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Ping Ho 何苹

@pingho.art

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📍@thecube_space
🌐 @sonicshaman.festival
👣 @curatorsintl
🌊 @thedistanceofblue

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🌱Upcoming orbit screening:

𝗜𝗻𝘁𝗼 𝘁𝗵𝗲 𝗪𝗲𝗹𝗹, 𝗖𝗼𝗻𝗰𝗿𝗲𝘁𝗲 𝗛𝗼𝗿𝗶𝘇𝗼𝗻

Friday 16.10.2026 / 8:30pm
hosted by @walnut.well

Works by:
Ali Amiri @araniom
Kat Bawden @bawdenka
Kaya & Blank @kaya.blank
Sophia Leitenmayer @sophia.fngr
Naoto Nakamura @naoto0_0
Lydia Nsiah @_lydiansiah
Sorn Patharakorn @sornr
Tian Skultan @tianskultan
Thi Hong Linh @lintendooo
Ping Ho — Curatorial Reflection
@pingho.89 @pingho.art

Curated by Rio Usui / orbit
@rio_usui @orbit_platform

The screening concept takes the well as a starting point, thinking through its vertical and horizontal associations. Vertically, it considers the well as a space of depth, descent, and looking inward. Horizontally, it follows the concrete surface of a well, on the former Nuss Brunnen Feld, and the flow of water extending toward the port, the sea, and the horizon beyond.

The works in the program engage with these relationships through different distances between the body, nature, objects, and architecture, as well as through different ways of looking and sensing space. The screening will take place within the space of Walnut Well itself, so the site and its architectural surfaces will also become part of the viewing experience.

orbit is an international and interdisciplinary platform for exhibition and publication, extending across conversations, interviews, research, and other forms of exchange, founded and directed by Rio Usui.
From autumn 2026, orbit will be hosted by Walnut Well, where it will develop and present a series of activations and cultural events.

Address:
Walnut Well – Experiencing and Sensing Spaces
Fabrik 1230 (Courtyard), Kunst- und Kulturareal Breitenfurter Str. 176, 1230, Vienna
@walnut.well
@hanakogeierhos
@florianschmidt_artist

Accessibility:
S-Bahn or U6 Meidling, change to Bus 62A, Bildungscampus Atzgersdorf
Entrance: gate to the inner courtyard / between the pharmacy and the fitness center

We are looking forward to welcoming you! 🍿 taken in Vienna, Austria by @pingho.art

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9 days ago

“Blue is the color of longing for the distances you never arrive in…”

Thank you @jennijenni_iii for this thoughtful review of “The Distance of Blue”, written somewhere between afar and close.

Grateful to @magazine_refresh.art for the space.

🔗 [link in bio / or below]
https://www.refresh.art/reviews/afar-and-close-simultaneously-on-exhibition-the-distance-of-blue/

#TheDistanceOfBlue
thedistanceofblue.com
@thedistanceofblue

#TheWrongBiennale
@thewrong.biennale by @pingho.art

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7 months ago

"The distance of blue" review now online on www.refresh.art

Curated by @pingho.89

Text by @jennijenni_iii by @pingho.art

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7 months ago

A gathering across distance.

Thank you to everyone who came, watched, listened, and spent time with the works—whether through the screening, the installation, online or passing by the window.

What began as a dispersed, digital field briefly came into proximity—images, sounds, and gestures meeting in shared space.

With gratitude to all participating artists, Joe Wakeman and Millennium Film Workshop for making this moment possible.

🌊 Until the next drift.

#MillenniumFilmWorkshop #Embassy
March 6th, 2o26 to March 20th, 2o26
@millennium_film

#TheDistanceOfBlue
November 1st, 2o25 to March 31st, 2o26
thedistanceofblue.com
@thedistanceofblue

#DigitalExhibition #Pavillion
TheWrongBiennale
@thewrong.biennale

Photographs by Joe Wakeman. taken in Millennium Film Workshop by @pingho.art

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7 months ago

My latest film Transmission Artifact is playing live March 06 @millennium_film with a group of artists from @thedistanceofblue pavillion @thewrong.biennale. Thank you @pingho.art for curating 💙💙💙💙 Cosmic auditors arrive to compile Earth’s ecological crimes and biological collapse as the planet deteriorates into a mechanical simulation of nature, serving as a cautionary study transmitted across galaxies. taken in Millennium Film Workshop by @pingho.art

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7 months ago

Blue as distance; blue as drift.

50 works by 49 artists around the world––
drifting between image, video, sound, and code.

𝙏𝙝𝙚 𝘿𝙞𝙨𝙩𝙖𝙣𝙘𝙚 𝙤𝙛 𝘽𝙡𝙪𝙚 is an online exhibition pavilion curated by Ping Ho (@pingho.art) for The Wrong Biennale 7th Edition.

The exhibition features work by Adrian Sorin Sinescu (@adriansinescuart), Alexandra Light (@farbie), Andrey Berger (@andreyberger), BAKUDI SCREAM (@bakudiiiiiiiiiii), blanche the vidiot (@blanchethevidiot), Bodini (@bumps), castroduperly (@castroduperly), madison mae parker (@madisonmaeparker), Chen-Yi Wu (@chenyiwu_film), Durdija Vucinic (@durdija_vu), EJ Lee (@ejleee_studio), emily d'achiardi (@sft4u), Enrico Dedin (@enrico.dedin), erica shires (@erica_shires), F. C. Zuke (@fczuke), Gia Abucejo (@giaabucejo), GoodBytes, gordon fung (@gordon.d.fung), Harper Austin (@harper_austin__), Hengyi Tong (@hengyi_tong), Hesam (@hesam_salehbeig), HWIY (@hwiyfilm), Iikkamatti Hauru (@iikkamattihauru), Iza Koczanowska (@islaparadis), Jamey Hart (@jamey.hart), Jiaqi Liu (@jiaqiliu__), Julie Derbyshire (@juliederbyshire), Keithlyn Steter Alves (@keithlyn_steter), Kim Jung Soo (@kimjungsoo_studio), mattia benedetti, Mizuho Nishioka, Omnia Sol (@omniasol.art), Pao Chutijirawong (@pao.chutijirawong), Pavel Malakhov (@malhovi), Philip Ringler (@philipringler), Rachel Jungeun Oh (@racheljungeunoh), RAMON DE BENITO (@ramon_lopez_benito), Robin Moedder (@robin.moedder), Shaun Hu (@shaunhu_), Shenghan Gao (@merrrena), Sohyun Lee (@mais.sue), Stephen Roddy (@stephen.roddy), stochastic reverie (@stochastic_reverie), The Landscape is Dead (@TheLandscapeIsDead), Tzuen Wu (@tzuenwu_theo), Valkyrie Yao (@vlkyink), Vera Gailis (@vera_gailis), yiyisogreen (@_rerereere), zilion (@zil.ion)

Images and videos courtesy of the artists of The Distance of Blue. Sound from “The Tragedy of Hikikomori Loveless” by BAKUDI SCREAM (Rohan Chander).

🌊

#TheDistanceOfBlue
November 1st, 2o25 to March 31st, 2o26
thedistanceofblue.com
@thedistanceofblue

#DigitalExhibition #Online #Pavillion
#TheWrongBiennale
@thewrong.biennale by @pingho.art

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7 months ago

🎥 𝗧𝗛𝗜𝗦 𝗙𝗥𝗜𝗗𝗔𝗬 𝟯/𝟲 𝟳𝗣𝗠 🌊
MILLENNIUM FILM WORKSHOP PRESENTS:
𝙏𝙝𝙚 𝘿𝙞𝙨𝙩𝙖𝙣𝙘𝙚 𝙤𝙛 𝘽𝙡𝙪𝙚
An online exhibition pavilion curated by Ping Ho as part of The Wrong Biennale 7th Edition

Friday, March 6
IN-PERSON 7:00 PM EST
MILLENNIUM FILM WORKSHOP
167 Wilson Ave, Brooklyn, NY 11237

Saturday, March 7
ONLINE 9:00 AM EST
MILLENNIUMFILM CHANNEL
https://www.millenniumfilm.org/mfw-channel

#MillenniumFilmWorkshop #Screening
#DigitalExhibition #Online #Pavillion
#ExperimentalFilm #DigitalArt
#TheWrongBiennale
@thewrong.biennale

#TheDistanceOfBlue
November 1st, 2o25 to March 31st, 2o26
thedistanceofblue.com
@thedistanceofblue taken in Millennium Film Workshop by @pingho.art

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7 months ago

𝟯/𝟲 𝗠𝗜𝗟𝗟𝗘𝗡𝗡𝗜𝗨𝗠 𝗙𝗜𝗟𝗠 𝗪𝗢𝗥𝗞𝗦𝗛𝗢𝗣 🎥

We’re honored to share that 𝙏𝙝𝙚 𝘿𝙞𝙨𝙩𝙖𝙣𝙘𝙚 𝙤𝙛 𝘽𝙡𝙪𝙚 will be presented at Millennium Film Workshop (@millennium_film）on March 6 at 7:00 PM EST in New York!

Curated by Ping Ho (@pingho.art), the pavilion brings together 50 works by 49 artists exploring distance, perception, longing, and the emotional geography of blue. Conceived as a browser-based exhibition, the project drifts between ocean and interface, reflecting on how digital space reshapes our sense of proximity and presence.

For this special presentation, 36 video works will move from screen to cinema, gathering in a shared physical space at Millennium Film Workshop, a historic home for experimental moving-image practices and artist-centered community. In addition to the screening, a browser station will be installed in the gallery, allowing visitors to explore the full online pavilion in person, on view through March 20, 2026.

🎥 𝟯/𝟲 𝗦𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗮𝘁 𝗠𝗜𝗟𝗟𝗘𝗡𝗡𝗜𝗨𝗠 𝗙𝗜𝗟𝗠 𝗪𝗢𝗥𝗞𝗦𝗛𝗢𝗣
🗓️ March 6, 7:00 PM EST (Films 7:30 PM)
📍 167 Wilson Ave, Brooklyn, NY 11237
🌐 A livestream will follow on March 7, 9:00 AM EST to welcome audiences across time zones.

🔗 RSVP/Info: https://www.millenniumfilm.org/event-details/the-distance-of-blue [link in bio]

Thank you to Millennium Film Workshop for hosting this gathering, and special thanks to the Executive Director Joe Wakeman (@josefwakemanmgf) for coordination. We look forward to sharing this blue horizon together—across cities, screens, and the ocean.🌊

#MillenniumFilmWorkshop #Screening
#DigitalExhibition #Online #Pavillion
#ExperimentalFilm #DigitalArt
#TheWrongBiennale
@thewrong.biennale

#TheDistanceOfBlue
November 1st, 2o25 to March 31st, 2o26
thedistanceofblue.com
@thedistanceofblue taken in Millennium Film Workshop by @pingho.art

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8 months ago

50 works. 49 artists. One field of blue.

A gathering of moving images, interfaces, gestures, and shifting horizons drifting between distance and proximity, memory and signal.

More soon — in both browser and physical space.

#TheDistanceOfBlue
November 1st, 2o25 to March 31st, 2o26
thedistanceofblue.com
@thedistanceofblue

#DigitalExhibition #Online #Pavillion
#TheWrongBiennale
@thewrong.biennale by @pingho.art

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8 months ago

𝙏𝙝𝙚 𝘿𝙞𝙨𝙩𝙖𝙣𝙘𝙚 𝙤𝙛 𝘽𝙡𝙪𝙚 is an online exhibition pavilion curated by Ping Ho as part of The Wrong Biennale 7th Edition (Nov 1, 2025 – Mar 31, 2026). The exhibition explores the ocean as a metaphor for longing, displacement, and transformation—drawing inspiration from Rebecca Solnit's idea of The Blue of Distance. Bringing together artists working with digital media, AI, and imagery, the pavilion reflects on how blue, both color and concept, embodies the tension between the visible and the invisible, the near and the far. It invites viewers to drift across screens as if over water, encountering works that question the boundaries of place, memory, and connection in our increasingly fluid digital world.

𝙏𝙝𝙚 𝘿𝙞𝙨𝙩𝙖𝙣𝙘𝙚 𝙤𝙛 𝘽𝙡𝙪𝙚 brings together 50 works from 49 artists around the world, including Adrian Sorin Sinescu, Alexandra Light, Andrey Berger, BAKUDI SCREAM, blanche the vidiot (Szabina Péter, Kristóf János Bodnár), Bodini, castroduperly + madison mae parker, Chen-Yi Wu, Durdija Vucinic, EJ Lee, emily d'achiardi, Enrico Dedin, erica shires, F. C. Zuke, forevermidi.com, Gia Abucejo, GoodBytes, gordon fung, Harper Austin, Hengyi Tong, Hesam, HWIY, Iikkamatti Hauru, Iza Koczanowska, Jamey Hart, Jiaqi Liu, Julie Derbyshire, Keithlyn Steter Alves, Kim, Jung Soo, mattia benedetti, Mizuho Nishioka, Omnia Sol, Pao Chutijirawong, Pavel Malakhov, Philip Ringler, Rachel Jungeun Oh, RAMON DE BENITO, Robin Moedder, Shaun Hu, Shenghan Gao, Sohyun Lee, Stephen Roddy, stochastic reverie, The Landscape is Dead, Tzuen Wu (Theo), Valkyrie Yao, Vera Gailis, yiyisogreen, zilion.

This digital pavilion is developed by Yueh-Han Huang.

#TheDistanceOfBlue
November 1st, 2o25 to March 31st, 2o26
thedistanceofblue.com
@thedistanceofblue

#DigitalExhibition #Online #Pavillion
#TheWrongBiennale
@thewrong.biennale by @pingho.art

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a year ago

🟢 Around Roundy: The Round Thing 🟢
“Even though we’re far apart, we are sharing inside the same circle.”
A performance where circles connect across oceans: a live video call between New York and Taipei, Taiwan, rice cakes shared with the audience, and conversations looping back like a never-ending orbit.

Join us for a performance that rolls between presence and memory.

Artists: Hannah Bang & Ping Ho
Time: Saturday 9/6, 6–8:30 pm (ETA 7:30—it’s ours!)
Location: Essex Flowers, 19 Monroe Street, New York, NY 10002.

🔗 Registration link in our Bio or below:
https://FlowerFest2025.eventbrite.com

🌼 2025 Flowers Fest Info:
https://essexflowers.us/FLOWERS-FESTIVAL-2025

Around Roundy: The Round Thing is part of the Essex Flowers (@essexflowers) 11th Annual Flowers Fest, organized by Sonya Derman (@sonyaderman), Xinan Helen Ran (@hdogthefurtrader), and Dino Takashi (@dinoshmoodio). taken in Essex Flowers by @pingho.art

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a year ago

雙重國籍的房間：S1：台北 — 紐約（紐約站）

相距一個太平洋，時差日夜顛倒，我在我房間，也做了一場駐村交換。

（文/DTA)
在過去，如果想要申請海外交流或駐村機會，需要大量的金錢、時間、以及一定程度的外語能力和計劃性，為了解決問題，在今年，由獨立策展人施啟元發起的「雙重國籍的房間」試圖創造美又省、得來速，不必出國、花大錢也能執行的海外交流形式。

「雙重國籍的房間：台灣-紐約」是獨立策展團隊DTA的第一項計劃，也邀請到旅居於紐約的何苹、鄭曼翎作為協同策展人，並與詹子瑩、曾乙心、楊之儀一同發展，進行一場特別的Open call，並設計了一套讓藝術家展現房間、與氛圍的表格，讓他們創造文本，並由DTA進行仲介和交換，打造最快、輕便的交換房間計劃。

第一期徵件，順利邀請到了16位藝術家：倪祥、高安柏、黃筱雯、詹雨樹、鍾佳陵、吳柏賢、葉珈妤、歐鈞淞、NAZLI EFE 、Yumiko Ono、Karly Smith、Ariana Swei、Ningyao Yen、Alexander Zev、Erica Shires、Peyton Chiang等人，並進行了為期15日的線上交流、以及一次性的線上對談，最終產出了風格多變的16件作品，並於台灣台北市和美國紐約市的空間進行展出。

台灣於台北市水谷藝術展出，現場打造了紐約、台灣兩種不同風格的展間，將16位藝術家的作品呈現於空間內。紐約展覽將於 2025 年 8 月 27 日於 456 藝廊進行一日快閃展出，由何苹策劃，鄭曼翎負責展覽現場協調與執行。當日亦將同步舉辦與台灣連線的記者會與座談活動，讓更多觀者認識這項特別且快速的海外交流實驗計畫。

謝謝所有參與的藝術家，使這個計劃見證了一個房間的本質如何跨越海洋旅行—它透過文字被傳遞，藉由藝術被轉化，而在這個過程中，一段全新的連結也被「翻譯」並孕育而生。

謝謝無敵的曼翎(@manning1109)，不僅快速地融入接我的球，還一手幫辦紐約現場！特別感謝DC(@dctumusic)的大力協助才得以讓展覽順利呈現，以及攝影師Toni(@toni_hsu_0914)的展覽紀錄！

謝謝@meownt17邀請參與這個計劃以及DTA(@dtart_studio)的團長健裕執行操作，並特別感謝策展顧問海鳴老師、龍斌老師牽線與美華藝術協會(@caacarts)讓這一切發生。

最後，謝謝所有前來的人！

展覽資訊:
Cross-Cultural Room Exchange: Taipei–New York
時間: Aug 28 (三), 2025 1:00 - 8:00 PM
開幕: 5-8:00 PM; 藝術家／策展人講座對談: 6:30 PM
地點: CAAC/Gallery 456 (456 Broadway, 3rd Floor, New York, NY)

更多資訊：https://www.dtart.studio/ccretw

圖片1-3: 紐約展覽連線＆開幕現場
圖片4-5: 我在我房間的連線畫面
圖片6: 不斷更改的展覽平面圖
圖片7: 上班路上與曼的佈展會議
圖片8-9: CAAC佈展現場
圖片10: 千辛萬苦跨洋成功的Luna’s作品
圖片11: Open Call宣傳圖 taken in Gallery 456 / Chinese American Arts Council by @pingho.art

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a year ago