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𝕴𝖓𝖊𝖘 𝕭𝖔𝖗𝖔𝖛𝖆𝖈

@lochnesi

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12/10 Split with Vlasta Delimar Lady Godiva
24/10 @amsterdamdanceevent
20/11 @nxtmuseum with @ginevraarvenig
21/11 @isoamsterdam for @amsterdam.art

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Multimedijalna umjetnica i performerica Ines Borovac @lochnesi kroz performans, instalaciju i participativne projekte istražuje odnose između tijela, tehnologije, tradicije i sustava moći. Polazeći od folklora, rituala i društvenih običaja, razvija radove koji preispituju načine na koje se povijesni obrasci kontrole transformiraju i nastavljaju djelovati unutar digitalnog društva. Njezina umjetnička praksa koristi socijalni dizajn, humor i apsurd kao alate za otvaranje novih prostora zajedništva, otpora i kolektivne imaginacije.

S Ines je za Vizkulturu razgovarao Leopold Rupnik @patlidzaner o reinterpretaciji tradicije, performansu kao metodi istraživanja, suvremenim oblicima nadzora, intimnosti u digitalnom dobu, odnosu tijela i tehnologije te njenoj umjetničkoj praksi koja kroz participaciju i izvedbu propituje svakodnevne društvene odnose. Čitajte na Vizkultura.hr i na linku u opisu profila

prva fotografija: autoportret
ostale fotografije: Vincent Van DenHende, Nika Mokos, Luka Pešun, Barbara Radelja, Camila Carrera, Sanja Merćep i video stills by @lochnesi

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3 months ago

I created a new performance for kickoff of @whwakademija. This year’s edition is titled “Remember Freedom” where the menu topic of discourse will be borders and poetry.

📍Prilaz Gjure Deželića 27, Zagreb @koke_creative_farm
🕗 Friday 22/05 at 20:00

𝓕𝓞𝓡𝓔𝓘𝓖𝓝 𝓑𝓞𝓓𝓨/ 𝓢𝓣𝓡𝓐𝓝𝓞 𝓣𝓘𝓙𝓔𝓛𝓞

Inspired by the parasitic logic of systemic violence, A Foreign Body examines the body as a site of infection, shaped and destabilized by the hostile conditions that produce somatic trauma. The work interrogates pathways through which violence embeds itself beneath the skin: in the belly twisting feeling of estrangement, the exhaustion caused by the constant state of fight or flight, the panic-attacking nausea, and the gag inducing apathy. These are symptoms, embodied consequences and the conditions of a body violently denied belonging. Concealed beneath the apparent neutrality of rules, laws, and social norms, systemic violence penetrates the body like a parasite, attaching itself like a tick, coiling through it like a snake relentlessly infecting new hosts. A Foreign Body exposes this invisible occupation of the body, revealing the violent and nauseating struggle of a body attempting to expel the parasite of systemic violence from its home.

Special gratitude to my amazing intern @mathildehatton for taking the photos and rehearsing with me ✨

@whwakademija @whw_what.how.for.whom @koke_creative_farm
#art #performance #contemporary taken in Zagreb, Croatia by @lochnesi

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5 months ago

𝕶𝖎𝖑𝖑 𝖎𝖘 𝖔𝖓𝖑𝖞 𝖆 𝖉𝖎𝖓𝖓𝖊𝖗 𝖆𝖓𝖉 𝖉𝖎𝖓𝖓𝖊𝖗 𝖎𝖘 𝖓𝖔𝖙 𝖙𝖍𝖊 𝖊𝖓𝖙𝖎𝖗𝖊 𝖜𝖔𝖗𝖑𝖉

Choreographing the power dynamics with Cozme Fodor (@no_cute_cat), Šimun Stankov (@stank.offfff), Nino Bokan and Domagoj Obadić for GMK Gallery @galerija.mk

Performers: Cosme Fodor, Šimun Stankov, Nino Bokan, Domagoj Obadić, Choir INA
Production: @galerija.mk Generator of Multidisciplinary Co-Productions (GMK)
Curators: Antonela Solenički @nehnonono Tea Matanović tea_matanovic
Text: Antonela Solenički @nehnonono
Video: Luka Pesun @lukapesun
Program is Supported by: Ministry of Culture and Media of the Republic of Croatia, City of Zagreb

#performanceart #visualarts #contemporaryart by @lochnesi

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10 months ago

As part of WHW Akademija’s autumn module in Bihać, this year’s participant, artist Ines Borovac, presented a performance inspired by one of her early works, A Girl, a Lamb and a Sacrifice.

Chopping up a spit-roasted lamb while reciting poetry about prey and predators, the performance reflects on tradition, sacrifice, and the communities shaped by these rituals.

video by: Mehmed Mahmutović / @mehmedm97

@lochnesi
@krakcentar
@selman.selma
@whwakademija
@whw_what.how.for.whom
@erstefoundation taken in Bihać by @lochnesi

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2 days ago

rehearsal goes rogue for @lochnesi ‘s “Kill is Only a Dinner and Dinner is Not the Entire World” as part of @amsterdamdanceeventlive 🐑

find us at @plantagedok October 24th
booked by @lokaal.lokaal.lokaal x @__tell.me.more__

it is oh so sweet to be working with this team <3
@ming_jou @lola.gzlz @anlleelmaria by @lochnesi

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14 days ago

✨Show Announcement ✨

October 24th collectives @lokaal.lokaal.lokaal x @__tell.me.more__ join @amsterdamdanceeventlive to put on a showcase of local and international performers. Spanning from experimental performance to dance floor bangers the collectives take over the @plantagedok starting with a vegan meal by local legend John Pastinaak in the community kitchen. Come fill your belly, feast your eyes and ears before your ADE Saturday night takes form.

Get your ticket asap as they’re going to go quick. Link in bio and tickets are on a sliding scale.

Line-up:
@zoemcphers
@lochnesi (In collaboration with @lola.gzlz (Lola Gonzalez), @ming_jou (MingJou Chen), @anlleelmaria (Anllel Tanus), @__se.re and @grootconcertkooramsterdam )
@rubenkotkamp x @csc_music x @lu_ci_____
@suijd_xeppo

Poster by @meesjoachim 🩷

Curated by @jotoandthesunshines @spookyspooky.j @vcky.dvssr @lucifer.nandez @show_pony__

Made possible by @amsterdamdanceevent @gemeenteamsterdam and @fondspodiumkunsten by @lochnesi

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a month ago

In the gospels, the lamb that found itself too much among the wolves found the remedy was to become even more animals: “Therefore be as shrewd as snakes and as innocent as doves.” - Anne Boyer

New milky performative research for the upcoming project.

Thank you @polanapola for being my support and photographer 💗

Prosthetic by fabulous @mathildehatton

#art #performanceart #contemporaryart by @lochnesi

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3 months ago

Foreign Body / Strano Tijelo

15 meters of Border tape in my mouth and a gag reflex

Inspired by the parasitic logic of systemic violence, A Foreign Body examines the body as a site of infection, shaped and destabilized by the hostile conditions that produce somatic trauma. The work interrogates pathways through which violence embeds itself beneath the skin: in the belly twisting feeling of estrangement, the exhaustion caused by the constant state of fight or flight, the panic-attacking nausea, and the gag inducing apathy. These are symptoms, embodied consequences and the conditions of a body violently denied belonging. Concealed beneath the apparent neutrality of rules, laws, and social norms, systemic violence penetrates the body like a parasite, attaching itself like a tick, coiling through it like a snake relentlessly infecting new hosts. A Foreign Body exposes this invisible occupation of the body, revealing the violent and nauseating struggle of a body attempting to expel the parasite of systemic violence from its home.

Performance as a part of @whwakademija group exhibition opening

Curated by: @whw_what.how.for.whom
Special thanks: @mathildehatton
Photo credit: Sanja Merćep

#art #performance #contemporary by @lochnesi

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4 months ago

𝓡𝓮𝓶𝓮𝓶𝓫𝓮𝓻 𝓕𝓻𝓮𝓮𝓭𝓸𝓶, 𝐖𝐇𝐖 𝐀𝐤𝐚𝐝𝐞𝐦𝐢𝐣𝐚 𝟐𝟎𝟐𝟔 𝐩𝐚𝐫𝐭𝐢𝐜𝐢𝐩𝐚𝐧𝐭 𝐩𝐫𝐞𝐬𝐞𝐧𝐭𝐚𝐭𝐢𝐨𝐧 ➤➤➤ 𝐈𝐧𝐞𝐬 𝐁𝐨𝐫𝐨𝐯𝐚𝐜

Ines Borovac is a Croatian multimedia artist currently based in Amsterdam. Drawing on lived experiences of Balkan traditions and the tension between Eastern and Western cultural frameworks, Ines uses her own body as a site where visible and imperceptible forms of violence and desire converge. Shifting between absurdism, vulnerability, spectacle, and roughness, her work materialises through live performances, multimedia installations, moving images, and performative objects.

"The driving force in my work comes from the belief that digital systems of control are often reconfigurations of existing traditional forms assimilating to the new context. The key to unlocking this connection is tracing how the symptoms of power are coded onto bodies. Thus, through my body and identity, I aim to demystify the complexities of power structures, rebalancing the power dynamic by displacing them in absurdist scenarios." IB

MORE INFO: https://akademija.whw.hr/fellows/ines-borovac

1. Ines Borovac by Zvonimir Ferina
2. Why Wouldn't You Date Me, still from live stream
3. A Kill Is Only a Dinner, and Dinner Is Not the Entire World, Photo by: Luka Peršun
4. Before the Cock Crows, Photo by: Vincent Van Den Hende
5. Hard Falls and Soft Truth

@lochnesi
@whwakademija
@whw_what.how.for.whom
@palatalizacija by @lochnesi

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5 months ago

📸 EXPOSICIÓN:
🗡️ Una escena larga y sin alivio: Todos quieren ser deseados, nadie quiere desear. Residencia artistica de Ines Borovac (@lochnesi)
🗓️ 13 de Marzo - 8 de Mayo
🕰️ 1pm - 8pm (Martes a Sábado)
📍 C. Alcalá #808, Oaxaca Centro, MX

…El uso de espuma como material también fue escondido debajo del vestido rojo con la intención de suavizar sus caídas. En el video las caídas suceden en reversa, el cuerpo no se lastima, se restaura; al haber grabado en casas privadas y espacios públicos, el proceso implicó negociar la confianza de extraños, convirtiendo espacios íntimos en escenarios de vulnerabilidad. taken in Clinica Sto Domingo by @lochnesi

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6 months ago

📸 EXPOSICIÓN:
🗡️ Una escena larga y sin alivio: Todos quieren ser deseados, nadie quiere desear. Residencia artistica de Ines Borovac (@lochnesi)
🗓️ 13 de Marzo - 8 de Mayo
🕰️ 1pm - 8pm (Martes a Sábado)
📍 C. Alcalá #808, Oaxaca Centro, MX

…Tanto en la escultura como en el video, el cuerpo insiste: cae, se amortigua y repite, dejando visible la fricción entre vulnerabilidad y resistencia. La espuma, el vestido y la repetición performativa de una caída se traducen en formas que encarnan tanto la suavización impuesta como la voluntad de sostener el exceso afectivo. De este modo ambas piezas materializan una lucha contra la sedación contemporánea, donde la imagen en movimiento y el objeto escultórico se convierten en archivo físico de una emoción que a veces da mano firme y a veces se rehúsa a ser disciplinada.

📸 @quiero_bosque taken in Clinica Sto Domingo by @lochnesi

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6 months ago

INSTALACIÓN:
Soft Falls and Hard Truths
una instalación multimedia de Ines Borovac

Nos entusiasma muchísimo invitarles la materialización que Ines Borovac ah dejado con nosotros tras su residencia este pasado mes de enero.

Como resultado de su tiempo en La Clínica, Ines produjo un performance colaborativo con Isabel Narezo Balzaretti y Roberto Mosqueda presentado el 7 de Febrero, acompañado de un vestuario diseñado por Salma Carbajal y audio producido por Harry Castle….

A la par de la producción para el performance también produjo una instalación multimedia compuesta de un video y una escultura.

“Titulada aptamente: Caídas Suaves y Duras Verdades, refleja su resistencia en la labor del video y escultura de espuma. El uso de espuma como material también fue escondido debajo del vestido rojo con la intención de suavizar sus caídas. En el video las caídas suceden en reversa, el cuerpo no se lastima, se restaura; al haber grabado en casas privadas y espacios públicos, el proceso implicó negociar la confianza de extraños, convirtiendo espacios íntimos en escenarios de vulnerabilidad.”

Te invitamos a visitar la instalación y leer mas sobre la residencia de Ines Borovac taken in Clinica Sto Domingo by @lochnesi

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7 months ago