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@paulnache

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presents Glen Hayward’s terrific new 🧹 sculpture entitled ‘Inheritage’, created from native and exotic timbers with paint, measuring 135 x 54 x 33cm is now showing @paulnache #gisborne #gallery IMG X @thomasteutenberg courtesy of the artist©️ @hayward.g and PAULNACHE taken in Paul Nache Gallery by @paulnache

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a day ago

Detail of Amy Potenger’s latest work ‘Typosquatting’ alongside Glen Hayward’s ‘Guggenheim’ Polaroid @paulnache IMG X @thomasteutenberg

Amy Potenger & Glen Hayward @paulnache #gisborne taken in Paul Nache Gallery by @paulnache

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5 days ago

New exhibition by Amy Potenger & Glen Hayward is open today @paulnache #gisborne come upstairs to view the extraordinary contemporary works on display and meet @amypotenger open from 11am-1pm IMG X Amy of Tristian taken in Paul Nache Gallery by @paulnache

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9 days ago

presents Error Handler (2024-2026) by Amy Potenger (b. 1988), a Tāmaki Makaurau Auckland-based artist working across painting, drawing, collage, and printmaking.

Acrylic and oil on canvas on canvas 100 x 125 x 3.5cm

Currently undertaking a practice-led PhD at AUT, Amy works between digital tools and hand-painted surfaces, building layered images from stickers, text, and reused fragments of her own paintings.

Preview: Friday 9 October 2026, 5-7pm @paulnache Exhibition: 9-31 October 2026 (or by appointment)

DM us for more details or visit paulnache.com

@amypotenger @paulnache #contemporaryart #tairawhiti #gisborne #gallery #thefuture taken in Paul Nache Gallery by @paulnache

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18 days ago

I’m excited about this project w @amypotenger & @hayward.g @paulnache - dates + details above ⬆️ Look forward to seeing everyone! 👁️🙏👁️ taken in Paul Nache Gallery by @paulnache

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23 days ago

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a month ago

Join Glen Hayward (@hayward.g) for a floor talk of his installation 𝘽𝙚𝙩𝙩𝙚𝙧 𝙋𝙖𝙪𝙡 𝙎𝙖𝙪𝙡 in the PAULNACHE booth at ꜱʏᴅɴᴇʏ ᴄᴏɴᴛᴇᴍᴘᴏʀᴀʀʏ

Find PAULNACHE in booth A06 ☆ taken in Carriageworks by @paulnache

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a month ago

It was a pleasure to share our installation at @sydneycontemporary 10th Edition with Australia’s Governor-General Sam Mostyn & her husband Simeon Beckett SC @paulnache @hayward.g @teifiwylde_ @carriageworks @sydney taken in Sydney Contemporary by @paulnache

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a month ago

presents Glen Hayward at PAULNACHE Booth A06. Step into ‘Better Paul Saul’, Hayward’s installation of hand-carved wooden security cameras and signs — each one a faithful replica of a real camera photographed in cities including London, Austria, Switzerland, Sydney and New York. Carved from wood and paint, these humble objects turn surveillance back on itself, inviting dialogue rather than watching. Join us today @sydneycontemporary to discuss the ideas behind the work, from carving as an ancient form of mark-making to the title’s nod to Saul’s uncertain road to Paul.

Glen Hayward @hayward.g📍Visit us @Sydney Contemporary 2026 @PAULNACHE Booth A06, @carriageworks IMG X @documentphotography 📩 DM us for details or see, paulnache.com Thx 🙏 @artcollectormagazine free 10th edition fair copies available! taken in Sydney Contemporary by @paulnache

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a month ago

presents

Better Paul Saul is an installation of carved and painted wooden security cameras and signs by New Zealand sculptor Glen Hayward, presented by PAULNACHE at Booth A06, Carriageworks, Sydney Contemporary 2026.

Hand-carved from wood and assembled from photographs taken across international destinations — London, Austria, Switzerland, Sydney and New York — these humble objects speak to the oldest of human impulses: carving as proto-writing, mark-making, encounter with material. The work takes its title from a question about conversion: what did Saul leave behind on the road to becoming Paul, and was the uncertainty of those three blind days the more honest revelation?

In his 25+ year career, Hayward’s work has been presented at Sydney Contemporary, UNSW, the Canberra Art Biennial, Spring1883 and Quality, Melbourne. His work is held in private collections across Switzerland, Hong Kong, New York, Singapore, Australia and New Zealand, and in public collections including the Sarjeant Gallery Te Whare o Rehua; Christchurch City Gallery Te Puna o Waiwhetu; Auckland Art Gallery Toi o Tāmaki; the Chartwell Collection; the Jim and Mary Barr Collection; the Chris and Charlotte Swasbrook Collection, the Parkin Collection, the Arts House Trust, Auckland and the Cato Collection in Sydney. Hayward has been represented by PAULNACHE since 2013.

Artist / Sculptor: Glen Hayward @hayward.g📍Visit us @Sydney Contemporary @PAULNACHE Booth A06, @carriageworks 📩 DM us for details or see, paulnache.com 3—6 September 2026 💙 taken in Sydney Contemporary by @paulnache

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2 months ago

After a couple of queries about past posted images, the most common was (paraphrasing) 'what are the blue, blobby sheets on the wall?'. When I got to Aotearoa, @Paulnache and I got talking about the presentation of the show - with the focus on the painterly and the survey-like narrative, we thought it would be a good idea to have extended labels. Not wanting to have it too museumy, we thought hand painted labels might work. I set to work painting them with not much preparation (and luckily not too many spelling mistakes or grammatical errors) over a couple of days before the my two exhibition openings which where a day apart. The labels give a personal recollection of how the series or works came about and often, how they related to either Aotearoa/New Zealand, the USA or, in regards to the #Isolationpaintings, both locations. Now that I'm back in the States, I'm regrouping and getting a chance to look over the exhibition and artworks in the show that go back to 1999. It's been a fun, energetic and lucrative 20 years with #paulnache and it was great to celebrate the milestone with this gathering of artworks. The labels are now being rewritten to be included in a possible publication and other exhibition opportunities. Big thanks to PN for scanning these as I forgot to get images of these before I left! taken in Paul Nache Gallery by @paulnache

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2 months ago

This stunning composition created with oil and gold on panel painted @matthew_couper_studio #lasvegas entitled ’Boat Ride (S-104, Pg 202, Nakov)’ is now part of a unique private collection📍in Aotearoa New Zealand.

Art history has long invested blue with extraordinary weight. Ultramarine, ground from Afghan lapis lazuli, once carried the prestige of gold, allowing painters such as Giotto to transform the heavens into something tangible yet unreachable. Couper inherits none of that reverence directly, but he understands blue’s peculiar ability to hold contradiction: beauty and melancholy, abundance and absence, permanence and loss. See paulnache.com for more details and available works.

#matthewcouper @paulnache #tūranganuiakiwa #gisborne #collectorslove taken in Paul Nache Gallery by @paulnache

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2 months ago