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mauro diciocia

@occhiosordo

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sabato 5 settembre - Radio Silence di Mauro Diciocia Talk-performance a cura di Radio Solaire Metropolitaine Radio Silence eฬ€ una sound-essay dellโ€™artista Mauro Diciocia @occhiosordo che nasce durante una residenza presso TRAFO Center for Contemporary Art a Szczecin (Polonia). Attraverso il racconto orale e l'uso performativo di registrazioni di radio-emissioni collezionate durante il periodo di residenza a Szczecin, il lavoro si propone come attraversamento del radiopaesaggio - inteso come campo di ascolto esteso - trasformando la radio in spazio da abitare: un archivio in tensione attraversato da tracce storiche e politiche, agenzie umane e piuฬ€-che-umane che interagiscono a diverse scale, e segnali che sfuggono alla percezione ordinaria. ๐Ÿ•‘ sabato 5 settembre 2026, ore 19.00 ๐Ÿ“Œ Via della Cinta Esterna 48/50, Livorno ๐Ÿš— Parcheggio interno โ˜€ Evento gratuito + ๐Ÿ“ก apertura Coordinate 6 mostra Magazzino 5 ๐Ÿ“š๐ŸทPiano O aperto Continua ๐‘†๐‘ข๐‘š๐‘š๐‘’๐‘Ÿ ๐‘œ๐‘“ ๐‘™๐‘œ๐‘ฃ๐‘’, la stagione estiva del programma dedicato alle sperimentazioni sonore e performative di @fondazione_mg_4850 , con Radio Silence di Mauro Diciocia #DGCC #CreativitaContemporanea #RigenerazioneUrbana #LaboratorioCreativitaฬ€Contemporanea @creativita_contemporanea taken in Livorno, Italy by @occhiosordo
3
2 months ago
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ATOPOS cvc ร— Office of Hydrocommons PURPLE โ€” ECOLOGIES OF SALTSCAPES Annalisa Zegna & Mauro Diciocia ATOPOS cvc ร— Office of Hydrocommons is happy to present the trailer of the new video work created by Annalisa Zegna & Mauro Diciocia in the framework of Purple โ€” Ecologies of Saltscapes, a multidisciplinary research project developed during their residency in Greece. If you have not make it to their open day, get a glimpse of their research! Exploring the hypersaline lagoons of Messolonghi, the project investigates the ecological interconnections between extremophile organisms inhabiting saline environments. Drawing on field research conducted in dialogue with scientists, environmental researchers, and local communities, the artists present an audiovisual installation combining video and field recordings that translate the micro-dynamics and macro-rhythms of the lagoon ecosystem. Inspired by the Purple Earth Hypothesis and the vibrant pigments of microorganisms thriving under extreme conditions, Purple โ€” Ecologies of Saltscapes reflects on resilience as a collective ecological process, foregrounding interdependence, care and coexistence in times of environmental uncertainty. The project is supported by Culture Moves Europe, funded by the European Union and implemented by the Goethe-Institut @culturemoveseurope #CultureMovesEurope @annalisazegna_ @occhiosordo by @occhiosordo
2
4 months ago
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๐ŸŒฟ๐ŸŽจ TEOLO ARTE NATURA โœจ Tra gli artisti selezionati per la prima edizione di TAN โ€“ Teolo Arte Natura cโ€™eฬ€ anche Mauro Diciocia. ๐ŸŽง Artista sonoro e ricercatore indipendente, la sua ricerca esplora le relazioni tra suono e spazio, linguaggi e narrative attraverso pratiche di ascolto condiviso, sound art e composizione del paesaggio sonoro. ๐ŸŒ Performer attivo a livello europeo, sviluppa progetti che utilizzano il suono come strumento di conoscenza, relazione e interpretazione del territorio. ๐Ÿ”Š Attraverso installazioni, interventi site-specific e pratiche di ascolto collettivo, indaga il rapporto tra ambiente, memoria e percezione. Su instagram: @occhiosordo โ„น๏ธ Scopri di piuฬ€ sul progetto TAN al link in bio @teoloartenatura @visitteolo @fondazionecariparo @comuneteolo #TeoloArteNatura #Teolo #ColliEuganei #ArteContemporanea #ArteENatura #MuseoACieloAperto #VisitTeolo #CulturaVeneto #TurismoVeneto by @occhiosordo
1
4 months ago
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ATOPOS cvc ร— Office of Hydrocommons PURPLE โ€” ECOLOGIES OF SALTSCAPES Annalisa Zegna & Mauro Diciocia โ€ผ๏ธโ€ผ๏ธโ€ผ๏ธSalaminos 72, Athens โ€ผ๏ธโ€ผ๏ธโ€ผ๏ธโ€ผ๏ธ ๐Ÿ—“ Saturday, June 13, 2026 ๐Ÿ•– 7-10 pm ATOPOS cvc ร— Office of Hydrocommons invite you to the presentation of Purple โ€” Ecologies of Saltscapes, a multidisciplinary research project developed by Annalisa Zegna and Mauro Diciocia during their residency in Athens. Come before or after Pride ๐Ÿณ๏ธโ€๐ŸŒˆ๐Ÿณ๏ธโ€โšง๏ธ๐Ÿค love is love ๐Ÿค Exploring the hypersaline lagoons of Messolonghi, the project investigates the ecological interconnections between extremophile organisms inhabiting saline environments. Drawing on field research conducted in dialogue with scientists, environmental researchers, and local communities, the artists present an audiovisual installation combining video and field recordings that translate the micro-dynamics and macro-rhythms of the lagoon ecosystem. Inspired by the Purple Earth Hypothesis and the vibrant pigments of microorganisms thriving under extreme conditions, Purple โ€” Ecologies of Saltscapes reflects on resilience as a collective ecological process, foregrounding interdependence, care and coexistence in times of environmental uncertainty. The project is supported by Culture Moves Europe, funded by the European Union and implemented by the Goethe-Institut @culturemoveseurope #CultureMovesEurope ๐Ÿ“ธ @annalisazegna_ @occhiosordo taken in ATOPOS cvc by @occhiosordo
1
4 months ago
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๐Ÿ’ฆWe are thrilled to welcome Annalisa Zegna and Mauro Diciocia as the newest residents of ATOPOS cvc x Office of Hydrocommons. โ€ผ๏ธPublic presentation on Saturday 13 at Salaminos 72 venue, more info soon.โ€ผ๏ธ ๐Ÿ’ฆTheir collaborative practice explores aquatic ecologies, wetlands and liminal landscapes through visual, sonic, and performative research grounded in fieldwork, listening and ecological observation. ๐Ÿ’ฆWe are especially happy to welcome Annalisa back to the residency program. Previously in residence with ATOPOS cvc x Office of Hydrocommons, she developed research around hypersalinity and saline ecologies, a line of inquiry she now expands together with Mauro through Purple โ€” Ecologies of Saltscapes. ๐Ÿ’ฆThe project focuses on the hypersaline lagoons of Messolonghi and the extremophile organisms inhabiting these environments. Combining sound, video, microscopy, and field recordings, the artists investigate microbial life, red-purple pigments produced in high salinity conditions, and the ecological rhythms connecting these wetlands. Inspired by the Purple Earth Hypothesis, the research will culminate in an immersive audiovisual installation developed in dialogue with scientific and local communities. ๐Ÿ’งPhotos: [1] Portrait, Annalisa Zegna and Mauro Diciocia. [2] Detail from the book Il fenicottero by Caitlin R. Kight, Edizioni Nottetempo, Milan 2017. ๐Ÿ’งThe project is supported by Culture Moves Europe, funded by the European Union and implemented by the Goethe-Institut @culturemoveseurope #CultureMovesEurope taken in ATOPOS cvc by @occhiosordo
9
5 months ago
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Dziekuje Szczecin! Back home after an intense four weeks research residency at @trafo_szczecin Many thanks to @tekhne_collab network and the inspiring people Iโ€™ve met along the way: @weedczak and the TRAFO team, Lukasz and @centrumcentrumcentrum, @zorka_wollny_on_tour, Bartosz Hajkiewicz, Kate Donovan @mattersoftransmission, the students at @akademiasztuki.szczecin, the staff at @glissando_magazyn and anyone else I might have forgotten :) ๐Ÿ“ก A special thanks to UKRAA (UK Radio Astronomy Association) for their hardware support. The sound essay Iโ€™ve been developing during my stay will be out very soon. by @occhiosordo
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8 months ago
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๐Ÿ“… 21.02.2026 (sobota/Saturday) โฐ 18:00: ๐’๐จ๐ฎ๐ง๐-๐ž๐ฌ๐ฌ๐š๐ฒ / ๐‹๐ข๐ฌ๐ญ๐ž๐ง๐ข๐ง๐  ๐’๐ž๐ฌ๐ฌ๐ข๐จ๐ง ๐ฐ๐ข๐ญ๐ก ๐Œ๐š๐ฎ๐ซ๐จ ๐ƒ๐ข๐œ๐ข๐จ๐œ๐ข๐š Wydarzenie w jeฬจz. angielskim / Wsteฬจp wolny Held in English / Free entry ๐Ÿ‡ต๐Ÿ‡ฑ ๐Œ๐š๐ฎ๐ซ๐จ ๐ƒ๐ข๐œ๐ข๐จ๐œ๐ข๐š zaprezentuje esej dzฬwieฬจkowy posฬwieฬจcony emisjom elektromagnetycznym oraz radio-pejzazฬ‡owi - przestrzeni dzฬwieฬจkowej przeniknieฬจtej sฬladami historii i polityki, niewidzialnymi infrastrukturami oraz ekologicznymi przepล‚ywami. ๐Œ๐š๐ฎ๐ซ๐จ ๐ƒ๐ข๐œ๐ข๐จ๐œ๐ข๐š ๐ ๐จ๐ฌฬ๐œ๐ข ๐ฐ ๐“๐‘๐€๐…๐Ž ๐ฐ ๐ซ๐š๐ฆ๐š๐œ๐ก ๐ซ๐ž๐ณ๐ฒ๐๐ž๐ง๐œ๐ฃ๐ข ๐ฉ๐ซ๐จ๐ฃ๐ž๐ค๐ญ๐ฎ ๐“๐„๐Š๐‡๐๐„ฬ โ€“ ๐๐ž ๐€๐ฐ๐š๐ซ๐ž ๐จ๐Ÿ ๐’๐จ๐ฎ๐ง๐, ๐‘ค๐‘ ๐‘๐‘œฬล‚๐‘“๐‘–๐‘›๐‘Ž๐‘›๐‘ ๐‘œ๐‘ค๐‘Ž๐‘›๐‘’๐‘”๐‘œ ๐‘ง ๐‘ƒ๐‘Ÿ๐‘œ๐‘”๐‘Ÿ๐‘Ž๐‘š๐‘ข ๐พ๐‘Ÿ๐‘’๐‘Ž๐‘ก๐‘ฆ๐‘ค๐‘›๐‘Ž ๐ธ๐‘ข๐‘Ÿ๐‘œ๐‘๐‘Ž ๐‘ˆ๐‘›๐‘–๐‘– ๐ธ๐‘ข๐‘Ÿ๐‘œ๐‘๐‘’๐‘—๐‘ ๐‘˜๐‘–๐‘’๐‘— ๐‘– ๐‘๐‘Ÿ๐‘ง๐‘’๐‘ง ๐บ๐‘š๐‘–๐‘›๐‘’ฬจ ๐‘€๐‘–๐‘Ž๐‘ ๐‘ก๐‘œ ๐‘†๐‘ง๐‘๐‘ง๐‘’๐‘๐‘–๐‘›. ๐‘ƒ๐‘Ž๐‘Ÿ๐‘ก๐‘›๐‘’๐‘Ÿ๐‘ง๐‘ฆ: ๐‘„-๐‘‚2, ๐ถ๐‘‡๐‘€ ๐น๐‘’๐‘ ๐‘ก๐‘–๐‘ฃ๐‘Ž๐‘™, ๐‘‡๐‘…๐ด๐น๐‘‚ ๐‘‡๐‘Ÿ๐‘Ž๐‘“๐‘œ๐‘ ๐‘ก๐‘Ž๐‘๐‘—๐‘Ž ๐‘†๐‘ง๐‘ก๐‘ข๐‘˜๐‘– ๐‘ค ๐‘†๐‘ง๐‘๐‘ง๐‘’๐‘๐‘–๐‘›๐‘–๐‘’, ๐‘†๐พ๐ด๐‘ฬง๐‘ˆ ๐‘€๐ธ๐‘ฬŒ๐‘†, ๐‘‚๐‘ˆ๐‘‡.๐‘…๐ด, ๐บ๐‘€๐ธ๐ด (๐น๐‘…) ๐‘Š๐‘ ๐‘๐‘œฬล‚๐‘๐‘Ÿ๐‘Ž๐‘๐‘Ž: ๐ด๐‘˜๐‘Ž๐‘‘๐‘’๐‘š๐‘–๐‘Ž ๐‘†๐‘ง๐‘ก๐‘ข๐‘˜๐‘– ๐‘ค ๐‘†๐‘ง๐‘๐‘ง๐‘’๐‘๐‘–๐‘›๐‘–๐‘’ ๐Ÿ‡ฌ๐Ÿ‡ง ๐Œ๐š๐ฎ๐ซ๐จ ๐ƒ๐ข๐œ๐ข๐จ๐œ๐ข๐š will present a sound essay exploring electromagnetic emissions and the radio landscape as an archive charged with tension. This is a sonic space permeated with traces of history and politics, invisible infrastructures and ecological flows. ๐Œ๐š๐ฎ๐ซ๐จ ๐ƒ๐ข๐œ๐ข๐จ๐œ๐ข๐š ๐ข๐ฌ ๐š ๐ ๐ฎ๐ž๐ฌ๐ญ ๐š๐ญ ๐“๐‘๐€๐…๐Ž ๐š๐ฌ ๐ฉ๐š๐ซ๐ญ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐“๐„๐Š๐‡๐๐„ฬ โ€“ ๐๐ž ๐€๐ฐ๐š๐ซ๐ž ๐จ๐Ÿ ๐’๐จ๐ฎ๐ง๐ ๐ซ๐ž๐ฌ๐ข๐๐ž๐ง๐œ๐ฒ, ๐‘๐‘œ-๐‘“๐‘ข๐‘›๐‘‘๐‘’๐‘‘ ๐‘๐‘ฆ ๐‘กโ„Ž๐‘’ ๐ถ๐‘Ÿ๐‘’๐‘Ž๐‘ก๐‘–๐‘ฃ๐‘’ ๐ธ๐‘ข๐‘Ÿ๐‘œ๐‘๐‘’ ๐‘ƒ๐‘Ÿ๐‘œ๐‘”๐‘Ÿ๐‘Ž๐‘š๐‘š๐‘’ ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐ธ๐‘ข๐‘Ÿ๐‘œ๐‘๐‘’๐‘Ž๐‘› ๐‘ˆ๐‘›๐‘–๐‘œ๐‘› ๐‘Ž๐‘›๐‘‘ ๐‘๐‘ฆ ๐‘กโ„Ž๐‘’ ๐ถ๐‘–๐‘ก๐‘ฆ ๐‘œ๐‘“ ๐‘†๐‘ง๐‘๐‘ง๐‘’๐‘๐‘–๐‘›. ๐‘ƒ๐‘Ž๐‘Ÿ๐‘ก๐‘›๐‘’๐‘Ÿ๐‘ : ๐‘„-๐‘‚2, ๐ถ๐‘‡๐‘€ ๐น๐‘’๐‘ ๐‘ก๐‘–๐‘ฃ๐‘Ž๐‘™, ๐‘‡๐‘…๐ด๐น๐‘‚ ๐‘‡๐‘Ÿ๐‘Ž๐‘“๐‘œ๐‘ ๐‘ก๐‘Ž๐‘๐‘—๐‘Ž ๐‘†๐‘ง๐‘ก๐‘ข๐‘˜๐‘– ๐‘–๐‘› ๐‘†๐‘ง๐‘๐‘ง๐‘’๐‘๐‘–๐‘›, ๐‘†๐พ๐ด๐‘ฬง๐‘ˆ ๐‘€๐ธ๐‘ฬŒ๐‘†, ๐‘‚๐‘ˆ๐‘‡.๐‘…๐ด, ๐บ๐‘€๐ธ๐ด (๐น๐‘…) ๐ผ๐‘› ๐‘๐‘œ๐‘™๐‘™๐‘Ž๐‘๐‘œ๐‘Ÿ๐‘Ž๐‘ก๐‘–๐‘œ๐‘› ๐‘ค๐‘–๐‘กโ„Ž: ๐ด๐‘๐‘Ž๐‘‘๐‘’๐‘š๐‘ฆ ๐‘œ๐‘“ ๐ด๐‘Ÿ๐‘ก๐‘  ๐‘–๐‘› ๐‘†๐‘ง๐‘๐‘ง๐‘’๐‘๐‘–๐‘› taken in TRAFO Trafostacja Sztuki / TRAFO Center for Contemporary Art / Szczecin by @occhiosordo
0
8 months ago
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We are excited to host ๐Œ๐š๐ฎ๐ซ๐จ ๐ƒ๐ข๐œ๐ข๐จ๐œ๐ข๐š at @trafo_szczecin this February! The artist is in Poland for a residency with the ๐“๐„๐Š๐‡๐๐„ฬ โ€“ ๐๐ž ๐€๐ฐ๐š๐ซ๐ž ๐จ๐Ÿ ๐’๐จ๐ฎ๐ง๐ programme. Stay tuned for details of his performative presentation, which will conclude the residency on February 21. Mauro Diciocia works in the sonic field through active-listening participatory practice, soundscape composition, and sound art. His practice unfolds through listening, recording, and forgetting - exploring the relationships between sound and space, language and narrative. Building on urban legends surrounding mysterious number station transmissions from Szczecin, during his residency at TRAFO Mauro will focus on radio and electromagnetic reception as an expanded field of listening. His research approaches radio as a space to inhabit: a sonic environment permeated by historical and political traces, invisible infrastructures, and ecological currents. Tracing man-made and natural emissions, his listening practice attempts to dwell within the radioscape as a matrix where human and more-than-human agencies interact across scales, attuning to the subtle flows and resonances that ripple throughout. ๐‘‡๐ธ๐พ๐ป๐‘๐ธฬ โ€“ ๐ต๐‘’ ๐ด๐‘ค๐‘Ž๐‘Ÿ๐‘’ ๐‘œ๐‘“ ๐‘†๐‘œ๐‘ข๐‘›๐‘‘ ๐‘–๐‘  ๐‘๐‘œ-๐‘“๐‘ข๐‘›๐‘‘๐‘’๐‘‘ ๐‘๐‘ฆ ๐‘กโ„Ž๐‘’ ๐ถ๐‘Ÿ๐‘’๐‘Ž๐‘ก๐‘–๐‘ฃ๐‘’ ๐ธ๐‘ข๐‘Ÿ๐‘œ๐‘๐‘’ ๐‘๐‘Ÿ๐‘œ๐‘”๐‘Ÿ๐‘Ž๐‘š ๐‘œ๐‘“ ๐‘กโ„Ž๐‘’ ๐ธ๐‘ข๐‘Ÿ๐‘œ๐‘๐‘’๐‘Ž๐‘› ๐‘ˆ๐‘›๐‘–๐‘œ๐‘› ๐‘Ž๐‘›๐‘‘ ๐‘กโ„Ž๐‘’ ๐ถ๐‘–๐‘ก๐‘ฆ ๐‘œ๐‘“ ๐‘†๐‘ง๐‘๐‘ง๐‘’๐‘๐‘–๐‘›. ๐‘ƒ๐‘Ž๐‘Ÿ๐‘ก๐‘›๐‘’๐‘Ÿ๐‘ : ๐‘‡๐‘…๐ด๐น๐‘‚ ๐ถ๐‘’๐‘›๐‘ก๐‘’๐‘Ÿ ๐‘“๐‘œ๐‘Ÿ ๐ถ๐‘œ๐‘›๐‘ก๐‘’๐‘š๐‘๐‘œ๐‘Ÿ๐‘Ž๐‘Ÿ๐‘ฆ ๐ด๐‘Ÿ๐‘ก ๐‘–๐‘› ๐‘†๐‘ง๐‘๐‘ง๐‘’๐‘๐‘–๐‘› (๐‘ƒ๐‘œ๐‘™๐‘Ž๐‘›๐‘‘), ๐ถ๐‘‡๐‘€ ๐น๐‘’๐‘ ๐‘ก๐‘–๐‘ฃ๐‘Ž๐‘™ (๐บ๐‘’๐‘Ÿ๐‘š๐‘Ž๐‘›๐‘ฆ), ๐บ๐‘€๐ธ๐ด โ€“ ๐‘๐‘Ž๐‘ก๐‘–๐‘œ๐‘›๐‘Ž๐‘™ ๐ถ๐‘’๐‘›๐‘ก๐‘’๐‘Ÿ ๐‘“๐‘œ๐‘Ÿ ๐‘€๐‘ข๐‘ ๐‘–๐‘ ๐ถ๐‘Ÿ๐‘’๐‘Ž๐‘ก๐‘–๐‘œ๐‘› ๐‘œ๐‘“ ๐ด๐‘™๐‘๐‘–-๐‘‡๐‘Ž๐‘Ÿ๐‘› (๐น๐‘Ÿ๐‘Ž๐‘›๐‘๐‘’), ๐‘‚๐‘ˆ๐‘‡.๐‘…๐ด โ€“ ๐ด๐‘ ๐‘ ๐‘œ๐‘๐‘–๐‘Ž๐‘ฬง๐‘Žฬƒ๐‘œ ๐ถ๐‘ข๐‘™๐‘ก๐‘ข๐‘Ÿ๐‘Ž๐‘™ (๐‘ƒ๐‘œ๐‘Ÿ๐‘ก๐‘ข๐‘”๐‘Ž๐‘™), ๐‘†๐พ๐ด๐‘ฬง๐‘ˆ ๐‘€๐ธ๐‘ฬŒ๐‘† ๐น๐ธ๐‘†๐‘‡๐ผ๐‘‰๐ด๐ฟ (๐ฟ๐‘Ž๐‘ก๐‘ฃ๐‘–๐‘Ž), ๐‘„-๐‘‚2 (๐ต๐‘’๐‘™๐‘”๐‘–๐‘ข๐‘š). ๐ผ๐‘› ๐‘๐‘œ๐‘™๐‘™๐‘Ž๐‘๐‘œ๐‘Ÿ๐‘Ž๐‘ก๐‘–๐‘œ๐‘› ๐‘ค๐‘–๐‘กโ„Ž: ๐ด๐‘˜๐‘Ž๐‘‘๐‘’๐‘š๐‘–๐‘Ž ๐‘†๐‘ง๐‘ก๐‘ข๐‘˜๐‘– ๐‘ค ๐‘†๐‘ง๐‘๐‘ง๐‘’๐‘๐‘–๐‘›๐‘–๐‘’ taken in TRAFO Trafostacja Sztuki / TRAFO Center for Contemporary Art / Szczecin by @occhiosordo
0
8 months ago
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๐˜›๐˜ฉ๐˜ช๐˜ฏ๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฎ๐˜ฐ๐˜ด๐˜ด explores the ecology of a lake, leading us toward ancient landscapes. In this cosmological narrative, moss emerges as a symbol of resilience โ€” a fragile yet powerful presence that inhabits thresholds and moments of transformation, revealing shifting landscapes and the potential for new alliances. ๐˜›๐˜ฉ๐˜ช๐˜ฏ๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ธ๐˜ช๐˜ต๐˜ฉ ๐˜ฎ๐˜ฐ๐˜ด๐˜ด (2025) is a sound and visual installation by @annalisazegna_ and @occhiosordo / voice @danielladomingues / realised thanks to @stationfortransformation @la.foresta.rovereto within @euinitiative by @occhiosordo
2
10 months ago
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Greece was sublime! ๐Ÿ–ค Efharistoฬ€ @opennightsfestival @karaferi_ @annalisazegna_ @yorgas_helmet @topanospiti @morenoiseahead @coherentstates by @occhiosordo
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a year ago
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Deeply grateful for the research residency at @gap_guilmiartproject in Abruzzo โ€” beautifully curated by Lucia Giardino and Chico Bacci. We dived into ponds and sediments of the Sinello river, connecting with the liminal, wet memories of people and places. We encountered algae, crabs, and frogs, followed hidden trails through the woods, and listened to the resonance of underwater bells. The voices of Teresa, Leo, Cice, Beppe, Filippo, Mara, Fabrizio, Luca, Maurizio, Pino, Piero, Salvatore, Rosanna, Gisela, Franco, Noa, Milo, Federica, and Nicholas are still echoing in our minds. Everything keeps flowing as we look ahead to the next steps! taken in Guilmi Art Project by @occhiosordo
4
a year ago
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Zegna / Diciocia - Dec 2024 - Jan 2025 - Browsing - Aug 12th - 21st 2025 - Rivers research, Sinello suit - Next xxx - Continuing research โŒจ๏ธ ๐Ÿ“ Re-reading the same places under different lenses keeps them generative. ๐Ÿฆ ๐Ÿ”ฌ๐Ÿฆ  Lenses by Annalisa Zegna and Mauro Diciocia investigate the smallest details of lives and slimy matters. Their microscope draws an amplified scenario which resonates of overlapping noises of creatures that converge in single kaledoiscopic temporalities. The Sinello river has never been so loud! ๐Ÿ“ฃ ๐Ÿฆ ๐Ÿฆ—๐Ÿธ ๐Ÿฆ ๐Ÿชผ๐Ÿฆ  @annalisazegna_ @occhiosordo @gap_guilmiartproject #sinello #artisticresearch #soundscape #biotopos #artinresidence #annalisazegna #maurodiciocia #federicobacci #luciagiardino by @occhiosordo
1
a year ago
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