Instagram story viewer> @ayanfee__> reels
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Unclogging my thoughts, one painting at a time…
LET THE KID PAINT
📧 [email protected]
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A reminder that an hour can completely change the mood of your week.

Last Wednesday with Yanfssss (@ayanfe.ol). If you missed it, the full mix is now live on YouTube. Link in bio.

See you same time next Wednesday for another episode of Catch A Wave with 🌊
53
a month ago
Been making things that force me to slow down. This has been my small escape from my usual practice these past few months. 
Since 2025, I’ve been spending time creating collectible pieces which will be sharing throughout the year + opening an online shop for anyone interested in collecting one
5
3 months ago
Feels like a breath of fresh air

“Another day” by @thee_sehb 🎶 

#ayanfeolarinde #contemporaryart #jagaism #reel #collageart
28
3 months ago
👩🏿‍🎨🎨👨🏿‍🎨 | Lagos nights. getting our hands dirty. me and my twin - @ayanfee__ at her studio
7
3 months ago
Ayanfe Olarinde is intuitive and clear about what is authentic to her. Olarinde depicts change as uncomfortable but promises happiness on the other side. 

Happiness, in this context, is approached from the perspective of growth and transformation: joy is not immediately evident but is implied as the necessary aftermath.

Happy continues.

The exhibition remains on view through April 25th.
Tuesdays – Saturdays | 11am – 6pm

You can also explore the works via the link in our bio.

#exhibitions #contemporaryafricanart #odaart #happy
13
3 months ago
1 Guilty habit. 1 Fun fact 🤭

Guilty habit- I leave my brush soaked in water for way too long. Someone tell me it’s not just me? 

Fun fact- I like to believe that my old superstars still has soul but my new pair is deffo rewriting that story.

Let me know yours in the comments. 

Also, If you’re jealous of my shoes, go catch them at an adidas store near you

🎥 @simeonumez 

#adidasLagos #adidasSuperstar #adidasoriginals
84
8 months ago
A.I.R | Episode 002 | AYANFEE 
OUT NOW! link in bio 

#a.i.r #artinrenaissance

Director: @earthboi.world 
Producer: @oyinkanza
Cinematographer: @fedworks 
1st AC: @timikaay 
Sound Recordist: @sound_signature
Edit: @jacob_crowmains
Colourist: @frayedtee
Post Producer: @jessicaverner_
Post House: @okaystudio
Score: @trillxoe_
Special Thanks to NEXT THOUGHT Studios @nexthoughtmedia / nexthoughtstudio
19
a year ago
Clay making piqued my interest earlier this year. After spending some time painting on ready-made bisque clay sculptures and glazing them into beautiful ceramic art pieces at my favorite spot in Lagos, I decided to dive deeper by learning the art itself. In February, I took a trip to Delta to learn about ceramics, and honestly, there’s so much I’d like to show you (I’ll do a separate post on it). But in the meantime, here’s a video of me harnessing the skill I’ve learned.

Work In Progress

#ayanfeolarinde #sculpting #sculptingminiatures #contemporaryart #olarindeayanfeoluwa #cubismart #functionalart #ceramics
60
a year ago
I had the privilege to showcase as part of the special projects at the 14th edition of the Dakar Biennale @biennale_de_dakar_officiel @maisondelaculturedoutaseck 

“The Igbo Rising” 
 Inspired by the Igbo landing occurrence in May, 1803. A number of Igbos revolted at a historical site Dunbar creek on St. Simons Island, in Georgia, rather than submit to an existence of bondage and forced labor at the hands of another; slavery.
Igbo people were popularly known by farmers and slavers of the American South for being fiercely independent, hardworking and more unwilling to tolerate chattel slavery.
They were moved from Nigeria for forced labor on their plantation in St.
Simons Island.
During this voyage, the Igbos revolted by drowning their captors and taking over the ship, causing it to drown at the site now known as the “Ebo Landing”.
They would rather be free spirits, than enslaved bodies.
It was said that the Igbos took to the swamp, chained together, led by a chief priest amongst them as they drowned themselves, singing “Orimiri omambala bu anyi bia, orimiri omambala ka anyi ga ejina” in unison, which means “The Omambala River brought us here, the Omambala River will take us home” ‘home’ being a metaphor for freedom, not only from their captors, but from flesh which made it possible in the first place for them to captured and chained, in joyful anticipation of another cycle of reincarnation.
My subjects (the igbos) are seen to be emerging from the water— breaking free. They’re seen rising as the sun rises into a new day.

I perceive this historical event as a tragic yet courageous one, re-imagining the ocean as a place of beauty, strength, bravery, of rebirth and where the Igbos resisted enslavement, rose in rebellion and fought for their freedom. This event isn’t seen as death nor a case of surrender but an awakening. It is amongst the first instance of Black Resistance against enslavement.
.
Curated by @alixforshort @something.art.space as part of The Wake, another dimension with the support of @ifnigeria 
.
Sound design by me
Animation- Special thanks to @femi.fala for working on this with me. 
#biennalededakar2024 #contemporaryart #ayanfeolarinde
18
2 years ago
We dream of summer rains
And faded days
Flying on paper planes
To lands estranged
We ain’t going back
Old lives fade to black
We chasing passive highs
Our reckless ways
Empty pockets held
By broken seams
Blinded by
Imperfect fantasy
Don’t care where we’re going
As long as I got you
Don’t care where we end up
As long as it’s us two
Don’t care where we’re going
As long as I got you
Don’t care where we end up
As long as it’s us two

- Falana 

I enjoyed making this piece “Paper Planes” a while back for @falanamusic 

Ink, acrylic, oil pastel, charcoal and coffee on canvas.

#ayanfeolarinde #olarindeayanfeoluwa #contemporaryart #jagaism #cubism #scribble #letthekidpaint #music
24
2 years ago
The feeling of returning to a place where you truly belong—whether it’s a physical space, a mental construct or to a group of people. It’s a moment of reconnection, where the familiar comforts of the past meet the person you’ve become, creating a sense of warmth, acceptance, and renewal. It’s not only about coming back or reconnecting, but about rediscovering the meaning of “home” in a deeper, more personal way.

I created “Omode Meta” by breaking down components of past creations to forge a new piece. Building this piece helped me reconnect with ‘Home’ which is my inner child whom I’d been longing to rediscover and explore. 
I called this journey “My Homecoming” 
One off my ‘Let The Kid Paint’ series. 

Ofcourse I had to go through that journey within using collages of paper planes I had painted in the past 🙂‍↔️

Original bits of this painting was made traditionally using
Ink, acrylic, oil pastel and wool.
It was eventually adapted and arranged digitally

Displayed on screen @ourhomecoming 2024

#ayanfeolarinde #contemporaryart #olarindeayanfeoluwa #jagaism #letthekidpaint #scribble #collageart #collage #cubism
109
2 years ago
Day 9- Residency in Côte d’Ivoire. 

I’ve been enjoying and paying attention to the activities by the beach and in the village. I’ve picked interest in journey and passersby on the beach and its environs. Prints on sand and lost items being pushed to the shore, where they come from, where they go. I’m drawn to earthy tones and navigating that through yellow has been fun. Looking to see where all these leads.

#ayanfeolarinde #contemporaryart #studio #cotedivoire #jagaism #painting #lafourchettederoze #collageart
39
2 years ago
back to up