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marina____markovic

@marina____markovic

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BG / PAR
12.6. @msub_mocab
represented by @x_vitamin_artgallery @klemmkojic
lecturer at @fmk.beograd
rescuing stray dogs & cats @roze_sapice

POSTS STORIES REELS TAGGED

Izložba Lične priče / Političke realnosti

Između pojedinca i društva 💭 🌐

Ova grupa radova sagledava na koje su načine lični životi određeni širim društvenim, političkim i istorijskim okolnostima. U radu “Linije, redovi, kolone (Spavaonica)” Ivana Ivković razmatra odnos između pojedinačnog tela i kolektivnih struktura, dok “The Void” Marine Marković promišlja identitet, nasleđe i društvena očekivanja upisana u telo. Serija “Mladi Srbi” Fila Kolinsa koristi portret kao mesto susreta ličnog prisustva i nasleđa političkih promena, dok “No More” Damira Radovića pretvara individualni gest odbijanja u kolektivnu izjavu. U radu “Crni Kabinet” Kristin Rebe istorija se vraća kroz snolike narative koji razotkrivaju postojanost moći i ideologije. Film Jasmine Cibic istražuje praksu darivanja i njenu upisanost u konstrukciju evropskog identiteta. Izloženi radovi ukazuju na neraskidivu povezanost ličnih iskustava, sećanja i identiteta sa društvenim i političkim svetom u kojem nastaju.
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“Personal Stories / Political Realities”

Between Self and Society 💭 🌐

This group of works explores how personal lives are shaped by broader social, political, and historical realities. In “Lines, Rows, Columns (Dormitory)”, Ivana Ivković examines the relationship between the individual body and collective structures, while Marina Marković’s “The Void” reflects on identity, inheritance, and the social expectations inscribed onto the body. Phil Collins’s “Young Serbs” turns to portraiture as space where personal presence intersects with the legacies of political change, while Damir Radović’s “No More” transforms individual gesture of refusal into a collective statement. In “The Black Cabinet”, Christine Rebet revisits history through dreamlike narratives that expose the persistence of power and ideology. Jasmina Cibic’s film explores the practice of gift-giving and its role in the construction of European identity

1 / 6 DAMIR RADOVIĆ
No More..., 2025.
2008–2025.
2 MARINA MARKOVIĆ
The Void, 2016.
3-4 IVANA IVKOVIĆ
Linije, redovi, kolone
(Spavaonica), 2016.
5-6 FIL KOLINS
Mladi Srbi (Milan/Caca), 2001.
7 JASMINA CIBIC
Dar, 2021.
8 KRISTIN REBE
Crni kabinet, 2007.

📷Marijana Janković

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Muzej savremene umetnosti Beograd

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Join us for the opening of the group exhibition Breaking Point on March 26 from 6 pm to 9 pm at Eugster || Belgrade. The exhibition will present works created during the Mokrin House Art Colony (January 2026).

The Mokrin House Art Colony brought together emerging artists and mentors from the region who spent time living and working together in Mokrin House, developing new works in a shared environment of exchange, experimentation, and collaboration.

Artists:
Aleksa Avramović, Anđelija Stančulović, Asja Mijović, Dejana Ivošević, Emilija Sandić, Hana Selena Sokolović, Hristijan Našulovski, Ivanja Todorović, Jovan Turčinović, Marija Kiš, Mirjana Milovanović, Petar Vranjković, Sofija Milić, Sofija Pavković, Stefan Dukovski.

Mentors: Marina Marković, Saša Tkačenko, Ivana Ivković, Šejla Kamerić.
On view: March 26 – April 4, 2026

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With my kind of human it’s always been the good days ✨️🩷

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At the amazing opening of Kristina Lazić’s @kristina__lazicc exhibition PLAYGROUND with (some of ) my FMK Performance Studies students. So proud of these young talents! ❤️

The exhibition is open until March 19. It is a must-see!

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@journalsrbija x @marina____markovic

Together with visual artist @marina____markovic, we created the campaign “We Want to Hear Your Story.” @marina____markovic outlined the breasts of the participating women, and we spoke with them about their encounter with this disease.

Creative Direction, Production & Interview by me / @ivadevini
Photo: Ljubo Ašćerić / @ljubo.asceric
Makeup: Jovana Marković / @jovana.mua

October 2025.

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Sunrise at Mokrin 🤍
@mhartcolony @mokrinhouse

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Lalice selfiji poseban su žanr. Pravimo spomenar.📓
Posebno me raduje što, uz fotografije, šaljete i kratke zapise, koji prate haljine. ✒️💬
Lalice su istoričarke.🪡📖

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Za početak nove godine - Spomenik hrabrosti, slobodi, revoluciji i borbi neprestanoj do pobede ❤️‍🔥
I tradicionalno - dan koji se obeležava sa @marina____markovic i Miletom u twin flame magiji 🔮💜

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🌟 MERCI, THANK YOU, DANK U, TAK, GRAZIE, HVALA, AČIŪ, MAMNOON, EFHARISTO, PAXMET, GRACIAS, SALAMAT, OBRIGADO

🏹 Vous avez été plus de 1 500 à faire vibrer le Centre Wallonie-Bruxelles (@cwb_paris) pour la seconde édition de PERFORMISSIMA le vendredi 24 octobre 2025.

🦋 Notre gratitude infinie aux artistes, aux équipes, à nos partenaires et à toutes celles et ceux qui ont fait de cette journée un moment aussi intense et inspirant.

🎊 À bientôt pour la suite !

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🌟 THANK YOU, MERCI, DANK U, TAK, GRAZIE, HVALA, AČIŪ, MAMNOON, EFCHARISTO, RAKHMET, GRACIAS, SALAMAT, OBRIGADO

🏹 More than 1,500 of you filled the Centre Wallonie-Bruxelles (@cwb_paris) with energy for the second edition of PERFORMISSIMA on Friday, October 24, 2025.

🦋 Our heartfelt thanks to the artists, teams, partners, and everyone who made this day such an intense and inspiring moment.

💌 Special thanks to @lebicoloredk @if_officiel @beauxartsparis @centreculturelhellenique @iicparigi @lithuanian_culture_institute @kulturlx @culturepaysbas @mondriaanfonds @centreculturelsuisse @prohelvetia

🎊 See you soon for what’s next !

📸 1, 8, 10, 12, 13, 14 : Paul Fogiel (@paulfogiel)
📸 2, 4 : Tristan Savoy / Centre Culturel Suisse.On Tour (@tristan.savoy)
📸 3, 5, 7, 9, 11 : Ari Bafalouka (@ari_bafalouka_films_photo_art)
📸 6 : lacuillere (@lacuillere__)

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❤️ Immersion dans Histoires personnelles / Réalités politiques au musée ! Une exposition qui permet de croiser des regards, des histoires et des œuvres autour de deux collections, celle du @msub_mocab à Belgrade et celle du macLYON.

🇬🇧❤️ Immersion in Personal Stories / Political Realities at the museum! An exhibition that combines perspectives, stories and works around two collections, the @msub_mocab in Belgrade and the macLYON.

Photos de Lionel Rault. Vues de l’exposition Histoires personnelles / Réalités politiques, Dialogue entre les collections du macLYON et du MoCAB au macLYON. Œuvre de Marina Markovic, courtesy de l'artiste, donation en cours au macLYON. Œuvre de Randolpho Lamonier, collection macLYON. Œuvres de Mihael Milunović et Ivan Petrović, collection MoCAB, Belgrade © Adagp, Paris, 2025. Œuvre de Simphiwe Ndzube, produit pour la Biennale de Lyon 2019, collection macLYON, œuvre de Franco Fasoli / JAZ. Œuvre de Jasmina Cibic, collection MoCAB, Belgrade.

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Marina Marković, vizuelna umetnica i predavačica #FMK, dala je intervju za dnevni list Danas. 📰

U razgovoru, Marina govori o telu kao prostoru iskustva i traga društvenih normi, te kako kroz umetnost istražuje odnose između intimnog i političkog. Ističe važnost povezivanja svakodnevnih iskustava sa umetničkim izrazom i otvara prostor za kritičko promišljanje. 🎨💭

Njene radove publika uskoro može videti i na izložbi „Mitologija svakodnevice“ u Galeriji DOTS na Donjem Dorćolu, koja će biti otvorena večeras u 19 časova.

Pored toga, Marina 24. oktobra izvodi performans u Centre Wallonie-Bruxelles u Parizu, u okviru festivala Performissima, dok njeni radovi trenutno čine deo izložbe Histoires personnelles / Réalités politiques u Musée d’art contemporain de Lyon.

🔗 Link do intervjua nalazi se u opisu profila.

📷 Katarina Šoškić

#intervju #umetnost #tvojFMK

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