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𝘌đ˜čđ˜©đ˜Ș𝘣đ˜Șđ˜”đ˜Șđ˜°đ˜Żđ˜Žâ€“đ˜›đ˜ąđ˜­đ˜Źđ˜Žâ€“đ˜žđ˜°đ˜łđ˜Źđ˜Žđ˜©đ˜°đ˜±đ˜Žâ€“đ˜Œđ˜Żđ˜€đ˜°đ˜¶đ˜Żđ˜”đ˜Šđ˜łđ˜Ž
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Komplot is happy to be back from its summer break and presents: đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶ , a solo exhibition by @the_letters_pace_department 

With Achilles Mussche, Alicja Melzacka, Antoinette Jattiot, Damiano Curschellas, Dieter Ravyts, gerlach en koop, Louis Garrido, Lukas Stallaert, Maxime Melis, Michiel Ceulers, Pierre Leguillon, Reinier Vrancken, Sophie Nys, Thibaud Leplat, Yann Chateigné Tytelman, Yue Yuan

Rather than presenting a singular authorial position, at Komplot The LetterSÌ· pace Department operates as guest and host at once, re-membering the works of close friends and kindred spirits in order to compose its first solo exhibition as one body of work.At the start of đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶  lies the discovery of foundling tokens preserved in the archives of the CPAS/OCMW of Brussels. Left with infants placed in foundling drawers between the eighteenth and early twentieth centuries, cards, devotional prints and pieces of cloth were often divided in two. One half remained with the child, the other with the parent, each irregular edge preserving the possibility of a future reunion. 

Subjectivity emerges in this space: not as a unified whole, but as something split, addressed and assembled through relations, voices and acts of enunciation. đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶ takes this split and the bar as a working principle, to make visible what the division puts into relation. A word transforms into an image when barred and a line becomes a signature once it's crossed out by another. 

Founded in 2022, The LetterSÌ· pace Department (TLSD) is an artistic entity working across a variety of spaces, with language as a matter of failure and a particular interest in the interstices, lapses and ellipses. It develops minor models of resistance through parasitic strategies and by exploring the conditions and environments in which it operates. For đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶,  these strategies take the form of an exhibition, a publication and a public programme.

đ—ąđ—œđ—Čđ—»đ—¶đ—»đ—Ž
Friday 11.09.2026 18:00-22:00 
Preview at 16:00 as part of @rendezvousbxl & Art Anderlecht

đ—˜đ˜…đ—”đ—¶đ—Żđ—¶đ˜đ—¶đ—Œđ—»
12.09-24.10.2026
Thur. - Sat. | 14:00 - 18:00 or by appointment

Graphic design & photos 1/2 by @louisgarrido91 taken in Komplot by @komplot_brussels
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2 months ago
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The exhibition is still open! There’s one week left to come and see it 👀

(
) đ˜ đ˜°đ˜¶ đ˜Łđ˜łđ˜°đ˜¶đ˜šđ˜©đ˜” đ˜Șđ˜Żđ˜”đ˜° đ˜șđ˜°đ˜¶đ˜ł đ˜Žđ˜±đ˜ąđ˜€đ˜Š đ˜”đ˜©đ˜Š đ˜·đ˜Šđ˜łđ˜ș đ˜€đ˜°đ˜Żđ˜„đ˜Șđ˜”đ˜Ș𝘰𝘯𝘮 đ˜”đ˜©đ˜ąđ˜” đ˜©đ˜ąđ˜„ đ˜źđ˜ąđ˜„đ˜Š đ˜șđ˜°đ˜¶đ˜ł đ˜±đ˜łđ˜ąđ˜€đ˜”đ˜Șđ˜€đ˜Š đ˜±đ˜°đ˜Žđ˜Žđ˜Ș𝘣𝘭𝘩. đ˜ˆđ˜Żđ˜„ 𝘐 𝘧đ˜Șđ˜Żđ˜„ đ˜”đ˜©đ˜ąđ˜” đ˜Čđ˜¶đ˜Șđ˜”đ˜Š đ˜Łđ˜Šđ˜ąđ˜¶đ˜”đ˜Șđ˜§đ˜¶đ˜­. đ˜›đ˜©đ˜Š 𝘮𝘰𝘭𝘰 𝘩đ˜čđ˜©đ˜Ș𝘣đ˜Șđ˜”đ˜Ș𝘰𝘯 đ˜„đ˜Șđ˜„ đ˜Żđ˜°đ˜” đ˜„đ˜Șđ˜Žđ˜ąđ˜±đ˜±đ˜Šđ˜ąđ˜ł;đ˜Șđ˜” đ˜Žđ˜©đ˜Șđ˜§đ˜”đ˜Šđ˜„. đ˜đ˜” 𝘾𝘱𝘮 𝘯𝘰 𝘭𝘰𝘯𝘹𝘩𝘳 𝘩đ˜čđ˜ąđ˜€đ˜”đ˜­đ˜ș đ˜”đ˜©đ˜Š đ˜±đ˜­đ˜ąđ˜€đ˜Š đ˜žđ˜©đ˜Šđ˜łđ˜Š 𝘰𝘯𝘩 đ˜±đ˜Šđ˜łđ˜Žđ˜°đ˜Ż đ˜€đ˜ąđ˜źđ˜Š đ˜”đ˜° đ˜Žđ˜©đ˜°đ˜ž đ˜”đ˜©đ˜Šđ˜Ș𝘳 𝘾𝘰𝘳𝘬, đ˜Łđ˜¶đ˜” đ˜łđ˜ąđ˜”đ˜©đ˜Šđ˜ł 𝘱 đ˜±đ˜­đ˜ąđ˜€đ˜Š đ˜žđ˜©đ˜Šđ˜łđ˜Š đ˜”đ˜©đ˜Š đ˜łđ˜Šđ˜­đ˜ąđ˜”đ˜Șđ˜°đ˜Żđ˜Žđ˜©đ˜Șđ˜±đ˜Ž đ˜”đ˜©đ˜ąđ˜” đ˜©đ˜ąđ˜„ đ˜źđ˜ąđ˜„đ˜Š đ˜”đ˜©đ˜ąđ˜” 𝘾𝘰𝘳𝘬 đ˜±đ˜°đ˜Žđ˜Žđ˜Ș𝘣𝘭𝘩 đ˜€đ˜°đ˜¶đ˜­đ˜„ đ˜Łđ˜Šđ˜€đ˜°đ˜źđ˜Š đ˜·đ˜Ș𝘮đ˜Ș𝘣𝘭𝘩.đ˜›đ˜©đ˜Šđ˜łđ˜Š đ˜Ș𝘮, đ˜źđ˜°đ˜łđ˜Šđ˜°đ˜·đ˜Šđ˜ł, đ˜Žđ˜°đ˜źđ˜Šđ˜”đ˜©đ˜Ș𝘯𝘹 đ˜”đ˜©đ˜ąđ˜” 𝘮𝘩𝘩𝘼𝘮 đ˜Čđ˜¶đ˜Șđ˜”đ˜Š 𝘮đ˜Ș𝘼đ˜Ș𝘭𝘱𝘳 đ˜”đ˜° 𝘼𝘩 đ˜Łđ˜Šđ˜”đ˜žđ˜Šđ˜Šđ˜Ż 𝘛𝘓SÌ·đ˜‹ đ˜ąđ˜Żđ˜„ đ˜’đ˜°đ˜źđ˜±đ˜­đ˜°đ˜”. đ˜’đ˜°đ˜źđ˜±đ˜­đ˜°đ˜” 𝘾𝘱𝘮 𝘣𝘰𝘳𝘯 đ˜°đ˜¶đ˜” 𝘰𝘧 đ˜”đ˜©đ˜Š đ˜„đ˜Šđ˜±đ˜­đ˜°đ˜șđ˜źđ˜Šđ˜Żđ˜” 𝘰𝘧 đ˜€đ˜¶đ˜łđ˜ąđ˜”đ˜°đ˜łđ˜Ș𝘱𝘭 𝘧𝘰𝘳𝘼𝘮 đ˜”đ˜©đ˜ąđ˜” đ˜°đ˜±đ˜Šđ˜łđ˜ąđ˜”đ˜Šđ˜„ đ˜±đ˜ąđ˜łđ˜ąđ˜Žđ˜Șđ˜”đ˜Șđ˜€đ˜ąđ˜­đ˜­đ˜ș đ˜Ș𝘯 đ˜łđ˜Šđ˜­đ˜ąđ˜”đ˜Ș𝘰𝘯 đ˜”đ˜° đ˜”đ˜©đ˜Š đ˜Șđ˜Żđ˜Žđ˜”đ˜Șđ˜”đ˜¶đ˜”đ˜Ș𝘰𝘯; 𝘛𝘓SÌ·đ˜‹ đ˜§đ˜¶đ˜Żđ˜€đ˜”đ˜Ș𝘰𝘯𝘮 đ˜ąđ˜€đ˜€đ˜°đ˜łđ˜„đ˜Ș𝘯𝘹 đ˜”đ˜° 𝘱 𝘮đ˜Ș𝘼đ˜Ș𝘭𝘱𝘳 𝘭𝘰𝘹đ˜Șđ˜€: 𝘱 𝘧𝘰𝘳𝘼 đ˜”đ˜©đ˜ąđ˜” đ˜Žđ˜Šđ˜”đ˜”đ˜­đ˜Šđ˜Ž đ˜Žđ˜°đ˜źđ˜Šđ˜žđ˜©đ˜Šđ˜łđ˜Š, 𝘮𝘭đ˜Șđ˜šđ˜©đ˜”đ˜­đ˜ș đ˜„đ˜Șđ˜Žđ˜”đ˜¶đ˜łđ˜Łđ˜Ž đ˜”đ˜©đ˜Š 𝘩đ˜čđ˜Șđ˜Žđ˜”đ˜Ș𝘯𝘹 𝘰𝘳𝘹𝘱𝘯đ˜Șđ˜Žđ˜ąđ˜”đ˜Ș𝘰𝘯, đ˜§đ˜Šđ˜Šđ˜„đ˜Ž 𝘰𝘯 đ˜Șđ˜” đ˜ąđ˜Żđ˜„, đ˜Ș𝘯 đ˜łđ˜Šđ˜”đ˜¶đ˜łđ˜Ż, đ˜”đ˜łđ˜ąđ˜Żđ˜Žđ˜§đ˜°đ˜łđ˜źđ˜Ž đ˜Șđ˜”.(
) extract of the exhibition text @thibaud_leplat 

♠ 

đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶Â 
@the_letters_pace_department 

With #achillesmussche @melzacka_alicja @tonifull @damiano.curschellas @dieterravyts #gerlachenkoop @louisgarrido91 #lukasstallaert #maximemelis @michielceulers @lapromessedelecran @reiniervrancken #sophienys @thibaud_leplat @_________yannctytelman @_yue.yuan

đ—˜đ˜…đ—”đ—¶đ—Żđ—¶đ˜đ—¶đ—Œđ—»
12.09-24.10.2026
Thur. - Sat. | 14:00 - 18:00 or by appointment 

🩗

Reinier Vrancken, are crickets’ air, Cricket cages arranged in a closed contour, Dimensions variable, 2026.  Image Fabrice Schneider

Exhibition view of s̶u̶j̶e̶t̶ by The LetterS̷ pace department, 12.09-24.10.2026, at Komplot. Image Fabrice Schneider. Courtesy of the artist and Komplot.

Exhibition view of s̶u̶j̶e̶t̶ by The LetterS̷ pace department, 12.09-24.10.2026, taken in Komplot by @komplot_brussels
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a day ago
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°..o.0°o.°

I made a work for The LetterSÌ· pace Department's đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶ at Komplot in Brussels. The show is on view until October 24, 2026. 

This is a solo in the form of a collective exhibition: "At Komplot The LetterSÌ· pace Department operates as guest and host at once, re-membering the works of close friends and kindred spirits in order to compose its first solo exhibition as one body of work." 

"Subjectivity emerges in the interstice: not as a unified identity, but as something split, addressed and assembled through different relations and voices. đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶ takes this split and the bar as a working principle. To bar is to divide, but also to make visible what the division puts into relation. When barred, a word transforms into an image. A line becomes a signature once it's crossed out by another."

I'm very happy with this collaboration with The LetterSÌ· pace Department. TLSD, along with Louis Garrido, has even developed a new typography for the exhibition, that they used for the shaping of the work. 

On these nice pictures, space is shared with Sophie Nys and @michielceulers.

Thank you @komplot_brussels, @the_letters_pace_department and @thibaud_leplat.

Caption: 

Yann Chateigné Tytelman
I imagine/Time
Pencil
Variable dimensions
2026

Pictures by Fabrice Schneider.

°..o.0°o.° taken in Komplot by @komplot_brussels
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3 days ago
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Only two weeks left to catch đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶ at Komplot. Hope to see you around!

♊

𝘛𝘰 đ˜ąđ˜€đ˜€đ˜°đ˜źđ˜±đ˜ąđ˜Żđ˜ș đ˜șđ˜°đ˜¶đ˜ł đ˜·đ˜Ș𝘮đ˜Șđ˜”, 𝘱 đ˜Łđ˜°đ˜°đ˜Źđ˜­đ˜Šđ˜” 𝘾𝘳đ˜Șđ˜”đ˜”đ˜Šđ˜Ż 𝘣đ˜ș đ˜”đ˜©đ˜Š đ˜ąđ˜łđ˜”đ˜Șđ˜Žđ˜” 𝘰𝘧𝘧𝘩𝘳𝘮 𝘱 đ˜±đ˜Šđ˜łđ˜Žđ˜°đ˜Żđ˜ąđ˜­ đ˜”đ˜ąđ˜Źđ˜Š 𝘰𝘯 đ˜”đ˜©đ˜Š 𝘾𝘰𝘳𝘬𝘮 đ˜Łđ˜łđ˜°đ˜¶đ˜šđ˜©đ˜” đ˜”đ˜°đ˜šđ˜Šđ˜”đ˜©đ˜Šđ˜ł đ˜Ș𝘯 đ˜”đ˜©đ˜Š 𝘩đ˜čđ˜©đ˜Ș𝘣đ˜Șđ˜”đ˜Ș𝘰𝘯.

m. A future voice—a belly-being—is growing, but still stored, stored still within the belly of the exhibition space, a
(future) mother is voicing being two, or one, between journal and dream.

n. Two triangular pillows support the comings and goings of Komplot’s neighbours, while the Malevichian white square is actually camouflaging the adjoining staircase, cramped between wall and ceiling.

o. A split is made after 188 pages of literary perversion. A spatial stretch accentuatess the division and Shifts two into three volumes from Lo-lita to Lo-li-ta. The book surfaces, loses its bodies, becomes image and is withheld by two entrance-doorsized plexiglas covers.

- Extract of the booklet -

đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶
The LetterSÌ· pace Department

With Achilles Mussche, Alicja Melzacka, Antoinette Jattiot, Damiano Curschellas, Dieter Ravyts, gerlach en koop, Louis Garrido, Lukas Stallaert, Maxime Melis, Michiel Ceulers, Pierre Leguillon, Reinier Vrancken, Sophie Nys, Thibaud Leplat, Yann Chateigné Tytelman, Yue Yuan

đ—˜đ˜…đ—”đ—¶đ—Żđ—¶đ˜đ—¶đ—Œđ—»
12.09–24.10.2026
Thur. – Sat. | 14:00–18:00 or by appointment

The exhibition is supported by the Fédération Wallonie-Bruxelles, the Vlaamse Gemeenschapscommissie, and the municipality of Anderlecht.

@the_letters_pace_department 

#achillesmussche @melzacka_alicja @tonifull @damiano.curschellas @dieterravyts #gerlachenkoop @louisgarrido91 #lukasstallaert #maximemelis @michielceulers @lapromessedelecran @reiniervrancken #sophienys @thibaud_leplat @_________yannctytelman @_yue.yuan_ 

@federation_wallonie_bruxelles @1070_anderlecht

Documentation Fabrice Schneider

Sophie Nys, Adieu, Cotton, Dimensions variable, 2021. 

Exhibition view of s̶u̶j̶e̶t̶ by The LetterS pace department, 12.09-24.10.2026, at Komplot. Image Fabrice Schneider. Courtesy of the artist and Komplot.

Reinier Vrancken, come to, gone from Triangular picture fu taken in Komplot by @komplot_brussels
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5 days ago
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On 5 October, curators and CS alumni @camille_vm and @karelopteynde brought the postgraduate Curatorial Studies group to @komplot_brussels for a day of collective editing, arranging, questioning and making.

Personal notes, images, anecdotes and unresolved situations became material for a shared publication. Through writing, editing, sequencing, drawing and discussion, the group explored authorship, consent, privacy, disagreement and invisible labour.

The publication took shape through the relationships in the room: a collective space for testing ideas, making decisions and finding forms for different voices to coexist. by @komplot_brussels
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5 days ago
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This afternoon, the book launch will take place - it’s also an opportunity to visit the exhibition đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶.

See you there !

♠ 

(
) 𝘐 đ˜„đ˜°đ˜Żâ€™đ˜” 𝘬𝘯𝘰𝘾 đ˜Ș𝘧 đ˜șđ˜°đ˜¶ 𝘮𝘩𝘩 đ˜Șđ˜”, đ˜Łđ˜¶đ˜” đ˜›đ˜©đ˜Š 𝘍𝘰𝘰𝘭 đ˜Ș𝘮 𝘱 đ˜Žđ˜°đ˜źđ˜Šđ˜žđ˜©đ˜ąđ˜” 𝘮đ˜Șđ˜Żđ˜šđ˜¶đ˜­đ˜ąđ˜ł 𝘧đ˜Șđ˜šđ˜¶đ˜łđ˜Š đ˜Ș𝘯 đ˜”đ˜©đ˜Š đ˜›đ˜ąđ˜łđ˜°đ˜”. 𝘏𝘩 đ˜€đ˜ąđ˜łđ˜łđ˜Ș𝘩𝘮 𝘱 đ˜Łđ˜¶đ˜Żđ˜„đ˜­đ˜Š, đ˜©đ˜°đ˜­đ˜„đ˜Ž 𝘱 đ˜Žđ˜”đ˜Șđ˜€đ˜Ź, đ˜ąđ˜Żđ˜„ 𝘱 𝘮𝘼𝘱𝘭𝘭 đ˜„đ˜°đ˜š đ˜Ș𝘮 đ˜”đ˜Šđ˜ąđ˜łđ˜Ș𝘯𝘹 đ˜ąđ˜” đ˜©đ˜Ș𝘮 đ˜”đ˜łđ˜°đ˜¶đ˜Žđ˜Šđ˜łđ˜Ž. 𝘏𝘩 đ˜©đ˜ąđ˜Ž 𝘯𝘰 đ˜Żđ˜¶đ˜źđ˜Łđ˜Šđ˜ł, đ˜„đ˜°đ˜Šđ˜Žđ˜Żâ€™đ˜” đ˜Čđ˜¶đ˜Șđ˜”đ˜Š 𝘧đ˜Șđ˜” đ˜Șđ˜Żđ˜”đ˜° đ˜”đ˜©đ˜Š 𝘮𝘩đ˜Čđ˜¶đ˜Šđ˜Żđ˜€đ˜Š 𝘰𝘧 đ˜”đ˜©đ˜Š đ˜°đ˜”đ˜©đ˜Šđ˜ł đ˜ąđ˜łđ˜€đ˜ąđ˜Żđ˜ą, đ˜ąđ˜Żđ˜„ đ˜€đ˜ąđ˜Ż đ˜ąđ˜±đ˜±đ˜Šđ˜ąđ˜ł 𝘣𝘩𝘧𝘰𝘳𝘩 đ˜”đ˜©đ˜Š 𝘔𝘱𝘹đ˜Șđ˜€đ˜Ș𝘱𝘯, đ˜Żđ˜¶đ˜źđ˜Łđ˜Šđ˜ł 𝟣, 𝘰𝘳 đ˜ąđ˜§đ˜”đ˜Šđ˜ł đ˜”đ˜©đ˜Š đ˜žđ˜°đ˜łđ˜­đ˜„, đ˜Żđ˜¶đ˜źđ˜Łđ˜Šđ˜ł đŸ€đŸŁ. 𝘏𝘩 đ˜€đ˜ąđ˜Ż 𝘣𝘩𝘹đ˜Ș𝘯 𝘰𝘳 đ˜Šđ˜Żđ˜„ đ˜”đ˜©đ˜Š đ˜›đ˜ąđ˜łđ˜°đ˜”â€™đ˜Ž đ˜Ș𝘯đ˜Șđ˜”đ˜Șđ˜ąđ˜”đ˜°đ˜łđ˜ș đ˜€đ˜șđ˜€đ˜­đ˜Š. 𝘐𝘯 𝘱 𝘾𝘱đ˜ș, đ˜©đ˜Š đ˜Šđ˜Žđ˜€đ˜ąđ˜±đ˜Šđ˜Ž đ˜”đ˜©đ˜Š 𝘮𝘩đ˜Čđ˜¶đ˜Šđ˜Żđ˜€đ˜Š.đ˜›đ˜©đ˜Š đ˜€đ˜ąđ˜łđ˜„ đ˜Ș𝘮 đ˜”đ˜©đ˜Šđ˜łđ˜Š 𝘾đ˜Șđ˜”đ˜©đ˜°đ˜¶đ˜” đ˜Čđ˜¶đ˜Șđ˜”đ˜Š 𝘣𝘩𝘭𝘰𝘯𝘹đ˜Ș𝘯𝘹 đ˜”đ˜° đ˜”đ˜©đ˜Š đ˜°đ˜łđ˜„đ˜Šđ˜ł 𝘰𝘧 đ˜”đ˜©đ˜Š 𝘹𝘱𝘼𝘩. đ˜đ˜” đ˜Ș𝘮 đ˜”đ˜©đ˜Š đ˜”đ˜©đ˜łđ˜Šđ˜Žđ˜©đ˜°đ˜­đ˜„, đ˜”đ˜©đ˜Š đ˜Șđ˜Żđ˜”đ˜Šđ˜łđ˜Žđ˜”đ˜Șđ˜€đ˜Š, đ˜”đ˜©đ˜ąđ˜” đ˜žđ˜©đ˜Șđ˜€đ˜© đ˜€đ˜Șđ˜łđ˜€đ˜¶đ˜­đ˜ąđ˜”đ˜Šđ˜Ž đ˜Łđ˜Šđ˜”đ˜žđ˜Šđ˜Šđ˜Ż đ˜”đ˜©đ˜Š 𝘣𝘰đ˜č𝘩𝘮 𝘾đ˜Șđ˜”đ˜©đ˜°đ˜¶đ˜” đ˜Šđ˜·đ˜Šđ˜ł 𝘳𝘩𝘱𝘭𝘭đ˜ș đ˜žđ˜ąđ˜Żđ˜”đ˜Ș𝘯𝘹 đ˜”đ˜° đ˜°đ˜€đ˜€đ˜¶đ˜±đ˜ș 𝘰𝘯𝘩. đ˜›đ˜©đ˜Š đ˜”đ˜©đ˜łđ˜Šđ˜ąđ˜„ 𝘰𝘧 đ˜”đ˜©đ˜Š 𝘭𝘩𝘹đ˜Ș𝘣𝘭𝘩. đ˜›đ˜©đ˜Š đ˜“đ˜Šđ˜”đ˜”đ˜Šđ˜łSÌ· đ˜±đ˜ąđ˜€đ˜Š đ˜‹đ˜Šđ˜±đ˜ąđ˜łđ˜”đ˜źđ˜Šđ˜Żđ˜” đ˜Ș𝘮 đ˜Żđ˜Šđ˜·đ˜Šđ˜ł đ˜Čđ˜¶đ˜Șđ˜”đ˜Š đ˜žđ˜©đ˜Šđ˜łđ˜Š 𝘰𝘯𝘩 𝘩đ˜čđ˜±đ˜Šđ˜€đ˜”đ˜Ž đ˜Șđ˜” đ˜”đ˜° 𝘣𝘩. đ˜›đ˜©đ˜Š 𝘯𝘱𝘼𝘩 đ˜Žđ˜©đ˜Șđ˜§đ˜”đ˜Ž, đ˜”đ˜©đ˜Š đ˜­đ˜Šđ˜”đ˜”đ˜Šđ˜łđ˜Ž đ˜€đ˜©đ˜ąđ˜Żđ˜šđ˜Š đ˜±đ˜­đ˜ąđ˜€đ˜Šđ˜Ž đ˜ąđ˜€đ˜€đ˜°đ˜łđ˜„đ˜Ș𝘯𝘹 đ˜”đ˜° đ˜”đ˜©đ˜Š đ˜±đ˜łđ˜°đ˜«đ˜Šđ˜€đ˜”đ˜Ž, đ˜ąđ˜Żđ˜„ đ˜șđ˜°đ˜¶ 𝘭đ˜Ș𝘬𝘩 đ˜”đ˜° đ˜±đ˜­đ˜ąđ˜ș 𝘾đ˜Șđ˜”đ˜© đ˜¶đ˜Ž, đ˜Žđ˜°đ˜źđ˜Šđ˜”đ˜Ș𝘼𝘩𝘮 đ˜€đ˜°đ˜źđ˜Ș𝘯𝘹 đ˜”đ˜° đ˜Łđ˜­đ˜¶đ˜ł đ˜”đ˜©đ˜Š đ˜Șđ˜Żđ˜·đ˜Șđ˜”đ˜ąđ˜”đ˜Ș𝘰𝘯𝘮 đ˜ąđ˜„đ˜„đ˜łđ˜Šđ˜Žđ˜Žđ˜Šđ˜„ đ˜”đ˜° đ˜°đ˜”đ˜©đ˜Šđ˜łđ˜Ž 𝘾đ˜Șđ˜”đ˜© đ˜șđ˜°đ˜¶đ˜ł 𝘰𝘾𝘯 đ˜šđ˜Šđ˜Žđ˜”đ˜¶đ˜łđ˜Šđ˜Ž. (
) extract of the exhibition text @thibaud_leplat 

đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶Â 
@the_letters_pace_department 

With #achillesmussche @melzacka_alicja @tonifull @damiano.curschellas @dieterravyts #gerlachenkoop @louisgarrido91 #lukasstallaert #maximemelis @michielceulers @lapromessedelecran @reiniervrancken sophienys @thibaud_leplat @_________yannctytelman @_yue.yuan

đ—˜đ˜…đ—”đ—¶đ—Żđ—¶đ˜đ—¶đ—Œđ—»
12.09-24.10.2026
Thur. - Sat. | 14:00 - 18:00 or by appointment 

Image Fabrice Schneider

Yann Chateigné Tytelman, I by @komplot_brussels
0
8 days ago
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This week, we had the pleasure of reading Laura Bui Sabalić’s article on @karoo.me entitled “R͇e͇n͇t͇r͇é͇e͇ ͇a͇r͇t͇i͇s͇t͇i͇q͇u͇e͇ ͇e͇t͇ ͇M͇a͇n͇q͇u͇e͇ ͇f͇o͇n͇d͇a͇m͇e͇n͇t͇a͇l͇.”

The article offers a thoughtful and suggestive reading of the exhibition, sharing the impressions it left on her in the context of the opening of the new season. A big thank you to Laura @yugoslave4u for these words and for her singular perspective and reading of the exhibition!! 

You can read the full article on Karoo.me 👀

➿ Don’t miss the book launch of the publication ‘Too Halve Have To’ next Saturday at 14:30! ➿

â™Łïž

đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶
The LetterSÌ· pace Department

With Achilles Mussche, Alicja Melzacka, Antoinette Jattiot, Damiano Curschellas, Dieter Ravyts, gerlach en koop, Louis Garrido, Lukas Stallaert, Maxime Melis, Michiel Ceulers, Pierre Leguillon, Reinier Vrancken, Sophie Nys, Thibaud Leplat, Yann Chateigné Tytelman, Yue Yuan

đ—˜đ˜…đ—”đ—¶đ—Żđ—¶đ˜đ—¶đ—Œđ—»
12.09–24.10.2026
Thur. – Sat. | 14:00–18:00 or by appointment

The exhibition is supported by the Fédération Wallonie-Bruxelles, the Vlaamse Gemeenschapscommissie, and the municipality of Anderlecht.

@the_letters_pace_department 

@yugoslave4u 

#achillesmussche @melzacka_alicja @tonifull @damiano.curschellas @dieterravyts #gerlachenkoop @louisgarrido91 #lukasstallaert #maximemelis @michielceulers @lapromessedelecran @reiniervrancken #sophienys @thibaud_leplat @_________yannctytelman @_yue.yuan_ 

@federation_wallonie_bruxelles @1070_anderlecht

Documentation Fabrice Schneider

Details of Achilles Mussche, Geven Oefenen [Exercising Giving], Watercolor copies on paper, framed, 38,5 x 58 cm each since 2024, Collection The LetterS̷ pace Department, Brussels (BE). 

Exhibition view of s̶u̶j̶e̶t̶ by The LetterS̷ pace department, 12.09-24.10.2026, at Komplot. Image Fabrice Schneider. Courtesy of the artist and Komplot.

#achillesmussche

Details of gerlach en koop, A Third Volume, Acrylic glass, copy of the very rare first edition of Lolita by Vladimir Nabokov, the only edition printed in two separate volumes, found in a charity shop in Brussels—held together by a rubber band, 825.250.000 cm3, 2026. 

Exhibition view of s̶u̶j̶e̶t̶ by The taken in Komplot by @komplot_brussels
2
15 days ago
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đ—đ—Œđ—¶đ—» 𝘂𝘀 đ—»đ—Č𝘅𝘁 đ—Šđ—źđ˜đ˜‚đ—żđ—±đ—źđ˜† đ—łđ—Œđ—ż đ˜đ—”đ—Č đ›đšđšđ€ đ„đšđźđ§đœđĄ 𝐹𝐟 ‘𝐓𝐹𝐹 đ‡đšđ„đŻđž 𝐇𝐚𝐯𝐞 𝐓𝐹’ 𝐚𝐬 𝐚𝐧 đąđ§đ­đ«đšđđźđœđ­đąđšđ§ 𝐱𝐧𝐭𝐹 𝐭𝐡𝐞 đžđ±đĄđąđ›đąđ­đąđšđ§ đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶.‹‹The artist book ‘Too Halve Have To’ brings together 52 foundling tokens from the archive CPAS/OCMW Bruxelles/Brussel. 

𝟭𝟬.𝟭𝟬.𝟼𝟬𝟼đŸČ
𝟭𝟰:𝟯𝟬

đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶
The LetterSÌ· pace Department

With Achilles Mussche, Alicja Melzacka, Antoinette Jattiot, Damiano Curschellas, Dieter Ravyts, gerlach en koop, Louis Garrido, Lukas Stallaert, Maxime Melis, Michiel Ceulers, Pierre Leguillon, Reinier Vrancken, Sophie Nys, Thibaud Leplat, Yann Chateigné Tytelman, Yue Yuan

đ—˜đ˜…đ—”đ—¶đ—Żđ—¶đ˜đ—¶đ—Œđ—»
12.09–24.10.2026
Thur. – Sat. | 14:00–18:00 or by appointment

The exhibition is supported by the Fédération Wallonie-Bruxelles, the Vlaamse Gemeenschapscommissie, and the municipality of Anderlecht.

@the_letters_pace_department 

#achillesmussche @melzacka_alicja @tonifull @damiano.curschellas @dieterravyts #gerlachenkoop @louisgarrido91 #lukasstallaert #maximemelis @michielceulers @lapromessedelecran @reiniervrancken #sophienys @thibaud_leplat @_________yannctytelman @_yue.yuan_ 

@federation_wallonie_bruxelles @1070_anderlecht

đŸ“· @the_letters_pace_department taken in Komplot by @komplot_brussels
0
16 days ago
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On the 5th & 6th of September, Komplot was invited to Supercondominio8, organised by @tretigalaxie as part of the #radis public programme with @fondazionecrt and @fondazionecrc., bringing together independent art spaces from Italy and across Europe in Dogliani. 🇼đŸ‡č

This year’s theme was “Il Bene Comune” (The Common Good) exploring how independent art spaces can create places for sharing, exchange and collaboration, and how art can contribute to building communities and a sense of the commons.

On this occasion, @thibaud_leplat, curator at Komplot, presented the organisation, its missions and activities, the challenges of running an independent art space, and our upcoming 25th anniversary! đŸŽ‚đŸ’«

The weekend was filled with inspiring presentations, performances, conversations and encounters, including wonderful contributions from @rrobertocasti and the @scuoladisantarosaa, founded by @LuigiAntonioPresicce and @fra.lauretta 

We were in very good company, alongside @gelateriasognidighiaccio, @karussell__, @muchomas.project, @panoramavenezia, @studio.concreto, @galeriefavu, @goswellroad, @kinderhookcaracas, @komplot_brussels, @sonnenstube.offspace.

A huge thank you to Ramona Ponzini and Matteo Mottin for this incredible weekend in Dogliani, for the invitation, the generous hospitality, the conversations and all the new encounters. ❀

The whispers of a plot keep spreading
 🌀

📾 Elisabeth Ghigone taken in Dogliani by @komplot_brussels
7
19 days ago
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A look back at the two activations that took place during the opening weekend of the exhibition đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶:

đ™‘đ™–đ™§đ™žđ™–đ™©đ™žđ™€đ™Łđ™š đ™€đ™Ł đ™©đ™đ™š đ˜œđ™€đ™™đ™ź (đ™–đ™›đ™©đ™šđ™§ 𝙈𝙞𝙘𝙝𝙚𝙡 𝙎𝙚𝙧𝙧𝙚𝙹)
A reading for two voices by Alicja Melzacka, in collaboration with Stine Sampers

&

𝙒𝙝𝙼 đ™†đ™Łđ™€đ™© đ™‹đ™šđ™źđ™˜đ™đ™€đ™–đ™Łđ™–đ™Ąđ™źđ™šđ™žđ™š?
An open-table conversation on art and psychoanalysis with Lukas Stallaert and Wim De Pauw

A big thank you to them !

As part of @rendezvousbxl and Art Anderlecht

The exhibition is open Thursday to Saturday, until 24 October!

✹

đ‘ Ì¶đ‘ąÌ¶đ‘—Ì¶đ‘’Ì¶đ‘ĄÌ¶
The LetterSÌ· pace Department

With Achilles Mussche, Alicja Melzacka, Antoinette Jattiot, Damiano Curschellas, Dieter Ravyts, gerlach en koop, Louis Garrido, Lukas Stallaert, Maxime Melis, Michiel Ceulers, Pierre Leguillon, Reinier Vrancken, Sophie Nys, Thibaud Leplat, Yann Chateigné Tytelman, Yue Yuan

đ—˜đ˜…đ—”đ—¶đ—Żđ—¶đ˜đ—¶đ—Œđ—»
12.09–24.10.2026
Thur. – Sat. | 14:00–18:00 or by appointment

The exhibition is supported by the Fédération Wallonie-Bruxelles, the Vlaamse Gemeenschapscommissie, and the municipality of Anderlecht.

@the_letters_pace_department 

#achillesmussche @melzacka_alicja @tonifull @damiano.curschellas @dieterravyts #gerlachenkoop @louisgarrido91 #lukasstallaert #maximemelis @michielceulers @lapromessedelecran @reiniervrancken #sophienys @thibaud_leplat @_________yannctytelman @_yue.yuan_ 

@stine_diana 

@federation_wallonie_bruxelles @1070_anderlecht

đŸ“·
1-2-4 @the_letters_pace_department 
3-5 Komplot’s team taken in Komplot by @komplot_brussels
1
23 days ago
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THANK YOU: Art Anderlecht was something else!

Amidst a few drops of rain and rays of sunshine, this year’s edition once again brought together a vibrant community across the neighbourhood.

For those of you who weren’t able to make it this weekend, or simply want to keep discovering, several exhibitions are still open over the coming weeks. So there’s still time to catch them!

đ—Šđ˜đ—¶đ—čđ—č đ—Œđ—» đ˜ƒđ—¶đ—Č𝘄:
‱ Atelier Bardaf — 𝙀𝙼𝙚 đ™đ™Ąđ™€đ™–đ™©đ™šđ™§đ™š
Until 20 September
‱ Atelier Poiesis — 𝙃𝙞𝙙𝙙𝙚𝙣 đ™đ™žđ™«đ™šđ™§
Until 25 September
‱ Big Appple — 𝙂đ™Ș𝙚𝙹𝙹 𝙈𝙞𝙣𝙚 𝙄𝙹 đ™‰đ™€đ™© đ™©đ™đ™š đ™đ™žđ™§đ™šđ™© đ™ƒđ™šđ™–đ™§đ™© đ˜œđ™§đ™€đ™ đ™šđ™Ł
Until 20 September
‱ Brasseries Atlas — đ˜Œđ™©đ™Ąđ™–đ™š đ™đ™€đ™©đ™–đ™Ą 𝟼
Until 27 September — Guided tours on demand
‱ Janitor — đ™‡đ™žđ™œđ™đ™© đ˜Ÿđ™€đ™Ąđ™Ș𝙱𝙣 đ˜Œđ™«đ™šđ™Łđ™Ș𝙚𝙹
Until 10 October
‱ Gilbard — 𝙂𝙞𝙡𝙗𝙖𝙧𝙙.𝙚.𝙹 & 𝙛𝙧𝙞𝙚𝙣𝙙𝙹 𝙗𝙼 𝙂𝙞𝙡𝙗𝙖𝙧𝙙.𝙚.𝙹 𝙖𝙣𝙙 𝙛𝙧𝙞𝙚𝙣𝙙𝙹
Until 16 October
‱ Komplot — đ™šÌ¶đ™ȘÌ¶đ™ŸÌ¶đ™šÌ¶đ™©Ì¶
Until 24 October

Thank you to everyone who contributed to making this edition happen, whether directly or from afar. None of this would have been possible without you.

Graphic design by @sudestplusgird 

This project is made possible with the support of @1070cultuur @culture.be @nbrussel_ taken in Komplot by @komplot_brussels
7
a month ago
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Jusqu’au 24 octobre, Komplot accueille sujet, première exposition personnelle de The LetterS̷ pace Department. Néanmoins, « personnelle », cette exposition ne l’est qu’en apparence. Seize noms l’accompagnent au générique, entre artistes invités, curateur et même évocation d’un psychanalyste. De quoi interroger, frontalement, ce que recouvre l’étiquette « solo show » dans le monde de l’art.

The LetterS̷ pace Department (TLSD) est une entité artistique fondée en 2022, qui mène depuis lors une recherche sur le langage, l’identité et la manière dont la figure de l’auteur ou l’autrice se déplace et se reconfigure. Avec sujet, c’est la première fois que cette entité se présente sous la forme d’une exposition individuelle dont les codes ont servi de point de départ à la réflexion.

👉 Analyse à lire sur artcontent.be

@komplot_brussels @the_letters_pace_department  @melzacka_alicja @tonifull @damiano.curschellas @dieterravyts @louisgarrido91 @reiniervrancken @thibaud_leplat @_yue.yuan_ et bien d'autres by @komplot_brussels
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