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Marina Markovic

@marina____markovic

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represented by @x_vitamin_artgallery @klemmkojic
lecturer at @fmk.beograd
rescuing stray dogs & cats @roze_sapice
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Few more days to see: 𝗛𝗶𝘀𝘁𝗼𝗶𝗿𝗲𝘀 𝗽𝗲𝗿𝘀𝗼𝗻𝗻𝗲𝗹𝗹𝗲𝘀 / 𝗥é𝗮𝗹𝗶𝘁é𝘀 𝗽𝗼𝗹𝗶𝘁𝗶𝗾𝘂𝗲𝘀 Musée d’art contemporain de Lyon 18.09.2025 – 04.01.2026 𝗠𝗮𝗿𝗶𝗻𝗮 𝗠𝗮𝗿𝗸𝗼𝘃𝗶𝗰 𝗧𝗵𝗲𝗿𝗲 𝗜𝘀 𝗡𝗼 𝗥𝗲𝗮𝗹𝗶𝘁𝘆 𝗕𝗲𝘀𝗶𝗱𝗲𝘀 𝗖𝗼𝗿𝗽𝗼𝗿𝗲𝗮𝗹𝗶𝘁𝘆 (Anorexia, The Void, The Arrangements) The installation unfolds as a single spatial organism, echoing the structure of a three-nave church while suspended somewhere between a hospital, a slaughterhouse, and a boutique, spanning three temporal phases and holding one body alongside three works in tension. Now part of the collection of macLYON. With profound gratitude to @houseofnuances and @fiona_sindjelic for their exceptional collaboration in shaping this space. Curatorial team: Isabelle Bertolotti @isabelle.bertolotti, Director of macLYON Matthieu Lelièvre @matthieu_lelievre, Head of Collections at macLYON Marijana Kolarić @maja.kolaric, Director of MSUB Miroslav Karić @micakaric, Curator at MSUB Work from the collection of macLYON: Marina Abramović & Ulay, Maxwell Alexandre, Terry Allen, Raphael Boccanfuso, Sophie Calle, Edi Dubien, Louis Jammes, JAZ, Randolpho Lamonier, Éric Manigaud, Tuomo Manninen, Marina Marković, Rodrigo Matheus, Gordon Matta-Clark, Thameur Mejri, Aernout Mik, Bruce Nauman, Simphiwe Ndzube, Marilou Poncin, Nazanin Pouyandeh, Damir Radović, Ed Ruscha, Kiran Subbaiah, Chiffon Thomas, Danielle Vallet Kleiner, Pu Yingwei Collection MSUB Belgrade: Marina Abramović, Milan Aleksić, Association Apsolutno, Mrdjan Bajić, Jasmina Cibic, Phil Collins, Vlasta Delimar, Biljana Đurđević, Erró, Igor Grubić, Siniša Ilić, Sanja Iveković, Ivana Ivković, Žolt Kovač, Sanja Latinović, Goranka Matić, Saša Marković Mikrob, Vladimir Miladinović, Slobodan Era Milivojević, Mladen Miljanović, Mihael Milunović, Nedeljko Neša Paripović, Vesna Pavlović, Dan Perjovschi, Tomislav Peternek, Dragan Petrović, Ivan Petrović, Aleksandar Rafajlović, Milica Ružičić, Saša Tkačenko, Zoran Todorović, Dragoljub Raša Todosijević, Milica Tomić, Anica Vučetić, Katarina Zdjelar photos by Maya Arikan #marinamarkovic taken in Musée d'art contemporain de Lyon by @marina____markovic
15
9 months ago
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𝗠𝗮𝗿𝗶𝗻𝗮 𝗠𝗮𝗿𝗸𝗼𝘃𝗶𝗰 𝕿𝖍𝖊 𝕬𝖗𝖗𝖆𝖓𝖌𝖊𝖒𝖊𝖓𝖙𝔰 𝟮𝟴.𝟬𝟲.𝟮𝟬𝟮𝟰. 𝟳𝗣𝗠 𝗦𝗮𝗹𝗼𝗻 𝗼𝗳 𝘁𝗵𝗲 𝗠𝘂𝘀𝗲𝘂𝗺 𝗼𝗳 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗼𝗿𝗮𝗿𝘆 𝗔𝗿𝘁 𝗕𝗲𝗹𝗴𝗿𝗮𝗱𝗲 @msub_mocab Pariska 14 in collaboration with : 𝗠𝗮𝘁𝘁𝗵𝗶𝗲𝘂 𝗟𝗲𝗹𝗶è𝘃𝗿𝗲 @matthieu_lelievre 𝗟𝘂𝗰𝗿𝗲𝘇𝗶𝗮 𝗡𝗮𝗿𝗱𝗶 @lucrezia_nardi_ 𝗗𝗮𝗻𝗶𝗲𝗹𝗲 𝗖𝗮𝗽𝗿𝗮 @danielecapra 𝗝𝗲š𝗮 𝗗𝗲𝗻𝗲𝗴𝗿𝗶 & 𝗢𝗥𝗟𝗔𝗡 @madame.de.sainte.orlan curated by 𝗧𝗲𝗼𝗱𝗼𝗿𝗮 𝗝𝗲𝗿𝗲𝗺𝗶𝗰 @dazedsparkle set design : Marko Samardžić ( Studio 2502) @komar2502 sound design : Žarko Komar @feloneezy teaser : Stefan Unković @steviewhisper videography & photography : Ivan Zupanc @ivanzupanc editing: Vanja Kovačević @ujkavanjak graphic design: Tea Sokolovski @tea.sokolovski color grading: Nikola Marinković @oziris_izis photography : Ivona Živulj @ivonafish producer: Zlata Vučetić @in_decorum special thanks: @medigroup_srbija Ksenija Marinković @ksenija_marinkovic & 𝗫 𝗩𝗜𝗧𝗔𝗠𝗜𝗡 gallery @x_vitamin_artgallery, Vesna Marković, Ivana Ivković @ivana.ivana.ivana, Nikola Penić @penicnikola, Maja Kolarić @maja.kolaric , @mravorad , AntCompiuters , Miroslav Karić, Nenad Kostić, Institut français de Serbie, FMK @fmk.beograd, Ana Kalaver @aanullacallay , @neuvek_zelen , @_spasich Jelena Janković @beracicacvecazla, NGVU @ngvu.me ,Miroslav Dukić @mikro_kosmos_ , MISTIK group ( @fiona_sindjelic , @mil.enaj , @dekifromdblok ), @mravorad , Marija Ratković, Igor Štanglicki @tattooednow ,VOGUE Adria @vogue.adria, Mirko Lubarda @mirkolubarda, Jasna Stojakovic. Marijola Veljković @mariolla.ink , Mp roll line d.o.o. , Vitamin Studio, Poslovna žena… #marinamarkovic taken in Museum of Contemporary Art, Belgrade by @marina____markovic
41
2 years ago
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VOGUE Adria💘 Some of the exquisite analog shots taken by amazing Katarina Šoškić @nekomunikata for the Vogue @vogue.adria summer issue. ❣️ Editorial Director: @dazedsparkle Interview by: @bogomirdoringer Photo: @nekomunikata Fashion: @anjaoffline Makeup: @irie_m Hair: @lauraagasi@studioprostor Producer: @milakovigor https://vogueadria.com/print_edition/fifth_issue/marina-markovic/ #marinamarkovic by @marina____markovic
53
2 years ago
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🪄𝐊𝐀𝐘, novi totem Roze Šapica, za koga ne kapiram da li je iskočio iz neke bajke ili mita ali svakako je biće iz drugog realma. On je brat blizanac pokojne vučice Kaye koju je neko na smrt pretukao a mi smo dali sve da je spasemo ali nažalost nismo uspeli. Kay je do pre neki dan živeo na autobuskoj stanici u selu sa još par kuca gde su ga hranile divne Isidora, Jelena i Tamara ( taj deo sela je njihov reon:) Budući da je čak 6 Roze Šapica našlo dom u prošloj nedelji došao je red na našog Boljevačkog princa🩵 Kay je mlad pas oko godinu dana, trenutno ima Koronu ali za kucu sa ulice to se ni ne računa, dobio je terapiju i planiramo da ga kastriramo čim je završi. Vet kaže da je mešavina ovčara i labradora što ukazuje na najjjjjj karakter. Trenutno je kod Jelene na konaku ali bilo idealno da dodje u foster u Bg kako bi naučio sve manire i fazone gradskog života. On je melem za dušu, jakoooo pitome i nežne energije. LOL Malo je i šejp šifter jer je čas vuk čas fokica u zavisnosti kako stavi uši ahaahhh al svakako je andjeo maskiran u psa🩵 Imaćemo ofc bolje fotkice tek smo ga maznuli sa ulice ove fotke su uglavnom iz našeg boljevačkog whatsup chata 💎 Samo recite magične reči i dovozimo ga sa paketićem opreme na konak🪄 E da, i svima će vam doći u san noćas 🪄 hvala @zoricagrujcic na vožnji, njena Vila je sledeća 🪄 taken in Boljevci by @marina____markovic
35
a day ago
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@marina____markovic turns the body into a living contract. Read on www.thecollectionfab.com Photo credits: Ivan Zupac, Ivona Živulj, Ljubo Ašćerić by @marina____markovic
15
3 days ago
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The Void (video, 4’2”), 2016 Held in the collections of the Museum of Contemporary Art Lyon (macLYON) and the Museum of Contemporary Art Belgrade, The Void is part of Personal Stories / Political Realities, curated by @isabelle.bertolotti , @maja.kolaric , @matthieu_lelievre, @micakaric . On view at the Museum of Contemporary Art Belgrade until September 20. @maclyon_officiel @msub_mocab “In her art, Marina Marković takes her own corporeality as both the subject and object of research into various forms of social pressure, norms, and mechanisms of control imposed upon the female body. In The Void, a recording of the artist’s empty womb is juxtaposed with statements by her mother, aunts, grandmothers, and great-grandmother concerning the primary female roles and duties imposed upon them by society, exposing the arguments of the “natural,” “scientific,” “objective,” “neutral,” and “normal” as instruments of dominant policies that mark any irregularity as deviation and anomaly. The work confronts viewers with a complex, emotional, difficult, and painful conflict in which the line between free will and social/ biopolitical coercion becomes impossible to clearly discern. The mantric repetition of the question “Who said you could choose?” opens a twofold reading in which the personal and the inherited become inseparable, while the artist recognizes her own position as the first in her family line with the possibility of choice — precisely where this ambivalence emerges as a space for negotiation and reflection.” 📸 @andrija_rancic_central_studio #marinamarkovic taken in Museum of Contemporary Art, Belgrade by @marina____markovic
37
4 months ago
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A new series of drawings,𝔖𝔦𝔫 ℑ𝔰 𝔅𝔯𝔞𝔦𝔡𝔢𝔡 ℑ𝔫𝔱𝔬 𝔜𝔬𝔲𝔯 ℌ𝔞𝔦𝔯, by Marina Marković, created during her stay at Common Ground residency in Vienna, will be presented by X Vitamin at @parallelvienna. Booth 007/006 Otto Wagner Areal 9–13 September 2026 taken in Otto Wagner Spital by @marina____markovic
12
a month ago
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Sa velikim zadovoljstvom pozivamo vas na promociju knjige 𝕿𝖔 𝕻𝖑𝖊𝖆𝖘𝖊, 𝕿𝖔 𝕾𝖊𝖗𝖛𝖊, 𝕿𝖔 𝕺𝖇𝖊𝖞, posvećene istoimenoj seriji crteža Marine Marković nastaloj između 2020. i 2024. godine, u izdanju X Vitamin. Promocija će se održati 31. avgusta u 17 časova, u Sali Protić u Muzeju savremene umetnosti u Beogradu @msub_mocab. O knjizi, crtežima i temama koje ih povezuju razgovaraće Marina Marković i Dimitrije Kokanov. Knjigu je dizajnirao Stefan Unković @steviewhisper, a prate je tekstovi „Seksipil Kalvarije“ Dušice Popović, „Aktivnost tela u čitanju (disciplinovanje crtažom)“ Dimitrija Kokanova @dimitrijekokanov i „To Please, To Serve, To Obey“ Sabrine Tamar @sabrinatamar. Promocija je ujedno i prilika da posetite izložbu Lične priče / Političke realnosti, u okviru koje je predstavljena i video instalacija The Void Marine Marković. Izložbu su kustosirali Izabel Bertoloti, Marijana Kolarić, Miroslav Karić i Metju Lelievre. dizajn plakata @steviewhisper 💞 ———————————————————————- We are delighted to invite you to the launch of To Please, To Serve, To Obey, a book dedicated to Marina Marković’s eponymous series of drawings created between 2020 and 2024, published by X Vitamin. The launch will take place on 31 August at 5 PM, in the Protić Hall at the Museum of Contemporary Art in Belgrade. Marina Marković and Dimitrije Kokanov will discuss the book, the drawings, and the themes that unfold through the series. Designed by Stefan Unković, the book features the texts “The Sex Appeal of Calvary” by Dušica Popović, “The Activity of the Body in Reading (Disciplining Through Drawing)” by Dimitrije Kokanov, and “To Please, To Serve, To Obey” by Sabrina Tamar. The book launch also offers a great opportunity to visit the exhibition Personal Stories / Political Realities, where Marina Marković’s video installation The Void is currently on view. The exhibition is curated by Isabelle Bertolotti, Marijana Kolarić, Matthieu Lelièvre, and Miroslav Karić. taken in Museum of Contemporary Art, Belgrade by @marina____markovic
23
a month ago
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Marina Markovic @marina____markovic (b.1983) The Void, 2016 | exhibition Personal Stories / Political Realities, Belgrade, #Serbia, 2026 About the artwork: The Void (15’ video loop, 2016); ultrasound recording of artist’s pulsating empty uterus without any narrative progression, dialectically opposed by the sound image of emotional preaching speech on women primary roles and duties, performed by artists mother, grandmother, great-grandmother. In The Void Markovic is pointing out the hardly seizable distinction between the conscientious choice and culturally imposed models / biopolitical coercion and questioning what ‘being free’ or ‘being forced’ means in the context of womanhood. excerpt from the text “The Void” by Marija Ratkovic via Artist's ww marinamarkovic. com/portfolio-item/void/ vid & pics from the exhibition @poli_pal #PalianShow for @art.by.women_women.in.arts #serbianwomenartists #thechoice #feministart by @marina____markovic
4
2 months ago
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Join us on 13 July at 6:00 pm for an Artist Talk with Marina Marković at LEFTBANK. Working through a corporeal language, Marković approaches the body as both material and method, exploring the intersections of power, pleasure, control, and resistance. The talk will offer insight into her artistic practice and the work developed during her residency at Common Ground Vienna. 🎀 Polaroids captured by the audience during The Arrangements performance at the Salon of the Museum of Contemporary Art in Belgrade, June 2024. by @marina____markovic
7
3 months ago
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We are delighted to welcome Marina Marković as the current resident artist at Common Ground Art Residency in Vienna. During her residency from mid-June to mid-July 2026, Marković will be developing a new drawing series. The corporeal is the central focus of Marina Marković’s (Yugoslavia, 1983) artistic practice, which spans from personal experience to the exploration of complex social issues concerning women’s bodies. The experience of anorexia in her early youth directed her work towards the politics of the body, the (de)construction of gender and sexuality, and the economics of desire, while revealing the network of power relations where free will and coercion are densely intertwined. Since 2006, she has presented solo exhibitions and performances in Belgrade/RS, New York/US, Vienna/AT, Paris/FR, Bern/CH. A recent long-term project, The Arrangement, has unfolded through multiple iterations across different venues, ultimately culminating in a comprehensive exhibition at the Salon of the Museum of Contemporary Art in Belgrade (2024). Her works have been featured in international exhibitions and biennials, including Histoires personnelles / Réalités politiques at Museum of Contemporary Art Lyon in 2025, Performissima at Centre Wallonie-Bruxelles, Paris in 2025 and 60. and Aesthetic(s) of Encounter(s) at 60.October Salon in Belgrade in 2024. Marković has participated in numerous artist-in-residence programmes, including residencies at ISCP New York/US and Q21/MuseumsQuartier Vienna/AT. Marković is the recipient of several prestigious awards, such as the Young Visual Artist “Dimitrije Bašičević Mangelos” Award in 2011 and the Drawing Award given by the “Vladimir Veličković” Foundation in 2021. Her works are part of significant public and private collections, including museum collections nationally and internationally. She is a PhD candidate at the Department of New Media, University of Arts in Belgrade. Marković lives and works in between Belgrade and Paris. photo by Ljubo Ašćerić @ljubo.asceric by @marina____markovic
14
3 months ago
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Joyeux anniversaire à cette icône absolue @madame.de.sainte.orlan ✨ À jamais dans ma peau💜 by @marina____markovic
13
4 months ago
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