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𝕴𝖓𝖊𝖘 𝕭𝖔𝖗𝖔𝖛𝖆𝖈

@lochnesi

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12/10 Split with Vlasta Delimar Lady Godiva
24/10 @amsterdamdanceevent
20/11 @nxtmuseum with @ginevraarvenig
21/11 @isoamsterdam for @amsterdam.art

POSTS STORIES REELS TAGGED

Installation views from ‘Other Fold’ @filth.amsterdam, Amsterdam.

Other Fold explores the aesthetics of protection; the structures we build, the boundaries we draw and the threats we imagine. Moving between defence, belonging and otherness, the installation brings together knitwear, metalwork, photography and moving image within a constructed domestic setting.

Etta Studio × Juliette Fitzgerald Duffy
Design - @ettastudio
Concept & Creative Direction - Etta Studio @ettastudio + Juliette Fitzgerald Duffy
Direction & Photography - Juliette Fitzgerald Duffy @jfd______
Cinematography, Edit & Colour - Bruno Verhaar @nbruo
Lighting & Photography Assistant - Siem Teast @siemteast
Styling - Daria Hnidenko
Models - Ines Borovac @lochnesi, Sasha Bolhova @sash.abh
Production - Meral Olgun @_m.eral

Presented at @filth.amsterdam
Supported by Amsterdams Fonds voor de Kunst @afk020

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Time spent together in Bihać, with fellow artists and @whwakademija @sebastian.cichocki @selman.selma @krakcentar

Photos: @mehmedm97

♥️♥️♥️♥️♥️♥️♥️♥️ @lochnesi @daguerreotripper @ribiccmia @komisbrot @polanapola @farahisoffline @hana_selena Ioana, Abd, Klodi ♥️♥️♥️♥️♥️♥️♥️♥️♥️

Feeling grateful to be part of this group, generous, kind, playful, eye and heart-opening souls. Beyond words it feels, wordless poetry in action?

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Vlasta Delimar u Splitu: fotografije s performativnog razgovora u Palači Cindro i otvorenja izložbe u Salonu Galić.

Program „Splićani, provjerite jeste li živi?" treća je edicija projekta Vlasta Delimar: Provjerite jeste li živi, zamišljenog kao anti-retrospektiva. Umjetničino nasljeđe ne predstavlja kao zaključenu prošlost, nego ga aktualizira kroz susrete, izvedbe i međugeneracijski dijalog. @provjerite_jeste_li_zivi

U Palači Cindro Vlasta Delimar razgovarala je s umjetnicom mlađe generacije Ines Borovac. @lochnesi
Na svako je pitanje odgovarala sjedeći u krilu nekog od posjetitelja, pa je publika iz promatrača postala sudionik izvedbe.

U Salonu Galić izložena je fotografska i videodokumentacija performansa Šetnja kao Lady Godiva iz 2001. godine. Dvadeset pet godina nakon izvorne izvedbe, rad iznova postavlja pitanja prisutnosti ženskog tijela u javnom prostoru i njegove izloženosti društvenom pogledu.

📍 SALON GALIĆ, Marmontova 3, Split @salon_galic
🗓️ Izložba je otvorena do 5. studenoga 2026.
🕓 ponedjeljak – petak: 10:00 – 13:00 i 16:00 – 20:00, subota: 10:00 – 13:00, nedjeljom i praznikom zatvoreno
🔲 Ulaz je slobodan.

Kustosice projekta: Katerina Jovanović i Sabina Oroshi
📷 Fotografije: Žaklina Antonijević jackie_stardust

#VlastaDelimar #SalonGalic #HULUSplit #LadyGodiva #performans

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In the making of @lochnesi ‘s projet “Kill is Only a Dinner and Dinner is Not the Entire World” as part of @amsterdamdanceeventlive

Come see us at @plantagedok on October 24th
booked by @lokaal.lokaal.lokaal x @__tell.me.more__

I will be performing together with an amazing group 🐑
@ming_jou @anlleelmaria @__se.re and of course @lochnesi <3

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As part of WHW Akademija’s autumn module in Bihać, this year’s participant, artist Ines Borovac, presented a performance inspired by one of her early works, A Girl, a Lamb and a Sacrifice.

Chopping up a spit-roasted lamb while reciting poetry about prey and predators, the performance reflects on tradition, sacrifice, and the communities shaped by these rituals.

video by: Mehmed Mahmutović / @mehmedm97

@lochnesi
@krakcentar
@selman.selma
@whwakademija
@whw_what.how.for.whom
@erstefoundation

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Consider this a sign to clear your calendar. 👀

Here’s what’s coming up at Nxt Museum.

Save the dates →

Visual credit: @jillispieters

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Danas
SPLIĆANI, PROVJERITE JESTE LI ŽIVI!

Vlasta Delimar & Ines Borovac
Performativni razgovor umjetnice s umjetnicom

📅 11. listopada 2026. | 18:00
📍 Palača Cindro, Salon Piano Nobile, Split

Splitsku epizodu decentralizirane anti-retrospektive Vlaste Delimar otvaramo susretom dviju umjetnica i dviju generacija.

Polazište razgovora je Šetnja kao Lady Godiva (2001.), jedan od prepoznatljivih performansa Vlaste Delimar, koji i danas otvara pitanja autonomije tijela, javnog prostora i društvenih konvencija.

Kroz susret Vlaste Delimar i Ines Borovac otvaramo prostor za razgovor o umjetničkom nasljeđu, iskustvu tijela u performansu i načinima na koje se značenja umjetničkih radova mijenjaju kroz generacije i društvene kontekste.

Pridružite nam se!

Palača Cindro, Salon Piano Nobile
Ulica kralja Petra Krešimira IV. 5A, Split

Kustosice: Sabina Oroshi i Katerina Jovanović
Organizacija: HULU Split

#VlastaDelimar #InesBorovac #ProvjeriteJesteLiŽivi #Split #PerformanceArt

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With the participants of the WHW Akademija we visited the stunning Garavice Memorial Park to the Victims of Fascist Terror, which was designed by the architect Bogdan Bogdanović in 1981. It consists of 15 stone columns placed around the crest of Garavice Hill, each formed from a series of carved stone blocks. Engravings on the blocks show patterns and abstract designs, reminiscent of local folk art. Bogdanović wrote about his monument. "My philosophy is very abstract and inspired by ancient dualistic thinking about good and evil."

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SPLIĆANI PROVJERITE JESTE LI ŽIVI!

Decentralizirana anti-retrospektiva Vlaste Delimar stiže u Split!

Splitska epizoda okuplja dvije umjetnice, dvije generacije i dva trenutka u povijesti performansa. U njezinu je središtu Šetnja kao Lady Godiva (2001.).

Između arhivske dokumentacije, razgovora i žive izvedbe otvaramo pitanja slobode tijela, njegove prisutnosti u javnom prostoru i mogućnosti prijenosa umjetničkog iskustva između generacija.

PROGRAM

11. listopada | 18:00 | Palača Cindro, Salon Piano Nobile
Vlasta Delimar i Ines Borovac
Performativni razgovor umjetnice s umjetnicom

12. listopada | 16:00 | Marmontova ulica
Šetnja kao Lady Godiva
Reinterpretacija performansa Vlaste Delimar u izvedbi Ines Borovac.

Do 5. studenoga | Salon Galić
Izložba fotografske i video dokumentacije performansa Vlaste Delimar Šetnja kao Lady Godiva (2001.).

Od Zagreba 2001. do Splita 2026., od jednog umjetničkog tijela do drugog, nastavljamo istraživati što znači zauzeti javni prostor i učiniti ga mjestom osobne i umjetničke slobode.

Kustosice: Katerina Jovanović i Sabina Oroshi
Organizacija: HULU Split

@vlastadelinar
@lochnesi
@katerina_nektarina
@sabsgram
@hulu_split

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rehearsal goes rogue for @lochnesi ‘s “Kill is Only a Dinner and Dinner is Not the Entire World” as part of @amsterdamdanceeventlive 🐑

find us at @plantagedok October 24th
booked by @lokaal.lokaal.lokaal x @__tell.me.more__

it is oh so sweet to be working with this team <3
@ming_jou @lola.gzlz @anlleelmaria

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✨Introducing the artists of @lokaal.lokaal.lokaal x @__tell.me.more__ x @amsterdamdanceevent October 24th @plantagedok ✨

@lochnesi presents ‘Kill is Only a Dinner and Dinner is Not the Entire World’ in collaboration with @grootconcertkooramsterdam , @lola.gzlz , @ming_jou , @anlleelmaria , and @__se.re .

Inspired by Anne Boyer’s When the Lambs Rise Up Against the Bird of Prey, this project begins from the lamb’s position of constant risk, where survival depends on collective sensing and atunement. Boyer’s observation that the predator mistakes a kill for the whole world mirrors today’s systems of ex traction, where those in power entrap the vulnerable within cycles of appetite.
In collaboration with performers and the choir of 40 framing the walls of gallery while singing the Requiem, the artist embodies multiple preys to stage direct power dynamics between predator and prey, exposing how fear shapes bodies, movement, and group identity. Within the flock, time distorts, senses sharpen, and survival emerges as both a strategy and a shared choreography.

Get your tickets! Link in the bio ⬆️

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Installation views from “Wardrobe Selection for Non-Playable Characters,” series Self-titled (2022–), 2026, installation; photography, cardboard; variable dimensions

for duo show BODY. NORM. RESISTANCE. with Ines Borovac (@lochnesi), curated by Sabina Oroshi (@sabsgram), on view through October 23

photos by Nastasja Miletić

Borrowing from the internet mythology of the “backrooms” — a seemingly infinite, alternate dimension of empty, uncanny, and nostalgic spaces, glitching like a video game character out of bounds, out of standard reality — the work imagines a gallery populated by cardboard figures caught in permanent loops of self-documentation, or “selfies,” appearing in its contemporary iteration as the “fit pic,” a head-to-toe documentation of the body’s styling.

None of these identities is entirely fictional, yet none fully coincides with the artist. As in character selection in video games, each outfit temporarily reprogrammes the way we interpret them. The speed at which these identities replace one another reflects the logic of social media, but also that of the fashion system, within which garments increasingly circulate as images before we ever encounter them as objects, while one fashion collection is almost immediately displaced by the next. The cardboard figure becomes an ideal sculptural form for such a condition, continuing a historical lineage of surrogate bodies.

Distributed throughout the gallery, the figures are choreographed as a sculptural ensemble that evokes the arrangement of bodies in collections of ancient Greek and Roman sculpture. In this sense, the installation becomes a kind of Madame Tussauds, where the bodies of celebrities, commercial figures, and fictional characters are reconstructed not to replace their original or “real” bodies, but to satisfy the public desire to encounter them, photograph them, and further circulate their images.

As each body is occupied with producing its own image, its gaze directed towards the phone it holds, the only socially available subject within the installation becomes the visitor. To enter the gallery is to become the only person capable of making eye contact, recognising another’s presen

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