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Nick Olney

@nickolney

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by @nickolney

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2 months ago

by @nickolney

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2 months ago

Ali Banisadr: Temple of the Mind

@simorgh3
@buffaloakgartmuseum by @nickolney

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4 months ago

Circular movement ... taken in Sabino 336 by @nickolney

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4 months ago

by @nickolney

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5 months ago

Clay columns at @bellaoaksvineyard , by @nickolney

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6 months ago

Muito obrigado Nick,Eric ,que com toda equipe técnica por toda sinergia e idiossincrasias que tornaram este projeto possível...
Este foi um início de um processo de cooperação ,gradual e salutar para ambas as partes... by @nickolney

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6 months ago

Cynthia Daignault: Denali

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On view through March 28

@cynthia_daignault
@olneygleason

A meditation on the enduring power of painting to represent the world we live in and as a potent medium for Conceptual Art. by @nickolney

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7 months ago

Now open
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Izumi Kato
Meridiano, Puerto Escondido
January 30 — June, 2026
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Meridiano is pleased to present a new group of painted sculptures by Izumi Kato that expand upon the artist’s ongoing exploration of the natural world and the human experience.

Kato approaches sculpture, painting, and installation not as fixed categories but as interrelated modes of inquiry. Each work is presented in direct dialogue with its surroundings, activating the unique architecture of Meridiano’s open-air spaces.

Kato’s artistic language is grounded in the act of making and the articulation of the dynamic interplay of material, process, and image. Forms are reduced to their essentials, surfaces are painted by hand, and underlying structures are often revealed rather than concealed. Throughout his practice, canvases find new ways to extend beyond the single rectangle, supports are made visible, and stitches are left exposed. These gestures play upon conventions of display, allowing structure and intuitive expression to exist in constant conversation.

The four new works exhibited at Meridiano have developed out of the artist’s numerous visits to the coast of Oaxaca. For Kato, this area has been a place of exploration, friendship, respite, and inspiration. Its location along a narrow strip of desert between the mountains and the sea resonates with the elemental power of his art.
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Photo: Alejandro Ramirez Orozco
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Courtesy of the artist, Meridiano, and Perrotin 2026 © Izumi Kato taken in Puerto Escondido, Oaxaca by @nickolney

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8 months ago

Just as Puerto Escondido fades into the rearview mirror, the road north along Oaxaca’s coast turns to dirt. After miles of farms, mangroves, and lagoons, you arrive at a stretch locals sometimes call Punta Altares—now a quiet mini-mecca for global contemporary art and design.

Here, a diverse circle of friends—including @nickolney, @studioboscosodi, borisvervoordt hotelier @moisesmicha—has created a destination that blends architecture, landscape, and creative exchange.

Micha’s Hotel Terrestre, designed with Alberto Kalach, anchors the area. “It has become a place where artists and even we, as gallerists, can reset,” Nick Olney says.

At the link in bio, @laura_van_straaten speaks with the collective shaping a growing cultural ecosystem on Oaxaca’s coast.

Find the full New Creative Class in our December 2025/January 2026 issue of Town & Country (on newsstands 12/9). by @nickolney

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10 months ago

Ali Banisadr: Noble/Savage
@simorgh3
@olneygleason by @nickolney

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a year ago

@almaallen @kasmingallery @nycparks @fundforparkavenue

📷 @charlierubin by @nickolney

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a year ago