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Ping Ho 何苹

@pingho.art

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📍@thecube_space
🌐 @sonicshaman.festival
👣 @curatorsintl
🌊 @thedistanceofblue
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Into the Well, Concrete Horizon Thanks for everyone for coming and joining to the orbit screening last Friday @walnut.well 🌱🍿🌕 Works by: Ali Amiri @araniom Kat Bawden @bawdenka Kaya & Blank @kaya.blank Sophia Leitenmayer @sophia.fngr Naoto Nakamura @naoto0_0 Lydia Nsiah @_lydiansiah Sorn Patharakorn @sornr Tian Skultan @tianskultan Thi Hong Linh @lintendooo Ping Ho — Curatorial Reflection @pingho.art with Iikkamatti Hauru @iikkamattihauru Iza Koczanowska @islaparadis Rachel Jungeun Oh @racheljungeunoh Hesam Salehbeig @hesam_salehbeig Tzu-En Wu (Theo) @tzuenwu_theo Curated by Rio Usui / orbit @rio.usui @orbit_platform   Walnut Well – Experiencing and Sensing Spaces Fabrik 1230 (Courtyard), Kunst- und Kulturareal
Breitenfurter Str. 176, 1230, Vienna @walnut.well @hanakogeierhos @florianschmidt_artist Photo: @florianschmidt_artist @fabianreetz @igigo.wu @sophia.fngr @saffi_adler
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Upcoming screening: Into the Well, Concrete Horizon Friday 16.10.2026 / 8:30pm hosted by Walnut Well @walnut.well Ping Ho - Curatorial Reflection @pingho.art Curated by Rio Usui / orbit @rio_usui @orbit_platform Address: Walnut Well - Experiencing and Sensing Spaces Fabrik 1230 (Courtyard), Kunst- und Kulturareal Breitenfurter Str. 176, 1230, Vienna
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🌱Upcoming orbit screening: 𝗜𝗻𝘁𝗼 𝘁𝗵𝗲 𝗪𝗲𝗹𝗹, 𝗖𝗼𝗻𝗰𝗿𝗲𝘁𝗲 𝗛𝗼𝗿𝗶𝘇𝗼𝗻 Friday 16.10.2026 / 8:30pm hosted by @walnut.well Works by: Ali Amiri @araniom Kat Bawden @bawdenka Kaya & Blank @kaya.blank Sophia Leitenmayer @sophia.fngr Naoto Nakamura @naoto0_0 Lydia Nsiah @_lydiansiah Sorn Patharakorn @sornr Tian Skultan @tianskultan Thi Hong Linh @lintendooo Ping Ho — Curatorial Reflection @pingho.89 @pingho.art Curated by Rio Usui / orbit @rio_usui @orbit_platform   The screening concept takes the well as a starting point, thinking through its vertical and horizontal associations. Vertically, it considers the well as a space of depth, descent, and looking inward. Horizontally, it follows the concrete surface of a well, on the former Nuss Brunnen Feld, and the flow of water extending toward the port, the sea, and the horizon beyond. The works in the program engage with these relationships through different distances between the body, nature, objects, and architecture, as well as through different ways of looking and sensing space. The screening will take place within the space of Walnut Well itself, so the site and its architectural surfaces will also become part of the viewing experience. orbit is an international and interdisciplinary platform for exhibition and publication, extending across conversations, interviews, research, and other forms of exchange, founded and directed by Rio Usui. From autumn 2026, orbit will be hosted by Walnut Well, where it will develop and present a series of activations and cultural events. Address: Walnut Well – Experiencing and Sensing Spaces Fabrik 1230 (Courtyard), Kunst- und Kulturareal
Breitenfurter Str. 176, 1230, Vienna @walnut.well @hanakogeierhos @florianschmidt_artist Accessibility: S-Bahn or U6 Meidling, change to Bus 62A, Bildungscampus Atzgersdorf  Entrance: gate to the inner courtyard / between the pharmacy and the fitness center We are looking forward to welcoming you! 🍿
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ılııl 記者會回顧 PRESS CONFERENCE RECAP lıılı 「2026 聲波薩滿 × Out in the Loop」遠距共演音樂祭，今天下午在立方計劃空間舉行記者會，正式啟動！！！ 🎙 記者會現場與瑞士 Out in the Loop 團隊連線，並由本屆參與藝術家 倍帝愛波 Betty Apple (@lovebettyapple) 與Social Dis Dance 團員Viktor (@the.nrrtr) 帶來精彩演出，搶先揭開序幕✨ 特別謝謝嘉賓 飛帆 (@feifain) & Calven (@iamcalven）！ 兩座相距 9,500 公里的舞台，將於 11/14–15 即時連線：24 小時跨國共演，再加上台北 6 小時限定節目，逾 30 組來自台灣、瑞士與國際的藝術家、舞者與表演者輪番上場，讓聲音接管晝夜。 音樂祭同步展開藝術作品群募，李傑、蘇育賢、賴志盛、李漢強、林強與丹麥藝術團體 SUPERFLEX 提供作品參與，讓支持不只發生在現場，也能透過收藏延伸成另一種參與方式！ 👉 群募平台資訊 (LINK IN BIO)： https://thecubespace.com/project/sonic-shaman-2026-crowdfunding/ 感謝 23 啤酒 (@23brewing_company) 的支持 🍻 攝影：李嘉昇 📍 台北｜忠泰 RS289（台北市中山區濱江街 289 號）；瑞士琉森｜Neubad 📅 2026.11.14–15 🎟 立即購票：https://thecube.tw/2026sonicshaman (LINK IN BIO) 🔗 官方網站：https://sonicshaman.live/ ▶ ─•──── #SonicShaman #OutintheLoop #立方計劃空間 #TheCubeSpace #聲波薩滿 ılıılıılıılıılıılı The "2026 Sonic “haman × Out in the Loop" telematic ”usic festival officially kicked off this afternoon with a press conference at TheCube Project Space!!! 🎙 The press conference connected live with the Out in the Loop team in Switzerland, with performances by this edition's featured artist Betty Apple (@lovebettyapple) and Viktor (@the.nrrtr) of Social Dis Dance, giving us a first taste of what's to come. Special thanks to our guests Feifain (@feifain) & Calven (@iamcalven) ✨ Two stages, 9,500 km apart, will connect in real time on Nov 14–15: 24 hours of cross-continental co-performance, plus a 6-hour Taipei-only session. Over 30 artists, dancers, and performers from Taiwan, Switzerland, and beyond will take the stage in turn, letting sound take over day and night. The festival is also launching a crowdfunding campaign for artworks. Lee Kit, Su Yo Hen, Lai Chih Sheng, Lee Kan Kyo, Lim Giong, and Danish art collective SUPERFLEX have contributed works, so supporting the festival isn’t limited to the venue; collecting art becomes another way to take part! Thanks to 23 Brewing Co. for their support 🍻 Photo by Jason Lee. 📍 JUT RS289 (Taipei, Taiwan); Neubad (Lucerne, Switzerland) 📅 14–15 November 2026 🎟 Get your tickets: https://reurl.cc/AXLG8Z 🔗 Website: https://sonicshaman.live/
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RECAP💥 2026 A throwback to the @thedistanceofblue screening @millennium_film in NYC. This presentation was a part of a bigger exhibition/pavillion @thewrong.biennale this year. Thanks again to @pingho.art for the curation. Photo by Shenghan Gao More here: 🔗https://thedistanceofblue.com
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🎉 Thank you for joining us last Saturday at the opening of LEE KAN KYO: The Last CD! Familiar faces, old friends, and first-time visitors to TheCube all packed into a space that had quietly turned itself into a record shop — and once the conversations started, they didn’t stop. Memories of record stores, albums nobody can find anymore, songs that stuck for reasons nobody could quite explain. In the talk, Wei Yu, Lee Kan Kyo, and Shih-Lun Chang traced the logic of “to draw is to burn,” and how 1990s CD culture left its particular mark on Taiwan. After the talk, the temperamental old CDJ took things to a whole new level 💽 📖 The Last CD book is now available for pre-order — in person at TheCube or online (until 1 August): https://www.pondingstore.com/products/thelastcd 📌 The Last CD READERS’ POLL is still open — results revealed at the reopening on 1 August: https://forms.gle/KWQyHjBGRpaavgS58 📷 @pingho.jpg ⏯ 展覽資訊 Exhibition Info ↺ 展期 Exhibition dates｜2026.5.23－7.5; 8.1–8.16（週三至日 Wed–Sun, 14:00–20:00） *註：立方端午節2026.6.19休館；7.6~7.31日為暑期休館 *Note: TheCube will be closed on June 19 for the Dragon Boat Festival, and for a summer break from July 6-31. 地點 Venue｜立方計劃空間 TheCube Project Space #LeeKanKyo #TheLastCD #李漢強 #立方計劃空間 #TheCubeProjectSpace ⋆˚ ༘ ೀ⋆｡˚✩⋆｡˚.★ 🎉謝謝大家上週六前來「李漢強：最後のCD」的開幕！ 熟悉的臉孔、老朋友，還有第一次來立方的新朋友，擠在這個臨時變身為唱片行的空間裡，話匣子一開就停不下來——聊著記憶中的唱片行、某張再也找不到的專輯、還有那些說不清楚為什麼就是會記住的歌。座談上，游崴、李漢強和張世倫聊到了「畫圖即燒錄」背後的邏輯，也聊到1990年代的CD文化如何在台灣留下它特有的印記。座談結束後，老舊CDJ的怪脾氣也是把氣氛炒到了頂點！💽 📖 《最後のCD》新書也正開放預購！可至立方現場，或透過以下連結線上預購（8/1截止）：https://www.pondingstore.com/products/thelastcd 📌「最後のCD READERS' POLL」問卷持續開放填寫，結果將於8月1日重新開館時公布：https://forms.gle/KWQyHjBGRpaavgS58 📷 攝影：何苹
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最後のCD今天開幕。對談完Jeph說，瑪莉亞凱莉跟重金屬音樂出現在同一個空間，是他以前絕對想像不到的事，但現在覺得似乎好像也可以！Hikky說以前買韓森或t.A.T.u.總覺得很恥，現在想想那些也都是自己的一部分。 我在瑪莉亞凱莉日本開唱時，遇到的粉絲居然是一些湘南感很強的「日客」（日版台客），又或是我愛聽的重金屬樂團，夢劇場的成員們總是穿類似的黑T恤上台，明明有更酷的衣服吧！那些我不大熟悉的世界，跟不大熟悉的音樂分類ㄧ樣，都是大家真實的樣子。我也混在之中。最後のＣＤ好像折射出了一些平常不好意思承認的自己，但那也都是我！
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“Blue is the color of longing for the distances you never arrive in…” Thank you @jennijenni_iii for this thoughtful review of “The Distance of Blue”, written somewhere between afar and close. Grateful to @magazine_refresh.art for the space. 🔗 [link in bio / or below] https://www.refresh.art/reviews/afar-and-close-simultaneously-on-exhibition-the-distance-of-blue/ #TheDistanceOfBlue thedistanceofblue.com @thedistanceofblue #TheWrongBiennale @thewrong.biennale
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"The distance of blue" review now online on www.refresh.art Curated by @pingho.89 Text by @jennijenni_iii
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A gathering across distance. Thank you to everyone who came, watched, listened, and spent time with the works—whether through the screening, the installation, online or passing by the window. What began as a dispersed, digital field briefly came into proximity—images, sounds, and gestures meeting in shared space. With gratitude to all participating artists, Joe Wakeman and Millennium Film Workshop for making this moment possible. 🌊 Until the next drift. #MillenniumFilmWorkshop #Embassy March 6th, 2o26 to March 20th, 2o26 @millennium_film #TheDistanceOfBlue November 1st, 2o25 to March 31st, 2o26 thedistanceofblue.com @thedistanceofblue #DigitalExhibition #Pavillion TheWrongBiennale @thewrong.biennale Photographs by Joe Wakeman.
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||| FRIDAY, MARCH 06, 2026 ||| The distance of blue (@thedistanceofblue )screening at Millennium (@millennium_film ) in New York 🎥 Mar 06, 2026, 7:00 PM – 11:00 PM Millennium Film Workshop, 167 Wilson Ave, Brooklyn, NY 11237, USA I‘m happy to announce that my experimental video work „CHANGE REMINDER“ will be shown @millennium_film in New York. Learn more about the event and the artists presenting experimental video art and multi-media works on slide 3! Graphics: Slide 1+3 by @millennium_film Slide 2 by @thewrong.biennale Slide 4 video still „CHANGE REMINDER“ by Robin moedder Curated by @pingho.art Director and coordination by @josefwakemanmgf Happy to be a part of it! Flyer der multimedialen Ausstellung „Distance of Blue“ in New York. Abgebildet ist ein minimalistisches Design in Blautönen mit geometrischen Formen und dem Ausstellungstitel in klarer Typografie.
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