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polyphonia_studio

@polyphonia_studio

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Contemporary composition and musical direction for live global events, film, exhibitions, and art performances.

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‘Take Me Home’ by Es Devlin part of the perminant collection at Shenzhen Bay Culture Park, scored by Polyphonia, video by Luke Halls
❤️‍🔥 by @polyphonia_studio

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3 months ago

Jade singing inside Shenzhen Culture Park, mirror maze, an infinite library in SÄO PAULO, rain, NYC, MIAMI, swimming, BASEL, creating, dancing with @benjib and endless JOY collaborating with @esdevlin thank you ❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥 by @polyphonia_studio

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3 months ago

‘A Line of Light’ by Es Devlin scored by Polyphonia, part of the exhibition of 6 large scale installations at Casa Bradesco, Säo Paulo, Brazil. Now extended until 27th September 2026.
❤️‍🔥 taken in São Paulo, Brazil by @polyphonia_studio

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3 months ago

Sou O Otro do Otro
I am the Other’s Other
A monographic exhibition of 6 large scale installations at Casa Bradesco Gallery, São Paulo, Brazil. Now extended until 27 September 2026.
This is the largest exhibition of my installation work, curated by Marcello Dantas, it spans 1500 square metres with 1500-2000 visitors per day, 100,000 so far. It traces parallel lines of enquiry that I have been pursuing over the past decade through 6 large scale installations and is the gallery’s third major exhibition following Anish Kapoor and Eva Jospin. Visitors enter An Infinite Library, a projection-mapped library of 4000 books, which opens into a shimmering glass edition of MirrorMaze, through which they find their way into a house-shaped 25 metre deep edition of Come Home Again, a choral installation of drawings of endangered species, a new narrative light installation, A Line of Light, and Co-Imagine, a 24 metre long collective portrait drawing table. Having contributed their own pencil drawing, visitors take a piece of the exhibition, one of my sketches, home with them from a new edition of Screenshare which comprises 360 of my sketchbooks illuminated by a projection of the choreographer Dam Van Huynh dancing with the shadow of his 17 years younger self.

New editions of these and other installations will be presented in the first retrospective exhibition of my work in Asia at Futura Seoul, Korea, opening on 20 August 2026. An edition of Screenshare is also included in Second Nature, a group show by Superblue at NMACC Mumbai, India, open now until 10 January 2027, and in my solo show Take Me Home, curated by the architect Ma Yansong, and now part of the permanent collection at his magnificent new museum Shenzhen Bay Culture Park.
Links in bio taken in Casa Bradesco by @polyphonia_studio

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3 months ago

Sou O Otro do Otro
I am the Other’s Other
A monographic exhibition of 6 large scale installations at Casa Bradesco Gallery, São Paulo, Brazil. Now extended until 27 September 2026.
This is the largest exhibition of my installation work to date, curated by Marcello Dantas, it spans 1500 square metres with 1500-2000 visitors per day, 100,000 so far. It traces parallel lines of enquiry that I have been pursuing over the past decade through 6 large scale installations and is the gallery’s third major exhibition following Anish Kapoor and Eva Jospin. Visitors enter An Infinite Library, a projection-mapped library of 4000 books, which opens into a shimmering glass edition of MirrorMaze, through which they find their way into a house-shaped 25 metre deep edition of Come Home Again, a choral installation of drawings of endangered species, a new narrative light installation, A Line of Light, and Co-Imagine, a 24 metre long collective portrait drawing table. Having contributed their own pencil drawing, visitors take a piece of the exhibition, one of my sketches, home with them from a new edition of Screenshare which comprises 360 of my sketchbooks illuminated by a projection of the choreographer Dam Van Huynh dancing with the shadow of his 17 years younger self.

New editions of these and other installations will be presented in the first retrospective exhibition of my work in Asia at Futura Seoul, Korea, opening on 20 August 2026. An edition of Screenshare is also included in Second Nature, a group show by Superblue at NMACC Mumbai, India, open now until 10 January 2027, and in my solo show Take Me Home, curated by the architect Ma Yansong, and now part of the permanent collection at his magnificent new museum Shenzhen Bay Culture Park.
Links in bio taken in Casa Bradesco by @polyphonia_studio

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3 months ago

Sou O Otro do Otro
I am the Other’s Other
A monographic exhibition of 6 large scale installations at Casa Bradesco Gallery, São Paulo, Brazil. Now extended until 27 September 2026.
This is the largest exhibition of my installation work to date, curated by Marcello Dantas, it spans 1500 square metres with 1500-2000 visitors per day, 100,000 so far. It traces parallel lines of enquiry that I have been pursuing over the past decade through 6 large scale installations and is the gallery’s third major exhibition following Anish Kapoor and Eva Jospin. Visitors enter An Infinite Library, a projection-mapped library of 4000 books, which opens into a shimmering glass edition of MirrorMaze, through which they find their way into a house-shaped 25 metre deep edition of Come Home Again, a choral installation of drawings of endangered species, a new narrative light installation, A Line of Light, and Co-Imagine, a 24 metre long collective portrait drawing table. Having contributed their own pencil drawing, visitors take a piece of the exhibition, one of my sketches, home with them from a new edition of Screenshare which comprises 360 of my sketchbooks illuminated by a projection of the choreographer Dam Van Huynh dancing with the shadow of his 17 years younger self.

New editions of these and other installations will be presented in the first retrospective exhibition of my work in Asia at Futura Seoul, Korea, opening on 20 August 2026. An edition of Screenshare is also included in Second Nature, a group show by Superblue at NMACC Mumbai, India, open now until 10 January 2027, and in my solo show Take Me Home, curated by the architect Ma Yansong, and now part of the permanent collection at his magnificent new museum Shenzhen Bay Culture Park.
Links in bio taken in Casa Bradesco by @polyphonia_studio

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3 months ago

FIFA World Cup 2026 Opening Ceremonies.

Over the past months, across Mexico City, Los Angeles and Toronto, we have been composing and musical directing a series of interconnected works shaped by the traditions, rhythms and voices of the host nations.

Working alongside @cnproductiondesign @balichwonderstudio @marcobalich_bws and an extraordinary team of musicians, cultural contributors, drum ensembles, artists, producers and technicians across three countries, we have developed a shared musical language rooted in place and collective experience.

Alongside the musical direction and composition, @jade_pybus has been performing vocals and @andy_theakstone drums, keeping us connected to the musical practice at the heart of Polyphonia.

Three ceremonies complete. Three still to come!

FIFA World Cup 2026 Opening Ceremonies Team
Creative Lead Marco Balich
Creative Director, Costume & Production Designer Carlos Navarrete-Patiño
Project Leader Claudia Cattai
Project Director Annalisa Barbieri
Executive Producer Julian Hill
Head of Production John McCullagh
Music Producer Nicoletta Sinatti

Los Angeles Ceremony Team
Co-Creative Director Jenny Koons
Co-Creative Director & Production Designer Heather Shaw
Show Director & Head of Choreography Michael Peña
Costume Designer Marina Toybina
Technical Director Pedro Henrique Vilela Zuchi
Project Manager Anne Tanaka
Music Composition Polyphonia
Video Content Producer Ahmed Abdel Al with NorthHouse taken in Los Angeles, California by @polyphonia_studio

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4 months ago

FIFA World Cup 2026 Opening Ceremonies.

Over the past months, across Mexico City, Los Angeles and Toronto, we have been composing and musical directing a series of interconnected works shaped by the traditions, rhythms and voices of the host nations.

Working alongside @cnproductiondesign @balichwonderstudio @marcobalich_bws and an extraordinary team of musicians, cultural contributors, drum ensembles, artists, producers and technicians across three countries, we have developed a shared musical language rooted in place and collective experience.

Alongside the musical direction and composition, @jade_pybus has been performing vocals and @andy_theakstone drums, keeping us connected to the musical practice at the heart of Polyphonia.

Three ceremonies complete. Three still to come!

FIFA World Cup 2026 Opening Ceremonies Team
Creative Lead Marco Balich
Creative Director, Costume & Production Designer Carlos Navarrete-Patiño
Project Leader Claudia Cattai
Project Director Annalisa Barbieri
Executive Producer Julian Hill
Head of Production John McCullagh
Music Producer Nicoletta Sinatti by @polyphonia_studio

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4 months ago

FIFA World Cup 2026 Opening Ceremonies.

Over the past months, across Mexico City, Los Angeles and Toronto, we have been composing and musical directing a series of interconnected works shaped by the traditions, rhythms and voices of the host nations.

Working alongside @cnproductiondesign @marcobalich_bws @balichwonderstudio and an extraordinary team of musicians, cultural contributors, drum ensembles, artists, producers and technicians across three countries, we have developed a shared musical language rooted in place and collective experience.

Alongside the musical direction and composition, @jade_pybus has been performing vocals and @andy_theakstone drums, keeping us connected to the musical practice at the heart of Polyphonia.

Three ceremonies complete. Three still to come!

FIFA World Cup 2026 Opening Ceremonies Team
Creative Lead Marco Balich
Creative Director, Costume & Production Designer Carlos Navarrete-Patiño
Project Leader Claudia Cattai
Project Director Annalisa Barbieri
Executive Producer Julian Hill
Head of Production John McCullagh
Music Producer Nicoletta Sinatti

Mexico City Ceremony Team
Creative Director, Costume & Production Designer Carlos Navarrete-Patiño
Artistic Director Alejandra Gonzales
Head of Choreography Citlalli Caballero
Trophy Designer — Eugenio Caballero
Music Composition Polyphonia
Video Content Producer Ahmed Abdel Al, NorthHouse taken in Mexico City by @polyphonia_studio

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4 months ago

MILANO 2026 by @polyphonia_studio

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4 months ago

MILANO 2026 by @polyphonia_studio

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4 months ago

Spring in full action, and we are filled with that special optimism that inspires us to look further.

This edition we embrace innovation, magic, and the power of optimism through our wonderful network of artists, scientists, and creators. From illustrator Lou Bensch (@un_loup) to Chef Chantelle Nicholson (@chef_chantelle) , @shellworks_ Co-Founder Amir Afshar, and @polyphonia_studio at Milan Design Week.

What connects them isn’t obvious. That’s the point.

Sign up via the link in bio to read the Spring Edit. by @polyphonia_studio

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5 months ago