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Max Schropp

@max_schropp

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1986

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part of @ctms.studio
based in cologne

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Herzliche Einladung zur Eröffnung am 18. September um 18:00 Uhr mit Arbeiten von Martin Assig, Sofia Duchovny, Alexander Janz, Eva Noeske, Julia Oschatz, Frances Scholz, Arno Selle und Orpheo Winter.

Die Ausstellung wird begleitet durch Texte von: C.Bain, Nike Bätzner, Marie Beckmann, Benjamin Belhocine, Jonathan Blaschke, Merit Böger, Kurt Cassady, Bryony Jean Dawson, Naomi Shintai Deibel, Carlotta Drinkewitz, Christian Egger, Sophia Eisenhut, Hanako Emden, Anna Erler, Ilinca Fechete, Flip Project, Giulia Ottavia Frattini, Peter Funken, Juri Groß, Lukas Andreas Helling, Jule Hillgärtner, Olga Hohmann, Klara Hülskamp, Bruno Jacoby, Janika Jähnisch, Max Johnson, Nele Kaczmarek, Yana Kadykova, Lennart Koch, Elli Becker Kozelka, Amalia Kuhlmann, Lorenz Liebig, Marthe Meinhold, Sophia Rohwetter, Julia Rosenstock, Johanna Schäfer, Helene von Schirach, Mark von Schlegell, Neele Seidel, Ludwig Seyfahrt, Moritz Simon, Mitch Speed, Junia Thiede, Annette Tietenberg, Felix Trautmann, Fondation Tschuess, Beth von Undall, Lukas Weschke, Jannis Weu, Lange Winter

Ort: oqbo — raum für bild wort ton — brunnenstr. 63 — 13355 berlin
Ausstellende Künstler:innen: Martin Assig, Sofia Duchovny, Alexander Janz, Eva Noeske, Julia Oschatz, Frances Scholz, Arno Selle, Orpheo Winter
Laufzeit: 19. September – 17. Oktober 2026
Eröffnung: 18. September
Kuratiert von: Ricarda Hauswaldt und Benno Hauswaldt

Design: @max_schropp

Gefördert mit Mitteln des Stura Burg Giebichenstein und durch zukunft.niedersachsen, dem gemeinsamen Wissenschaftsförderprogramm des Niedersächsischen Ministeriums für Wissenschaft und Kultur der VolkswagenStiftung. taken in Berlin, Germany by @max_schropp

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22 days ago

Horst Antes „A Collection“

Published by @hatjecantzverlag, 𝙃𝙤𝙧𝙨𝙩 𝘼𝙣𝙩𝙚𝙨: 𝘼 𝘾𝙤𝙡𝙡𝙚𝙘𝙩𝙞𝙤𝙣 offers an overview of the artist’s multifaceted oeuvre, from his early painterly experiments to his later groups of works.

Regarded as one of the pioneers of New Figuration in Germany, Horst Antes has gained international recognition since the 1960s for his iconic “Kopffüßler” (headfooted figures), his ongoing exploration of the figure in space, and his house archetypes.

The publication features texts by Hans-Joachim Müller, Annett Reckert, Reinhard Spieler and Angelika Stepken, and is designed by CTMS, Cologne. The catalogue is published in German and English.

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#horstantes #galerientagkarlsruhe #newcatalogue #sprengelmuseumhannover #hatjecantz by @max_schropp

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a month ago

Insights into the new catalogue „A Collection“ by Horst Antes

Published by @hatjecantzverlag, 𝙃𝙤𝙧𝙨𝙩 𝘼𝙣𝙩𝙚𝙨: 𝘼 𝘾𝙤𝙡𝙡𝙚𝙘𝙩𝙞𝙤𝙣 offers an overview of the artist’s multifaceted oeuvre, from his early painterly experiments to his later groups of works.

Regarded as one of the pioneers of New Figuration in Germany, Horst Antes has gained international recognition since the 1960s for his iconic “Kopffüßler” (headfooted figures), his ongoing exploration of the figure in space, and his house archetypes.

The publication features texts by Hans-Joachim Müller, Annett Reckert, Reinhard Spieler and Angelika Stepken, and is designed by CTMS Studio, Cologne. The catalogue is published in German and English.

Design by @ctms.studio
@christopher.troester @max_schropp

#horstantes #galerientagkarlsruhe #newcatalogue #sprengelmuseumhannover hatjecantz by @max_schropp

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a month ago

Invitation design for the upcomming exhibition of works by Amelie Karweick and André Thomkins opening on Friday, 28 August, from 6-9 pm. @clementinseedorf

Amelie Karweick (b. 1993 in Dortmund, Germany) lives and works in Düsseldorf. She graduated from the Kunstakademie Düsseldorf in 2025 as a Meisterschülerin of Trisha Donnelly.
Her work has been featured in group presentations at Clementin Seedorf at Art Cologne 2025 and at the Kunstverein fur die Rheinlande und Westfalen, Düsseldorf, as part of ‚Jahresgaben‘, prior to her first solo exhibition at zaza‘, Naples in July 2026.
Karweick is a recipient of the dHCS-studio fellowship at the Mataré-Haus, Düsseldorf.
For this exhibition she presents a new body of sculptures and drawings made in 2025 and 2026.

André Thomkins (1930 - 1985) was a Swiss artist who lived and worked in the Rhineland for more than twenty years. He moved to Rheydt in 1952 and taught painting and graphic arts at the Kunstakademie Düsseldorf from 1971 to 1973. He participated in documenta 5 (1972) and documenta 6 (1977), and had numerous solo exhibitions, including presentations at the Weserburg Museum für Moderne Kunst, Bremen (2019); Kunstmuseum Liechtenstein, Vaduz/Kunsthalle Düsseldorf (2013); Kunstmuseum Basel (2013, 1977); and Galerie Spoerri, Dusseldorf (1971).
Thomkins‘ multi-faceted œuvre was strongly influenced by Surrealism and the Dada movement, and his interest in parapsychology, utopian town planning, philosophy and literature. His work ranges from mostly small-scale pencil and ink drawings and watercolours to paintings, objects, and sculpture.

Invitation designed by @ctms.studio
@christopher.troester @max_schropp by @max_schropp

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2 months ago

An exhibition on the occasion of the release of
„Correctomundo - Selected Writings 2001-2026“ by Bruce Hainley.

Opening on Friday 3 July from 6-9 pm
@clementinseedorf

The exhibition features works and ephemera by Julie Becker, André Cadere, Hanne Darboven, Trisha Donnelly, Gary Indiana, Devin T. Mays, Christine Pichini, Richard Prince and Andy Warhol.
The book is published by Clementin Seedorf and
CTMS and will be available for purchase on the opening night.

35€ - cash only.

Design by @ctms.studio
(@christopher.troester & @max_schropp)

#brucehainley by @max_schropp

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3 months ago

The Critic, exhibition catalogue for David Ostrowski
@kunstvereinheilbronn

published by @snoeck_verlagsgesellschaft

Thanks to everyone involved ❤️

Design by CTMS
@ctms.studio (@max_schropp & @christopher.troester)

#davidostrowski

Image 1: ‘The Critic’ available @buchhandlungwaltherfranzkoenig by @max_schropp

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3 months ago

Poster and artwork for the upcomming show „Concrete Island“ by @lukas_voegele opening on June 27th @cherrycherryhill

Designed in collaboration with @lukas_voegele

@ctms.studio
(@christopher.troester & @max_schropp) by @max_schropp

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3 months ago

The Critic, exhibition catalogue for David Ostrowski
@kunstvereinheilbronn

published by @snoeck_verlagsgesellschaft

Thanks to everyone involved ❤️

Design by CTMS
@ctms.studio (@max_schropp & @christopher.troester)

#davidostrowski by @max_schropp

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4 months ago

Insides into “Long Live Television” by @_louvdh

“Long Live Television“ brings together texts and images on television and its afterlives in streaming platforms, channel-based media, social media, artists‘ video, and other forms of contemporary moving-image culture. It asks how television continues to be declared dead as a broadcast system while its forms, logics, and temporalities persist across the screens of the present. Central themes include interruption, repetition, sequencing, program flow, and the experience of images encountered in fragments.

It approaches television as a structure, a memory, and an aesthetic method that continues to shape how moving images are perceived and organized.

The book marks the conclusion of the project “Die Zeit, die bleibt“ (The Time That Remains) by Lou von der Heyde @_louvdh , developed as part of the Curatorial and Research Residency Program (CRRP) at the @juliastoschekfoundation

Supported by
Ministry of Culture and Science of the State of North Rhine-Westphalia @mkw.nrw

Kunststiftung NRW
City of Düsseldorf - Office of Cultural Affairs @kulturamtduesseldorf

Design by CTMS
@ctms.studio (@max_schropp & @christopher.troester) by @max_schropp

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4 months ago

Inside of the new publications TIME and LACK.
By @sannahelenaberger and @tausend_editionen

TIME consists of two texts—“and then” written for and read by Sanna Helena Berger in her eponymous performance at the Westfälischer Kunstverein in Münster in February 2026 and a text by Berlin based artist Stella Sieber, which originally appeared in “Postponed”, a reader initiated by Sanna Helena Berger and edited by Lian Rangkuty in June 2025.
Stella Sieber @wallcaall

LACK consists of two texts that accompanied the solo exhibition “und zwar” by Sanna Helena Berger at WRG Studios Braunschweig and HBK Braunschweig earlier this year, and was curated by Benno Hauswaldt. It consists of the eponymous text “und zwar” by Sanna Helena Berger and the exhibition text “Und Zwar, Sehr gerne!” by Vienna based writer and artist Christian Egger.
@sannahelenaberger
@christian_egger_

Edited by Benno Hauswaldt
Design by @ctms.studio
@christopher.troester @max_schropp
Published by @tausend_editionen by @max_schropp

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4 months ago

invitation for the current show by @0383672827277727827jddm in basel @happy_juggler_in_the_park

Design an concept togehter with @0383672827277727827jddm

📸 by @0383672827277727827jddm

❤️❤️ by @max_schropp

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4 months ago

Folding poster for mumok cinema

Long Cold Shadow, curated by artist Martin Beck @martinb543

„You don’t have anything, you’re nothing. You’re not even a citizen of the United States.“

Bringing together „Medium Cool“ (1969), „Punishment Park“ (1971), „Black Panthers“ (1968), and „The Murder of Fred Hampton“ (1971), Long Cold Shadow explores a moment when cinema became inseparable from political struggle. Made at the end of the 1960s and the start of the 1970s, these films reflect a shared urgency: a need to document, question, and intervene.

@mumok_vienna by @max_schropp

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6 months ago