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Malte Bartsch

@malte.bartsch

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Presenting Malte Bartsch at FAN PLAZA.

Curated by WolffJordan.

On view during Berlin Art Week and until September 20.

@buerowolffjordan
@malte.bartsch
@berlinartweek

#berlinartweek #fanplaza taken in Berlin, Germany by @malte.bartsch

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a month ago

Please join us for the opening this Thursday.

@alissaritter_ @malte.bartsch

Drinks by @chateaumoabit

In collaboration with @studiowilliamfan @fanplaza.shop by @malte.bartsch

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a month ago

Kunstverein Schwerin - Connectedness  Malte Bartsch, Rune Bosse, Dominik Styke  09.11.2024-05.01.2025
 Bartsch’s sculptures Agave l-lll, 2021, engage with exceptional life cycle of the Agave americana commonly known as the „Century Plant“. Native to Central and South America, this plant produces flowering stalks that can reach up to eight meters in height, blooming only ones in its lifetime, typically after 10 to 30 years, before dying. In these works, Bartsch memorializes this transitory moment by casting the agave flower in aluminum, a material renowned for its industrial durability and permanence.

@hendrike.nagel @kunstverein_in_schwerin Foto: Fred Dott taken in Kunstverein Schwerin e.V. by @malte.bartsch

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2 years ago

🤍Loy Yves🤍 by @malte.bartsch

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2 years ago

Malte Bartsch’s works are part of our current group show / Malte Bartsch’ Arbeiten sind Teil unserer laufenden Gruppenausstellung:

Connectedness
Malte Bartsch, Rune Bosse, Dominik Styk
09.11.2024 – 05.01.2025

EN Europa (Jupiter 2), 2024, Triton, 2021, and Oberon, 2021 belong to a series by Bartsch that examines the more than 200 moons discovered within the solar system. These moons exist within a complex, yet still inadequately understood, gravitational equilibrium that is integral to the stability of life on Earth. The digitally painted moons are depicted in barely perceptible rotational movements around their axes, with their rotational speeds mirroring the actual velocities of their counterparts in space.

DE
Europa (Jupiter 2), 2024, Triton, 2021, und Oberon, 2021, sind Teil von einer weiteren Serie Bartschs, die sich mit den über 200 entdeckten Monden des Sonnensystems auseinandersetzt. Diese Monde befinden sich in einem komplexen, bislang wenig erforschten Gleichgewicht innerhalb des gravitativen Systems der Sonne, das für die Stabilität des Lebens auf der Erde von entscheidender Bedeutung ist. Die digital gemalten Monde bewegen sich in einer kaum wahrnehmbaren Rotation um ihre eigene Achse, wobei die Geschwindigkeit der tatsächlichen Rotationsgeschwindigkeit der jeweiligen Monde im All entspricht.

Photos / Fotos: Fred Dott

#connectedness #kunstvereinschwerin #kunstvereininmecklenburgundvorpommerninschwerin #schwerin #mecklenburgvorpommern #maltebartsch @malte.bartsch #runebosse @runebosse #dominikstyk @dominikstyk #hendrikenagel With kind support of. / Mit freundlicher Unterstützung von: Ministerium für Wissenschaft, Kultur, Bundes- und Europaangelegenheiten, Landeshauptstadt Schwerin, Landeshauptstadt Schwerin, Bild Kunst Kulturwerk. by @malte.bartsch

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2 years ago

The solo show „T.I.N.A.“ by Malte Bartsch is now on view till 06.12.24.

(…) Malte Bartsch picks up the theme of fire in two works in the exhibition: the glass sculptures Soft Landing (Eternal Flame) (2024), whose forms resemble flames, and the cast aluminum sculpture Macchina del fuoco artificiale (2024). The „machine of artificial fire“ is inspired by fireworks and market-driven logics. The artist connects these two seemingly different
contexts through their shared trait of „creative destruction“: creation and destruction condition each other in an endless cycle. The base of the sculpture recalls a fragment of a Baroque building, referring to the 18th-century practice at European courts of constructing elaborate backdrops for fireworks displays (which often caught fire during the spectacle,
whether intentionally or as collateral damage remains unclear). These fireworks were part of grand parades celebrating the king, entertaining the population, and likely also serving to stabilize existing power structures. Yet, they could not prevent the upheaval of the French Revolution. In the upper part of the sculpture, figures in business suits can be seen riding
locusts. This locust metaphor refers to corporations that buy up companies, saddle them with debt, and often dismantle them to meet short-term and excessive profit expectations.

The fireworks depicted in Bartsch’s sculpture, unlike those of the 18th-century aristocracy, are on the side of the people, hinting that an economic logic ased on profit maximization and progress for the few is about to go up in flames. And, as many a phoenix has risen from the ashes, we might hope that something new and better will emerge from this destruction (…)

Open hours
Fri. 4-7 pm & Sat. 2-5 pm

Macchina del fuoco artificiale
Aluminium
146 x 42 x 35 cm
Unique
2024

@malte.bartsch
@kaligallerylucerne

Text excerpt by Josiane Imhasly
Photos by Kim da Motta

#maltebartsch #kaligallery #tina #sculpture #aluminium taken in KALI Gallery by @malte.bartsch

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2 years ago

We are ready for the opening of Malte Bartsch‘ first solo exhibition „T.I.N.A.“ At KALI Gallery tonight in Lucerne. Come by and experience the latest work series by the artist. We are looking forward to see you there.

Malte Bartsch
T.I.N.A.
25.10. - 06.12.24

Opening 25.10. | 6 pm

@malte.bartsch
@kaligallerylucerne taken in KALI Gallery by @malte.bartsch

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We cordially invite you to the solo exhibition “T.I.N.A” by Malte Bartsch at KALI Gallery Lucerne and look forward to your visit.

Malte Bartsch
T.I.N.A.
25.10.-06.12.2024

Opening 25.10. | 6-10 pm

KALI Gallery presents ‘T.I.N.A.’, the first solo exhibition at KALI by German artist Malte Bartsch (*1984/Braunschweig, lives and works in Berlin), who uses a variety of materials to scrutinise both the fragility and durability of natural and constructed systems.

Guided by contrasts, machines, objects and photographs enter into a dialogue with people. The resulting spaces for reflection create a confrontation that is contradictory, dysfunctional and playful in the best sense of the word.

Something universally symbolic is transformed into something mass-produced that is visually connected to nature and stands in contrast to industrial and artificial materials. Nature here could serve as a reminder of what is overlooked or sacrificed in established systems, reflecting a longing for alternatives that lead us to something immediate and untouched.

@malte.bartsch
@kaligallerylucerne
#maltebartsch #contemporaryart #sculptures #kaligallery taken in KALI Gallery by @malte.bartsch

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2 years ago

& how long can you press this button?

check out the timemachine from @malte.bartsch presented by @buerowolffjordan at @felice.social.club

Video by @mobilityfilm taken in Locarno, Switzerland by @malte.bartsch

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2 years ago

One Time Maschine by @malte.bartsch and more to be found at Villa Felice @buerowolffjordan =)

Malte Bartsch invites us to reflect on the
impacts of modernity and the ephemerality of human experiences.

Wolff Jordan is delighted to be part of this year’s FELICE SOCIAL CLUB during the Locarno Film
Festival. 07.-12.08. we will be showing works by Malte Bartsch @malte.bartsch at Villa Felice. by @malte.bartsch

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2 years ago

@galerie_eigenart

Opening 11.07.24 17 Uhr

@hannahsophiedunkelberg @_martingross @_valeriaschneider @sarahlehnerer @felixleonwestner
Grafik #albrechtgaebel taken in Galerie EIGEN + ART Leipzig/Berlin by @malte.bartsch

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