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Polyphonia

@polyphonia_studio

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Contemporary composers exploring polyphony, voice and sound as spatial material. Creating musical landscapes of connection, emotion and euphoria.
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An absolutely stunning evening performing at the @britishmuseum for their ball last weekend. @esdevlin created this gorgeous light piece… @jamesaddouglas and I performed a lovely new composition by @polyphonia_studio within it 💕
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미러 메이즈 Mirror Maze 2026 20년의 사유와 치밀한 건축적 계산의 산물 9월 말 막을 내리는 베니스 ‘호모 파베르(Homo Faber)’의 아티스틱 디렉터, 그리고 오는 10월 2일 오픈하는 런던 디자인 뮤지엄(Design Museum)의 전시까지. 지금 전 세계 예술계가 가장 치열하게 주목하는 동시대 아티스트 에스 데블린(Es Devlin)의 현재는 서울 북촌의 푸투라서울과 실시간으로 이어져 있습니다. 전 세계 곳곳에서 가장 독창적인 무대와 전시을 만들어내고 있는 그녀가 오직 푸투라서울만을 위해 설계한 방, 〈미러 메이즈〉의 숨겨진 이야기들을 소개합니다. 1. 7.4미터 높이, 4층으로 이루어진 거울 미로 푸투라서울의 10.8m의 층고를 이용해 7.4m로 잘라 가득 채운 이 방은 무려 4개 층의 거울 구조로 이루어져 있습니다. 수천장의 거울이 위아래와 사방으로 서로를 끝없이 되비추며 아득한 공간감을 만듭니다. 2. 13개의 스피커를 채우는 폴리포니아(Polyphonia)의 음악 반짝이는 거울에만 시선을 빼앗기지 마세요. 이 방에는 13개의 스피커가 숨겨져 있습니다. 사방에서 감싸 안듯 흐르는 ‘폴리포니아’의 음악이 빛의 반사와 맞물려 공간을 하나의 거대한 악기처럼 울리게 합니다. 3. 나를 보려 해도 ‘타인’만 보이도록 계산된 거울의 각도 당연히 내 모습을 볼 수 있을 거라는 생각으로 들어서지만, 이곳의 모든 거울은 각도가 치밀하게 조절되어 있습니다. 어떤 곳에서는 아무리 나를 찾으려 해도 내 모습은 보이지 않고, 오직 같은 공간을 걷는 ‘다른 사람들’만 보이게 됩니다. 물리적인 각도를 틀어 나를 넘어 타인과 마주하게 만드는 것, 에스 데블린이 공간을 통해 ‘현존(Presence)’을 일깨우는 방식입니다. 4. 미로 뒤편에 숨겨진 20년의 진짜 도면들 (2006–2026) 미로를 경험한 뒤, 그 뒤편 공간도 놓치지 마세요. 2006년 에스 데블린이 〈미러 메이즈〉를 처음 상상하며 그렸던 초기 스케치부터 2026년 푸투라서울을 위해 치열하게 작업한 실제 설계 도면까지, 20년에 걸친 작가의 생생한 작업 기록을 직접 엿볼 수 있습니다. 거울 속에서 마주한 시선이 자신을 넘어 우리가 함께 살아가는 더 넓은 세계로 향하는 곳. 지금 세계 예술의 중심에 서 있는 에스 데블린의 30년 사유와 현재를 푸투라서울에서 경험해 보세요. 《세 번째 시: 에스 데블린, 다시 집으로》 3rd Poem: Es Devlin, Come Home Again 📍 푸투라서울 | 서울 종로구 북촌로 61 🗓 2026.8.20 – 2027.1.17 🕒 화–금·일 10:00–18:00 / 토 10:00–19:00 / 월 휴관 🎟 예매는 프로필 링크에서 #FUTURASEOUL #ESDEVLIN #푸투라서울 #에스데블린
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"다시 집으로 Come Home Again" 2022년 런던 테이트 모던 미술관(Tate Modern) 에서 처음 선보인<Come Home Again>은 런던의 우선보전 대상 243종을 그리고, 그 이름을 기억하고 함께 부르는 것에서 시작되었습니다. 그리고 2026년, 서울. 푸투라서울에서 선보이는 <다시 집으로>에는 런던의 생물종과 함께 서울에 살아가는 생물종들이 새롭게 더해졌습니다. 런던에서 시작된 작업은 서울에서 새롭게 확장되어, 런던과 서울의 생물종을 함께 불러냅니다. 그들의 모습을 그리고, 이름을 배우고, 목소리와 합창으로 다시 부르는 행위를 통해 우리가 다른 생명들과 하나의 '집'을 공유하고 있음을 환기합니다. 한 도시에서 다른 도시로 이동하며 작품은 그곳에 함께 살아가는 생명들을 다시 바라보고, 새로운 이름들을 기억합니다. 서울에는 약 6,000종의 생물이 살아갑니다. 인간은 그중 하나의 종입니다. 우리가 ‘집’이라고 부르는 곳은 인간만의 공간이 아니라 수많은 생명들이 함께 살아가는 장소일지도 모릅니다. “Home is the other we carry inside us.” “집은 우리 안에 품고 살아가는 타자이다.” — JJ Bola 음악은 폴리보니아(Polyphonia)와 함께한 컴홈어게인 다시집으로의 일부입니다. First presented in London Tate Modern in 2022, Come Home Again began with 243 species on London’s priority conservation list. For Come Home Again at FUTURA SEOUL, species living in Seoul join those from London. Through drawing their forms, learning their names, and calling them back through voice and chorus, the work reminds us that we share a single “home” with other forms of life. Around 6,000 species live in Seoul. Humans are only one of them. Perhaps the place we call “home” is not ours alone, but a place shared with countless other forms of life. “Home is the other we carry inside us.” — JJ Bola 《세번째 시 : 에스 데블린, 다시 집으로》 3rd Poem : Es Devlin, Come Home Again #푸투라서울 #에스데블린 #FUTURASEOUL #ESDEVLIN #Polyphonia
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𝗙𝗜𝗙𝗔 𝟮𝟬𝟮𝟲 𝗧𝗢𝗥𝗢𝗡𝗧𝗢 𝗢𝗣𝗘𝗡𝗜𝗡𝗚 𝗖𝗘𝗥𝗘𝗠𝗢𝗡𝗬 My first ceremony ❤️ Looking back through these photos, what I remember most isn’t actually the show day. It’s all the time spent together along the way: weekly zoom calls, factory visits, rehearsals under the hot sun, shared meals, stressful moments, silly moments, and a lot of hard work! I’m incredibly grateful to @balichwonderstudio for trusting me with this as Production Designer. And to @cnproductiondesign @julesoir @luisflorenci0 @alex_francoeur @catherinejhayward , Hannah @tommishen @kxchris @_maicontenta and everyone who was part of this journey, thank you. There are so many people I can’t possibly name here, but I really couldn’t have done it without you. Until the next one x Created and produced by @balichwonderstudio  Creative Lead @marcobalich_bws
Creative Director @cnproductiondesign 
Project Director: Annalisa Barbieri
Executive Producer: @julesoir Creative Producer @catherinejhayward 
Project Manager: Hannah Charlesworth
Staging Director @luisflorenci0 
Choreographer @alex_francoeur 
Production Designer @i.m.rula
Music Composition @polyphonia_studio 
Video Content: @ansiahmed_ @northhouse__ Technical Director @pedro.zuchi Broadcast Director: @nicoledussault Stage Fabricator: @newsubstance Puppet Fabricator: @walterklassenfxstudio Photography by @adrealrnz #FIFAWorldCup2026 #Toronto2026 #ProductionDesign #SetDesign #OpeningCeremony
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트로이 시반이 갑자기 공개한 www.troyesivan.com 웹사이트의 정체는? #DAZED_NOON 📸 각 슬라이드 속 태그
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‘Take Me Home’ by Es Devlin part of the perminant collection at Shenzhen Bay Culture Park, scored by Polyphonia, video by Luke Halls ❤️‍🔥
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Jade singing inside Shenzhen Culture Park, mirror maze, an infinite library in SÄO PAULO, rain, NYC, MIAMI, swimming, BASEL, creating, dancing with @benjib and endless JOY collaborating with @esdevlin thank you ❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥❤️‍🔥
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Sou O Otro do Otro I am the Other’s Other A monographic exhibition of 6 large scale installations at Casa Bradesco Gallery, São Paulo, Brazil. Now extended until 27 September 2026. This is the largest exhibition of my installation work, curated by Marcello Dantas, it spans 1500 square metres with 1500-2000 visitors per day, 100,000 so far. It traces parallel lines of enquiry that I have been pursuing over the past decade through 6 large scale installations and is the gallery’s third major exhibition following Anish Kapoor and Eva Jospin. Visitors enter An Infinite Library, a projection-mapped library of 4000 books, which opens into a shimmering glass edition of MirrorMaze, through which they find their way into a house-shaped 25 metre deep edition of Come Home Again, a choral installation of drawings of endangered species, a new narrative light installation, A Line of Light, and Co-Imagine, a 24 metre long collective portrait drawing table. Having contributed their own pencil drawing, visitors take a piece of the exhibition, one of my sketches, home with them from a new edition of Screenshare which comprises 360 of my sketchbooks illuminated by a projection of the choreographer Dam Van Huynh dancing with the shadow of his 17 years younger self. New editions of these and other installations will be presented in the first retrospective exhibition of my work in Asia at Futura Seoul, Korea, opening on 20 August 2026. An edition of Screenshare is also included in Second Nature, a group show by Superblue at NMACC Mumbai, India, open now until 10 January 2027, and in my solo show Take Me Home, curated by the architect Ma Yansong, and now part of the permanent collection at his magnificent new museum Shenzhen Bay Culture Park. Links in bio
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Sou O Otro do Otro I am the Other’s Other A monographic exhibition of 6 large scale installations at Casa Bradesco Gallery, São Paulo, Brazil. Now extended until 27 September 2026. This is the largest exhibition of my installation work to date, curated by Marcello Dantas, it spans 1500 square metres with 1500-2000 visitors per day, 100,000 so far. It traces parallel lines of enquiry that I have been pursuing over the past decade through 6 large scale installations and is the gallery’s third major exhibition following Anish Kapoor and Eva Jospin. Visitors enter An Infinite Library, a projection-mapped library of 4000 books, which opens into a shimmering glass edition of MirrorMaze, through which they find their way into a house-shaped 25 metre deep edition of Come Home Again, a choral installation of drawings of endangered species, a new narrative light installation, A Line of Light, and Co-Imagine, a 24 metre long collective portrait drawing table. Having contributed their own pencil drawing, visitors take a piece of the exhibition, one of my sketches, home with them from a new edition of Screenshare which comprises 360 of my sketchbooks illuminated by a projection of the choreographer Dam Van Huynh dancing with the shadow of his 17 years younger self. New editions of these and other installations will be presented in the first retrospective exhibition of my work in Asia at Futura Seoul, Korea, opening on 20 August 2026. An edition of Screenshare is also included in Second Nature, a group show by Superblue at NMACC Mumbai, India, open now until 10 January 2027, and in my solo show Take Me Home, curated by the architect Ma Yansong, and now part of the permanent collection at his magnificent new museum Shenzhen Bay Culture Park. Links in bio
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Sou O Otro do Otro I am the Other’s Other A monographic exhibition of 6 large scale installations at Casa Bradesco Gallery, São Paulo, Brazil. Now extended until 27 September 2026. This is the largest exhibition of my installation work to date, curated by Marcello Dantas, it spans 1500 square metres with 1500-2000 visitors per day, 100,000 so far. It traces parallel lines of enquiry that I have been pursuing over the past decade through 6 large scale installations and is the gallery’s third major exhibition following Anish Kapoor and Eva Jospin. Visitors enter An Infinite Library, a projection-mapped library of 4000 books, which opens into a shimmering glass edition of MirrorMaze, through which they find their way into a house-shaped 25 metre deep edition of Come Home Again, a choral installation of drawings of endangered species, a new narrative light installation, A Line of Light, and Co-Imagine, a 24 metre long collective portrait drawing table. Having contributed their own pencil drawing, visitors take a piece of the exhibition, one of my sketches, home with them from a new edition of Screenshare which comprises 360 of my sketchbooks illuminated by a projection of the choreographer Dam Van Huynh dancing with the shadow of his 17 years younger self. New editions of these and other installations will be presented in the first retrospective exhibition of my work in Asia at Futura Seoul, Korea, opening on 20 August 2026. An edition of Screenshare is also included in Second Nature, a group show by Superblue at NMACC Mumbai, India, open now until 10 January 2027, and in my solo show Take Me Home, curated by the architect Ma Yansong, and now part of the permanent collection at his magnificent new museum Shenzhen Bay Culture Park. Links in bio
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📚 Castle Howard’s Temple of the Four Winds has been transformed inside into an incredible glowing, revolving bookshelf named the ‘Library of the Four Winds’ by renowned designer Es Devlin. TPF led production delivery on this project, providing site, production and technical management at a remarkable heritage location. Great to work alongside Stage One, Luke Hall Studio, Polyphonia and thank you to Es Devlin Studio for bringing us onboard. 🏰 ‘Library of the Four Winds’ is on until 27th September. Find out more here: www.castlehoward.co.uk/whats-on/installation-library-of-the-four-winds 📸 James Drury #CastleHoward #TempleoftheFourWinds #LibraryoftheFourWinds #ProductionManagement
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The FIFA World Cup 2026 has officially kicked off! We’re proud to have played a part in the 3 Opening Ceremonies spanning Mexico, Canada and the United States, all taking place in just 48 hours and watched by over 1.2 billion viewers worldwide! “The journey began in Mexico City with an Opening Ceremony filled with tributes to its culture and traditions…A powerful beginning to a truly global celebration.” — Balich Wonder Studio Huge congratulations and thanks to Balich Wonder Studio and their fantastic team! Congratulations to all the performing artists: @shakira @burnaboygram @dannocean @jbalvin @belindapop @liladowns @angelesazulesmx @manaoficial @tyla @andreabocelliofficial @ejae_k @davidguetta @ryancastrro & @alexoficial. FIFA World Cup 2026 Ceremonies Team Creative Direction & Production — Balich Wonder Studio @balichwonderstudio Creative Lead — Marco Balich @marcobalich_bws Creative Director, Costume & Production Designer — Carlos Navarrete Patiño @cnproductiondesign Project Leader — Claudia Cattai @claudia_cattai Project Director — Annalisa Barbieri @annalisa9275 Executive Producer — Julian Hill @julesoir Head of Production — John McCullagh @johnny.mccullagh Creative Producer — Catherine Hayward @catherinejhayward Global Video Content Producer — Daria Bertinelli Mexico Team Creative Director, Costume & Production Designer — Carlos Navarrete Patiño @cnproductiondesign Artistic Director — Alejandra Gonzales Head of Choreography — Citlalli Caballero Trophy Designer — Eugenio Caballero Music Composition — @polyphonia_studio Visual Media Producer — Ahmed Abdel Al @ansiahmed_ Visual Media — NorthHouse @northhouse__ 📸: @balichwonderstudio #FIFAWorldCup2026 #FWC2026 #OpeningCeremony #Mexico #NorthHouse
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