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Galleri Nicolai Wallner

@nicolaiwallner

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A leading contemporary art gallery, representing Nordic and International artists I Est. 1993
Opening hours:
Tue - Fri: 11-17
Sat: 11-15

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Anna Munk⁠
Lux Interior, (2024)⁠
Oil and wax on canvas⁠
140 x 180 cm, framed⁠
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On show in the exhibition 'Kunst på bordet!' (Art on the table!) at Art Museum Brandts in Odense, Denmark. The museum's major historical exhibition deals directly with the still life, from the 17th century to contemporary interpretations.⁠
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@anna__munk by @nicolaiwallner

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12 hours ago

Jose Dávila⁠
'Despite its strength the backbone can be bent like a bamboo stick', (2019⁠)⁠
Concrete, boulder, and ratchet strap⁠
202.4 x 68 x 46 cm⁠
Unique⁠
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@josedavila by @nicolaiwallner

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4 days ago

David Shrigley⁠
Untitled (Six huge slices of cake), (2026⁠)⁠
Acrylic on paper⁠
112 x 75 cm⁠
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@davidshrigley by @nicolaiwallner

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5 days ago

Jeppe Hein ⁠
Fragmented Circle, (2018) ⁠
High polished stainless steel and aluminium ⁠
210 x 105 x 105 cm⁠
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@jeppehein by @nicolaiwallner

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6 days ago

Cornelia Baltes⁠
Lan, (2026⁠)
Acrylic on canvas⁠
160 x 120 cm⁠
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On view now in her solo exhibition 'The Moon, Slightly Late' at Galleri Nicolai Wallner. ⁠
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@corneliabaltes by @nicolaiwallner

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7 days ago

In the most recent edition of Dance Forum (South Korea), Kim Hyemi considers contemporary works that engage with the body and movement, namely Corporéalités' (2020) by Jesper Just, raising questions about the coupling of body and technology as well as issues of subjectivity that dance and media art might explore together. The essay titled "The Mobilized Body, the Still Body" (동원되는 몸, 정지하는 몸) is available to read in Korean or English – link in bio. ⁠
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Jesper Just⁠
Corporealités, (2020)⁠
LED panels, multi channel video, sound, steel, and cement⁠
95 x 350 x 158.8 cm | Duration: 00:06:11⁠
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@jesperjust by @nicolaiwallner

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8 days ago

Opening tonight, October 9 – 'The Moon, Slightly Late', a solo exhibition by the Berlin-based artist Cornelia Baltes.⁠
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@corneliabaltes⁠
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In her third solo exhibition at Galleri Nicolai Wallner, Baltes presents a series of new paintings in her highly technically refined approach. ⁠
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Her playful images come from an extensive process of looking and thinking, pondering and turning over, images flipped around, turned inside out and upside down over and over again. The apparent easiness of Baltes' works is a performance of the painting, a black box of innumerable layers and perfected techniques. This effortful irony works to illustrate the act of seeing itself – a process rarely as straightforward as it feels. The eye scans, the mind fills in what is missing, and memory and expectation shape what we take to be in front of us. Her paintings make a play on this process, interrupting its easy flow. Remembered fragments of her surroundings are pared back and enlarged until they tip between the recognisable and the abstract, the particular and the metaphorical. Reducing an image to its essentials sharpens our attention rather than diminishing it.⁠
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To read more, find the link in bio. ⁠
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Join us for the opening tonight, 17.00–19.00. Everyone is welcome. by @nicolaiwallner

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10 days ago

Anna Kristine Hvid Petersen⁠
På strå, (2026)⁠
Oil on canvas mounted on wooden plate⁠
50 x 60 cm⁠
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This work, among other new paintings by Hvid Petersen will be on show in the exhibition 'Kunst på bordet!' (Art on the table!) at Art Museum Brandts in Odense, Denmark opening this weekend. The museum's major historical exhibition deals directly with the still life, from the 17th century to contemporary interpretations.⁠
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@annakristinehvid⁠
@kunstmuseum_brandts by @nicolaiwallner

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12 days ago

Julie Falk⁠
E.E. purple, (2026)⁠
Cardboard, fiberglass, resin, paint ⁠
30 x 360 x 30 cm each⁠
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On view in the exhibition ‘Nervetråde’ (Nerve Fibers) at Den Frie Udstillingsbygning in Copenhagen until November 1st. ⁠
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Photo: Malle Madsen⁠
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@yuliefalk
@denfrie.cph by @nicolaiwallner

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13 days ago

J.G.Arvidsson⁠
Yours to Keep, (2023⁠)⁠
Mixed media on carved wooden plates⁠
70 x 70 x 4 cm⁠
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@j.g.arvidsson by @nicolaiwallner

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15 days ago

Carola Grahn’s new work ‘Joejkeledtie’ (Joik bird)(2026), inaugurated last month outside of the Gaaltije Sami Museum in Staare/Östersund, Sweden.⁠
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@lagrahn⁠
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This work in bronze is also a sound sculpture that features fourteen joik recordings from *Åarjelsaepmie* (the South Sámi region). The joiks are drawn from Karl Tirén’s music archive, which was designated a UNESCO Memory of the World in 2025.⁠
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Sound on to hear a portion of the recording!⁠
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Credits⁠
Song: Till brunstoxar ⁠
Album: Sáme jine / Sámi Voices, Karl Tirén’s Phonographic Recordings 1913–1915⁠
Compiled onto Spotify by Sigrid Bergmark⁠
Photos: Henrik ljusberg⁠ by @nicolaiwallner

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16 days ago

David Shrigley⁠
Egg (12), (2011)⁠
Glazed ceramic⁠
46 cm tall⁠
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@davidshrigley by @nicolaiwallner

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19 days ago