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Lilly Skipper

@lilly__skipper

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LA ~ Melbourne
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‘Contours’, Oddany Gallery, installation view Lan Anh Truong ‘Potter Trio’ 2026 PVC -coated steel garden stakes, PVC garden stake connectors, powder coated steel, disassembled coat rack / wall lamp components, marble lamp base Dimensions variable Max Conley ‘Untitled’ 2025 Synthetic polymer paint, polyester filler, epoxy resin, plywood, pine, nails, screws, glue 205 x 72 x 45 cm Photos courtesy of @lolaeadmi by @lilly__skipper
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2 months ago
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‘Contours’, Oddany Gallery, installation view Lan Anh Truong ‘Potter Trio’ 2026 PVC -coated steel garden stakes, PVC garden stake connectors, powder coated steel, disassembled coat rack / wall lamp components, marble lamp base Dimensions variable Tomas Ording-Jesperson ‘Moonrise Pastoral’ 2025 Felt and MDF 110 x 220 cm Photos courtesy of @lolaeadmi by @lilly__skipper
1
2 months ago
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Contours Oddaný gallery @oddanygallery 30.07.26-08.08.26 Curated by Lilly Skipper Featuring artists Arthur Foulkes Tomas Ording-Jespersen Lan Anh Truong Max Conley Opening night celebrations - 30th July 6-8pm “Artworks protrude, lean, bend, anchor, hover; oscillating between support and suspension. Privileging adjacency and spacing, each composition yields to the work beside or parallel to it, while remaining a distinct structure. The skeletal frameworks emphasise support and balance, tracing differences in uprightness and slippage through observed and invisible anchor points” @arthur_foulkes @lananh.trg @tomasordingjespersen @mconley782829 by @lilly__skipper
3
3 months ago
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'Partial' @haydens.gallery, Richmond 12.06.2026 - 04.07.2026 Curated by Lilly Skipper Lucina Lane, Tim Woodward, Joseph Doggett-Williams, Madeleine Minack FL 1, 130 Bridge Road Richmond 3121 (enter via laneway off Lennox Street) @any_capacity @timwdwd @joseph_doggett_williams @madsminack @lilly__skipper Open Fridays and Saturdays 12-5 _____ Tim Woodward is represented by @animalhousefinearts Melbourne and @darrenknightgallery Sydney by @lilly__skipper
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3 months ago
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'#' @netherlands.wm 7-17.06.26 Curated by Lilly Skipper ______ (in order of appearance) Marlee McMahon Royal Cave 2026 Oil on Linen 41 x 46 cm Courtesy of @suttongallerymelbourne Masato Takasaka Untitled 1999 / 2026 Adhesive vinyl, household enamel paint on composition board 116 x 64 cm Tia Ansell Argyle 2026 Acrylic on cotton weaving 280 x 205 x 30 mm Courtesy of @longallery Andrew Nille Foreclosure (pink) 2026 Etched chrome-plating, steel, spray enamel, AA battery, wire 122 x 26 x 10 cm Lachlan Stonehouse Almost Otherwise 2026 Oil, sewn linen, eyelets, and hand-forged nails 1597 x 987 mm Courtesy of @five_walls Fabrication and technical Assistance: Karin Otto (Melbourne Sewing and Patternmaking) ______ Photography courtesy of Simon Strong @simonjstrong by @lilly__skipper
10
3 months ago
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‘#’ @netherlands.wm 17–27.06.2026 Curated by Lilly Skipper Open this Saturday 12-4:30pm Marlee McMahon Masato Takasaka Andrew Nille Tia Ansell Lachlan Stonehouse “Codes, grids, and threads” Corner of Silk Place and Lothian St, West Melbourne Photography courtesy of Simon Strong @simonjstrong ___ Lachlan Stonehouse is represented by @five_walls Naarm Marlee McMahon by @suttongallerymelbourne Naarm Tia Ansell by @longallery Naarm ___ by @lilly__skipper
6
4 months ago
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'#' @netherlands.wm 17–27.06.2026 Curated by Lilly Skipper Opening Event Wednesday 17th, 6 - 8 pm Marlee McMahon Masato Takasaka Andrew Nille Tia Ansell Lachlan Stonehouse "Codes, grids, and threads" Corner of Silk Place and Lothian St, West Melbourne ___ Lachlan Stonehouse is represented by @five_walls Naarm Marlee McMahon by @suttongallerymelbourne Naarm Tia Ansell by @longallery Naarm ___ by @lilly__skipper
6
4 months ago
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Partial Lucina Lane, Tim Woodward, Joseph Doggett-Williams, Madeleine Minack Curated by Lilly Skipper 12.06.2026 - 27.06.2026 Opening Celebration: Friday 12th of June 6 - 8 pm FL 1, 130 Bridge Road Richmond 3121 (enter via laneway off Lennox Street) @lilly__skipper @any_capacity @timwdwd @joseph_doggett_williams @madsminack Open Fridays and Saturdays 12-5 "Artists construct conditions. Something is happening or has already happened. The gallery becomes a field of residue, site of aftermath; artworks exist as traces of prior activity, producing the logic of having happened. Different systems of recognition read as both operations and narratives; you see how things relate, but their beginnings remain obscured. Viewers are invited to test relationships between objects, try to infer rules or meaning, and adjust their position in space to understand shifting correspondences. Materials behave like arrangements of evidence; what one sees is only a section of a larger conceptual or material structure that extends beyond the frame, exceeding singular viewpoints - Lane’s branches, Woodward’s desk components, Minack’s wires, Doggett-William’s flattened implosions." - Lilly Skipper _______ Tim Woodward is represented by @animalhousefinearts Melbourne and @darrenknightgallery Sydney by @lilly__skipper
2
4 months ago
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'a Group Exhibition' Installation views 1/53 Bourke St, Melbourne Photographs courtesy of Casper Plum @casper.plum Featuring artists David Attwood @davidattwood Grace Anderson @sorbelene Charlie Sofo @charlie.sofo Chunxiao Qu @she_andherdog Brodie Cullen @brodiecullenarchive Jon Campbell @joncampbellart Curated by Lilly Skipper _____ Chunxiao Qu is represented by @futures_gallery Charlie Sofo by @darrenknightgallery Jon Campbell by @darrenknightgallery Brodie Cullen by @syrup.contemporary by @lilly__skipper
4
5 months ago
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a Group Exhibition 1/53 Bourke St, Naarm/Melbourne May 7-9, 12-5pm David Attwood @davidattwood Grace Anderson @sorbelene Charlie Sofo @charlie.sofo Chunxiao Qu @she_andherdog Brodie Cullen @brodiecullenarchive Jon Campbell @joncampbellart Curated by Lilly Skipper Opening May 7, 6-8pm _____ Chunxiao Qu is represented by @futures_gallery Charlie Sofo by @darrenknightgallery Jon Campbell by @darrenknightgallery Brodie Cullen by @syrup.contemporary by @lilly__skipper
4
5 months ago
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text and floorsheet from 'Recess' group show at cafe Gallery, December 2025 @c_a_f_e__ Text by moi, Full text below ____ In primary school, recess was a scheduled chunk of time to cease formalities and do whatever you wanted, within reason, under partial supervision with practical rules in place to keep order, but not to inhibit play. Don’t run near the fence, don’t climb too high, no fighting. To rest, perhaps...or contradictingly, behave uncontrollably. I recall speculating daily where I was going to situate myself for the break – in circles with friends, chasing one another aimlessly. The level of determination was so concentrated, foreseeing plans to accelerate through the grounds or roam around the perimeter of the school. As a temporal cut in time, recess was a moment of whimsy tinged with a subtle sense of risk; innocence with an underlying thrill of uncertainty; both carefree and faintly perilous. Recess was a release. Artworks in Recess explore sensibilities of depth and relief, shallow withdrawals and quiet resistances. The word evokes a physical indentation. Across artists’ practices, ‘recess’ becomes both condition and strategy. Words, objects and materials recede or protrude from the wall, with an emphasis on intervals or reduction, ‘breaks’ and in-between states of material and surface. Repetitious voids, multiplicities of circles and cut or inverted silhouettes each enact distinct, cyclical rhythms of labour; decisive, controlled or loose. Bending rules, sometimes literally, artworks subvert the expectations of a medium, engaging with discipline as both a field of practice and a reflective framework. Traced, cut, subtracted, embedded, hollowed, constructed; artworks are driven by material explorations cultivated through processes that carve out an unrestrained space within the serious language of art, ceasing formalities and climbing too high. — Text by Lilly Skipper by @lilly__skipper
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8 months ago
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Beautiful text by Ella Howells, November 2025, accompanying 'Units' at 2a Brunswick Road, Melbourne @ellal1ly @aaron__ashwood by @lilly__skipper
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8 months ago
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