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INTERNET JOURNAL

@internet__journal

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Cultural Sciences
The academic journal for new expertise.
[ a @faux.tm brand experience ] ®✨
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We all have issues with screen time. The internet means nothing without bringing it into reality. We are doing exactly that. We are an academically published magazine that allows new experts to say their piece. Times have changed and so has the definition of the expert. The internet is at the center of that. Internet Journal will be leading the way for the foreseeable future on Internet expertise. by @internet__journal
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3 months ago
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Unboxing Ideas: Reimagining a Prototype w/ @FRANCISCOGSPR & @TAWANDDA aka @YY__EXCHANGE ®✨ FULL ARTICLE DROPPING SOON! This is an introduction to the full article written after extensive discussion around the practice of @yy__exchange, formerly ALASKA ALASKA. The practice surrounds and evolutionary theory of design where the output is just a step in the process to continue creating. Prototyping is a belief system which extends beyond the design practice into a way of seeing. Read the introduction on the official Internet Journal Substack. Link in bio. by @internet__journal
0
7 months ago
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Space for New History: Stony Island Arts Bank (2025) By Seb Taylor Link to full article in Bio. The Stony Island Arts Bank (SIAB) in Southside Chicago was designed and founded as a piece of art itself, with the organizational structure being a museum of Black cultural production. This article examines how the institution constructs an epistemology of Blackness through its archival practices, community programming, and spatial claims on the South Side. Founded by artist Theaster Gates through the @REBUILD_FOUNDATION, the SIAB positions institutional design as an art medium, operating in productive tension with orthodox museum methods. The permanent collections—including the Johnson Publishing Company archives and Frankie Knuckles vinyl collection— function as epistemological records of Black self-documentation unmediated by external audiences. Through analysis of these collections and the institution’s community engagement, this article argues that the SIAB holds amorphous space for an alternative theory of history to arise within the conditions of Black expressivity. The critical tensions in place are preservation vs production, sanctuary vs intervention, contemporary vs historic, local vs diasporic. These tensions create space for the creation of a new theory of history around Blackness—a history where existence is claimed and Blackness is not an addition or a margin but an origin of the contemporary conditions of art. The existence of the SIAB poses a fundamental question: what happens when Black cultural production is allowed to exist undeniably? Publisher @humboldtdigital Supported by @inkpeoplecenterforthearts by @internet__journal
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a year ago
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An Interview with an Instagram Archivist: @404MPH Interviews @ONLYSTARLEFT ®✨ (2025) Link in bio. An Interview with an Instagram Archivist: @404MPH Interviews @ONLYSTARLEFT is a dialogue conducted entirely through iMessage, presented as both a publication and a designed artifact. Within this text exchange, the conversation navigates themes of digital preservation, authorship, and self-curation—examining how social media aesthetics transform personal experience into collective memory. @ONLYSTARLEFT reflects on the act of archiving not as static documentation but as a living, participatory practice shaped by the speed and impermanence of online culture. Formally, the project recognizes the iPhone as a cultural mediator—its interface shaping not only how we communicate, but how we perceive and construct value within digital life. The design reproduces the Instagram environment through typographic rhythm, spatial composition, and visual pacing, translating the aesthetics of the feed into the language of the printed page. At its core, the interview functions as a methodological innovation: it uses conversation itself as a medium of research and design inquiry. By positioning dialogue as a primary creative act, 404MPH reveals how Instagram-based archival practice redefines authorship, memory, and aesthetic circulation in networked culture. The result is both a critical document and a visual experiment in how online communities curate, preserve, and narrate contemporary culture in real time. Published by @humboldtdigital Supported by @inkpeoplecenterforthearts by @internet__journal
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a year ago
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Ijal Morgan: Rap for Everyday People (2025) link in bio for the full article. published by @humboldtdigital In this interview, hip hop artist Ijal Morgan presents himself foremost as an everyday person whose creative identity is grounded in authenticity rather than spectacle. He emphasizes the importance of “not trying too hard,” framing artistry as an organic extension of lived experience, family influence, and community recognition. Through sample-based production, self-directed visuals, and lyrics rooted in daily life, Morgan underscores the value of sincerity over image. His vision of sustaining his creativity—linking music with ventures like clothing or skate culture—reflects a model of independent artistry defined by balance, humility, and cultural integrity. This one is surreal. Goes to show how humility and staying down to earth are the realest values. supported by @inkpeoplecenterforthearts by @internet__journal
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a year ago
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The Evolution of Schooling: From Industrial Obedience to Techno-Autonomy (2025) Written by @SEBASTIANLEWISTAYLOR & @RJROBERTS Academic Publisher @humboldtdigital This paper examines the enduring architecture of the American education system as a mechanism designed for compliance, not creativity. Rooted in 19th-century industrial logic, the structure of schooling, its physical design, time constraints, and assessment methods, has remained largely static despite seismic cultural and technological shifts. Through historical analysis and contemporary critique, this work interrogates the persistence of standardized methods, institutional prestige, and top-down instruction as barriers to meaningful learning and value creation. Drawing from interdisciplinary research and live case studies, including Alpha School’s AI-powered, mastery-based model, the paper advances the concept of techno-education: a student-centered paradigm informed by feedback loops, digital fluency, and real-world autonomy. It proposes feedback economics as a framework to replace credentialism with continuous, adaptive learning. The paper argues that the future of education must be designed from first principles to meet the demands of a networked world, centering identity, agency, and collaboration. To delay this shift is to entrench inequity, misalign incentives, and forfeit the potential of the next generation. Available for reference globally through Google Scholar or Digital Laboratory. [ a @faux.tm brand experience ] supported by @inkpeoplecenterforthearts by @internet__journal
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a year ago
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How to Industry Plant Yourself (2025) by @TEDCHILDISH ®✨ c/o @seekeveryone Published in @INTERNET__JOURNAL Link for article download in bio. Ted Childish is an artist, creative mind, and cultural organizer working at the intersection of digital culture and contemporary creative economies. His practice spans from conceptual ideation to visual production and designed objects, all approached with a distinct material sensibility. How to Industry Plant Yourself is an analysis of the contemporary creative landscape, delivered in the format of a ‘how-to’ presentation — a familiar trope of the social media era. This work employs graphic design strategies akin to a pitch deck, symbolizing the increasingly transactional and performative environments in which creatives navigate their careers today. Excited to publish this piece of contemporary creative history. Publisher @humboldtdigital Supported by @inkpeoplecenterforthearts by @internet__journal
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a year ago
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Exploring Homogeneity in Today’s Cultural Expression (2025) This article examines the increasing cultural homogeneity driven by the internet’s global reach and accessibility. Roderick Hunt—an educator, brand expert, and fashion designer—integrates writing into his creative practice and brand ethos. Through his label, Uniform Journal, he merges ideas and products, emphasizing both form and function. In a Q&A discussion, Hunt explores how the internet has influenced contemporary cultural practices and challenges the notion of originality in an era of digital interconnectedness. Link to full article in bio. Publisher @humboldtdigital Supported by @inkpeoplecenterforthearts by @internet__journal
4
2 years ago
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A Conversation with LOE Gino (2025) LOE Gino is a Bay Area native from Berkeley, California and an independent artist. He has been a pioneer in the music industry for new age artistry. His ability to be a voice for independent artists parallels his wordsmith-skills as a rapper. As a part of the Bay Area cultural scene, he is a real life example of how to set a vision and build it as you go. Every aspect of his creative vision is thought out and executed with the accuracy of a freestyle. LOE Gino stands as an example of what it means to never conform to industry standards when the standards are not necessary. link to full article in bio. shouts out to @loe.gino for the time. Academic Publisher @humboldtdigital Supported by @inkpeoplecenterforthearts by @internet__journal
2
2 years ago
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