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Madeline Hollander

@mchollander

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Madeline Hollander
Sunrise/Sunset, 2021
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Phares de voiture recyclés, câbles de haut-parleurs et boîtiers de raccordement s/ Recycled car headlights, speaker cables, and junction boxes 290 x 1300 cm
Courtesy Bortolami, New York
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Moteur Imaginaire
commissariat de Cecilia Alemani
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@large.emerige
@mchollander
@ceciliaalemani taken in Large Emerige by @mchollander

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2 days ago

by @mchollander

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a month ago

MADELINE HOLLANDER
𝑷𝒂𝒓𝒂𝒍𝒍𝒆𝒍 𝑫𝒊𝒂𝒈𝒐𝒏𝒂𝒍𝒔

Madeline Hollander's (@mchollander) 𝑷𝒂𝒓𝒂𝒍𝒍𝒆𝒍 𝑫𝒊𝒂𝒈𝒐𝒏𝒂𝒍𝒔, presented at this year's summer festival re-articulated the 45-degree angle embedded (choreographically and compositionally) throughout Robert Wilson and Philip Glass's 𝑬𝒊𝒏𝒔𝒕𝒆𝒊𝒏 𝒐𝒏 𝒕𝒉𝒆 𝑩𝒆𝒂𝒄𝒉. Drawing on the opera's repeating diagonal choreographies and scores, and on the triangles that run through its scenography and original sketches, Hollander takes the motif as a blueprint for new movement trajectories that invert the original axis points: up and down, as opposed to stage right and stage left. Seven performers held a continuous state of ascent and descent, putting into motion the tension between Einstein's four-dimensional spacetime and quantum nonlocality, the theory that unsettles it.

Performed by: Morgan Amirah (@morganamirah), Antuan Byers (@antuanbyers), Evelyn Dugan (@evelyndugan_), Marieles Garcia, Salma Kiuhan (@sa1mita), Cori Kresge (@corikresge), and Marius Chemin.

Co-curated by Noah Khoshbin and Sasha Okshteyn (@sashaoksh). Produced by Sasha Okshteyn.

Photos by Maria Baranova (@photo_by_baranova) + Chloé Bellemère (@chloeblm) by @mchollander

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a month ago

Working with Madeline Hollander @mchollander on this new dance commission for The Watermill Center was a dream. ⚡️🔦Madeline was invited to reimagine Robert Wilson’s seminal work “Einstein on the Beach” for its 50th anniversary since premiering in 1976.

“Parallel Diagonals” presents a dimensional re-articulation of the iconic 45-degree angles embedded, both choreographically and compositionally, throughout Wilson’s “Einstein on the Beach.”

The piece draws inspiration from Wilson’s and Lucinda Childs’ repeating diagonal choreographies and scores, as well as use of triangles within the operas scenography and original sketches. Hollander uses this motif as a blueprint for constructing new movement trajectories that invert the original axis points: moving up and down, as opposed to stage right and stage left.

Parallel Diagonals features six performers in a continuous state of ascent and descent - exploring, through movement, the ongoing tensions between spacial relativity, Einstein’s introduction of 4D spacetime, and its defying theorem, quantum non locality.

Performed by Morgan Amirah, Antuan Byers, Evelyn Dugan, Marieles Garcia, Salma Kiuhan, Cori Kresge & Marius Chemin
Scenic Design: Flavio Pezotti
Costume Design: Flavia Ruggeri
Sound Design: Thorsten Hoppe

Supported by Dance Reflections by Van Cleef & Arpels

Photos by Chloé Bellemère, Maria Baranova, BFA taken in The Watermill Center by @mchollander

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2 months ago

MADELINE HOLLANDER

For this year's festival, Madeline Hollander will present 𝘗𝘢𝘳𝘢𝘭𝘭𝘦𝘭 𝘋𝘪𝘢𝘨𝘰𝘯𝘢𝘭𝘴, a dimensional re-articulation of the iconic 45-degree angles embedded, both choreographically and compositionally, throughout Robert Wilson's 𝘌𝘪𝘯𝘴𝘵𝘦𝘪𝘯 𝘰𝘯 𝘵𝘩𝘦 𝘉𝘦𝘢𝘤𝘩. Drawing inspiration from Robert Wilson and Lucinda Childs' repeating diagonal choreographies and scores, as well as the triangles embedded in the opera's scenography and original sketches, Hollander uses this motif as a blueprint for constructing new movement trajectories that invert original axis points: moving up and down, as opposed to stage right and stage left.

𝑳𝑰𝑴𝑰𝑻𝑳𝑬𝑺𝑺 𝑻𝑰𝑴𝑬
𝐓𝐇𝐄 𝐒𝐔𝐌𝐌𝐄𝐑 𝐅𝐄𝐒𝐓𝐈𝐕𝐀𝐋

𝐏𝐫𝐞𝐬𝐞𝐧𝐭𝐞𝐝 𝐛𝐲 𝐕𝐚𝐧 𝐂𝐥𝐞𝐞𝐟 & 𝐀𝐫𝐩𝐞𝐥𝐬
𝐂𝐞𝐥𝐞𝐛𝐫𝐚𝐭𝐢𝐧𝐠 𝐑𝐨𝐛𝐞𝐫𝐭 𝐖𝐢𝐥𝐬𝐨𝐧

ARTIST DINNER, JULY 24 – 7:00pm
THE FESTIVAL, JULY 25 – 6:00pm

🔗 LINK IN BIO FOR TICKETS
📐 📐 📐 by @mchollander

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3 months ago

🚦🚗 Traffic inside the museum? Wait, what?

This wall of headlights and taillights isn’t just a light show. It’s a visualization of a complex system of code created by artist Madeline Hollander (@mchollander), translating data from a busy New York City intersection into light. When the traffic light turns green, the headlights flash. When it turns red, the taillights turn on. Look out for a mesmerizing rush hour.

Closes August 2, 2026.

“Run The Code: Data-Driven Art Decoded by Thoma Foundation X Blanton Museum of Art” is organized by the Carl & Marilynn Thoma Foundation in collaboration with the Blanton Museum of Art.

Support for this exhibition is provided in part by J. P. Morgan Private Bank.
#artandtechnology #digitalsculpture #digitalart taken in The Blanton Museum of Art by @mchollander

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3 months ago

Excited to announce the US premiere of “Manège” at Lincoln Center for the Movement on Film: Athletic Shorts series running July 15 - 17. 🦵 ⚽️ 🏟️
“Manège” presents a choreography composed of 3000 still images inspired by iconic “action shots” and sports photography taken at the Stade De France from 1998 to present. “Manège” premiered at La Ville le Dansée in Paris on June 8th, 2024. The film features the unstoppable performers, @katiegaydos @elowah and @marissajbrown with an original score by @ceellliiiia, and costumes by Clara Blanchard
Editor and producer: @jacklynzhaklin
Cinematographer: @thomasbremond_
❤️❤️❤️ taken in Lincoln Center New York by @mchollander

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3 months ago

Art stays winning in Asbury Park. 🌍⚽

The city was selected as the only Jersey Shore community to host a sculpture for ‘The Art of the Game’, a massive public art program celebrating FIFA World Cup 2026.

Asbury Park’s sculpture, named ‘Rebus’, was created by New York-based multidisciplinary artist Madeline Hollander (@mchollander), whose work has shown at the Whitney Biennial and the Centre Pompidou. It’s on view now outside the Asbury Park Transportation Center on Main Street, free and open to the public through August.

#AsburyPark #LiveAsburyPark #WorldCup2026 #ArtOfTheGame #FIFA2026 taken in Asbury Park, New Jersey by @mchollander

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4 months ago

Deeply grateful for the opportunity to collaborate with the brilliant choreographer Madeline Hollander and the amazing dancer Shu Kinouchi for the Berio project. A beautiful collaboration brought to life by the Ojai Music Festival and L.A. Dance Project. ✨ taken in Ojai, California by @mchollander

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4 months ago

The Los Angeles Times highlights City of Dance, L.A. Dance Project’s month‑long series of free performances activating public spaces across Los Angeles this June.

See the full story at the link in our bio.

City of Dance proposes a simple idea: to take dance out of the theater and into the shared spaces of civic life. Set to Philip Glass’s score for Koyaanisqatsi, five choreographers — Dimitri Chamblas, Madeline Hollander, Benjamin Millepied, Jamar Roberts, and Pam Tanowitz — each respond to a section of the music, creating a unified work that reflects on technology, modern life, and a world out of balance.

Century Park
June 2–4, 12:30 PM

Marciano Art Foundation*
June 4, 6:30 PM

Grand Avenue Takeover
June 5, 12:30pm

Hollyhock House at Barnsdall Art Park*
June 6, 4:00 PM
June 20, 11:00 AM

Tongva Park, Downtown Santa Monica*
June 7, 4:00 PM

Stearns Wharf, Santa Barbara
June 16, 3:00PM

Hollywood Forever
June 17, 7:00 PM

Gloria Molina Grand Park at The Music Center*
June 18, 12:00 PM

LACMA
June 21, 3:00 PM

*post performance discussion panel

ASL interpreter at Tongva Park June 7 + LACMA June 21 —Mona Jean Cedar
Live Audio Description at Grand Avenue Takeover June 5 — Audio Eyes

L.A. Dance Project and Paris Dance Project present the U.S. premiere of City of Dance in 2026.

L.A. Dance Project presents this new edition with a newly commissioned section, with foundational support from Dance Reflections by Van Cleef & Arpels.

City of Dance was originally commissioned as La Ville Dansée by Paris Dance Project in 2025, with support from CHANEL and Richard Mille, who continue to support Paris Dance Project’s artistic initiatives.

@steven.varg @latimes @latimes_entertainment
@benjaminmillepied @mchollander @dimitrichamblas @jamarrobertsofficial @pamtanowitzdanceofficial
@parisdanceproject @sduhays @tear27

@centurypark_cc @marcianoartfoundation @colburn.dance @colburnschool @hollyhockhouse @cityofsantamonica @stearnswharf @hwdforever @grandpark_la @lacma @barnsdallfoundation by @mchollander

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4 months ago

In Finitum ♾️ with @mchollander is on view for two more weeks, through April 24 at Windward School ✨ taken in Windward School by @mchollander

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6 months ago

ARCH EDITIONS Available Online at: www.archworkshop.org

ARCH is proud to launch ARCH EDITIONS, a new initiative developed in collaboration with artists who have worked with us over the years. This endeavor celebrates our community and reflects our commitment to fostering lasting relationships while strengthening the artistic ecosystem we are honored to be part of.

Participant artists: Aliki Panagiotopoulou, Anna Lea Hucht, Athanasios Argianas, Joanna Piotrowska, Konstantinos Giotis, Lena Henke, Madeline Hollander, Patricia Treib, Polys Peslikas, Rowena Hughes, Tula Plumi, Yu Nishimura.

Madeline Hollander
Constellation Calendar, 2026
Prints on X-PER Premium White paper, 140gsm
folded, 27 x 21 x 5 cm (approx.)
unfolded , 27 x 16,8 cm
Edition of 20, +2 APs
Artwork © Madeline Hollander (2026) Courtesy the artist

Madeline Hollander (b. 1986, California), lives and works between New York City and Los Angeles.

Madeline Hollander continues her search for patterns of perpetual motion in oft-imperceptible realms, from the materials and phenomena of nanoscience to the cosmos. Looping events are, for Hollander, sites which illustrate the psychological ambiguities of rhythm—teetering between sameness and difference, objectivity and subjectivity.

These 70 watercolors correspond to the International Astronomical Union (IAU)’s officially recognized constellations that are seen from the Norther Hemisphere throughout the calendar year. Rather than follow the arbitrary and accepted patterns drawn up by astronomers, which flatten each star onto a single plane, Hollander has created a celestial route in three-dimensions, moving from closest to farthest star, demarcated by map pins. These watercolors, representing each constellation, have been organized by month, functioning as a perpetual calendar of the night sky over the course of a year.

Ph: @stathis.mamalakis by @mchollander

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7 months ago