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the precious feeling when youโ€ฆ ๐Ÿˆ๐ŸŽž๏ธ๐Ÿชท๐Ÿผ๐Ÿฆ taken in Wroclaw, Poland by @j2mel002
5
2 months ago
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White Eclipse๐Ÿค
Performance by Emily Read and Jomel

I am grateful for the all circumstances, collaborations and support I have received that led to this project and is very excited for the future x

more info of the work on https:// jomel002.github.io/project06.html
(link to website on my bio)

Mix of photos taken by Minky @minkikikiminky , various screenshots of video documentation by Aleksy @shot.behind.walmart & Matija @matija.stoja ๐Ÿ–ค๐Ÿ–ค by @j2mel002
12
3 months ago
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White Eclipse - Performance 
(30 minutes) 

Emily is a freelance dancer, movement researcher, and performance artist. Her practice is situated at the intersection of ecological and feminist research. She is interested in endurance performance, the concept of communicating across temporalities and species, cyclicality, metamorphosis, and the sea.

Thank you for everything Emily๐Ÿค itโ€™s been phenomenal and such a pleasure and honour to work with you. 

Photos taken by love, Aleksy @shot.behind.walmart by @j2mel002
8
3 months ago
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๐Ÿ”„ by @j2mel002
4
3 months ago
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๐‘พ๐’‰๐’Š๐’•๐’† ๐‘ฌ๐’„๐’๐’Š๐’‘๐’”๐’†, 2026 

Close-up installation views as part of @rietveldacademie Graduation Show 2026 

more info of the work on https://jomel002.github.io/project06.html (link to website on my bio) 

Images taken by Aleksy Domke @shot.behind.walmart and myself by @j2mel002
1
3 months ago
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๐‘พ๐’‰๐’Š๐’•๐’† ๐‘ฌ๐’„๐’๐’Š๐’‘๐’”๐’†, 2026 

Installation views as part of @rietveldacademie Graduation Show 2026 

more info of the work on https://jomel002.github.io/project06.html (link to website on my bio) 

Images taken by Aleksy Domke @shot.behind.walmart and myself by @j2mel002
11
3 months ago
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๐‘ป๐’‰๐’† ๐‘บ๐’‘๐’Š๐’“๐’Š๐’• ๐‘ฐ๐’” ๐‘จ ๐‘ท๐’•๐’†๐’“๐’๐’…๐’‚๐’„๐’•๐’š๐’ ๐‘ฉ๐’๐’๐’†: ๐‘ฏ๐’๐’‘๐’† ๐’‚๐’” ๐’•๐’‰๐’† ๐‘ญ๐’Š๐’๐’ˆ๐’†๐’“ ๐‘ป๐’–๐’“๐’๐’†๐’… ๐’Š๐’๐’•๐’ ๐’‚ ๐‘พ๐’Š๐’๐’ˆ investigates the prehistory as a framework to reconceive Hope.  Drawing on diaristic and arbitrary archival materials, it challenges our perceptions of time by placing them in relation to the vast scales of geological time.

Happy to finally share my BA thesis! I would like to thank Weixin @jadeite.bat , Aleksy @shot.behind.walmart , thesis advisors Tiiu Meiner @isityoutiiu , Anna Bierler @annauuannauua and Louis Luฬˆthi for their guidance, references and advice ๐Ÿค 

They are currently sold out and will be ready for order in September/ October at โ‚ฌ7 / $10SGD exclusive of shipping costs if anyone is interested. Thank you to all who got them during the graduation show ๐Ÿค by @j2mel002
14
3 months ago
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WORK IN PROGRESS// I came here for graphic design hoping to design books, but over the past 3 years away from home, my nostalgia, my grief for loved ones, my exhaustion from grief snowballed in an unstoppable force that makes me make what I make now. 
Everything is making sense to me at this moment. 
Before I existed, my late maternal grandparents were organising Taoist ceremonies in their neighbourhood, ones that were informal and independent from temples. These ceremonies often take place in temporary large scale tents held by metal structures usually placed in the middle of a grass field. I used to attend some of these gatherings as a young child and had always been fascinated with how everything came together to create an atmosphere of sacredness. It was a spatial composition of pure and compromised use of materials;Plywood planks that had been reused to the point of wear as floors, shiny red chairs and tables wrapped in plastic scattered across the hall. The tangki ceremonies would evoke the most out of me - watching the spirit medium trance himself into a vessel of a God or deity. I have small memories, telling the medium my name and doing non-verbal prayers asking for good grades and good health my for family. I never truly classify them as religious experiences then as it was just as it is in its own vitality, it was only a way to communicate to other people for their imagination. Being away from home, somehow led me feeling more closer to my late grandmother who was left in the island port by her opium addicted father๐Ÿซฉ Beyond just beliefs, the diasporic feelings and wondering heightens everything in you to want to feel belong, that I sometimes think was charging those ceremonies, I imagine. Those sensibilities absolutely came from somewhere responding to an environment that was rapidly changing. Though, it is different for me as I have the privilege of mobility, my grandma didnโ€™t even if she was curious. Iโ€™d just like to think that I am making art within that threshold of vitality Iโ€™ve experience in moments like those ceremonies, regardless of anyoneโ€™s classification. by @j2mel002
19
5 months ago
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๐ŸŒ„ generous treat to ourselves hiking and trekking mountains to their coasts before putting my whole thing in graduation 2026 ๐Ÿ“๐Ÿฆญ taken in Tenerife, Canary Islands, Spain by @j2mel002
10
5 months ago
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1. Scenography for King Lear by Peruvian architect Luis de Longhi in 1999; on ruins from fire-damaged Teatro Municipal de Lima

2. Support structure for blue whale skeleton in The Museum of Natural History, University of Wrocล‚aw

3. Fallen Tiger display in The Museum of Natural History, University of Wrocล‚aw

4. Fixing severely damaged tatami mat via felting wool + fabric glue 

5. Cool fence with NS logo in Haarlem 

Posting from my computer; graduating in some months, so I am busy busy with that, praying for ease by @j2mel002
5
9 months ago
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Installation view of ๐˜ˆ ๐˜š๐˜ต๐˜ข๐˜ณ ๐˜•๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ ๐˜—๐˜ฆ๐˜ญ๐˜ท๐˜ช๐˜ด

โ—พ๏ธ

music by @apu.nanu (render of Iโ€™m Glad There Is  You by Julie London) 
image support @shot.behind.walmart 

โ–ช๏ธ

Featuring a crater conjoined with an upside down pond, the work creates a landscape drawn from the artistโ€™s personal mythology. ๐˜ˆ ๐˜š๐˜ต๐˜ข๐˜ณ ๐˜•๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ ๐˜—๐˜ฆ๐˜ญ๐˜ท๐˜ช๐˜ด explores self-reconciliation through inversionโ€”often associated with sinister or demonological themesโ€”reimagined as a symbol of resurrection and purity. Signaling in its title, the installation makes anatomical connections with trauma, as โ€˜information stored in the bodyโ€™.ย ย 

The work builds on the concept of โ€œFemale Hysteria,โ€ a historical diagnosis used ambiguously to pathologize women exhibiting symptoms of PTSD, depression, or infertility. In The Aetiology of Hysteria, Freud found out that hysteria often stems from repressed childhood sexual abuse, though he later retracted his findings due to personal, social, and political pressures.

Examining structural violence through a critical lens, the work antagonises The Joker, through depicting his decapitated head as a representation of his mental disorders and the evils he committed. The work seeks to voice a sentimentality beyond psychoanalytical and cultural frameworks, reclaiming personhood.

โ–ซ๏ธ

Installation Mixed Media
polyurethane foam, plaster, mortar, silicone 

โ—ป๏ธ

showcased in March at Loods 6 as part of Current Affairs by designLAB by @j2mel002
5
a year ago
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beheaded joker, a feather made out of human hair as part of ๐˜ˆ ๐˜š๐˜ต๐˜ข๐˜ณ ๐˜•๐˜ข๐˜ฎ๐˜ฆ๐˜ฅ ๐˜—๐˜ฆ๐˜ญ๐˜ท๐˜ช๐˜ด

  I was looking into goddess, Chinnamasta, (She whose head is severed) which led to my journey of finding more about the decapitated head in mythologies and in history, I was referencing the image of Yukio Mishima severed head that I came across on the internet and my mind was immediately drawn to the joker by @j2mel002
5
a year ago
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