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Jayda Wilson

@nativenectar__

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tracing through memory, (re)membering. by @nativenectar__

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19 days ago

microdosing hell but at least there’s a shared dinner by @nativenectar__

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a month ago

FEDANDFEEDING by @nativenectar__

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2 months ago

Yessir 🫡 by @nativenectar__

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2 months ago

Tintype photograph by @jamesptylor

An extra taken during the powerful series of portraits by @jamesptylor and @damienshen as part of CIPX Kaurna Miyurna (Critical Indigenous Photographic Exchange with the Kaurna Community) co curated by sissy @tarkari.art and @curatorscocktail

Are you engaging with local the local Kaurna community and storytelling????? by @nativenectar__

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2 months ago

tastes like, 2026 for Not at the Table

Not at the Table is deliberately undomesticated. The works on placemats reject the idea of ‘a seat at the table’ and questions what it means to seek place on stolen land. The counter-invitations from indigenous, and racialised artists and writers unsettle white ethnocentric assumptions around belonging, access, and guest-host relations in the colony.

@alicemccool and @yusufalihayat thank you for having me 🫶🏼
Not at the Table is showing until August 14 @suitesevena by @nativenectar__

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3 months ago

at 145bpm by @nativenectar__

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3 months ago

Jayda Wilson is a Gugada and Wirangu artist with Thai ancestry. Their practice focuses on the (re)telling, (re)memory and (re)archiving of their family history often told through poetics, sound and family archives.

Wilson explains, “‘(un)silenced’ (re)imagines the experiences of Nana not learning Gugada and Wirangu Wangga with my journey to (re)claiming, and the acts of speaking language on Country.’”

‘(un)silenced’ is featured in ‘Slow Read’, which continues until Saturday 25 July. ‘Slow Read’ draws our attention to the printed page and to quiet, deliberate acts of looking and reading. Free entry.

@jyduhh

Images: Installation view, ‘Slow Read’, Town Hall Gallery, 2026. Photo by Christian Capurro. Pictured is artwork by Jayda Wilson. A wall display featuring multiple pages of text
arranged in a grid, illuminated by focused lighting. by @nativenectar__

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4 months ago

Thank you to everyone who came along to the opening of blak & (un)bothered and Monsters by @edwinharrisfaull_artist. The support is heartwarming.

A big thank you to @pop_gallerystudios for the invitation, @alexislookswest for the staunch catalogue essay, @ali_gumillya for letting me rummage through your racist text collection, @dominiceliseo for moments to let me brainstorm out loud and install, @stellaburgoyneahkit for offering to take photograph in film and everyone who heard me stress out about it 🫶🏼

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blak & (un)bothered: you can hear it, smell it, taste it, feel it, see it.
colonisation is a sensual experience, a sensory archive of interruption all wrapped up in green and gold (aussie, aussie, aussie, oi, oi, oi).

(un)bothered: the middle finger to colonisation - Alexis West

Monsters // blak & (un)bothered is open till June 6 @pop_gallerystudios 📸 @rosinapossingham by @nativenectar__

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5 months ago

all in by @nativenectar__

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5 months ago

wiyana-gudhara Wirangu manda-nga mirn-dha nyirn-na by @nativenectar__

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5 months ago

blak & (un)bothered: you can hear it, smell it, taste it, feel it, see it.
colonisation is a sensual experience, a sensory archive of interruption all wrapped up in green and gold (aussie aussie aussie, oi oi oi)

Opening May 3 @pop_gallerystudios 3-5pm with @edwinharrisfaull_artist by @nativenectar__

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6 months ago