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Some impressions of our event back in July for the launch of Clipping 3: Unbound Echo.

A BIG thank you to everyone that joined us and shared an intimate listening moment at @outline.platform

About the publication:

Clipping 3 takes its cue from Unbound Echo, a sonic installation by Aimée Theriot exploring echo as both a material phenomenon and a conceptual method.

Through scores, essays, field notes, poems, mythology, and oral traditions, this issue approaches echo not as repetition, but as transformation—reverberating across sound, memory, technology, architecture, and embodied practice.

Clippings is an initiave of Federica Notari @notajpeg as part of Nieuwe Instituut's research platform Through Sounds.

With contributions by @mucha_mucha_cha @emilefrankel @wangvivian @pelumiadejumo

Edited by Federica Notari, Cleo TSW, Aimée Theriot, Borbála Magdalona Pál

Graphic design @cleotsw @cathucath
Copyediting Callum Dean
Print & bind @nokiss___
Distributed by @jessepresse
Worldwide shippings via @antennebooks

Made possible with the support of @afk020 @stimuleringsfonds @nieuweinstituut

Photos & videos by @kleonikistanich

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Presentation of OPEN FIELD LISTENING STATION
by Femke Dekker (Loma Doom)
talk by Femke Dekker and Q&A with Federica Notari at 6.30pm
Friday June 5, 6-8pm

Practitioner, educator, DJ, and researcher, Femke Dekker (also known as Loma Doom) has long been immersed in both sound and education. Across lecture halls, archives, festivals, art galleries, independent radio stations, and dance floors, she orbits a central question: What if listening itself were an artistic practice? What might unfold when listening becomes method, medium, and material?

Open Field Listening takes shape around these ideas. Presented as a collaboration between Page Not Found—an artist-run platform dedicated to publishing and experimental practices—and the record label Osàre! Editions, the text originates from Dekker’s graduation thesis for the Master Education in Arts at the Piet Zwart Institute, Rotterdam. There, she honed her skills as a pedagogue, inviting students into improvisational jam sessions, radio-making, and exercises that activate new modes of attention and a heightened sense of sonic curiosity.

Drawing on the work of scholars and artists—most notably Pauline Oliveros—Dekker approaches listening as a call to action: a way of tuning into one’s surroundings, one’s body, and the urgencies that contour our political and social worlds. She emphasizes the radical potential of reorienting knowledge toward collective attunement: the we rather than the I (or the eye). Inspired by Oliveros’s concept of Deep Listening—a way of expanding awareness through focused, embodied perception—Dekker acknowledges the composer as a foundational feminist figure whose insights continue to reverberate through the classroom, the studio, and beyond.

Published by Osàre Editions and Page Not Found

@loma_doom @____page_not_found____ @osare.editions @notajpeg

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Walking and falling at the same time.
These past two months have been filled with exiting book presentations, dreamy performances, invigorating readings, intimate family gatherings and drony broadcasts. And there’s more coming up!

Come find me listening right here:
02.05 Subcult anniversary
07.05 Tocca il Futuro - Lyl Radio
09.05 Talk That Science - Echobox
14.05 Left of The Dial - Echobox
15.05 Aural Conduct - Echobox
20.05 (((OM))) - San Francisco Amsterdam
29.05 Future Listening Fiber Festival - Brakke Grond
03.06 Filler with Ash Kilmartin - The Grey Space
04.06 Daydream Nation - Stranded FM
05.06 Open Field Listening Station book presentation with Federica Notari - San Serriffe 13.06 Listening set with Stefhanja - Chenin Chenin
18.06 (((OM))) - San Francisco Amsterdam
20.06 Workshop & DJ set - Avantgarde Festival
27.06 Dj set with Dali De Saint Paul - Beek

@toccailfuturo
@lyl_radio
@echoboxradio
@talkthatscience
@auralconduct
@sfamsterdam
@fiberfestival
@brakkegrond
@ask_kilmartin
@thegreyspaceinthemiddle
@strandedfm
@notajpeg
@san.serriffe
@____page_not_found____
@osare.editions
@stefhanja
@chenin.ams
@agf.spirit
@dalidesaintpaul
@beek__________

🌚🖤
Would love to see you there.

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28 MAY 2026
19:00-21:00
📍@nieuweinstituut

Hosted by Through Sounds this Research Night invites ALMARE’s project Near Silence as its point of departure. Curated and produced by ALMARE, Near Silence focuses on quiet rural and semi-rural areas as key sites for listening to the effects of climate change and the loss of soundscapes. Bringing together ALMARE, KMRU @_kamaru_ Katía Truijen @katiatruijen (Loom @loom.ooo ), and Martina Raponi, the evening invites practitioners to reflect on “the politics of quiet,” asking how sound might indicate the health of more-than-human environments, what interventions are possible within human-dominated soundscapes, and how “noise” and “silence” are socially constructed.

Through Sounds is a research project at Nieuwe Instituut that explores how and where we listen to music, whether in physical spaces such as concert halls or in virtual spaces such as streaming platforms. Near Silence and the event Near Silence: The Politics of Quiet are supported by @fondazionecompagniadisanpaolo within the grant “Starter”. The event Near Silence: The Politics of Quiet is supported by Istituto Italiano di Cultura, Amsterdam @iicamsterdam .

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Diaries are never mundane. For our Day In The Life series, we’re asking some of our friends, collaborators, and people we admire for a mini-diary, to let us see what a ‘normal’ day in their life looks like.

This month we asked @notajpeg the creator of Clipping.

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Join us during the launch of Futures of Listening: a new Netherlands-based platform dedicated to emerging developments in spatial sound.

On Thursday 28 May we invite all makers, researchers, students, developers, listeners, and enthusiasts of immersive sound experiences to the first public event of Futures of Listening at the 4DSOUND studio in Amsterdam.

Founded by FIBER Festival, @4dsound, Robin Koek (@visionsofvisions), and Art of Sound (Royal Conservatoire The Hague), Futures of Listening focuses on current and past immersive technologies and listening practices with a sound-centered mission. While thinking about immersion often begins in the realm of spatial imagery (XR, VR, AR), Futures of Listening is grounded in spatial sound and explores its immersive and narrative possibilities, particularly in relation to urgent ecological and social issues.

During the project launch, there will be presentations and discussions with artists and industry professionals on new developments in spatial sound. The day is intended to forge new connections among various actors in the field and to provide an opportunity for knowledge exchange. In addition to various lectures and discussion sessions, the programme will also include opportunities for collective listening.

Participating artists & speakers: Linnea Semmerling, Jordan Juras, Nele Möller, mesocosm (Joel Lavoie, Philippe Vandal & Emma Forgues), Roman Willems, Robin Koek, Pinar Temiz, Pía Baltazar, Julian Tjon Sack Kie, Federica Notari, Marieke van der Ven.
Moderation by Manuela Zammit.

Futures of Listening: Project Launch & Community Assembly | 28 May | @contactamsterdam
➤ Tickets via 🔗 in bio.
Passepartout holders have free access to this event.

@linneasemmerling, @nele____moeller, @joju_hd, @__mesocosm, @roman.willems, @visionsofvisions, @pia_baltazar_, @juliantjonsackkie, @notajpeg, @marieke_vandeven, @mannyzammy

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Futures of Listening is supported by the national CIIIC programme.
Partners: @instrumentinventors, SSC and ACPA at Leiden University and University of the Arts The Hague @acpa_leiden International Partners: @monomstudios, PXL-Music Research @pxlresearch at @pxlmusicbe, @ctmfestival

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Handmade Bootleg Merch for @notajpeg
moderating Fragile Minutes
with James K(@___pet___ ), Jennifer Walton (@jenniferwalton.co.uk) and Malibu (@malib9)
at Rewire Festival

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Our 2026 Research Networking Day brought together nine students, scholars, and artist-researchers selected via open call to present research addressing CTM Festival’s theme »dissonate < > resonate.« Hosted by @dr.analoguebubblebath, @dead9vbattery and Sarah-Indriyati Hardjowirogo, the three separate modules feature presentations by @lefteris_krysalis, @notajpeg, @kikaeche, @incontextmusic, @mayan.dj.pt, @lamiamusicuk, @borisonik6000, @studio_morten_poulsen, and Gabriele Murano diving into the complex musical, social and political interrelationship between these ideas—sometimes clashing, sometimes finding new ways to relate.

› Watch the three modules via our biolink 🧑‍💻

Video: @isabelle.m.schmitz

Photos: @camille_blake

This RND edition took place at @daad_artists galerie in collaboration with Universität Oldenburg, Kunst Universität Linz, and Leuphana University Lüneburg.

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Now in stock: CLIPPING 1 : COMING OF AGE (Link in bio)

Published by Nieuwe Instituut, Rotterdam, 2025, 44 pp. (colour & b/w ill.), 20.5 × 26 cm, English, €17

Clipping 1: Coming of Age gathers transcripts, commissioned texts, personal reflections and tracks that explore the social, emotional and infrastructural dimensions of ‘becoming’ through sound and music.

With contributions by alys(alys)alys, Ash Kilmartin, Brandon LaBelle, Content Care, corecore, Emily Moore, Federica Notari, Golnoosh Heshmati, Juliette Lizotte, Katía Truijen, Natasha Rijkhoff, rEmPiT godDe$$, and Slikback. Edited by Federica Notari, Natasha Rijkhoff. Designed by Catharine Hu & Cleo Tsw. #ashkilmartin #brandonlabelle #catharinehu #cleotsw #natasharijkhoff

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Now in stock: CLIPPING 2 : SUM, PARTS (Link in bio)

Published by Nieuwe Instituut, Rotterdam, 2026, 56 pp. (colour & b/w ill.), 20.5 × 26 cm, English, €17

Clipping 2: Sum, Parts brings together transcripts, commissioned texts, studies, and personal reflections that explore how transformation is central to building archives that remain alive through time. Clipping, in sonic terms, signals distortion—moments when excess pushes beyond clarity and opens new spaces of possibility.

With contributions by Monique Todd, Andrea Zarza Canova, Cleo TSW, Zahra Malkani, meLê yamomo, Melisa Cenik, Golnoosh Heshmati, Voice as Landscape (Alec Mateo Lorenzo, García-Andrade Llamas), Atiyyah Khan, Ibelisse Guardia Ferragutti, Femke Dekker, Alice Twemlow. Edited by Federica Notari & Cleo Tsw. Designed by Catharine Hu & Cleo Tsw. #catharinehu #cleotsw #femkedekker

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This month, Fresh Milk and Nieuw Instituut joined up for a week-long research trip to re-evaluate the design and impact of our joint Tilting Axis Fellowship. We spent time in Curaçao and Aruba for extensive engagement with the local arts and cultural sector, including site visits to schools, galleries, non-profits, ministries and the archives.

We’re grateful to our co-collaborators who made possible our three public-facing programmes: the wonderful teams at Instituto Buena Bista (IBB), and Bloemhof Gallery together with Uniarte, and Farm to Craft in Curaçao; and in Aruba, the team at Residencia Artistico Aruba (RAA!).

Thank you to the people who helped to deepen our insight into the local context and history: those at Curaçao Outdoor Industry Alliance research space; the National Archives of Curaçao, Archivo Nacional Aruba (ANA), Design Academy Aruba, and the Ministry of Culture of Aruba.

We look forward to forging new routes into a more dynamic and robust future for interdisciplinary creative practioners in the region!

#tiltingaxis #fellowship #collaboration #caribbeancontemporaryart

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