2 years ago
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Posted On: November 1st 2024, 11:46 am
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Happy Halloween!
Still love this particular shot that I made for the “Witte wieven” movie. We wanted it to feel atmospheric as if it was lit by the moonlight but not get it too sharp as it would ruin the positive mood in this part. The Key light was done by shooting two aputure 600X with fresnel into Polyboards on wind-ups which were a few meters apart. The fog (by the great @ruudverbakel and @melvindierdorp) made sure that these sources would be even softer and create this great atmosphere. I wanted a nice but very subtle moonlight as backlight so we used an aputure 1200d and aimed it into a big CRLS DIF 3 on a 5 segment roller to get a soft/angled beam towards the main talent but kept it a bit Sourcy. As ambient we placed an arri M18 on the other side of the camera shooting up into the trees. The trees would bounce back a little bit of light but also if I would point the camera a bit up I could still see details in the forest.
This setup made it great to backlight the image but keep some details in the front. Check out the last still as well in this post.
“Witte Wieven” is currently being shown on various film festivals around the world. Produced by @makewayfilm and directed by the great @didier_konings_art
.
.
@aputure.lighting @aputure.europe @makewayfilm @mikedeen_lighting @thelightbridge @hollywoodcamerawork
#cinematography #lightingbreakdown #gaffer #directorofphotography
Still love this particular shot that I made for the “Witte wieven” movie. We wanted it to feel atmospheric as if it was lit by the moonlight but not get it too sharp as it would ruin the positive mood in this part. The Key light was done by shooting two aputure 600X with fresnel into Polyboards on wind-ups which were a few meters apart. The fog (by the great @ruudverbakel and @melvindierdorp) made sure that these sources would be even softer and create this great atmosphere. I wanted a nice but very subtle moonlight as backlight so we used an aputure 1200d and aimed it into a big CRLS DIF 3 on a 5 segment roller to get a soft/angled beam towards the main talent but kept it a bit Sourcy. As ambient we placed an arri M18 on the other side of the camera shooting up into the trees. The trees would bounce back a little bit of light but also if I would point the camera a bit up I could still see details in the forest.
This setup made it great to backlight the image but keep some details in the front. Check out the last still as well in this post.
“Witte Wieven” is currently being shown on various film festivals around the world. Produced by @makewayfilm and directed by the great @didier_konings_art
.
.
@aputure.lighting @aputure.europe @makewayfilm @mikedeen_lighting @thelightbridge @hollywoodcamerawork
#cinematography #lightingbreakdown #gaffer #directorofphotography
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