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@ctms.studio

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@christopher.troester
@max_schropp
based in cologne

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Horst Antes „A Collection“

Published by @hatjecantzverlag, 𝙃𝙤𝙧𝙨𝙩 𝘼𝙣𝙩𝙚𝙨: 𝘼 𝘾𝙤𝙡𝙡𝙚𝙘𝙩𝙞𝙤𝙣 offers an overview of the artist’s multifaceted oeuvre, from his early painterly experiments to his later groups of works.

Regarded as one of the pioneers of New Figuration in Germany, Horst Antes has gained international recognition since the 1960s for his iconic “Kopffüßler” (headfooted figures), his ongoing exploration of the figure in space, and his house archetypes.

The publication features texts by Hans-Joachim Müller, Annett Reckert, Reinhard Spieler and Angelika Stepken, and is designed by CTMS, Cologne. The catalogue is published in German and English.

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#horstantes #galerientagkarlsruhe #newcatalogue #sprengelmuseumhannover #hatjecantz by @ctms.studio

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a month ago

Insights into the new catalogue „A Collection“ by Horst Antes

Published by @hatjecantzverlag, 𝙃𝙤𝙧𝙨𝙩 𝘼𝙣𝙩𝙚𝙨: 𝘼 𝘾𝙤𝙡𝙡𝙚𝙘𝙩𝙞𝙤𝙣 offers an overview of the artist’s multifaceted oeuvre, from his early painterly experiments to his later groups of works.

Regarded as one of the pioneers of New Figuration in Germany, Horst Antes has gained international recognition since the 1960s for his iconic “Kopffüßler” (headfooted figures), his ongoing exploration of the figure in space, and his house archetypes.

The publication features texts by Hans-Joachim Müller, Annett Reckert, Reinhard Spieler and Angelika Stepken, and is designed by CTMS Studio, Cologne. The catalogue is published in German and English.

Design by @ctms.studio
@christopher.troester @max_schropp

#horstantes #galerientagkarlsruhe #newcatalogue #sprengelmuseumhannover hatjecantz by @ctms.studio

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a month ago

Poster series for the current show ‚Terminal Piece‘, on view until 7 February 2027 @mumok_vienna

Unfolding across five floors, ‚Terminal Piece‘ brings together works from the collection alongside new productions and external loans. By proposing new ways of considering the museum and its collection in their entirety and complexity, it presents a vision for the future.

Beginning with Kate Millett’s work ‚Terminal Piece‘ the exhibition questions how we position ourselves in relation to the artwork and how our position may have already been shaped.

The prologue by scenographer and costume designer Anna Viebrock transforms mumok’s ground level in its entirety and revealing spaces that usually remain unseen.

The final act features new works by Nina Porter, making a proposition for the future.

Curated by @fatimahellberg, @lukasflygare
Concept and Design by @ctms.studio

@mumok

Image 1:
Kate Millett, Terminal Piece, 1972 (Detail)
Photo: Bettye Lane ©️ Bettye Lane Photos

Image 2:
Anna Viebrock, Stage model for Doktor Faust (Detail), 2003
Photo: Hans Dekeyser

Image 3:
Nina Porter, SPR7W4445WC5240424 (Detail), 2024
Courtesy of the Artist by @ctms.studio

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a month ago

Invitation design for the upcomming exhibition of works by Amelie Karweick and André Thomkins opening on Friday, 28 August, from 6-9 pm. @clementinseedorf

Amelie Karweick (b. 1993 in Dortmund, Germany) lives and works in Düsseldorf. She graduated from the Kunstakademie Düsseldorf in 2025 as a Meisterschülerin of Trisha Donnelly.
Her work has been featured in group presentations at Clementin Seedorf at Art Cologne 2025 and at the Kunstverein fur die Rheinlande und Westfalen, Düsseldorf, as part of ‚Jahresgaben‘, prior to her first solo exhibition at zaza‘, Naples in July 2026.
Karweick is a recipient of the dHCS-studio fellowship at the Mataré-Haus, Düsseldorf.
For this exhibition she presents a new body of sculptures and drawings made in 2025 and 2026.

André Thomkins (1930 - 1985) was a Swiss artist who lived and worked in the Rhineland for more than twenty years. He moved to Rheydt in 1952 and taught painting and graphic arts at the Kunstakademie Düsseldorf from 1971 to 1973. He participated in documenta 5 (1972) and documenta 6 (1977), and had numerous solo exhibitions, including presentations at the Weserburg Museum für Moderne Kunst, Bremen (2019); Kunstmuseum Liechtenstein, Vaduz/Kunsthalle Düsseldorf (2013); Kunstmuseum Basel (2013, 1977); and Galerie Spoerri, Dusseldorf (1971).
Thomkins‘ multi-faceted œuvre was strongly influenced by Surrealism and the Dada movement, and his interest in parapsychology, utopian town planning, philosophy and literature. His work ranges from mostly small-scale pencil and ink drawings and watercolours to paintings, objects, and sculpture.

Invitation designed by @ctms.studio
@christopher.troester @max_schropp by @ctms.studio

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2 months ago

"Correctomundo – Selected Writings 2001–2026" by the writer Bruce Hainley is now officially available for purchase. The book can be ordered online via booksat.net or picked up at the gallery in Cologne. Link in bio.

The book brings together fifteen of Hainley’s luminous essays on artists including André Cadere, Julie Becker, Trisha Donnelly, Vincent Fecteau, Gary Indiana, Monica Majoli, David Hammons, and Andy Warhol, among others.

The first edition comprises 400 copies in a suede hardcover binding. The book was initiated by Yvo Cho and designed by CTMS (Christopher Tröster & Max Schropp). Copy-editing by Jennifer Krasinski. Proofreading by B A Briggs. 222 pages with b/w illustrations and a c-print insert. Printed in Germany.

Bruce Hainley is the author of "Under the Sign of [sic]: Sturtevant’s Volte-Face", "Foul Mouth", and "Really, No Biggie", among other publications. He co-authored "Art—A Sex Book" with John Waters and edited Gary Indiana’s "Vile Days: The Village Voice Art Columns 1985–1988", as well as "Commie Pinko Guy", published to accompany the first European survey of Larry Johnson’s work. Hainley has also curated numerous exhibitions at national and international institutions, most recently at Clementin Seedorf, Cologne; Misako & Rosen, Tokyo; and, with Shahryar Nashat, The Renaissance Society, Chicago.
Bruce Hainley lives and works in Houston, Texas.

With many thanks to Matt Hinkley / @books__at

#brucehainley
@ctms.studio
#clementinseedorf by @ctms.studio

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3 months ago

An exhibition on the occasion of the release of
„Correctomundo - Selected Writings 2001-2026“ by Bruce Hainley.

Opening on Friday 3 July from 6-9 pm
@clementinseedorf

The exhibition features works and ephemera by Julie Becker, André Cadere, Hanne Darboven, Trisha Donnelly, Gary Indiana, Devin T. Mays, Christine Pichini, Richard Prince and Andy Warhol.
The book is published by Clementin Seedorf and
CTMS and will be available for purchase on the opening night.

35€ - cash only.

Design by @ctms.studio
(@christopher.troester & @max_schropp)

#brucehainley by @ctms.studio

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3 months ago

Excerpts from the exhibition booklet ‘Terminal Piece’ for mumok’s new program. The booklet includes a fold-out insert about the Prolog to ‘Terminal Piece’ by Anna Viebrock.

Design by CTMS Studio @ctms.studio

@mumok_vienna
@fatimahellberg
@lukasflygare
@annaviebrock by @ctms.studio

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3 months ago

TERMINAL PIECE
20.6.2026 – 7.2.2027

‘Terminal Piece’ is an inaugural exhibition of mumok’s new program:

Unfolding across five floors, ‘Terminal Piece’ brings together works from the collection alongside new productions and external loans. By proposing new ways of considering the museum and its collection in their entirety and complexity, it presents a vision for the future.

Beginning with Kate Millett’s work ‘Terminal Piece’ the exhibition questions how we position ourselves in relation to the artwork and how our position may have already been shaped.

Invitation card by CTMS @ctms.studio

@mumok_vienna by @ctms.studio

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3 months ago

The Critic, exhibition catalogue for David Ostrowski
@kunstvereinheilbronn

published by @snoeck_verlagsgesellschaft

Thanks to everyone involved ❤️

Design by CTMS
@ctms.studio (@max_schropp & @christopher.troester)

#davidostrowski

Image 1: ‘The Critic’ available @buchhandlungwaltherfranzkoenig by @ctms.studio

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3 months ago

We are proud to announce "Correctomundo – Selected Writings 2001–2026" by Bruce Hainley, a co-publication by Clementin Seedorf and CTMS, forthcoming on 3 July 2026.

Bruce Hainley is the author of "Under the Sign of [sic]: Sturtevant’s Volte-Face", "Foul Mouth", and "Really, No Biggie", among other things. He co-wrote with John Waters "Art—A Sex Book", and he assembled and edited Gary Indiana’s "Vile Days: The Village Voice Art Columns 1985-1988" as well as "Commie Pinko Guy", a publication that accompanied the first European survey of the work of Larry Johnson. He has curated numerous exhibitions at both national and international art institutions - - most recently, at Misako & Rosen, Tokyo, and, with Shahryar Nashat, at The Renaissance Society, Chicago.
Bruce Hainley lives and works in Houston, Texas.

For review copies or press inquiries, please contact info@clementinseedorf.com.

Further information on international distribution and bookstore availability will follow soon.

Announcement designed by @ctms.studio

#brucehainley by @ctms.studio

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4 months ago

Poster and artwork for the upcomming show „Concrete Island“ by @lukas_voegele opening on June 27th @cherrycherryhill

Designed in collaboration with @lukas_voegele

@ctms.studio
(@christopher.troester & @max_schropp) by @ctms.studio

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3 months ago

The Critic, exhibition catalogue for David Ostrowski
@kunstvereinheilbronn

published by @snoeck_verlagsgesellschaft

Thanks to everyone involved ❤️

Design by CTMS
@ctms.studio (@max_schropp & @christopher.troester)

#davidostrowski by @ctms.studio

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4 months ago