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Laura Gozlan

@lauragozlan

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Youth enhancement systems, precognition, Onan. Sorcer.
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Lucky enough to spend time with these beautiful people while crafting Specter Cruising — a lilttle project carried for the past 3 years.
Many thanks to Jēkaps for the pics. Bliss and gratitude to:
Aivars Šaicāns @dr.aivis — DoP, and so much more.
Marta Kalnina, best-ever Art Director,
along with Karlīna Marta Zvirbule.
Jēkaps Okonovs @jekabso — orchestral spirit : editing, sound, light.
Luīze Stare @luizestare — make-up artist. 
And the two queens:
Marta Skābarde @skabarzu_lapas & Iveta Pole @ivetapole . Thanks as well to Mara, Gerda @gerdaroze , Daniels Satalovs @danielssatalovs , Līva Vernere @livavernere and all the others who were part of the journey. Endless thanks to my dear brilliant Maija Rudovska @maijarudovska for 7 years of companionship and support. Thank you for welcoming me into the rare and generous context that is @studija_space , for making this journey possible, and for making the art milieu a better place. In loving memory of my dearest nephew,
Lucas Lelez. Many thanks to @fondationdesartistes @studija_space for supporting this project. taken in Riga by @lauragozlan
37
10 months ago
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dilithium, chapter 2: doppelgänger, curated by Jen Kratochvil @jen_kratochvil is prolonged until 31.10 at EXILE gallery, Vienna With Hynek Alt, Nikola Balberčáková, Květoslava Fulierová & Petra Feriancová, Laura Gozlan, Martins Kohout, Astrid Proll, Anna Rusínová, Sráč Sam, Miriam Stoney wouldn’t you say, that since the end of the lockdowns – or rather after we decided to recategorize covid from a global threat to a common nuisance – that we slowed down with all the mental health talk within the art world? or was it since the russian tanks and ukrainian drones smashing each other to smithereens lost their novelty and transformed themselves into quotidian background noise? or after most of us went to countless protests following oct 7th and only very little has changed? isn’t that a good question? where is our newly discovered focus on mental health? where are our healthy, self-aware doppelgängers with newly discovered self-confidence built on analyzed, categorized and almost resolved traumas? oh, or was it after kamala harris took on tim walz and their campaign rechristened itself from brat to normal (in comparison to the “weird” ones on the other side)? i’d call that “the last straw”…time of normalization officially endorsed not just by fascists and populists all over, but also by everyone’s favorite democratic candidates. normal, my ass. ah, but maybe we don’t talk about mental health that much just because we already wanted so hard to be in a new season of the global art world tv show, a new season tackling a new exciting topic, just wonder what that might be. becoming normal is for sure on the top of the list. » Jen Kratochvil @exilegram @domen_ogr @curatedby.at 1. Kilroy’s Mom, Mom’s Kilroy, Your humble servant 2. Myriam Stoney & Nikola Balberčáková @nikolaa_bal 4. Martins Kohout @load_unload_overload 5. Hynek Alt @hynek_alt 6. Jelisaveta Rapaić @jelisalveta 7. Anna Rusínová @annnarusinova 8. Petra Feriancová & Květoslava Fulierová @petra_feriancova 9. 11. Sráč Sam @srac.sam 10. Astrid Proll, Gudrun Ensslin, Paris, November 1969 taken in Exile by @lauragozlan
5
2 years ago
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Many thanks to all those who came to see my latest video ´Now you’re inside me it doesn’t mean we’ll collegially agree on all topics’, 2024 With the brilliant Giulia Terminio @julieterminio On view in the show ‘Liminalities’ @galerie_valeria_cetraro, Paris until November 16th. Thank you Andrew Hodgson @anhoisin for a great text, can’t resist posting an extract : « And yet, with the video work shown here, also titled Now you’re inside me (2024), down within the storied medieval quarries underneath the early-20th century battlefields along the river Aisne, two players are figured in a high-kitsch moral debate. The young figure of Faust has become lost, and falls through the cut stone corridors from an illegal rave still audible back somewhere else in the underearth. As she clambers through the vaults, she comes across Mum. Mum is a yellow-eyed husk dressed in the suit of a b-movie Frankenstein’s Monster, costuming that references that of 1970s Hammer Horror films. Mum is eager to peddle the mind-altering substances that Faust has been taking during her time at the rave, and that initiate the hallucinatory scene here. Mum is also eager to peddle her own green-glowing soul, that eventually brings this episode to climax » The works were produced with the support of @semislieudefabrication @fracpicardie Paquita Milville @les_limbes @akimpasquet @les_ateliers_wonder @holesovickasachta @basic_knife_safety @mmma_off @anhoisin @sinirinnekanto @simonpoulain @factformfiction And the best shooting companions : @_swan.a_ make-up artist @nobodycallsmeklaus & @david_camarou mise en scène @matthias_odin stage maestro Alexandra Sabathé Dop Iona Sincu Assistant camera Alexis Bidon Gaffer Louis Hébert Sound Photos @romaindarnaud taken in Galerie Valeria Cetraro by @lauragozlan
12
2 years ago
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Iepazīsti “Trauslais pārejas vieglums” māksliniekus!  Laura Gozlana (@lauragozlan) ir māksliniece no Parīzes. Viņa studējusi scenogrāfiju Helsinku Mākslas un dizaina universitātē un Parīzes EnsAD. 2007. gadā viņa absolvējusi Le Fresnoy, Nacionālo laikmetīgās mākslas studiju centru, kur mācījusies pie režisores Šantales Akermanes. Gozlana savus darbus izstādījusi dažādās Francijas institūcijās un starptautiski, tostarp MoCo Monpeljē, 40mcube Renē un Futura Prāgā. Viņas filmas un instalācijas attēlo izaicinošus vēlmju un piepildījuma mirkļus kontrastējošās, intīmās vidēs. Darbos ar tumšākiem elementiem viņa apšauba sociālās normas un pēta protēžu un novecošanas estētiku. Nesen Gozlana režisējusi mikrofikciju sēriju, kurā pati piedalās, dokumentējot androīda tēla pārvērtības, kas lavierē starp kosmētiku, politiku un mainītiem apziņas stāvokļiem, pētot to transformējošo potenciālu.  Foto: Pašportrets by @lauragozlan
11
4 days ago
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Kādēļ Latvijas laikmetīgajā mākslā relatīvi bieži sastopamas atsauces uz mītisko un folkloru, it īpaši tās tumšajiem aspektiem? Ko mūsdienu mākslas pasaulē nozīmē velni un raganas, maģiski rituāli un tumšas teikas? Kas gadsimtu gaitā vēl arvien ļauj šiem tēliem un tēmām iedvesmot jaunradi? Atbildes un šiem un citiem jautājumiem publicēsim sešās sarunās starp latviešu māksliniekiem un Literatūras, Folkloras un mākslas institūta (@lu_lfmi) pētniekiem. Katra saruna norisinājās kā pastaiga pa mītiskām un pavisam reālām teritorijām. Šoreiz ar franču mākslinieci Lauru Gozlanu (@lauragozlan) sarunājas Maija Rudovska (@maijarudovska) Īpašs paldies Martai Skābardei (@skabarzu_lapas) (tulkojums), Aivaram Šaicānam (@dr.aivis) (foto). - Lai lasītu pilno sarunu, apmeklē mūs šeit: arterritory.com/lv taken in Latvia by @lauragozlan
1
3 months ago
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[PRIX AWARE 2026] Apprenez-en plus sur Laura Gozlan @lauragozlan, lauréate du prix Nouveau Regard AWARE 2026, dans un entretien vidéo à découvrir dès maintenant sur notre chaîne YouTube. — 🎥 @jnschoeser by @lauragozlan
21
3 months ago
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[PRIX AWARE 2026] La lauréate du Prix Nouveau Regard 2026 est Laura Gozlan! Depuis une quinzaine d’années, le travail de Laura Gozlan @lauragozlan se développe dans un mouvement de métamorphose protéiforme. Cette dynamique se traduit par la profusion de matériaux documentaires, littéraires et filmiques – des found footage collectés sur Internet aux gialli italiens et aux mangas japonais en passant par des archives scientifiques, des mythes ancestraux et des récits dystopiques – qui se rencontrent et s’entrelacent dans ses œuvres, constituant une vaste constellation iconographique et nourrissant un univers narratif en perpétuelle expansion. Elle a été nommée par @vincent.enjalbert. Les Prix AWARE 2026 bénéficient du soutien de CHANEL @chanelofficial. — [2026 AWARE PRIZE] Laurent Gozlan is the winner of the prize Nouveau Regard 2026!⁠ Over the past fifteen years, L. Gozlan’s practice has evolved through a process of multifaceted metamorphosis. This dynamic is reflected in the profusion of archival, literary and cinematic materials – from found footage gathered online to Italian gialli and Japanese manga, alongside scientific documents, ancestral legends and dystopian narratives – that converge and intertwine in her works, forming a vast iconographic constellation and fuelling a perpetually expanding narrative universe. She has been nominated by Vincent Enjalbert. by @lauragozlan
185
5 months ago
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[PRIX AWARE 2026] À la découverte des artistes nommé·es au Prix Nouveau Regard Formée en scénographie à l’Université d’art et de design d’Helsinki, puis diplômée de l’ENSAD (Paris) et du Fresnoy (Tourcoing), @lauragozlan vit et travaille à Paris.  Depuis une quinzaine d’années, le travail de Laura Gozlan se développe dans un mouvement de métamorphose protéiforme. Cette dynamique se traduit par la profusion de matériaux documentaires, littéraires et filmiques – des found footage collectés sur Internet aux gialli italiens et aux mangas japonais en passant par des archives scientifiques, des mythes ancestraux et des récits dystopiques – qui se rencontrent et s’entrelacent dans ses œuvres, constituant une vaste constellation iconographique et nourrissant un univers narratif en perpétuelle expansion. Elle a été nommée par @vincent.enjalbert. —⠀⁠ [2026 AWARE PRIZE] Discover the nominated artists for the Prize Nouveau Regard. Laura Gozlan studied scenography at the University of Art and Design in Helsinki before graduating from the École Nationale Supérieure des Arts Décoratifs (ENSAD) in Paris and Le Fresnoy – Studio National des Arts Contemporains in Tourcoing. Today, she lives and works in Paris. Over the past fifteen years, L. Gozlan’s practice has evolved through a process of multifaceted metamorphosis. This dynamic is reflected in the profusion of archival, literary and cinematic materials – from found footage gathered online to Italian gialli and Japanese manga, alongside scientific documents, ancestral legends and dystopian narratives – that converge and intertwine in her works, forming a vast iconographic constellation and fuelling a perpetually expanding narrative universe. by @lauragozlan
45
6 months ago
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Glad to be shortlisted for the AWARE Prize 2026 (Nouveau Regard). Alongside C. B. Evans, Bettina Samson and Saodat Ismailova. Nominated by Vincent Enjalbert. Thank you @awarewomenart @vincent.enjalbert . . . Film still, Youth Enhancement Systems, 2019 Installation view, Possessed, MO.CO Montpellier, 2020 by @lauragozlan
55
7 months ago
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Laura Gozlan’s beautifully shot art films, with their sculptural sets, darkly surreal scenarios and mesmerising acting, are looking fantastic projected into HARI’s textured post-industrial space! Experience this unique installation of Laura’s films, which includes the first 4 films in the series, and the fifth as work-in-progress, and is the first time they have been shown together. Bringing us privileged insights into the mind behind this stylishly constructed bizarre narrative, and the character she portrays enmeshed in taboo behaviours of dystopian situations, we will be joined throughout the evening by both artist Laura and the writer / curator co-producing this series of European interventions in HARI. Via online video call from Paris, Andrew will lead an informal interview and Q&A with Laura – and they will be available to socialise with us before, during the interval, and following the group Q&A. The free event starts at 6pm, with films starting at 6.30pm. Hot and cold drinks available, or you are welcome to bring your own. The space may be cold, but our spirits will be warm! *18+ event #crosscontinentcuration #shortfilm #microfiction #filmconversation #artfilm #darknarratives #paristohull #europeeanartinhull #excitinginhull #atmosphericauthenticity by @lauragozlan
7
8 months ago
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FREE SHORT FILM EVENT Laura Gozlan b.1979 is a visual artist based in Paris. She studied scenography at the University of Art and Design in Helsinki and EnsAD in Paris, before joining Le Fresnoy – National Studio of Contemporary Arts, where she studied with André S. Labarthe and filmmaker Chantal Akerman until 2007. Her work has been exhibited in both French and international institutions, including MoCo in Montpellier, 40mcube in Rennes, and Futura in Prague. At the intersection of film, installation, and sculpture, her practice explores the liminal zones of desire and haunting. Her work stages abrupt situations of lust and satisfaction in contrasting and intimate environments. Disrupted by dark interludes, her works disrupt bodily norms and reference the aesthetics of prosthetics and senescence. Gozlan has developed a series of micro-fictions in which she performs herself. Through disjointed temporalities, she documents the transformations of MuM – a recurring androgynous figure navigating between cosmetics, politics, and altered states of consciousness, exploring their transformative potential. Youth Enhancement Systems (2019) shows MuM consuming youth treatments as one might swallow poison. In Dead Fingers Talk (2021), onanism becomes a protocol of self-engendering, a solitary cure for regeneration. These operations fail: ageing accelerates, and MuM drifts along the margins. Foulplay (2022–2024) finds her at the bottom – parking lot, sewer. There, she masturbates at the request of an interlocutor, Byron, to influence the outcome of an election. The next day, she retrieves, bare-handed, the waterlogged ballots of electoral fraud. Now You’re Inside Me (2024) extends this descent in a Faustian mode. Exhausted, MuM attempts to pour her soul into the body of a young starlet, seeking to survive in a parasitic form. Finally, in Liminalities (2026), she takes on the guise of an investor attempting to resell rural land still haunted by a ghost. Their relationship falters, and the anticipated transaction dissolves into a hallucinatory drift. First in a series of interventions by artists from across Europe, selected by Andrew Hodgson and co-curated with HARI. by @lauragozlan
10
9 months ago
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Join us for an evening watching and discussing a fascinating series of short fiction films by artist Laura Gozlan: Yes (2019) 16min Dead Fingers Talk (2021) 12min Foulplay (2023) 12min Now you're inside me (2024) 13min Liminalities (2026) 18min – pre final-cut version We will be joined virtually by Laura from Paris, in a conversation led by writer, curator and lecturer Andrew Hodgson. For more about Laura’s film and sculptural work, including a review by Andrew, visit www.galerievaleriacetraro.com/artistes/laura-gozlan/ The films will be shown with an interval, starting promptly at 6.30pm. Some refreshments will be available, or you are welcome to bring your own. Please note that the event takes place in our post-industrial venue, so dress for the weather! We regret the space is accessible by stairs only. The event is free and welcome to everyone – any donations support future programmes. #shortfilm #microfiction #filmconversation #crosscontinentcuration #paristohull by @lauragozlan
5
9 months ago
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