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Jane Arnison

@janearnison

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Music and sound making, fixing and finalising. Planting seeds and helping them grow 🌱🎶
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Finally after 3 long years of writing I’m thrilled to say that my book ‘Mixing in Flow’ has been published! Probably one of the hardest things I’ve ever done, it’s one thing to talk about mixing and another to put it down into text form. Very proud that it is out in the world now. I look forward to sharing my love of mixing sound with many people ! There is also a new ear training app associated with the book live on my website. More info to follow. Links for purchase options in the link in bio. by @janearnison
124
a year ago
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I’m opening proceedings this evening at @gigforgaza.berlin so come down early :) Ticket link in bio. by @janearnison
7
3 months ago
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“Grainstad The Trip” an immersive audio journey at @beyondthepaleie festival in Glendalough Ireland, exploring the history and mythology of the festival site. Co-creation between myself and @unamullally. This was the 3rd iteration of Grianstad but the first with a live group experiencing the sound together. Truly Magical! by @janearnison
7
4 months ago
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𝗖𝗼𝗺𝗲 𝗮𝗻𝗱 𝗲𝘅𝗽𝗲𝗿𝗶𝗲𝗻𝗰𝗲 𝗣𝗵𝘆𝗶𝗴𝘁𝗮𝗹 𝗜𝗻𝘁𝗶𝗺𝗮𝗰𝘆 🤼‍♀️ — an artistic mixed-reality multiplayer on togetherness, developed at @htwberlin with artists Lisa Kaschubat @lisakaschubat, Tasha Hess-Neustadt @tashamhn, and Jane Arnison @janearnison! This piece is part of our first IUNO Networking Event on 19.06.26 at HTW Berlin — registration is still open, link in bio! 🧡 Audience members are invited to become performers within a MR multiplayer experience. Across four levels, MR functions as a medium of togetherness, connection, and intimacy. Participants are guided into poses that foster an awareness of their own physical presence — and of the bodies coexisting around them. Presented here in the 𝗲𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 𝗳𝗼𝗿𝗺𝗮𝘁: without professional live dance, but with a dancing avatar animated via motion tracking of dancer Tasha. 🔥 Co-funded by the European Regional Development Fund (ERDF) within the program INP-III and supported by @udkberlin. Made possible also thanks to the support of @dock_digital_berlin. Special thanks to: Warja Rybakova @neslob_. *** 𝗟𝗶𝘀𝗮 𝗞𝗮𝘀𝗰𝗵𝘂𝗯𝗮𝘁 is a transdisciplinary visual artist based in Berlin. She studied Performance and Time-Based Media at UdK Berlin. Her practice explores themes of corporeality, interhuman relations, and emancipation, and their intersections with technology and virtuality. 𝗧𝗮𝘀𝗵𝗮 𝗛𝗲𝘀𝘀-𝗡𝗲𝘂𝘀𝘁𝗮𝗱𝘁 is a dance artist based in Berlin and Munich. As a performer, Tasha’s practice encompasses contemporary dance, improvisation, physical theatre and voice work. 𝗝𝗮𝗻𝗲 𝗔𝗿𝗻𝗶𝘀𝗼𝗻 studied music at the Sydney Conservatorium of Music and Sound Studies at UdK Berlin. She divides her time between her own artistic projects and commercial work as a composer, sound engineer and producer. She also shares her expertise as university lecturer and writer. XR developer at HTW Berlin: 𝗟𝗲𝗼𝗻𝗶𝗱 𝗕𝗮𝗿𝘀𝗵𝘁 @leonid_xr Co-funded by ERDF within the INP-III program. Bild der Performance mit VR-Brillen + Namen + Titel taken in HTW-Berlin Campus Wilhelminenhof by @janearnison
0
4 months ago
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Gig at @20nine30 on 29 March 2026. Had the opportunity to extend on some experiments started in Nairobi and building towards a larger scale work for Copenhagen at the end of Summer. Thanks so much to @eldar_tagi for the opportunity to play at the wonderful venue and thanks so much to Timo for hosting a great event. A real pleasure. by @janearnison
6
6 months ago
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29th march // doors at 8pm @janearnison / Sophie Watzlawick/ @granitaur This evening brings together two distinctly different sonic worlds: Jane Arnison, Berlin-based Australian sound artist and composer, builds immersive environments through modular synthesis and spatial sound — where listening becomes something felt as much as heard. Granitaur (Massimiliano Cerioni) moves into density and weight: didgeridoo, guitars, and feedback systems slowly accrete into heavy, resonant structures that sit somewhere between minimalism, drone, and noise. In between of those two acts: Sophie Watzlawick where night falls a thud . unlimited interlude An invisible off-screen disaster leading to a musical interlude in dark matter. Sophie Watzlawick (16mm Film & Concept) Guillaume Cailleau (interlude . Machines) 30th march // doors 8pm @sharonlockhartstudio / @kreusercailleau After nearly a decade of joint practice, Kreuser/Cailleau were separated at the end of their Southeast Asia tour in 2020, stranded by the rising pandemic at opposite ends of the globe. Lockdowns, and later life, brought the duo’s work to a halt for what would become a five-year pause. In a mini-residency at 20nine30, the duo shared the individual practices that emerged during those years apart, revisited older materials, and considered new ones. On 29 and 30 March Kreuser/Cailleau will present materials they are currently engaged with, together with films and sonic interventions by filmmakers Sophie Watzlawick (29th) and Sharon Lockhart (30th). Sharon Lockhart Double Tide, 2009 16mm film transferred to HD, color/sound, 99 minutes Double Tide documents the work of a female clam digger in the mudflats of coastal Maine. Expanding the focus of Lockhart’s films Lunch Break (2008) and Exit (2008), Double Tide creates a portrait of a relatively unseen and singular form of labor. Filmed on the rare occasion in which low tide occurs twice within daylight hours—once at dawn and once at dusk—Double Tide takes as its subject a worker whose job is defined by the most elemental and unchangeable forces of nature. Kreuser/Cailleau «matériels/matters» an audiovisual performance taken in 20nine30 by @janearnison
2
7 months ago
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After their electric 2025 performance Resistance, Mizizi Ensemble returns to Kilele, not with answers, but with deeper questions. The experimental supergroup takes the stage at The Rift for a new work that continues the conversation they began last year. With Labdi Ommes (KE) @studiolabdi , Monrhea (KE) @monrhea_ , Nyokabi Kariũki (KE) @nkariuki_ ,Bernt Isak Wærstad (NO) @berntisak and Jane Arnison (AU)@janearnison , Mizizi now ask: what remains? If resistance carries the promise of hope, change and freedom , what does freedom actually mean? Freedom for whom? At what cost? How is it lived, contested and embodied across different contexts? What remains… invites the audience into a visceral ritual of sound, space and gathering ,exploring freedom as both a promise and a paradox. Join us at The Rift - Manohar Center on 25th Feb from 8:00pm - 10:00pm by @janearnison
5
7 months ago
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Welcome to level 4. How does your body feel? What do you see around you? Notice the temperature of the room, the height of the ceiling, the pattern of the floor… have a look at your fellow companions. Has something changed? […] 🫧 PHYGITAL INTIMACY 🫧 an XR-Multiplayer Game and Dance Live Performance in Mixed Reality transforming the stage into a game play and connecting movement to sound through sounding sensors and motion capture 👾👾👾👾 Showing of the outcome of our fellowship with @aurora_school_for_artists Credits: Concept and Artistic Direction: Lisa Kaschubat 3D Programming: Leonid Barsht @leonid_xr 3D Artist: Lisa Kaschubat and Dagmar Schürrer @dagschu Project Coordination and Production: Maja Stark @majastarkberlin Dancer and Choreographer: Tasha Hess-Neustadt Composer and Interaction Designer: Jane Arnison @janearnison Avatar and Portal Design: Carolina Ovando @errortemporal Goblet Design: wro wrzesińska @parallax.decal Stage Design: Louis Caspar Schmitt @luvluv_scenography Pictures by Jonas Pahl @jonaspahl.wav Co-funded by the European Regional Development Fund (ERDF) within the program »Strengthening the Potential for Innovation in Culture III« (INP-III). Supported by DOCKdigital and UdK Berlin. @dock_digital_berlin taken in Kulturforum Berlin by @janearnison
8
a year ago
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. PHYGITAL INTIMACY Concept and Artistic Direction: Lisa Kaschubat 3D Programming: Leonid Barsht @leonid_xr 3D Artist: Lisa Kaschubat and Dagmar Schürrer @dagschu Project Coordination and Production: Maja Stark @majastarkberlin Dancer and Choreographer: Tasha Hess-Neustadt @tashamhn Composer and Interaction Designer: Jane Arnison @janearnison Avatar and Portal Design: Carolina Ovando @errortemporal Goblet Design: wro wrzesińska @parallax.decal Stage Design: Louis Caspar Schmitt @luvluv_scenography Co-produced with the help of AURORA XR School @aurora_school_for_artists Co-funded by the European Regional Development Fund (ERDF) within the program »Strengthening the Potential for Innovation in Culture III« (INP-III). Supported by DOCKdigital and UdK Berlin. #radicalintimacy #phygitalintimacy #xrperformance #queertech taken in Kulturforum Berlin by @janearnison
4
a year ago
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🎮 👾 𝓘𝓷𝓿𝓲𝓽𝓪𝓽𝓲𝓸𝓷 𝓽𝓸 𝓟𝓱𝔂𝓰𝓲𝓽𝓪𝓵 𝓘𝓷𝓽𝓲𝓶𝓪𝓬𝔂 👾 ************************************* We are thrilled to invite you to the first showing of Phygital Intimacy, an XR multiplayer live performance developed during the AURORA XR Fellowship! As part of the XXII Conference on Culture and Computer Science (KUI) at the Kulturforum Berlin, we’ll share the outcome of our nine-month collaboration and we can’t wait to experience it with you! 💙💜 🔮 WHAT? Phygital Intimacy – XR-Multiplayer Live Performance ⏳ WHEN? September 25, 17:30 (starting at 6pm) 🔥 WHERE? Kulturforum Berlin, Matthäikirchplatz, 10785 Berlin 👾 REGISTRATION: Link see bio! 𝓟𝓱𝔂𝓰𝓲𝓽𝓪𝓵 𝓘𝓷𝓽𝓲𝓶𝓪𝓬𝔂 is a collaborative project by performative media artist Lisa Kaschubat, dancer and choreographer Tasha Hess-Neustadt and composer/engineer Jane Arnison. Together, they merge XR (Extended Reality), contemporary dance, and generative music into a new kind of stage format. This interactive performance transforms performers and audience members into co-players in a mixed-reality environment. Through movement, sound, and collaborative game mechanics, we’ll explore new forms of connection and co-creation. Created with the AURORA XR School for Artists at HTW Berlin @aurora_school_for_artists @htwberlin. TEAM: Concept and Artistic Direction: Lisa Kaschubat @lisakaschubat 3D Programming: Leonid Barsht @leonid_xr 3D Artists: Lisa Kaschubat and Dagmar Schürrer @dagschu Project Coordination and Production: Maja Stark @majastarkberlin Dancer and Choreographer: Tasha Hess-Neustadt @tashamhn Composer and Interaction Designer: Jane Arnison @janearnison Avatar Design: Carolina Ovando @errortemporal Goblet Design: wro wrzesińska @parallax.decal Stage Design: Louis Caspar Schmitt @luvluv_scenography Co-financed by the European Regional Development Fund (ERDF) within the program »Strengthening the Potential for Innovation in Culture III« (INP-III). Supported by DOCKdigital and UdK Berlin, and the Senate Department for Culture and Community. @dock_digital_berlin @udkberlin @senkultgz #digitalart #mixedreality #berlinculture #xrart #mrart #digitalintimacy #xrperformance taken in Kulturforum Berlin by @janearnison
6
a year ago
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New music out today! A refiguring of my live set at @kwia.berlin a couple of months ago. Built from audio fragments of my resistance installation/performance piece ‘Space for what is…’ @collegium_hungaricum_berlin last year. Thanks to @_magss___ , @catrina_sonora and @dielamb for lending their voices and to everyone who came to either of my shows that sparked this release. Link in bio ⬆️ #freepalestine🇵🇸🕊️ #newmusicfridays by @janearnison
4
a year ago
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In honour of drone day, I share a recent piece. It is a reimagination of a live performance/experience I curated for @_har_studio_ invited by my friend @la_anarosa. Best listened in headphones or with a nice sound system. Link in bio. Enjoy ☺️ by @janearnison
2
a year ago
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