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JP Art Advisory

@jpartadvisory

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𝒫𝑜𝓈𝓉- 𝒲𝒶𝓇 & 𝒞𝑜𝓃𝓉𝑒𝓂𝓅𝑜𝓇𝒶𝓇𝓎 Art Advisory
Founder @juliapavlovska 📍🇫🇷
London | Paris | Düsseldorf | Dubai
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by @jpartadvisory
41
2 years ago
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An evening with incredible art @fondationbeyeler @ubs @hansulrichobrist & @artbasel taken in Fondation Beyeler by @jpartadvisory
26
2 years ago
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Thank you to everyone who made the “Transcendence” Group show special last night. Very grateful for our GATE45 founder @michelleinart who hosted our guests and of course to all the talented contemporary artists who resonated with the group show theme and participated in this show! taken in Dubai, United Arab Emirates by @jpartadvisory
34
3 years ago
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Once, always 2023 Joseph Yeager by @jpartadvisory
0
a day ago
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@bophiesmirch by @jpartadvisory
1
3 days ago
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Joseph Yaeger’s Agita, which opened at Gladstone Gallery in New York on 16 September 2026, marks the artist’s first exhibition with the gallery. The exhibition brings together a new body of psychologically charged paintings executed primarily in watercolour and pigment on heavily gessoed linen. Drawing upon found cinematic and photographic imagery, Yaeger extracts faces, gestures, clothing and fragments of the body from their original contexts, transforming them into enigmatic, suspended narratives. Figures emerge through smoke, shadow and tightly cropped compositions, producing an atmosphere in which drama is continually intimated yet never fully disclosed. At the centre of Agita lies an exploration of the instability of memory and perception. Yaeger considers how images drawn from a shared visual culture become refracted through private desire, anxiety and recollection. False memories, misidentification and the shifting distance between an initial encounter and its subsequent remembrance become both the subject and structure of the work. Suggesting emotional agitation as well as physical unease, the title Agita encapsulates the persistent psychological tension that runs throughout the exhibition. @gladstone.gallery by @jpartadvisory
2
15 days ago
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Lee Ufan has had an exceptional history of major public and institutional exhibitions, establishing him as one of the most important Asian artists of the post-war period. His key public exhibitions include the Solomon R. Guggenheim Museum, New York (2011), with the major retrospective Marking Infinity; a monumental exhibition throughout the Palace and Gardens of Versailles (2014); Centre Pompidou-Metz (2019); and a major retrospective at the National Art Center, Tokyo (2022), which later travelled to the Hyogo Prefectural Museum of Art. by @jpartadvisory
3
a month ago
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“My life is a dot lost among thousands of other dots.” Today the world is mourning but also celebrating the colourful life Yayoi Kusama (1929–2026). Yayoi Kusama was one of the most important and recognisable artists of our time. Her work explored infinity, repetition and the idea of losing oneself within the universe. Born in Matsumoto, Japan, in 1929, Kusama experienced hallucinations from a young age, often seeing dots, flowers and patterns repeating endlessly around her. These experiences became a major inspiration for her art throughout her life. In the late 1950s, Kusama moved to New York, where she became part of the city’s experimental art scene. She created her famous Infinity Net paintings, performances and mirrored installations. Over the following decades, her Infinity Mirror Rooms, polka dots and colourful pumpkins became known around the world. Kusama died in Tokyo on 14 August 2026, aged 97. She remained deeply dedicated to her art and continued painting until the final days of her life. by @jpartadvisory
1
a month ago
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“Polka dots are a way to infinity.” Yayoi Kusama 1929-2026 by @jpartadvisory
2
a month ago
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Spending the afternoon with Monet @museeorangerie … At the Musée de l’Orangerie, Claude Monet’s monumental Nymphéas create an immersive world where water, light and reflection seem to dissolve the boundaries of painting. Conceived as an environment rather than a traditional series of canvases, the works surround the viewer in an almost meditative experience of nature and changing light. In dialogue with Monet, the contemporary exhibition Par la force des choses presents the work of French artist Alexandre Lenoir. His layered paintings emerge through repeated processes of covering, scraping and revealing, creating hazy images that seem suspended between memory and reality. Like Monet, Lenoir is less interested in precise representation than in atmosphere, perception and the way an image slowly reveals itself to the eye. @alexandrelenoir_ The encounter creates a beautiful conversation between Impressionism and contemporary painting, separated by more than a century yet connected through their fascination with light, colour and the instability of vision. taken in Musée de l'Orangerie by @jpartadvisory
6
a month ago
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Emily Kraus is an American artist based in London whose abstract paintings explore movement, time, perception, and embodied experience. Her practice combines intuitive gestures with structured systems, creating immersive works that balance energy and contemplation. She received her MA in Painting from Royal College of Art in 2022 and was selected for Bloomberg New Contemporaries, one of the UK’s most respected platforms for emerging artists. Kraus is represented by The Sunday Painter⁠ in London and has presented a series of acclaimed solo exhibitions across Europe and the United States. In 2025, she was named to Artsy Vanguard 2025, recognising her as one of the most exciting emerging artists to watch. Her rising international profile was further strengthened by her 2026 solo debut with Luhring Augustine⁠ in New York, signalling growing institutional and collector interest in her work. @emily_kraus_ @luhringaugustine @thesundaypainter taken in NYC by @jpartadvisory
4
4 months ago
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Born in Versailles in 1980, Laurent Proux lives and works in Paris. His practice moves fluidly between figuration and abstraction, exploring the relationship between the human body, labour and the environments we inhabit. While his earlier paintings often focused on factories, machinery and industrial spaces, his more recent works place the body at the centre of increasingly complex compositions. Figures appear fragmented, stretched or intertwined with landscapes and architectural forms, while unexpected colours and shifting perspectives create a sense of psychological tension. At the heart of Proux’s work is an exploration of power, vulnerability and the physical experience of work. Rather than constructing clear narratives, his paintings operate like ambiguous stages where bodies, machines and nature collide. Familiar scenes become strange and slightly unsettling, leaving the viewer to navigate between intimacy and discomfort. Proux’s institutional recognition has grown significantly in recent years. In 2025, he presented his first institutional solo exhibition at the Musée de l’Abbaye in Saint-Claude. His work is also held in several important French public collections, including the CNAP, FRAC Occitanie, FRAC Limousin, FRAC Nouvelle-Aquitaine and the City of Paris collection (FMAC). @l_aurent.proux @semiosegalerie taken in Paris by @jpartadvisory
2
a month ago
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