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Nina Rieben

@ninuccia

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Until oct 13 @numanohashi | Sept-Nov 26 in Japan, Travel Grant @kultur_kantonbern
working w. @divergenx.fun

POSTS STORIES REELS TAGGED

“until the title becomes clear
until the next reason to be until the message is sent
until the store is closed
until the next event
until the bus arrives
until time goes by
until the rent is paid
until we wake
until progress
until the break
until the end
until the start
until things make sense
until the tasks are done
until the next question
until we belong
until”
@ninuccia, 100×135×4cm, Pencil on cotton, wood, metal, 2026
“FestaRita 2026”, Group show, @rita_residenza, Turbigo, IT, 2026, ©Nina Rieben/Rita
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For “FestaRita 2026”, several spaces were invited to propose artists working with textiles. DivergenX proposed Nina Rieben’s work, with the piece “until the title becomes clear”, created for the occasion. The piece, a kind of delicate, handmade blind hung indoors between two windows, protects neither from the rain nor from the sun. Its title is conceived as a poem. A reflection on the temporality of certain tasks or goals, until their completion—or not.
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Pour “FestaRita 2026”, plusieurs espaces ont été invités à proposer des artistes travaillant avec du textile. DivergenX a proposé le travail de Nina Rieben, avec l’œuvre “until the title becomes clear”, créée pour l’occasion. La pièce, une sorte de store délicat, fait main et accroché en intérieur entre deux fenêtres, ne protège ni de la pluie, ni du soleil. Son titre est conçu comme un poème. Une réflexion sur la temporalité de certaines tâches ou objectifs, jusqu’à leur achèvement, ou non. taken in Turbigo by @ninuccia

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2 months ago

NINA RIEBEN
@ninuccia
•
“A thought on a paper
rolled to a cigarette
an incoming call
on a smartphone in flight mode
a lovesong shazamed
in the supermarket
a question, a doubt
written with my finger on a wrist“
·
Nina Rieben (*1992, CH) lives and works in Basel and Bern. Fragments of emotions and stories form the artistic starting points of her practice. Her works unfold as anecdotal narratives of states of being, revolving around everyday, interpersonal, melancholic and searching sensibilities within the context of Western modes of thinking and capitalist realities.
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Nina Rieben (*1992, CH) vit et travaille à Bâle et à Berne. Des fragments d’émotions et d’histoires constituent le point de départ artistique de sa pratique. Ses œuvres se déploient comme des récits anecdotiques d’états d’être, gravitant autour de sensibilités quotidiennes, relationnelles, mélancoliques et exploratoires, dans le contexte des modes de pensée occidentaux et des réalités capitalistes. by @ninuccia

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4 months ago

felt sentimental, might erase later, 2024/25
High heels, drawing on sole
(2×) 25 × 12 × 15 cm

Exhibitionview: Deadend 8, curated by @thinking_of Photos: @moritzschermbach. Merci Carla 🩵 by @ninuccia

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4 months ago

DOES IT RING A BELL?
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The installation brings six artists together. Its title, “Does It Ring a Bell?“, refers to an English idiom used to describe the moment when a statement evokes a familiar memory. A manifesto is written to introduce and advocate for the project. It is structured into three distinct sections, which are also the key terms at the core of the research: Norm, Space, Care. Ultimately, the project seeks to (partially) address the research question—utopian perhaps, yet essential: is a space where care is the only norm possible?
w. @yvanalvarez, @reema_nubani, @ninuccia, @anja.rip, @sando.juli_, @jeannetara
At @rca_masterofresearch, @royalcollegeofart, London, UK
May 2026
Photos: @macarena_gross
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DOES IT RING A BELL?
·
L’exposition collective réunit six artistes. Son titre, « Does It Ring A Bell?, » fait référence à un idiome utilisé en anglais pour évoquer le fait qu’une affirmation vient éveiller un souvenir familier. Un manifeste est écrit pour introduire le projet. Il est structuré en trois sections distinctes : Norme, Espace, Soin. Enfin, le projet tente de répondre à la question de recherche, certes utopiste, mais essentielle : est-ce qu’un espace où la seule norme est le soin est possible ?
Avec: Yvan Alvarez, Reema Nubani, Nina Rieben, Anja Ripoll, Juli Sando, Jeanne Tara.
À: RCA MRes, Royal College of Art, Londres, GB
Mai 2026
Photos: ©Macarena Gross
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Captions/Légendes → last slide taken in Royal College of Art by @ninuccia

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4 months ago

„Intention walks“ is an ongoing project, a collection that began with contributions by Leonardo Bürgi, Amélie Bodenmann, Lara Castro, Noa Castro and Margherita Raso. The starting point was the exhibition Instant rumor at Ausstellungsraum Klingental in 2024.

Intention walks
Scans, C-prints
each A3

1 – Nina Rieben, Slipstream

2 – Noa Castro Lema, unha alegría difícil (a wish to carry on my boots for many winters) @noacaslem

3 – Margherita Raso, Flaneur @margherita_raso

4 – Leonardo Bürgi, mis huaraches voladores (my flying sandals) @leonardobuergi

5 – Amélie Bodenmann, Floating with your shoes on my feet trying to understand where you are (time inbetween) @hameliesophie

6 – Lara Castro Lema, Eternamente manan @larcalem

7 – Exhibitionview, Instant Rumor, Ausstellungsraum Klingental, Basel, 2024 @ausstellungsraum_klingental by @ninuccia

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5 months ago

Lange Ärmel für die Intention (essaying fit) 2024/25
Artist‘s garments, appliqués, pins, foam

Exhibitionview:
@acstipendium 2025 @kbcb_kunsthaus_centredart by @ninuccia

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6 months ago

title for a day (sketch), 2025

From the series:
Lange Ärmel für die Intention
Artist‘s garments, appliqués, pins, foam
70 x 60 x 5 cm

Exhibitionview:
AC Stipendium 2025, Kunsthaus Biel KBBC by @ninuccia

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6 months ago

Timing is perfect, 2025

From the series:
Lange Ärmel für die Intention
Artist‘s garments, appliqués, pins, foam
52 x 62 x 5 cm

Exhibitionview:
@acstipendium 2025 @kbcb_kunsthaus_centredart by @ninuccia

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6 months ago

für amour simon #dhl #love
@osomo___ by @ninuccia

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7 months ago

[APERÇU DE L’EXPO]
𝗡𝗶𝗻𝗮 𝗥𝗶𝗲𝗯𝗲𝗻
𝘋𝘦𝘳 𝘒𝘢𝘧𝘧𝘦𝘦 𝘭𝘦𝘦𝘳𝘵 𝘶̈𝘣𝘦𝘳 𝘥𝘢𝘴 𝘛𝘢𝘨𝘦𝘴𝘨𝘦𝘴𝘤𝘩𝘦𝘩𝘦𝘯
𝘷𝘦𝘳𝘴𝘤𝘩𝘸𝘰𝘮𝘮𝘦𝘯𝘦 𝘐𝘯𝘧𝘰𝘳𝘮𝘢𝘵𝘪𝘰𝘯𝘦𝘯 𝘸𝘦𝘳𝘥𝘦𝘯 𝘻𝘶 𝘕𝘢𝘩𝘦𝘳𝘩𝘰𝘭𝘶𝘯𝘨𝘴𝘨𝘦𝘣𝘪𝘦𝘵𝘦𝘯
𝘥𝘦𝘳 𝘔𝘰𝘯𝘥 𝘴𝘤𝘩𝘢𝘶𝘵 𝘴𝘤𝘩𝘰𝘯 𝘭ä𝘯𝘨𝘦𝘳 𝘸𝘰𝘢𝘯𝘥𝘦𝘳𝘴 𝘩𝘪𝘯
𝘶𝘯𝘥 𝘸𝘪𝘳 𝘴𝘪𝘯𝘥 𝘯𝘪𝘤𝘩𝘵 𝘸𝘪𝘦𝘥𝘦𝘳 𝘴𝘰 𝘵𝘳𝘢𝘶𝘮𝘭𝘰𝘴 𝘸𝘪𝘦 𝘨𝘦𝘴𝘵𝘦𝘳𝘯

Poétiques et affutées, les oeuvres de @ninuccia convoquent avec une tendre ironie le souvenir d’émotions, d’histoires et de fantasmes. Entre rêve et réalité,
à la lisière du romantisme et de l’univers glacé du capitalisme, ses pièces convoquent ici la sensation d’un temps trop long, d’une attente immobile.

🎨 Nina Rieben, 𝘚𝘦𝘭𝘦𝘤𝘵𝘪𝘷𝘦 𝘯𝘦𝘸𝘴, 2026, tirages pigmentaires sur papier Hahnemühle, 2 pièces
🎨 Nina Rieben, 𝘋𝘳𝘦𝘢𝘮𝘢𝘥𝘮𝘪𝘯𝘪𝘴𝘵𝘳𝘢𝘵𝘪𝘰𝘯 (𝘋𝘢𝘶𝘦𝘳𝘦𝘯𝘵𝘸𝘶𝘳𝘧), 2026, textile, écriture manuscrite sur papier, listes de tâches, fils, épingles, cadre de chaise

***

📝: @collectif_detente
📷: Nicolas Delaroche Studio
©️ Villa Bernasconi / Ville de Lancy

𝗦𝘁𝗶𝘁𝗰𝗵𝗲𝘀: 𝗔 𝗛𝗮𝘂𝗻𝘁𝗲𝗱 𝗛𝗼𝘂𝘀𝗲 𝗮𝗻𝗱 𝗢𝘁𝗵𝗲𝗿 𝗚𝗵𝗼𝘀𝘁 𝗦𝘁𝗼𝗿𝗶𝗲𝘀
𝘌𝘹𝘱𝘰𝘴𝘪𝘵𝘪𝘰𝘯 𝘤𝘰𝘭𝘭𝘦𝘤𝘵𝘪𝘷𝘦
En écho avec l’architecture de la Villa Bernasconi, la maison devient elle-même un sujet hanté, laissant apparaître les voix et les êtres absents, ces « autres » avec qui nous cohabitons, qui nous suivent ou nous accompagnent.
👉 Exposition du 21 janvier au 22 mars 2026

Horaires d’ouverture:
mercredi - dimanche
14h - 18h taken in Villa Bernasconi Lancy by @ninuccia

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8 months ago

opening next tuesday @villabernasconi 🩶🩶🩶
Stitches: A Haunted House and Other Ghost Stories
Curated by @collectivedetente 🔥

Vernissage tuesday january 20, 18h-21h
Exhibition january 21 - march 22 2026

With works by
Ryan Gander / Vidya Gastaldon, Jean-Michel
Wicker & Serge Comte / Dorota Gawęda
& Eglė Kulbokaitė / Gotscho / Gregory Tara Hari / Sonia Kacem / Léa Katharina Meier / Meret Oppenheim / Benoît Piéron / Nina Rieben / Li Tavor / Sandar Tun Tun / Claire van Lubeek / Latefa Wiersch et un film avec Heidi Bucher

@pony_pride__ @li_wonder @ryanjgander @vidyagastaldon @benoitpieron @sonia_kacem @glovving_fluorescent_brick @gregory_tara_hari @gaweda_kulbokaite @leakatharinameier @gotscho @artpop_insta @snooze_devil by @ninuccia

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9 months ago

Heute erscheint der Gedichtband „Im Gespinst in dem ich wohne“ von Papa Endo Anaconda ❤️

Eine intensive und dichte Zeit geht zu Ende, voller Fragen und Antworten, stundenlangen Gesprächen, endlosen To-Dos und molto molto emozioni.
Ich freue mich so!!!

Endo Anaconda
Im Gespinst in dem ich wohne
2025
Der gesunde Menschenversand @menschenversand  Hrsg. von Martin Bieri, Matthias Burki, Nina Rieben Mit einem Nachwort von Balts Nill Hardcover mit Audio-CD 168 Seiten

Erhältlich via www.menschenversand.ch
Und in den Buchhandlungen!

Wir feiern das Buch mit
Vernissagen / Lesungen, kommt vorbei ❤️
Mo, 13.Oktober @turnhallebern
Fr, 24.Oktober @zuerichliest
Sa, 8.Nocember @literaare
Fr, 5.Dezember @kleintheaterluzern
 Danke, danke, danke
den besten Mitherausgebern: Matthias Burki und Martin Bieri, für eurer Engagement, eure Kompetenz, eure Sorgfalt, eure Geduld

Merci 1000 für die wunderbare Gestaltung & fantastische Zusammenarbeit
@atelierpol @moodwood @ei____chin

Und vielen vielen Dank den vielen weiteren talentierten, klugen, feinen und lieben Menschen, die dieses Projekt durch ihre Arbeit, ihre Gedanken und ihre Unterstützung ermöglicht haben und weiterhin ermöglichen! Merci Boris, Housi, Balts, Ariane, Jürg, Martin, Oli, Simon, Jean-Michel, Dominik, Dominique, Sylvie, Aron, Christoph, Grazia, Gisela, Andres, Steffe, Meret, Joan, woerdz, SRF, Roman,Matthias, Selina, Michelle, Max, Mascha, Nina, David, Christoph, Daniel, Michael, Markus, Joshua, Rosa und vielen mehr ❤️

@borisbern @stalder600 @ariane.v.graffenried @juerghalter @oli_boesch @osomo___ @playdomino @dominiquerieben @sylviewidmer @nick.aron @signorapergoletti @frau_feuz @stefflacheffemusic @woerdz @dr.luedi @lutz_selina @michelle_furer @michaelluisier @max280ff @maschaofra @maschas_mueter @wyss.roman @srfschweizerradioundfernsehen @joanminder by @ninuccia

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a year ago