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Federica Notari

@notajpeg

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research @nieuweinstituut organizer @discoteca.amore @words_offthepage

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when they told us we were moving i started to take a lot of pictures the house by @notajpeg

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5 months ago

On the 23 October, from 19:00–21:00 at OUTLINE (Het Veem, Amsterdam) we're launching Clipping 4: The Politics of Quiet.
Co-edited with ALMARE, this fourth issue of Clipping explores the politics and possibilities of quiet, silence, and listening.
The publication brings together contributions by KMRU @_kamaru_ Martina Raponi, Katía Truijen @katiatruijen , Pedro Oliveira, Jacob Dwyer, Colette Aliman @colettealiman , Lefteris Krysalis @lefteris_krysalis .
The evening will feature a performance by Jacob Dwyer @jacobdwyer106 and readings by contributors.
Come celebrate the launch with us!
Please RSVP by sending an email to: outlineplatform@gmail.com by @notajpeg

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3 days ago

Some impressions of our event back in July for the launch of Clipping 3: Unbound Echo.

A BIG thank you to everyone that joined us and shared an intimate listening moment at @outline.platform

About the publication:

Clipping 3 takes its cue from Unbound Echo, a sonic installation by Aimée Theriot exploring echo as both a material phenomenon and a conceptual method.

Through scores, essays, field notes, poems, mythology, and oral traditions, this issue approaches echo not as repetition, but as transformation—reverberating across sound, memory, technology, architecture, and embodied practice.

Clippings is an initiave of Federica Notari @notajpeg as part of Nieuwe Instituut's research platform Through Sounds.

With contributions by @mucha_mucha_cha @emilefrankel @wangvivian @pelumiadejumo

Edited by Federica Notari, Cleo TSW, Aimée Theriot, Borbála Magdalona Pál

Graphic design @cleotsw @cathucath
Copyediting Callum Dean
Print & bind @nokiss___
Distributed by @jessepresse
Worldwide shippings via @antennebooks

Made possible with the support of @afk020 @stimuleringsfonds @nieuweinstituut

Photos & videos by @kleonikistanich by @notajpeg

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2 months ago

Launch of Clipping 3: Unbound Echo on 21 July at OUTLINE Studio, Amsterdam.

Van Diemenkade, 1013 CR Amsterdam 7:00–9:00 PM

Clipping 3 takes its cue from Unbound Echo, a sonic installation by Aimée Theriot exploring echo as both a material phenomenon and a conceptual method.

Through scores, essays, field notes, mythology, and oral traditions, this issue approaches echo not as repetition, but as transformation—reverberating across sound, memory, technology, architecture, and embodied practice.
The evening will feature readings and a conversation with contributors, followed by a live performance by Aimée Theriot and Vivian Wang.

With contributions by @mucha_mucha_cha @emilefrankel @wangvivian @pelumiadejumo and more.
Designed by @cleotsw @cathucath

Capacity is limited and registration is required.
Email: outlineplatform[at]gmail.com by @notajpeg

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3 months ago

28 MAY 2026
19:00-21:00
📍@nieuweinstituut

Hosted by Through Sounds this Research Night invites ALMARE’s project Near Silence as its point of departure. Curated and produced by ALMARE, Near Silence focuses on quiet rural and semi-rural areas as key sites for listening to the effects of climate change and the loss of soundscapes. Bringing together ALMARE, KMRU @_kamaru_ Katía Truijen @katiatruijen (Loom @loom.ooo ), and Martina Raponi, the evening invites practitioners to reflect on “the politics of quiet,” asking how sound might indicate the health of more-than-human environments, what interventions are possible within human-dominated soundscapes, and how “noise” and “silence” are socially constructed.

Through Sounds is a research project at Nieuwe Instituut that explores how and where we listen to music, whether in physical spaces such as concert halls or in virtual spaces such as streaming platforms. Near Silence and the event Near Silence: The Politics of Quiet are supported by @fondazionecompagniadisanpaolo within the grant “Starter”. The event Near Silence: The Politics of Quiet is supported by Istituto Italiano di Cultura, Amsterdam @iicamsterdam . taken in Nieuwe Instituut by @notajpeg

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5 months ago

a few conversations at rewire next week

Fragile Minutes with artists @___pet___ @jenniferwalton.co.uk , and @malib9

Machine Listening with Steve Goodman @kode9

And book launch with a throw back conversation with @cisbdegendt @torvs @annamosza @lilianechlela @hungernet and many more amazing contributions

thanks @katiatruijen for the invitation and curation as always amazing context program by @notajpeg

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7 months ago

❣️In 2025, Through Sounds and -1 joined forces to organise two encounters in which Federica Notari (@notajpeg) together with several guest speakers, explored the role of sound in identity formation and the forms of presence and participation that emerge as the boundaries between online and offline realms increasingly collapse.

We would be delighted to welcome you again on March 19, for an evening of sonic performances and conversations, in which we reflect on music’s long-standing role as a testing ground for technological change. 🎛️ We invite you to listen, reflect and engage with invited speakers Edoardi Biscossi @edoardotcom, Luca Bruls @ukelulu1.0 and Lynnée Denise Bonner @lynneedenise

💿 Through Sounds is a research project led by Federica Notari exploring how and where we listen- whether in physical spaces like concert halls, raves, or city streets, or virtual ones like CDs, MP3s, and streaming platforms. From file sharing to streaming as music circulates, the boundaries between online and offline blur into a new, mixed reality.

Previous speakers:
@lynnnnnnnnnnnnnnnnn1
@_benjamimfurtado
@fru_tto
@451_232
@slutty_urbanist
@taxreform

💗 Song: monsoon (nts 2 version) by @shinetiac

👩🏻‍💻 Video by @fomoforever by @notajpeg

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7 months ago

Sonically, the term ‘clipping’ signals distortion—where sonic excess exceeds clarity, opening up new spaces of possibilities. Clipping 2: Sum, Parts gathers transcripts, commissioned texts, studies, and personal reflections that explore how dynamics of transformation are central to building archives that remain ‘alive’ through time.

With contributions by @monique_todd @andreazarzacanova , @cleotsw , @zahrammm , @fahrtrichtunglinks , @melisacenik , @golmati , @voiceaslandscape (@un_mateo_ and @lorenzombiee ), @atiyyahkhan , @ibelisseguardiaferragutti , @loma_doom , @alicetwemlow .

“ A, E, I, O, U”

This issue departs from the Sonic Archive program hosted by @nadd.network which I was invited to curate with @queer_paper_trails around the theme of regenerative archives.

Edited with @cleotsw
Designed by @cleotsw and @cathucath
Copy edited by @cdr_103
Print and bound by @nokiss___ @sardine.png by @notajpeg

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8 months ago

hi from me
thank you to everyone whose shared spaces words mics songs and moments with me in 2025
home spaces chat spaces canteen spaces printed spaces event spaces institutional spaces doctor office spaces 2.1 spaces online video call spaces live music spaces
spaces of joy and fear
i hope you know who you are

starting 2026 grateful for the company in all seasons of life by @notajpeg

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9 months ago

Excited to finally share with you
Clipping I: Coming of Age

Launching the first of Through Sounds’ publishing trajectory — Clipping — Thursday the 16th of October at 6:30pm at @san.serriffe

Sonically, the term ‘clipping’ is a form of distortion that happens when a signal exceeds its limits, flattening waveforms and producing harsh, jagged textures. It’s a breakdown of clarity, but also a site of possibility. At the same time, “clipping” evoke fragments - materials gathered, cut, collages and rearranged- echoing the way we re-assemble the traces of Through Sounds’ ephemeral gatherings into text.

Clipping I: Coming of Age gathers transcripts, commissioned texts, personal reflections and tracks that explore the social, emotional, and infrastructural dimensions of ‘becoming’ through sound and music, from Through Sounds collaboration with @rewirefestival context program with @katiatruijen in 2023 and 2024, with programming happening both during the festival and at @nieuweinstituut .

This edition carries contributions by alys(alys)alys, Ash Kilmartin, Brandon LaBelle, Content Care, corecore, Emily Moore, Federica Notari, Golnoosh Heshmati, Juliette Lizotte, Katía Truijen, Natasha Rijkhoff, rEmPiT g0dDe$$ and Slikback.

Edited by @natasharijkhoff and I
Graphic design by @cathucath @cleotsw
Distributed by @jessepresse
Printed and bound by @nokiss___ by @notajpeg

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a year ago

I am super excited to be joining forces with Vivian Wang @wangvivian next Thursday, September 4, at Nieuwe Instituut, Rotterdam.

We are cooking a listening event where we weave together sounds from the building’s surroundings with the voices and traces left by visitors in my interactive installation unbound echo.

Parallel Resonances draws on found sound, field recordings, collective voices, and live material, where Vivian and I will create a shared improvisational landscape in dialogue with the environment and those present. The audience is invited to step into this process and become part of the soundscape as it unfolds as well.

This program is part of Living Forms: Experiences between Architecture and Emotion, an afternoon and evening of performances and conversations stretching out of the exhibition Ma Yansong: Architecture and Emotion. The program includes talks by Xu Weichao with Mark Minkjan, Mira Nekova, and Gary Zhexi Zhang, leading up to Parallel Resonances at 20:00.

Parallel Resonances is a collaboration with Federica Notari @notajpeg, as part of Through Sounds, a long-term research project that looks at ‘sonic culture’ as a field for spatial and social design.

📍 Nieuwe Instituut, Museumpark 25, Rotterdam
🗓 Thursday 4 September
⏰ 16:00–21:30 (our performance 20:00–21:00)

For the full programme, check out @nieuweinstituut

📸 Image credits:
Aimée Theriot, unbound echo, 2025, installation view at Nieuwe Instituut. Photo: Kleoniki Stanich
Vivian Wang, STUKJenny Hval. Photo: Joeri Thiry taken in Nieuwe Instituut by @notajpeg

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a year ago

Time within the museum hits differently
Catching up, chasing time, B2B refers to meetings without breaks in between
Making it to the event date
Having enough time to —
Trying to find time to —
It gets hard for me to feel present at times
I love the museum on Mondays because its empty
Recovering from the bodies that moved throughout it
Mondays at the museum make me feel like I’m Pinocchio when he gets swallowed in the whales belly
With no way out, until the whale viscerally and violently vomits him out
I imagine the belly having a particular echo

I’m already thinking thinking and working towards 2026 but before then some special moments of 2025 that make me feel so lucky and lots of other beautiful feelings I don’t think the platform can do justice to … and me with dogs because I am also outside of the whale’s belly, just finding it harder to share about that online

Photos and events aren’t in order :)

- Launch of Kunstlicht Reverberant Ecologies by @mannyzammy

- Opening of MAD: Architecture and Emotion, one of my favorite parts of the year has been working alongside @mucha_mucha_cha and activating through different moments this commission. Photos by Kleoniki Stanich big thanks to @tijnvandewijdeven

- A full day curated for NADD Regenerative Archive Day filled with sonic performances, interventions, and conversations with incredible voices @atiyyahkhan @loma_doom @ibelisseguardiaferragutti @voiceaslandscape @zahrammm @melisacenik @meleyamomo @golmati thanks to @queer_paper_trails

- IVP Program with @najibaatwork and Atiyyah visiting the IISH Archives in Amsterdam

- Rewire Context Program, Fragile Minutes conversation on Coming of Age @rewirefestival

- Workshop with Aimée, making collective sonic scores and playing together, photographs by Sigrún Sveinsdóttir

- First collaborative event at @minus1nieuweinstituut thanks to @sambarhino_ @tommytawanda — more to come this autumn on music and the internet, kicked off with @451_232 @slutty_urbanist @taxreform

Can’t wait to share more about what’s coming this Autumn — 🪢 by @notajpeg

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a year ago