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I don’t know which other direction the wind will take the story of this 400 year-old tree and I am not sure I will ever have the words to express the growth it’s been. To be given space to be experimental as the visual language of @wheremymemorybeganfilm is to see how beautiful the story of this tree is and how timeless and urgent it is all at the same time, in the larger context of invisibility of most black diasporic stories x histories.The way my first little short of 9 mins is finding echo, home and love is deeply humbling. I’m so grateful for the creatives I collaborate with in 📍 Freetown. I flew back with tall posters of our film and (surprise) a 2nd short film that we were initially shooting when the tree fellx then became taken by its story, the urge to tell it. We are not as funded so we shoot everything in btw our daily obligations bc our stories will be told. & look at the places it is going & the conversations it is stirring. I want a world where I can go to festivals with all my cast and crew, of African societies that host more film festivals to contribute further to the global visual conversations. 🥲 Eid Mabrook, so much to be grateful for.❣️WHERE MY MEMORY BEGAN is an experimental short film starring an elder, Elder Ballu, as she tries to remember a 400-year-old Cotton Tree that fell. 📍 Freetown screening is NEXT! Pls stay tuned as pulling off a proper screening in a cinema isn’t a small feat here fam but we on it @hausofsalone :) ✨ 📍 Toronto screening dates @hotdocs_ April 30, 2:30PMMay 5, 1:15PM [link in bio] 📍 New York screening date @africanfilmfest May 12, 6:30PM @filmlinc [link in bio]Directed by @priscillia_pkh Starring: @makissa_kisa @iamjamesdancer @wawa_sheriff__ @d_cruel_guy Regina @sesayreginamariama @turayalfat @bintuyatabarry Producer: @hausofsalone EP: @ishmaelhbeah Writer: @priscillia_pkh Cinematographer: @wizik_001 Camera operator: @dir.mckay Sound Operator: @sylbangz_papi Associate producer: @calsyo Costume: @franklyndero Make-Up: @estherculture Original Music: @jongnic Editor: @wizik_001 x 👋🏾 Colorist: @roxivalenzuela Sound design: @emma.sing_ Film Poster: @wayazack by @priscillia_pkh
60
2 years ago
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on what we hear and how we see در مورد آنچه می شنویم و چگونه می بینیمep. 101all 📸 mine past x present future is from Mars‎آینده در مریخ است‎همه عکس ها مال گذشته و حال من هستند👩🏾‍💻 🎙on | reimagining an Iranian childhood, siyah.black by @priscillia_pkh
34
4 years ago
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تمبر مال پدربزرگم بودthe stamp was my grandfather's. اصفهان، شهری که او در آن بزرگ شدIsfahan the city he grew up in. با اتوبوس از تهران به اصفهان می رفتیمWe’d take the bus from Tehran to Isfahan. an Iranian childhood | siyah.black. #collageartwork #digitalcollage #کلاژ #هنر #ایرانی #سیاه_زیباست by @priscillia_pkh
53
4 years ago
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🐚all frames, همیشه by @priscillia_pkh
31
a month ago
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Introducing Priscillia Kounkou Hoveyda. With support from the Unseen Iran Artist Grants, she is currently in post-production on @thethingsthatrotfilm Swipe to learn more! by @priscillia_pkh
34
2 months ago
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frames from Rio where my short film, We Will Be Who We Are, was screened amongst stunning films at the powerful @centroafrocariocadecinema - the Encounters of Black Brazilian cinema, where I felt seen, heard, understood and found echo in many. It feels strange to celebrate as I swim counter current in what’s been feeling like an ocean of discord, tormented by what is becoming of everything but I remain filled with gratitude for these moments, these smiles, the stories 💛💚♥️ by @priscillia_pkh
65
2 months ago
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🌀Upcoming Event: “We Are Here: Afro-Lebanese & Afro-Iranian Feminist Perspectives on Self-Determination & Freedom”featuring @lamaelamine and @priscillia_pkh 🐚🗓️ Saturday, May 2⏰12 PM EST/ 5 PM GMT📍Zoom 🔗Link in bio to register or visit https://tinyurl.com/WeAreHereBWR🌀ASL interpretation will be provided. 🎥The event will be recorded and uploaded to YouTube. 🐚About the event: What are Afro-Lebanese and Afro-Iranian feminist perspectives on past and present U.S.-Israeli human rights violations and war crimes and how are they resisting across political, digital, and social networks? Moreover, how have Afro-Lebanese and Afro-Iranian communities been pivotal in also addressing and resisting anti-Black racism, patriarchal and sexist violence, and systematic human rights violations enacted by Lebanese and Iranian governments? About the speakers:🌀 Lama Amine @lamaelamine is a multidisciplinary artist from Lebanon working across performance, choreography, movement direction, and teaching, with a deep commitment to social engagement. She is the Director of Arts at Seenaryo, where she leads theatre programs across the region. Lama holds an MFA in Movement Direction & Teaching from the Royal Central School of Speech and Drama in London. Her work practice weaves together physical theatre, community storytelling, and embodied practice, often focusing on themes of trauma, identity, and collective healing. 🐚Priscillia Kounkou-Hoveyda @priscillia_pkh is a Congolese Iranian award-winning filmmaker, recovering human rights lawyer and founder/creative director at the @collectiveforblackiranians. Her films are grounded in shared African and Iranian heritage as it lyrically tells less heard stories in both documentary and fiction form. She is currently in post-production of her narrative short, The Things that Rot, and in production of two feature documentaries, A Black Girl, From Iran and Queens of Freetown, Searching for FannyAnn.#blackwomenradicals#afroiran #afrolebanon by @priscillia_pkh
16
3 months ago
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Priscillia Kounkou Hoveyda’s (@priscillia_pkh) latest short film ‘We Will Be Who We Are’ explores love and freedom in Sierra Leone through the story of a young couple’s lavender wedding.“I wanted to celebrate the Freetown I know, the vibrant one that isn’t usually centered,” the artist tells us of the film that was recently selected for PhotoVogue Festival 2026. Full story: Nataal.com Words Temiloluwa Adeyemo (@temmyy._) #nataalmedia #PriscilliaKounkouHoveyda #sierraleone #wewillbewhoweare by @priscillia_pkh
12
4 months ago
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"Experimental as a style came very naturally to me, since the story 'We Will Be Who We Are' emerges from the dream world and the desire to merge dream to reality."Priscillia Kounkou Hoveyda @priscillia_pkh is the writer and director of 'We Will Be Who We Are', which won Best Experimental at Aesthetica Film Festival 2025.In Sierra Leone, friends Aya and Boi decide to marry each other to escape society’s pressures to conform. This is a reclamation of traditional African ideas of gender as existing outside the binary.Take a look at all of our winners at link in bio. by @priscillia_pkh
28
4 months ago
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As the fighting in the Middle East goes on, Priscilla Kounkou-Hoveyda @priscillia_pkh shares how Iran's African community has been affected. ⁣ ⁣Priscilla grew up in Iran with an Iranian mother and Congolese father. ⁣ ⁣The filmmaker and founder of the Collective for Black Iranians - which brings together the voices of Black and Afro-Iranians speaks to the BBC's Focus on Africa podcast host, Nkechi Ogbonna, from South Africa, where she is currently living.⁣ ⁣🎥 Click link in bio to watch the full episode of The Conversation podcast. by @priscillia_pkh
52
4 months ago
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“I’d lose my tools to riot creatively if I were not able to make films,” this year’s Talent, Priscillia Kounkou-Hoveyda, tells DW in her portrait. The writer and director talks about confronting discrimination and using film as a way to cope with it and make her voice heard, as she does in her latest short, “We Will Be Who We Are” (2025). Find out more and watch the full portrait on our website. Link in bio. by @priscillia_pkh
66
5 months ago
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Honored to be amongst this year’s @berlinaletalents @berlinale especially with a theme like Creating Confusion as we continue navigating an increasingly chaotic world, I’m grateful for the gift of stories. #berlinaletalents2026 by @priscillia_pkh
32
6 months ago
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