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🔛 breaking / briseadh / wa’aidom - @tylereash & @lauranifhlaibhin
at park: @timurlukas
Extended through 29.07.
#rettberggallery

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"Timur Lukas @park"
Artist: Timur Lukas @timurlukas
📍BRITTA RETTBERG, Gabelsbergerstraße 51, Munich @rettberggallery
16.05-27.06.2026

Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).

📸 courtesy the artist and the gallery;

#contemporaryart #artisttoday #lowgroundpressure #arttoday #artist taken in Munich, Germany by @rettberggallery

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a day ago

Final days!
Timur Lukas @ park
Until 29.07.26

Summer break: 01.-30.08.26

At park we present an exhibition project by Timur Lukas. The artist developed an installation containing a new series of drawings that move away from the image archive toward direct observation. The works are grounded in the immediacy and speed of drawing as a medium and embrace the freedom inherent in its provisional nature. Rather than aiming at a fixed representation, they capture moments of perception in which form emerges, shifts, and dissolves.

@timurlukas

Image: Timur Lukas, "TL_Q2_26_Z0010", 2026, ink on paper, 42 x 30 cm. Photo: Timur Lukas.

#variousothers #timurlukas #rettberggallery #brittarettberg taken in Britta Rettberg by @rettberggallery

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3 days ago

Final days!

𝐛𝐫𝐞𝐚𝐤𝐢𝐧𝐠 / 𝐛𝐫𝐢𝐬𝐞𝐚𝐝𝐡 / 𝐰𝐚’𝐚𝐢𝐝𝐨𝐦
Tyler Eash & Laura Ní Fhlaibhín
Until 29.07.26

Summer break: 01.-30.08.26

Drawing from their years of friendship that started at Goldsmiths, University of London, London based Irish artist Laura Ní Fhlaibhín (BRITTA RETTBERG) and New York based Indigenous Californian (Maidu/Modoc) artist Tyler Eash (Nicoletti London) find common concerns and agendas; commonalities in anglo-colonial oppression and a return to Indigenous worldviews. The exhibition is rooted in the politics of their ancestors, a solidarity that has existed between Irish and Native people and their animal, plant, mineral and spirit kin. The alliances interwoven in the artists’ works are acts of agential mourning, remembering and exhuming their ancestral ghosts.

@tylereash @lauranifhlaibhin
Special thanks to @nicoletticontemporary

Image: Installation view, Tyler Eash & Laura Ní Fhlaibhín: „breaking / briseadh / wa’aidom“, Britta Rettberg Munich, 2026. Photo: Dirk Tacke.

#variousothers #tylereash #lauranifhlaibhin #rettberggallery #brittarettberg taken in Britta Rettberg by @rettberggallery

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3 days ago

Laura Ní Fhlaibhín, "mint clouds and dolphin guardian for care-worker, therapy horses" /
"Muriel the equine therapist, massages Rockie the care-worker therapy horse, to ease his muscle spasms with her gentle touch" / "Rockie, her therapy horse, now ghost horse, swims with their friends, in the shallows, the warm salty water relieves their tight muscles", 2025

𝐛𝐫𝐞𝐚𝐤𝐢𝐧𝐠 / 𝐛𝐫𝐢𝐬𝐞𝐚𝐝𝐡 / 𝐰𝐚’𝐚𝐢𝐝𝐨𝐦
Tyler Eash & Laura Ní Fhlaibhín
Extended through 29.07.26

The three drawings depict a nourishing speculative world for ghost horses and ponies, in a gesture of care towards their role as care-workers particularly while in the earthly realm. They are are created solely with horse salt lick nourishment block salt, entirely mineral.

@lauranifhlaibhin

Images: Laura Ní Fhlaibhín, "mint clouds and dolphin guardian for care-worker, therapy horses“ /
„Muriel the equine therapist, massages Rockie the care-worker therapy horse, to ease his muscle spasms with her gentle touch“ / „Rockie, her therapy horse, now ghost horse, swims with their friends, in the shallows, the warm salty water relieves their tight muscles“, 2025, drawing on 200-gram pure cotton paper, made with salt from a horse salt lick, framed, 76 x 53 cm. Photos: Dirk Tacke.

#variousothers #tylereash #lauranifhlaibhin #rettberggallery #brittarettberg taken in Britta Rettberg by @rettberggallery

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9 days ago

Tyler Eash, "Kóh’bonom / Storm", "Kadíkim / Rain", 2025

𝐛𝐫𝐞𝐚𝐤𝐢𝐧𝐠 / 𝐛𝐫𝐢𝐬𝐞𝐚𝐝𝐡 / 𝐰𝐚’𝐚𝐢𝐝𝐨𝐦
Tyler Eash & Laura Ní Fhlaibhín
Extended through 29.07.26

The works "Kadíkim / Rain" and "Kóh’bonom / Storm" depict butterflies emerging from a composition of stretched cowhide, leather, canvas, sheer fabric, broken mirror and beadwork. The titles contain the Maidu words for rain and storm. Here, the butterflies are bringers of rain to a forest fire, as painted in the stretched canvas inset within the abstracted wings. The work was made in response to the devastating “Dixie Fire” that destroyed significant forests in Maidu homelands, after First Peoples were forbidden from accessing and stewarding the land with “good fire” for generations. However, fire can be restorative, it brings renewal and rebirth. It is with the fires of California that the US Government has admitted ignorance over understanding the land, it is after these apocalyptic happenings that land returns have started to become more common. In Eash’s work, intuitively, butterflies have become a symbol of cultural renewal and revitalisation, a symbol of transformation after waking from forced assimilation.

@tylereash
Special thanks to @nicoletticontemporary

Images:
1) Tyler Eash, „Kóh’bonom / Storm“, 2025, colour flip car paint, acrylic, oil and pigment on cow hide, tulle, wood stretchers, mirror beads, steel ball bead chain, abalone beads, 200 x 165 x 8 cm.
2) Tyler Eash, „Kadíkim / Rain“, 2025, oil, pigments, acrylic and colour flip car paint on cow hide, gauze, wood stretchers, canvas, glass seed bead, steel ball bead chain, lambskin, wing mirror, 160 x 130 x 6 cm.
3) Tyler Eash, „Kóh’bonom / Storm“ (detail), 2025, colour flip car paint, acrylic, oil and pigment on cow hide, tulle, wood stretchers, mirror beads, steel ball bead chain, abalone beads, 200 x 165 x 8 cm.
Photos: Dirk Tacke.

#variousothers #tylereash #lauranifhlaibhin #rettberggallery #brittarettberg taken in Britta Rettberg by @rettberggallery

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11 days ago

Laura Ní Fhlaibhín, "do mo stórín", 2026

𝐛𝐫𝐞𝐚𝐤𝐢𝐧𝐠 / 𝐛𝐫𝐢𝐬𝐞𝐚𝐝𝐡 / 𝐰𝐚’𝐚𝐢𝐝𝐨𝐦
Tyler Eash & Laura Ní Fhlaibhín
Extended through 29.07.26

▶︎▶︎ Extended opening hours: Thursday, 09.07.26, 6-9 pm

"do mo stórín" ( Irish: "for my love") speaks of control and escape. The stainless steel bits, used to manage and limit horses’ range of movements, are welded into a chain, rendering their intended function obsolete. Rather, in this translation, the horse bits become a device to hold an ash-die back branch. The ash tree is regarded as the most sacred tree in Irish folk and ecological histories, and like the ash tree in the UK, is currently under threat due to ash die-back disease. The branch, as a crip being, still holds space here and carries strands of horse hair. The neutered chain, the sick ash and the horse hair strands are in alliance, a chain is formed, a streak, a dart.

@lauranifhlaibhin
@variousothersmunich

Images: Laura Ní Fhlaibhín, "do mo stórín“, 2026, broken and welded stainless steel horse bits, ash dieback branch, horse hair, 180 x 40 cm. Photos: Dirk Tacke.

#variousothers #tylereash #lauranifhlaibhin #rettberggallery #brittarettberg taken in Britta Rettberg by @rettberggallery

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19 days ago

Tyler Eash, "Nicht der Kaiser von Kalifornien", 2026

𝐛𝐫𝐞𝐚𝐤𝐢𝐧𝐠 / 𝐛𝐫𝐢𝐬𝐞𝐚𝐝𝐡 / 𝐰𝐚’𝐚𝐢𝐝𝐨𝐦
Tyler Eash & Laura Ní Fhlaibhín
Extended through 29.07.26

▶︎▶︎ Extended opening hours: Thursday, 09.07.26, 6-9 pm

“Nicht Der Kaiser von Kalifornien” is a multimedia interactive assemblage that considers both the erasure and visibility of peoples Indigenous to the “Gold Fields” of California. The historical film “Der Kaiser von Kalifornien” (the king of California) (Luis Trenker, 1936) tells the story of German born Johann August Sutter, who initiated the world’s fastest movement of human migration and the most severe violence in North America due to his discovery of gold in unceded Nisenan Maidu homelands. The film celebrates his legacy, however it erases his impact on Indigenous Californians. The video installation is highlighting the Indigenous California’s fight for visibility after generations of genocide, slavery, assimilation, and currently disenrollment and tribal termination by the government. The audio plays through the exhibition from a lcd screen on the gallery floor that holds three stacks of paper. A pamphlet with photos of the artist’s mother as well as a federally recognised Maidu matriarch, Ina Martin Jackson that are overlaid with a borrowed letter contesting her illegal disenrollment. Visitors are invited to take one of the pamphlets in exchange of signing a letter of solidarity with Indigenous Californians’ call for the return of “Peace Valley”and the renaming of a sacred mountain from “Sutter Buttes” to “Middle Mountain”. With this work, an audience chooses if they can assist a people who are actively being erased.

@tylereash
Special thanks to @nicoletticontemporary

Images:
1) Tyler Eash, "Nicht der Kaiser von Kalifornien“, 2026, LCD screen, found film, printed letters and pamphlets on A4 paper. Photo: Dirk Tacke.
2) Filmstill, "Der Kaiser von Kalifornien“, 1936.

#variousothers #tylereash #lauranifhlaibhin #rettberggallery #brittarettberg taken in Britta Rettberg by @rettberggallery

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19 days ago

Timur Lukas, „Vogel blau“, 2026

Timur Lukas @ park
Extended through 29.07.26
🍹Sundowner with Timur Lukas: Sat, 04.07.26, 4-8 pm

Timur Lukas presents an installation featuring new works, consisting primarily of drawings that shift focus from image archives toward direct observation. The works are based on the immediacy and speed of drawing as a medium and make use of the freedom inherent in its provisional nature. Rather than striving for a fixed representation, the works capture moments of perception in which forms emerge, shift, and dissolve again. The focus is on animals from the artist’s immediate surroundings.

Join us for a summer evening at the gallery on 04.07. from 4 pm and enjoy a sundowner with Timur Lukas!

@timurlukas

Images: Timur Lukas, „Vogel blau“, 2026, oil and ink on canvas, 180 x 140 x 3 cm. Photos: Timur Lukas / Dirk Tacke.

#variousothers #timurlukas #rettberggallery #brittarettberg taken in Britta Rettberg by @rettberggallery

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25 days ago

Extended!

𝐛𝐫𝐞𝐚𝐤𝐢𝐧𝐠 / 𝐛𝐫𝐢𝐬𝐞𝐚𝐝𝐡 / 𝐰𝐚’𝐚𝐢𝐝𝐨𝐦
Tyler Eash & Laura Ní Fhlaibhín
Extended through 29.07.26

Timur Lukas @ park
16.05.–27.06.26
Extended through 29.07.26

✨✨✨ Sundowner with Timur Lukas: Sat, 04.07.26, 4-8 pm

We are happy to extend our current shows until 29.07.26. Come by if you haven’t yet!

On Sat. 04. 07. from 4 pm, we invite you to join us for a special summer evening at the gallery. Timur Lukas will be present and both current shows will be open to visit.

@tylereash @lauranifhlaibhin
@timurlukas

Images:
1) Installation view, Tyler Eash & Laura Ní Fhlaibhín: „breaking / briseadh / wa’aidom“, Britta Rettberg Munich, 2026.
2) Installation view, Timur Lukas @ park, Britta Rettberg Munich, 2026.
Photo: Dirk Tacke.

#variousothers #tylereash #lauranifhlaibhin #timurlukas #brittarettberg taken in Britta Rettberg by @rettberggallery

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a month ago

"breaking / briseadh / wa’aidom"
Artists: Tyler Eash, Laura Ní Fhlaibhín @tylereash @lauranifhlaibhin
📍BRITTA RETTBERG, Gabelsbergerstraße 51, 80333 Munich, Germany @rettberggallery
16.05-27.06.2026

Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).

📸 Dirk Tacke, courtesy the artist and the gallery;

#contemporaryart #artisttoday #lowgroundpressure #arttoday #artist taken in Munich, Germany by @rettberggallery

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a month ago

Laura Ní Fhlaibhín, "Caltra", 2025

𝐛𝐫𝐞𝐚𝐤𝐢𝐧𝐠 / 𝐛𝐫𝐢𝐬𝐞𝐚𝐝𝐡 / 𝐰𝐚’𝐚𝐢𝐝𝐨𝐦
Tyler Eash & Laura Ní Fhlaibhín
16.05.–27.06.26

"Caltra" was commissioned by IMMA-The Irish Museum of Modern Art Ireland, for ‘Staying with the Trouble’ (2025). The sculpture was made by Caltra, a horse working in equine therapy with humans in need of care. The artist gifted the salt block, a key nourishment for horses, to Caltra, who licked it into shape over a course of weeks, and then replaced it with a fresh salt block. The sculpture-salt lick—offered back as comfort and thanks—rests on a dowel of ash, a tree long seen as protective in Irish folklore, but today threatened by dieback disease. In this quiet exchange between horse, mineral, and tree, the work traces a tender network of mutual dependence and shared vulnerability—a small act of making kin across species and states of survival.

@lauranifhlaibhin
@variousothersmunich

Images:
1) Laura Ní Fhlaibhín, „Caltra“, 2025, horse salt lick sculpted by Caltra at Festina Lente Equine Therapy centre, Bray, Ireland, ash wood, perspex, 50 x 30 x 15 cm. Photo: Dirk Tacke.
2) Installation view, Laura Ní Fhlaibhín, „Staying with the Trouble“, IMMA-The Irish Museum of Modern Art Ireland, 2025. Photo: Tommy Flavin.

#variousothers #tylereash #lauranifhlaibhin #rettberggallery #brittarettberg taken in Britta Rettberg by @rettberggallery

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