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Paul Jürgens

@pauljuer

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New Website, New Projects, New Me

It took longer than expected, but the website is here. All projects listed, an archive of work finally in one place. The site collects everything in one spot: projects with index and grid view, a link collection, and a stream of photographs.

www.paul-juergens.eu taken in Vienna, Austria by @pauljuer

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3 months ago

Mira Mann und Jonas Höschl präsentieren das TQW Zine #3: SCHEME.

Eine Idee, ein Vorhaben, ein Entwurf / eine Anordnung, ein System, eine Struktur / eine Intrige, ein geheimer Plan.

📰 TQW Zine #3: SCHEME.

🕖 Tue 14.04., 19:00

📍TQW Studios

Das neue Zine zeigt Prozesse, stellt Fragen, will verbinden: Disziplinen, Positionen, Perspektiven, Rhythmen. Es ist backstage, zeigt die scores hinter den Arbeiten, die Notizen und Zwischenstadien. Der Körper dient als Ansatzpunkt und Schauplatz. Kunst als Werkzeug im Alltag und als Mittel der politischen Partizipation - offen, unfertig, verletzlich, suchend.

Mit Beiträgen von und mit: @mira__mann @jonashoeschl @hana_oo_haas @berndoppl @kurdwinayub @seda.pesen @iankaler @schandwache @simonoton @sophie.thun @studio.stengele @totalrefusal @verifiziert @keineliebe.kollektiv @paulathoener @maviphoenix @safirarobens

Zum Launch geben Mira Mann und Jonas Höschl einen Einblick in Struktur und Texte des zines, Hana O.O. Haas liest einen kurzen Ausschnitt ihres Textes „Forming Friendships“ und Verifiziert spielt ein paar Tracks.

Grafik / Visuals: @pauljuer taken in Tanzquartier Wien by @pauljuer

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6 months ago

🩵🤎 OUT NOW: What was design?—Declarations and definitions from a century of creative quest is a quick starter to one of modernity’s most contested terms. In its brief but meteoric career, “design” was subject to vast controversy. Celebrated as an engine of change, denounced as a driving force of commercialization, and regularly lamented as overused, design remains a concept whose true meaning is still being sought. While answers to the question “What is design?” are constantly shifting, the time has come for a retrospective. This book looks back, presenting a century of design thinking in its most compact form: a collection of bold quotes.

What was design? pits 87 historical one-sentence answers from practitioners, theorists, and philosophers against one another. The result is a web of radical short-form definitions that remain strikingly contradictory in their references. This selection is accompanied by an essay from Florian Walzel, exploring the deeper reasons behind the conceptual ambiguity of design.

This April, What was design? will be presented in Darmstadt at @form.social and in Frankfurt at @projekt_b25, inviting guests to further reflect on the perspectives and definitions of design brought together in the book—in a relaxed setting of conversation and drinks. More informations on our Website.

@slanted_publishers (pub.), Florian Walzel (ed.), @form.social (ed. advisor.), @pauljuer (design), 12 × 19 cm, 152 pages, English, hardcover with round spine, thread-stitching, offset printing with spot colors, ISBN: 978-3-69202-005-1, €26.– (DE)

Link in bio.

#whatwasdesign #design #quotes #slanted #slantedpublishers by @pauljuer

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7 months ago

Dieter Appelt
Gerhard-Altenbourg-Preis 2025

Book design for @kerberverlag and @lindenaumuseumaltenburg

Since the 1960s, Berlin-based artist Dieter Appelt has used photography to confront loss, transience, and the conditions of human existence. Trained as a musician and opera singer, he turned to photography as a way to reconnect with nature, myth, and time. In many of his actions, he used his own body as both subject and material — staging images that oscillate between ritual, endurance, and transformation.

Typography as structure.
Image as trace. taken in Vienna - Austria by @pauljuer

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8 months ago

Stressed Desserts von Chiara Marcassa (@sovraccarico) und Olga Hohmann (@olgahohoh) , das vor knapp einem Monat bei uns (@windparkbooks) erschienen ist und während der Frankfurter Buchmesse seine Premiere im @hussle_hof feierte, hat am 25.11.24 seine zweite Buchpremiere in der @volksbuehne_berlin. Chiara und Olga werden lesen, musikalisch unterstützt von Antonia Alessia Virginia Beeskow (@antoniaalessiavirginia) .

»Die langen, manikürierten Fingernägel einer tippenden Empfangsmit- arbeiterin erschaffen einen kleinen Abstand zwischen den Fingerkuppen und der Tastatur. Somit zeigen sie, dass man sich über die Arbeit mit den Händen erhoben hat und in den Bereich der geistigen Arbeit vorge- drungen ist. Zeitgleich, in einem innenstädtischen Büro, legt eine auf Papier allergische Buchhalterin die Arbeit nieder: Sie fordert die Umgestal- tung ihres Büros ein und die unmittelbare Digitalisierung aller Arbeits- prozesse, um kein Papier mehr anfassen zu müssen. Was ist überhaupt Arbeit und was ist sie nicht? Was haben immer wieder leer werdende Blumenvasen und Spam-E-Mails gemeinsam? Die Autorinnen Olga Hohmann und Chiara Marcassa befassen sich mit unsichtbarer Arbeit und unsichtbaren Arbeiter:innen: Assistent:innen, Content-Creators, Flugbeglei- ter:innen, Sekretär:innen. Stressed Desserts kennzeichnet sich durch
sich immer vervielfältigende Widersprüche. Zwischen Serialität und Wiederholung, Dienst nach Vorschriftund Berufung, Fragmentierung und Zusammenhang, Melancholie und Exzessen – Wege, Weisen und Wehen der weiblichen* Arbeit.«

Der Inhalt dieses Buches wurde am 24.08.2024 innerhalb von 28 Arbeitsstunden auf einem Risograph EZ 570 E der Riso Kagaku Corporation gedruckt. Die Produktion der Gesamtauflage erfolgte mit 130 kg Papier und 1247 g Farbe. by @pauljuer

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2 years ago

TL 000–200

Two Lines is an experiment that opens up the space of the spoken or written word and the imagination. At the beginning of the year, 200 people received the following instructions by post: "draw on the front side two lines, each a different color, which may touch each other a maximum of one time". The drawing was then uploaded to the website two-lines.online, which was created by the wonderful @luca.meusburgee How do 200 different people interpret the instructions? What image came to mind when they read the instructions and how creatively and differently did they draw the two lines? Each drawing on the postcard can therefore be considered a separate work of art. The title of the work was decided in advance by chance (TL 001-200). But who is the author? The person who drew or the person who gave the instructions? Or is it co-authorship?

As of today, 48 two lines have been uploaded. (So to all those who have received mail but have not yet uploaded their lines: Do it. As of today, the project is open to anyone who wants to take part. However, each number can only be uploaded once.

You want to take part? Then go to two-lines.online, click on upload and download your personal two-lines template. Then print it out, draw on the front side two lines, each a different color, which may touch each other a maximum of one time, and upload it back to the website.

Have fun by @pauljuer

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2 years ago

Printed matter for the student conference „Expanding the Reel“ @ma_kuwi @dieangewandte , which was dedicated to the material, physical aspects of expanded film practices. Photochemical, celluloid-based film practices, manual operations on the film material and autogenerative processes were in the foreground.

In addition to the design, I gave a lecture on the topic of „Filme aus dem Nichts - Der Film als produktives Medium am Beispiel von David Gatten What the Water Said, No. 3 (1998)“, which dealt with László Moholy-Nagy’s essay „Production - Reproduction“ and the camera-less film „What the Water Said, No. 3“, which was released more than 75 years later.

Further contributions came from Marius Fischer, Eddie van Gemmern, Matthias Koller, Anna Ebert, Lisa Heuschober, Julia Wiedenmann and a guest lecture by Kim Knowles. by @pauljuer

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3 years ago

Posters for the exhibitions RABIES BABIES (@finagischli ) and DORMEZ-VOUZ (@hannahsophiedunkelberg ) @das___gericht curated by @leonieherweg

Both posters (printed and digital) were designed with processing only.

In addition, the texts written and performed by @olgahohoh were published as flyers for each opening. taken in Frankfurt am Main, Germany by @pauljuer

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3 years ago

Design of the publication with @leonhardfuchs published by us at @windparkbooks on the occasion of the exhibition “in situ, Über belastete Orte und eine neue Erinnerungskultur” at @kunsthalledarmstadt curated by @jonashoeschl @kaialtheim and @schmidtoccino.

The reader includes texts by @schmidtoccino @schandwache @abiefranklin @bastiangehbauer @leonkahane hannahkatalin @feldmantalya @jonashoeschl @kaialtheim

Available online at your favourite book dealer @windparkbooks in English and German taken in Kunsthalle Darmstadt by @pauljuer

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3 years ago

Titel folgt …

Part of my Diploma “Titel folgt …” @fbg_darmstadt supervised by @frank_philippin (@fbg_students_with)

👀 Have a look at the corresponding website: dipl.designer.paul-juergens.de taken in Fachbereich Gestaltung Darmstadt by @pauljuer

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4 years ago

Klingeln folgt …

Part of my Diploma “Titel folgt …“ @fbg_darmstadt supervised by @frank_philippin (@fbg_students_with)

🔥📸: @okinflair taken in Fachbereich Gestaltung Darmstadt by @pauljuer

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4 years ago

32 times of silence are now online!
Thanks to all who participated!
Go and have a look 👀
→ www.stille-typografie.de by @pauljuer

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4 years ago