve Got My Light’ @drmcrshr 
excerpt from ’Riddle’ 

—

Previewed at Mimerlaven
@norbergfestival 09.07.2026

The first presentation of a more extensive work centered around Jennie June, an ‘androgyne’ and ‘female-impersonator’, who authored a queer autobiographical trilogy between 1890-1922. Her writings were published within the framework of medical case study and have since remained in limited circulation.

made by @__.ssi__ and @iidajonsson_ 

with performances by
@karolaschneemann and @drmcrshr 
music by @franziskaaaigner 
sound design by @zakharsix 
sound tech Zack Hart
costumes @ainolaberenz 
cinematography @__.ssi__ @iidajonsson_ 
camera team NYC @ajohnson0109 @cjohnson.jpg 
color grading: @jasonrmoffatcolour 

installation made with @alexaszk 

thank you for inviting us to your program @prolix_trig @agneslindbloms 
for the artist talk with @hextosteron 

supported by @norbergfestival @pioneerworks @thefciny @amosandersonsfond @koneensaatio @regionvastmanland and Norberg kommun

and our warmest thanks to Dr. Randall Sell and http://outhistory.org , mimer crew, @lukingforloveagain @jonssns @hannes_ferm @rasmus.erichs.lang @kaaosma @charliekissyou @seeyourent @andecfilm  @metpostny @liutasmvh @gabriel_florenz @paloartproductions  and the team at pioneer works and fciny for all help and to @udolpho_berlin for introducing us to the book taken in Norbergfestival by @iidajonsson_
12
2 months ago
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