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Monitor Yin Yang

@monitoryinyang

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Pabellón Argentino 🇦🇷
61 Biennale di Venezia @labiennale
Matías Duville. Monitor Yin Yang
Curadora: Josefina Barcia
—— 09.05 — 22.11.2026
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The 10 Best National Pavilions at the 2026 Venice Biennale via @artsy The Argentinian Pavilion 🇦🇷🙌🏻 Upon arriving at the Argentine pavilion, visitors are told to stay on the white paths. Inside, that instruction immediately makes sense: The entryway opens into a dark, almost cinematic environment where a field of snow-white salt undulates across the floor, marked with drawings in black charcoal. @matiasduville @josebarcia @culturalesarg @cancilleria_ar #BiennaleArte2026 #MatiasDuville #MonitorYinYang #ArgentinePavilion2026 by @monitoryinyang
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5 months ago
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“When I think about salt, I think about the slowness of geological time, the ocean, permanence. I’ve created a huge salt bed for the show, and I’ve spread charcoal dust over it. Charcoal possesses an oppositional valence: It’s energy, combustion—it symbolizes a different way of understanding time.” —— Matías Duville vía @artforum 📷 @g.i.a.c.o.m.o.b.i.a.n.c.o @matiasduville @josebarcia #BiennaleArte2026 #MatiasDuville #MonitorYinYang #ArgentinePavilion2026 by @monitoryinyang
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5 months ago
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Matías Duville: Monitor Yin Yang vía @e_flux The Argentine Pavilion at the 61st International Venice Biennale presents Monitor Yin Yang, a site-specific installation by artist Matías Duville (Buenos Aires, 1974) curated by Josefina Barcia. The project transforms the pavilion into a traversable landscape constructed from salt and charcoal, expanding drawing—one of the central languages in Duville’s practice—into a spatial, sonic, and performative environment. Conceived as an immersive installation, Monitor Yin Yang proposes an open cartography that does not represent a specific place but unfolds as a territory activated by movement. Visitors traverse a fragile landscape where materials, sound, and time interact, producing a shifting field of perception. 🔗 Full announcement in bio Ph: @estrella_herrera__ Courtesy Galería Barro @culturalesarg @culturalesarg #BiennaleArte2026 #MatiasDuville #MonitorYinYang #ArgentinePavilion2026 by @monitoryinyang
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5 months ago
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📸 Postcards from the launch of “Monitor Yin Yang” at @printedmatterinc New York, with Matías Duville, curator Josefina Barcia, and Michel Nieva joining remotely—on the monitor. Thanks to Printed Matter and everyone who joined us! 🙌🏻🙌🏻 @matiasduville @josefinabarcia @micheltinieblas @barro_cc #MatiasDuville #MonitorYinYang #ArgentinePavilion2026 by @monitoryinyang
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5 days ago
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Tomorrow! 🖤🤍 Matías Duville: Monitor Yin Yang Book Launch and Conversation at @printedmatterinc With Matías Duville, Michel Nieva, and Josefina Barcia 📍Printed Matter, 231 11th Ave, New York October 7, 6–8 PM Free and open to all 🧭 Credits Concept, editing, and design: Leo Chiappa, Gustavo Eandi, Mario Gemin Texts: Josefina Barcia, Michel Nieva Text Editing: Miguel Rosetti Layout: Verónica Colombo Production: Augusto Maurandi Printing: Grafiche Veneziane Società Cooperativa @matiasduville @josefinabarcia @micheltinieblas @mariogemin @mvcolombo @agomau @grafiche_veneziane @barro_cc #MatiasDuville #MonitorYinYang by @monitoryinyang
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8 days ago
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SAVE THE DATE 📖 October 7, 6–8 PM Join us at Printed Matter, New York, for the launch and conversation of Monitor Yin Yang, the book by Matías Duville, published on the occasion of the Argentine Pavilion at the 61st International Art Exhibition of La Biennale di Venezia. Independently published, Monitor Yin Yang is a 216-page trilingual edition (Spanish / English / Italian), conceived as a travel guide. The publication brings together essays by writer Michel Nieva and curator Josefina Barcia, 50 drawings, a photographic album by Duville based on his travels, and a fold-out drawing that functions as a map of the pavilion—extending the experience of the work into an editorial form. 📍 Printed Matter
231 11th Avenue, NY 
🗓️ October 7, 6–8 pm Free and open to public 🗣️ Matias Duville will be in conversation with Michel Nieva and Josefina Barcia. #MatiasDuville #MonitorYinYang #VeniceBiennale #ArgentinePavilion2026 by @monitoryinyang
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18 days ago
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#BiennaleArte2026 Repost @labiennale Partecipazioni Nazionali | Argentina 🇦🇷 MONITOR YIN YANG è il primo disegno di Matías Duville realizzato su scala monumentale con sale e carbone. Pensata come opera interdisciplinare, l’installazione integra video, suono, intervento installativo e disegno su larga scala. Il lavoro indaga un paradosso del nostro tempo: uno scenario apocalittico in cui il futuro a lungo temuto è già arrivato e, tuttavia, la capacità umana di percepire la vita e la bellezza nella tragedia persiste. In questo presente frammentato, l’opera di Duville si configura come un territorio sorvegliato, in cui il disegno diventa una mappa temporanea di orientamento, più ambiente immersivo che oggetto autonomo. Visita il Padiglione Argentina all’Arsenale fino al 22 novembre! Scopri di più su #InMinorKeys e acquista il biglietto → www.labiennale.org —— National Participations | Argentina @monitoryinyang is @matiasduville’s first monumental-scale drawing made of salt and charcoal. It is conceived as an interdisciplinary work that brings together video, installation, sound and expansive drawing. The piece explores a paradox of our time: an apocalyptic scenario in which the future we have long feared has already arrived and yet the human ability to perceive life and beauty in the midst of tragedy remains. In this fractured present, the work of Matías Duville is presented as a surveilled territory, in which drawing is a temporary chart we can use to navigate through it, more as a complete environment than an autonomous object. Visit the Argentina Pavilion at the Arsenale until November 22! Find out more about #InMinorKeys and buy your tickets → www.labiennale.org #LaBiennaleDiVenezia #BiennaleArte i @evva.mielczarek @altomare.studio by @monitoryinyang
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a month ago
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#BiennaleArte2026 Partecipazioni Nazionali | Argentina MONITOR YIN YANG è il primo disegno di Matías Duville realizzato su scala monumentale con sale e carbone. Pensata come opera interdisciplinare, l’installazione integra video, suono, intervento installativo e disegno su larga scala. Il lavoro indaga un paradosso del nostro tempo: uno scenario apocalittico in cui il futuro a lungo temuto è già arrivato e, tuttavia, la capacità umana di percepire la vita e la bellezza nella tragedia persiste. In questo presente frammentato, l’opera di Duville si configura come un territorio sorvegliato, in cui il disegno diventa una mappa temporanea di orientamento, più ambiente immersivo che oggetto autonomo. Visita il Padiglione Argentina all’Arsenale fino al 22 novembre! Scopri di più su #InMinorKeys e acquista il biglietto → www.labiennale.org - link in bio --- National Participations | Argentina @monitoryinyang is @matiasduville’s first monumental-scale drawing made of salt and charcoal. It is conceived as an interdisciplinary work that brings together video, installation, sound and expansive drawing. The piece explores a paradox of our time: an apocalyptic scenario in which the future we have long feared has already arrived and yet the human ability to perceive life and beauty in the midst of tragedy remains. In this fractured present, the work of Matías Duville is presented as a surveilled territory, in which drawing is a temporary chart we can use to navigate through it, more as a complete environment than an autonomous object. Visit the Argentina Pavilion at the Arsenale until November 22! Find out more about #InMinorKeys and buy your tickets → www.labiennale.org - link in bio #LaBiennaleDiVenezia #BiennaleArte 📹 @evva.mielczarek (@altomare.studio) by @monitoryinyang
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a month ago
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Repost @bienalsaopaulo 🤍🖤 Matías Duville cobriu o Pavilhão da Argentina com sal e pó de carvão vegetal na #BiennaleArte2026. Saiba mais sobre a instalação ‘Monitor Yin Yang’, em cartaz até novembro de 2026 em Veneza. Matías Duville / Fotos: Giacomo Bianco. #MatiasDuville #MonitorYinYang @matiasduville by @monitoryinyang
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3 months ago
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15.07.2026 “Y ahora llegamos, y es momento de que formulen su pregunta. Formulen una ya mismo, porque yo ya conozco la respuesta.” — Michel Nieva “Guía práctica para el visitante del salar de la previda”, en el libro Monitor Yin Yang 🇦🇷☀️🇦🇷 @matiasduville @micheltinieblas #BiennaleArte2026 #MatiasDuville #MonitorYinYang #ArgentinePavilion2026 #Argentina by @monitoryinyang
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3 months ago
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📹 ¿Quién observa desde ese puesto de control? ¿Cuál es su función y su relación con el espacio? ¿Debería inquietarnos o protegernos? Al configurarse como un terreno común donde representación, tránsito y vigilancia coexisten, Monitor Yin Yang establece un espacio de convivencia y fricción. Una experiencia que oscila entre lo íntimo y lo colectivo, entre el desecho y la energía, entre la ruina y la promesa. Ph: @g.i.a.c.o.m.o.b.i.a.n.c.o @matiasduville @josebarcia #BiennaleArte2026 #MatiasDuville #MonitorYinYang #ArgentinePavilion2026 by @monitoryinyang
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3 months ago
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Un dibujo monumental de Matías Duville, realizado con sal y carbón vegetal, se despliega en el Pabellón Argentino como un paisaje abierto. Concebida como un proyecto interdisciplinario, la obra se expande hacia una experiencia espacial, sonora y performática, activada por el desplazamiento de los visitantes. Curaduría: Josefina Barcia. ——> Los esperamos en el Arsenale hasta el 22 de noviembre 🇦🇷 🇦🇷 🇦🇷 🗝️ Colaboradores ➖Sonido original Pablo y Matias Duville (Centolla Society) ➖Instalación sonora Alessandro Fiordelmondo y Alvise Vidolin Centro Di Sonologia Computazionale, Università Di Padova ➖Diseño de iluminación Sergio Lacroix ➖Video Gustavo Eandi, Lucas Bresler Batto (Carniceria Sintética) y Juan Pinkus 📹 @furioganz Cortesía @barro_cc @matiasduville @josebarcia @pablo_duville @gustavo.eandi @carniceria.sintetica @lcxbsas #BiennaleArte2026 #MatiasDuville #MonitorYinYang by @monitoryinyang
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4 months ago
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