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Rose Lombardo

@roseflutes

2 years ago
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Posted On: June 3rd 2024, 04:49 am
Tagged Users:
@sd_goodlife
sd_goodlife
@sam_cadan
sam_cadan
@dani_romeu
dani_romeu
@dancemythology
dancemythology
@b_wits
b_wits
@sd_goodlife getting some sweet footage of our epic adventures in Mexico with @dani_romeu @dancemythology @b_wits @sam_cadan. Heart filled ❤️
Comments (8)
ombak_travel 2 years ago

ombak_travel

🙌

the.healing.nest 2 years ago

the.healing.nest

Omgosh this looks so funnn you’re living the dream 🌸

littleshredridingwood 2 years ago

littleshredridingwood

Sicky waves!!!! Hope it was a rad time 👌🏻

collmac_ 2 years ago

collmac_

get it cuz 🤙

dougdeflute 2 years ago

dougdeflute

Looks so fun!!!

toddcronin 2 years ago

toddcronin

🔥🔥🔥

amyoutsidethemusic 2 years ago

amyoutsidethemusic

Ahhhh looks like a killer time! (And I’m jealous!) 🤩 🌊🏄‍♀️

lyndzcos 2 years ago

lyndzcos

Love this Love you MISS YOUUUUU

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The Line We Draw Inside, we imagine safety. Outside is where we put whatever feels uncertain. The doorways in The Beautiful Collapse question that separation. Environmental change can feel distant until it reaches the places we know. We wanted to look at the comfort a boundary gives us, and the limits of that comfort. A line can mark where a room begins without deciding what stays outside. ——————————

THE BEAUTIFUL COLLAPSE We created this series to explore how we respond to a world in disarray. When an image of loss is beautiful, does it help us understand what’s happening, or make it easier to admire and move on?
 Inspired by Gothic Romanticism, we were drawn to the tension between beauty and ruin. Sand gathers until somewhere familiar no longer feels the same. There is no single dramatic moment to point to, just the growing weight of what has been allowed to accumulate.
 The finished series moves through three spaces: an entrance, a box, and a corner filled with sand. The entrance suggests the boundary we draw between ourselves and the outside world. The box turns that world into something framed and observed. In the corner, the change can no longer be kept at a distance.
 Working with Entity’s thirteen dancers, we placed the precision of trained bodies and carefully made clothing inside an environment that neither could control. The contrast matters: so much human effort, beside a force that carries on regardless. We made these photographs beautiful deliberately. As image-makers, we are part of the same culture we’re questioning. The title holds that contradiction: something can be beautiful to look at and still show something being lost. Our intention is to make room for both reactions, and to ask what remains with us after we stop looking.
—————————— ENTITY by 8EYES Commissioned by @entitycontemporarydance Produced by @8eyes.la Creative direction by @matheusrouvier & @kent_boyd Photographer: @matheusrouvier Set design: @8eyes.la Stylist: @thxmasjay Styling Assistant: @kalliecollett Dancer: @vicksroan of @entitycontemporarydance #entitycontemporarydance #8eyesla #thebeautifulcollapse #photography
Don’t dare you tag @kannav_bhardwaj 😡 . . . #instagram #transition #diwali
My Halloween plans got canceled :( gonna watch a movie with my cats instead 💕 I wanna go to a party next year 😭
Some familiar faces
রুপাঃ তুমি কি জানো, আমি তোমার কথা খুব ভাবি? হিমুঃ আমি জানি। রুপাঃ সত্যি জানো? হিমুঃ হ্যাঁ জানি। রুপাঃ কি করে জানো? হিমুঃ ভালোবাসা টের পাওয়া যায়। রুপাঃ কেন জানি তোমার কথা সব সময় মনে হয়, এর নাম কি ভালোবাসা? হিমুঃ আমার জানা নেই রুপা। রুপাঃ তুমি কি আসবে আমাদের বাসায়? হিমুঃ আসব। রুপাঃ কখন আসবে? হিমুঃ এক্ষুনি আসছি। রুপাঃ এত রাতে এলে বাবা হইচই করবেন, তুমি কি সকালে আসতে পারো না? হিমুঃ না রুপা, আমাকে এক্ষুনি আসতে হবে। রুপাঃ আচ্ছা বেশ, আসো। হিমুঃ তুমি নীল রঙের শাড়ি পরে আছো? রুপাঃ কেনো বল তো? হিমুঃ যদি থাকে তাহলে নীল রঙের শাড়ি পরে গেটের কাছে থাকো। আমি এলেই গেট খুলে দেবে। রুপাঃ আচ্ছা। আমি গেলাম না। আবারো মাসখানেক এর জন্য ডুব দিলাম। কারন ভালোবাসার মানুষদের খুব কাছে কখনও যেতে নেই। —হুমায়ূন আহমেদ (ময়ূরাক্ষী )
It’s love at first fright! Lacey and Vito have us head over heels for their crazy-good Charleston! 🍸 #Strictly
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