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Laura Gozlan

@lauragozlan

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Youth enhancement systems, precognition, Onan. Sorcer.

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[ANNONCE] Les rapporteur·euse·s et nommé·es de la 10e édition des Prix AWARE 2026

L’année 2026 célèbre les 10 ans des Prix AWARE et l’ouverture d’un nouveau chapitre de son histoire, par l’inscription de cet événement dans l’agenda institutionnel du @centrepompidou que l’association AWARE a rejoint en janvier.

Depuis leur création en 2016, les Prix AWARE – le Prix Nouveau Regard et le prix d’honneur – jouent un rôle essentiel dans la promotion et la reconnaissance des artistes femmes, trans et non-binaires sur la scène artistique française.

Le Prix Nouveau Regard récompense un·e artiste en milieu de carrière et le prix d’honneur, est décerné à un·e artiste justifiant de plus de quarante ans de carrière. Les lauréat·e·s de cette édition anniversaire seront annoncé·e·s le 12 mai 2026 au ministère de la Culture.

Cette année, les artistes sélectionné·e·s et les rapporteur·euse·s pour le Prix Nouveau Regard sont :
— C.B. Evans @cecilebevans, nommé·e par @juliettedesorgues
— Laura Gozlan @lauragozlan, nommée par Vincent Enjalbert @vincent.enjalbert
— Bettina Samson @betttsam, nommée par amelie__deschamps et @luciecamous
— Saodat Ismailova @saodatismailova, nommée par Dilda Ramazan @arty.ninja

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📷 2. C.B. Evans, crédit : Ines Manai, 3. Portrait Laura Gozlan, 4. Portrait Bettina Samson, crédit : Laurent Edeline, 5. Saodat Ismailova, crédit : Art Basel Awards

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Chapter 1 - Situation 2 - Frame 9
/// With @lauragozlan

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[PRIX AWARE 2026] À la découverte des artistes nommé·es au Prix Nouveau Regard

Formée en scénographie à l’Université d’art et de design d’Helsinki, puis diplômée de l’ENSAD (Paris) et du Fresnoy (Tourcoing), @lauragozlan vit et travaille à Paris.

Depuis une quinzaine d’années, le travail de Laura Gozlan se développe dans un mouvement de métamorphose protéiforme. Cette dynamique se traduit par la profusion de matériaux documentaires, littéraires et filmiques – des found footage collectés sur Internet aux gialli italiens et aux mangas japonais en passant par des archives scientifiques, des mythes ancestraux et des récits dystopiques – qui se rencontrent et s’entrelacent dans ses œuvres, constituant une vaste constellation iconographique et nourrissant un univers narratif en perpétuelle expansion.

Elle a été nommée par @vincent.enjalbert.
—⠀⁠
[2026 AWARE PRIZE] Discover the nominated artists for the Prize Nouveau Regard.

Laura Gozlan studied scenography at the University of Art and Design in Helsinki before graduating from the École Nationale Supérieure des Arts Décoratifs (ENSAD) in Paris and Le Fresnoy – Studio National des Arts Contemporains in Tourcoing. Today, she lives and works in Paris.

Over the past fifteen years, L. Gozlan’s practice has evolved through a process of multifaceted metamorphosis. This dynamic is reflected in the profusion of archival, literary and cinematic materials – from found footage gathered online to Italian gialli and Japanese manga, alongside scientific documents, ancestral legends and dystopian narratives – that converge and intertwine in her works, forming a vast iconographic constellation and fuelling a perpetually expanding narrative universe.

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Situation 2 - Now Active
With
@lauragozlan
@quelish
@sltcamille
@ellieheden

Text by @cjespertine

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SAVE THE DATE 📯
Ann? is OPENING SOON!

Vendredi 24 avril de 18h à 22h

Une exposition pensée par Estelle Marois avec la participation de Dandy Day, François Dufeil x Collectif Grapain, Valentine Gardiennet, Laura Gozlan, Laila Majid et Tiffany Wellington

À partir d’une lecture, celle du Tour d’écrou (The Turn of the Screw, 1898) de Henry James, Ann? pose la question : comment « partir de » la littérature pour faire une exposition, sans faire une exposition sur la littérature ? Nul besoin d’avoir lu le roman — un « sacrifice », selon E.M. Forster, qui concluait, lapidaire : « Très bien fabriqué, mais ne valait pas tout le mal qu’on s’est donné. » Il s’agit plutôt d’extraire quelques fils du tapis jamesien (métaphore qui serait un peu épaisse si elle n’était de l’auteur lui-même) que les artistes ont choisi de prolonger. L’un d’eux est précisément celui de la pénibilité : à quelles fins le texte nous embourbe-t-il dans sa cadence hésitante, voire rompue par ses propres élisions, par les malentendus entre les personnages et par les flottements de notre attention ? Autour de quel pot tourne-t-on ? Plus largement, l’exposition interroge la manière dont une œuvre s’ouvre à l’interprétation en nous aspirant dans ses lacunes, nous amenant à co-construire un sens dont, qu’il nous convienne ou non, nous devenons aussi responsables. Les œuvres réunies dans Ann? vivent dans le trouble, parfois traversées par des renversements instantanés d’atmosphère ; tantôt dans la retenue, tantôt ouvrant des portes qu’elles ne referment jamais, elles transmettent le flambeau, modulant et distribuant leur propre puissance d’agir parmi elles et avec celles et ceux qui en font l’expérience.

Scénographie : Grégoire Borach
Conception des coussins : Hélène Paris
Conception graphique : Cédric Pierre

Un grand merci à Fluxus Art Projects pour avoir rendu possible l’exposition.

Ann? se poursuivra jusqu’au 20 mai 2026.

@thedandydayart
@francois_dufeil
@collectif_grapain
@valentine_gardiennet
@lauragozlan
@helloo0o0o0oo0oo0oooo00o00o0o
@tifwellington

@gregoireborach
@heleneparis_
@fluxus_art_projects
@estellem_____

Merci à Cédric Pierre pour la charte visuelle.

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Odyssea: Le chant des sirènes
a collaboration between Spiaggia Libera @spiaggialibera.gallery and PUNTA Gallery
Curated by: Sacha Guedj Cohen @sachagdj, Camille Velluet @camillevelluet, Boyana Dzhikova @cherechair

Part of BUNA festival @buna.varna

Sofia 22, Varna

Artists:
Nina Boughanim @nina.boughanim, Claire Bouffay @clairebffay, Sol Cattino @solcattino, Bella Hunt & DDC @bellahuntddc, Veronika Dessova @veronikadesova, Antoine Donzeaud @donzxoxo, Michele Gabriele @michele_gabriele, Slava George @theserpentcircle, Gery Georgieva @_gery_georgieva, Brandon Gercara @brandon_gercara & Ugo Woatzi @ugowoatzi, Laura Gozlan @lauragozlan, Nikola Grozdanov @nikola_grozdanov, Jean-Baptiste Janisset @jeanbaptistejanisset, Vikenti Komitski @vikenti_komitski, Joshua Merchan Rodriguez @etrangersurterre & Hyewon Mia Lee @h_circleeeee, Hyewon Mia Lee, Opale Mirman @opale.mirman, Ivan Moudov @ivanmoudov, Carole Mousset @claude.carl, Talita Otovié @talitaotovic, Marilou Poncin @marilouponcin, Aaron Roth @chicho_ti_rondo, Charlotte Gautier Van Tour @charlottegautiervantour
Funded under the project National Recovery and Resilience Plan - NextGenerationEU, Component « Social Inclusion, Investment 6: « Development of the Cultural and Creative Sectors. »
graphic design: Yana Abrasheva @sheitan666_

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This week at ACUD Galerie, Berlin: Tired Mass presents the group exhibition ‘Edges that blur, bodies that fold into something other.’ – opening on Friday, 13.06.2025 at 6PM.

With performances by: Elena Francalanci @francaele , Adam Russell-Jones @adamrj__ & Finja Sander @finjasander

Featuring artists:
Elena Francalanci @francaele , Laura Gozlan @lauragozlan , Rahel grote Lambers @rahelgrotelambers , Sunny Pudert @sunny_says , Monty Richthofen @monty.unlimited , Alissa Ritter @alissaritter_ , Adam Russell-Jones @adamrj__ , Finja Sander @finjasander , Jura Shust @jurashust

Curated by:
Alexander Klaubert @alexander.klaubert (Tired Mass)

Edges that blur. Bodies that transform without submitting.
Not a claim to space, but another way of inhabiting it. Movements that do not dominate but unlearn what we were taught to see as unshakable. Surfaces that breathe. Gestures that shift the weight of the world – imperceptibly, yet irresistibly.

In a world that glorifies hardness, softness is a risk. But therein lies its strength: in the choice to remain open. To allow oneself to be touched. To bend without breaking. A form of resistance that does not arrive armored, but with an openness no less political. Refusing to become hard is a rebellion against a system that sells us hardness as strength.

Our bodies, our voices, our images – they whisper, tremble, stretch. They tear nothing down. They yield. And it is in that yielding that space emerges. Space for the other, the tender, the repressed.

Rebellion is not always a cry. Sometimes it is a breath held too long. Sometimes a crease that won’t smooth out. A touch that lingers. A tension that holds us together because we share it. A knowledge that cannot be put into words, that rests on the skin, that hums beneath the silence.

Not all monuments must stand. Some dissolve. Some dance. Some remember differently.
Here, resistance is not a thunderclap – but a whisper. Not an explosion – but a quiet dissolution. Not a boundary – but an opening.

#tiredmass #acudgallery #acud #opening #artberlin

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Less than one week to go until In Plain Disguise, an evening of performance, experimental music, and visual arts, brought to you by The Edge Bureau (Canan Batur & Estelle Marois). A space for reversal, excess, and disguise by way of Zoë Marden, Dave Haslam, Emma McCormick Goodhart, Black Venus, ANVI, Alix Boillot, James Massiah, Canan Batur, Camille Houzé, Oswaldo, Laura Gozlan, Alexei Izmaylov, Iagor Peres, Vivian Caccuri, Cléopatra Gones, Soñxseed, Raphael Escobar, Winnie Mo Rielly — with further participants to be announced.

Tuesday 21 October 2025
9pm — 3am
Les Bains Paris — 7, rue du Bourg-l’Abbé — 75003 Paris

We look forward to your presence.

Warmly,
Canan & Estelle

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'Edges that blur, bodies that fold into something other.' group show at @acudgalerie

13.06. - 27.06.2025

Artists: Elena Francalanci @francaele Laura Gozlan @lauragozlan Rahel grote Lambers @rahelgrotelambers Sunny Pudert @sunny_says Monty Richthofen @monty.unlimited Alissa Ritter @alissaritter_ Adam Russell-Jones @adamrj__ Finja Sander @finjasander Jura Shust @jurashust

Curator: @alexander.klaubert

Pictures: @lukanaujoks

Edges that blur. Bodies that transform without submitting.
Not a claim to space, but another way of inhabiting it. Movements that do not dominate but unlearn what we were taught to see as unshakable. Surfaces that breathe. Gestures that shift the weight of the world – imperceptibly, yet irresistibly.

In a world that glorifies hardness, softness is a risk. But therein lies its strength: in the choice to remain open. To allow oneself to be touched. To bend without breaking. A form of resistance that does not arrive armored, but with an openness no less political. Refusing to become hard is a rebellion against a system that sells us hardness as strength.

Our bodies, our voices, our images – they whisper, tremble, stretch. They tear nothing down. They yield. And it is in that yielding that space emerges. Space for the other, the tender, the repressed.

Rebellion is not always a cry. Sometimes it is a breath held too long. Sometimes a crease that won’t smooth out. A touch that lingers. A tension that holds us together because we share it. A knowledge that cannot be put into words, that rests on the skin, that hums beneath the silence.

Not all monuments must stand. Some dissolve. Some dance. Some remember differently.
Here, resistance is not a thunderclap – but a whisper. Not an explosion – but a quiet dissolution. Not a boundary – but an opening.

#performance #artwork #paintings #contemporaryartists #installations #sculptures #sculpture_art #newfuture #tiredmass #contemporaryart #sculpture #exhibitions #performanceart

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Laura Gozlan

Juveniles 1, 2019. Wax, Jesmonite, threaded rod, aluminium tubes, tint, fibreglass, 200 x 90 x 60 cm.

Juveniles 8, 2019. Wax, Jesmonite, steel structure, stain, fibreglass, 65 x 40 x 20 cm

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The Surprise Guest exhibition took place at the Fiskars Village Art & Design Biennale last summer. Curated by @sinirinnekanto and produced by Luovi Productions.

📸 Justus Hirvi

#fiskarsvillagebiennale2024 #fiskarsvillagebiennale #surpriseguest #luovi #luoviproductions
@fiskars_village

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Last days with 𝔼𝕕𝕘𝕖𝕤 𝕥𝕙𝕒𝕥 𝕓𝕝𝕦𝕣, 𝕓𝕠𝕕𝕚𝕖𝕤 𝕥𝕙𝕒𝕥 𝕗𝕠𝕝𝕕 𝕚𝕟𝕥𝕠 𝕤𝕠𝕞𝕖𝕥𝕙𝕚𝕟𝕘 𝕠𝕥𝕙𝕖𝕣 presented by @TiredMass.

The show is on view until Friday 27.06.2025.

Opening hours:
♦︎THU-FRI
♦︎15H-19H

Participating artists:
Laura Gozlan @lauragozlan , Rahel grote Lambers @rahelgrotelambers , Sunny Pudert @sunny_says , Monty Richthofen @monty.unlimited , Alissa Ritter @alissaritter_ , Finja Sander @finjasander, Jura Shust @jurashust

Curated by @alexander.klaubert

Photos by @lukanaujoks

#kunstgalerie#berlinkunst#berlinartist#berlinart#contemporaryart#artprojectspace#artopening#kubaparis#kunstinberlin#interdisciplinaryart

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Studija šajā nedēļas nogalē - 7. un 8. martā aicina uz @lauragozlan filmu programmu 👀🫧🦪🪸

7.03 17:00 (ar lv tulkojumu)
8:03 16:00 (angliski)

8. martā organizējam autobusu Rīga-Kuldīga-Rīga. Maksa 20 Eur, kas ietver ceļu un vakariņas @kopataste Lūgums pieteikties, zvanot vai rakstot uz šo nr. +371 2 6317179

Laura Gozlan ir Parīzē dzīvojoša māksliniece, kura šobrīd uzturas mākslas telpas “Studija” starptautiskajā rezidenču programmā. Tās ietvaros viņa veic pētījumu par reģiona folkloru, kā arī vernakulāro un nemateriālo kultūru. Gozlan pievēršas tam, kā folklora var atspoguļot mūsdienu identitātes krīzes un kā šie kultūras elementi atdzimst populārajā šausmu žanrā. Gozlanas mākslinieciskā darbība aplūko arī sievietes monstrozo pusi, kas 8. marta kontekstā aktualizē jautājumus par dzimumu lomām un to stereotipiem sabiedrībā 🧟‍♀️🫦👁️

Gaidīsim! 🫶🏻

Atbalsta @kulturkapitals un Institut Français Mira program

#lauragozlan #filmprogram #studijaresidency #kuldiga #womenday

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