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RRose Editions

@rroseeditions

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We publish contemporary artists’books, with a focus on digital and conceptual processes.

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New release !
Guy Bennett : View Source / Afficher la Source
Bilingual Edition English / Français. Traduit de l’anglais (USA) par Frédéric Forte

“View Source is a work of code in poetry. It is dedicated to the proposition that behind every writing lies (an)other writing. Composed in Internet programming languages, each poem is a functioning web page featuring syntax highlighting for easy reading. To approach the work differently, open the accompanying HTLM files with your web browser.

Afficher la source est une œuvre de code en poésie. Elle est vouée à cette idée que tout écrit en cache (au moins) un autre. Composé en langages de programmation Internet, chaque poème est une page web opérationnelle et incorpore la coloration syntaxique pour faciliter la lecture. Pour aborder autrement l’ouvrage, ouvrez les fichiers HTML qui l’accompagnent avec votre navigateur.”

To have a look at the book as your computer would : guybennett.com/vs_html.zip

48 pages. A5 format. Softcover. 11 EUR. Link in bio

#guybennett #fredericforte #rroseeditions by @rroseeditions

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8 days ago

Le débat actuel autour du livre « C’était ça ou mourir » fournit l’occasion de rappeler que l’utilisation de l’IA générative en littérature a déjà une « histoire », pleinement assumée. Cf notamment « Internes » de Grégory Chatonsky, publié en 2022, premier roman de langue française entièrement co-écrit avec un LLM (Large Language Model).
Dès 2019, pour « Internes », Grégory Chatonsky a débuté un travail d’expérimentation littéraire avec GPT 2, l’ancêtre de ChatGPT, à un moment où l’algorithme avait pour fonction de trouver le prochain mot, compléter les débuts de phrase. L’approche qui a présidé à l’écriture de « Internes » était tout sauf passive, l’auteur tisant littéralement le texte avec l’IA – comme en témoigne l’encart inséré dans le roman, seul passage où l’on peut identifier les mots écrits par Grégory Chatonsky de ceux générés par GPT.

La pratique de Grégory Chatonsky explore depuis de nombreuses années déjà l’IA sous toutes ses formes (pré-LLMs incluses), pour en faire un terrain d’expérimentation artistique et littéraire – loin du manichéisme pour/contre, mais bien plutôt en s’appropriant de façon créative ces nouvelles technologies.

Faites-vous votre propre idée en lisant « Internes » :)

@chatonsky_

#grégorychatonsky #gregorychatonski #rroseeditions by @rroseeditions

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21 days ago

📢 New edition of Amber by Jaakko Pallasvuo will be on sale throughout the exhibition (16€ / MobilePay)

Amber is a collection of texts written by Jaakko under the pseudonym @avocado_ibuprofen and published by @rroseeditions. The cover features a sculpture by @mattisumari, which was exhibited at Pitted Dates earlier this year 😘

AUTOMATIA with works by #IlmariGryta, @juhanakristian, @avocado_ibuprofen, @yst.terv, @hvain, @xiaozhiyu_ + a commissioned poem by @interneiti 🎈

🗓️ The exhibition is open on Sundays 14:00–16:00, and by appointment, Sep 11–Oct 25, 2026 💌

🏠 Työpajankatu 2, Teurastamo R1s, 00580 Helsinki. Unfortunately, the venue is not wheelchair accessible.

Pitted Dates is powered by @koneensaatio and @kulttuurirahasto by @rroseeditions

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a month ago

A paperback anthology of Avocado Ibuprofen’s popular Instagram illustrated stories divests them of images, leaving an accomplished literary portrait in 122 chapters of a corrupted artworld. But beyond the witty tirades and the (mostly) entertaining sniping, writes Ben Eastham, is a curiously old-fashioned and earnest faith in the value of art and literature.

Read at the link in bio.

#beneastham #jaakkopallasvuo #avocadoibuprofen #rroseeditions

@eastham_ben @rroseeditions @avocado_ibuprofen

Image: Jaakko Pallasvuo, Amber Image Materials, 2020-26. Courtesy of the artist. by @rroseeditions

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2 months ago

« Amber offers its own proof that language has not been entirely corrupted, that the possibilities of art have not been exhausted, and that beauty is still possible. »

Read @eastham_ben ‘s great paper on @avocado_ibuprofen ´s « Amber », published @e_flux
Link in bio

#avocadoibuprofen #jaakkopallasvuo #beneastham #eflux #rroseeditions by @rroseeditions

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3 months ago

Berliners love books ! (Despite the scorching heat..)

Come and meet us @missreadberlin this weekend, inside the Silent Green Kulturquartier
We’ve brought a selection of recent titles, including a few surprises.

#missreadberlin #rroseeditions by @rroseeditions

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4 months ago

New book launch ! This week-end @missreadberlin June 26-28
We are happy to announce the release of « Taking Stock », an artist’s book by Michael Mandiberg @mmandiberg

“From 2022 to 2023 I collected every stock photograph of an individual person on the internet. The metadata from these 130 million images included 3.4 billion keywords. As part of the process for making images and videos, I used Machine Learning statistical tools to surface the dominant themes in these images. Taking Stock (Topics 0-63) makes the themes in 3.3 billion image keywords legible in 64 simple but effective tag clouds. Stock photos permeate our visual culture, but we almost never stop to think about them. These images pretend to be neutral placeholders in websites, flyers, and public service announcements, but they are laced with ideology. Their ubiquity alone makes them a worthy subject of exploration. But their use as a key AI training dataset makes understanding them an urgent task. If AI tools treat stock photos as factual information, I want to understand what AI is learning about us.”

Edition of 200 copies. 64 pages. 20 x 30 cm. Link in bio

#michaelmandiberg #rroseeditions by @rroseeditions

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4 months ago

🎙️ This Saturday at @artverseparis gallery, we discovered the world of @patricktresset and @celine.shen_official around this duo artist talk. Discussing about art, technology and human kind. Where do our souls belong into today’s technological world ?

Céline Shen presented her Robot Journal performance to the public. Combining, the body, the voice and the technology to transport you into another universe.

Patrick Tresset signed his book with @rroseeditions "Skediama & Nous / Skediama & Us" by @rroseeditions

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4 months ago

RRose’s 40th book !
« Skédiama & Nous / & Us » by Patrick Tresset @patricktresset

Patrick Tresset will sign his book this Saturday June 13th 5-7pm at Artverse Paris, 3 bis rue de Beauce @artverseparis

Bilingual edition. 200 copies. 23 x 33 cm. 64 pages. Printed on Materica Clay 250g & Arena Rough White 120g. 24 Eur. Link in bio

“This book is a collection of conversations with Skédiama, a young drawing machine. Skédiama is an embodied computer intelligence, a technical entity endowed with a vast knowledge of human culture. Its drawings are constructed, not generated; they are traced line by line, executed by a robotic arm whose characteristics influence the style. Its visual langage is elementary: it assembles lines, circles, hatching, and scribbles. Despite the illusion of encounter, Skédiama remains a pure computer system, confined to a purely mechanical necessity. I am the only living being in this book; the machine, for its part, merely traces the lines of an imaginary complicity that I myself have constructed.”

#patricktresset #rroseeditions by @rroseeditions

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4 months ago

Book launch next week at Biblioteka Art Book Fair in the Warburg Institute in London, June 12-13, organized by @biblioteka_library @theeverydaypressbunkerbasement :
« A is for Art / A is for Arrow » by Claude Closky @closkygram

This children’s alphabet book by Claude Closky unfolds as a reversible object that can be read from both ends. Each direction comprises 26 pages, forming two complete alphabets that meet at the center. The same black-and-white drawings appear in both readings, but their meaning shifts with orientation. Each image is associated with two different letters: a paintbrush becomes “A for Art” in one direction and “Y for Yellow” in the other; a heart reads as “H for Heart” on one side and “L for Like” on the reverse.

By reassigning images to multiple letters, the book gently unsettles the apparent stability of language and representation. What seems fixed—a form, a word, an initial—reveals itself to be relative, dependent on context and point of view. Through this simple yet playful device, Closky transforms the learning of the alphabet into an exercise in perception, where reading becomes reversible and meaning remains open.

At once educational and conceptual, the book invites children and adults alike to explore the fluid relationship between images, words, and interpretation.

52 pages. A5 format. Stapled binding. 10 EUR
Link in bio

#claudeclosky #rroseeditions by @rroseeditions

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4 months ago

“Relic” is now available for pre-order, final copies will be produced for the Biblioteka Art Book Fair organized by @biblioteka_library & @theeverydaypressbunkerbasement in London (June 12 & 13) and shipped starting mid-June. 40 EUR. Less than 100 « copies ». To order, please contact rrose.editions@gmail.com or DM us

« Relic » is A project conceived and edited by Lucy Helton @lucyhelton. Contributing artists: Adam Basanta @adambasanta Santiago Martinez Benedetti @santiagezmartino Antony Cairns @antony_cairns Susan Collins @susanalexislandscapes Stewart Hardie @stewarthardie Julie F Hill @juliefhill Aspen Mays @aspenmays Marcel Schwittlick @schwittlick Travess Smalley @travess Clare Strand @strandclare Jaime Sebastian Vera @jaimesebas Corinne Vionnet @co_vionnet and NASA Archive Mars 2020.

Lucy Helton has built “Relic”, a multi-analogue fax machine installation that prints book-pages live. Fax machines themselves are relics, possible technofossils – man-made objects that become part of Earth’s future geological record. The thermal prints of files remotely sent by contributing artists are used to produce a collective book work, with images relating to photography, technological artifacts or image transmission, making the book and the installation meta.

Each book is unique, assembled in London in May and June 2026.

#rroseeditions #lucyhelton by @rroseeditions

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5 months ago

We are happy to announce that Archivorum @archivorum has acquired a complete run of RRose Editions’ publications from 2014 to early 2026, from @clmntvalla « Samples from Seed Drawing 51 » to @_hakeemb_ « [Tekton] ».
The 37 books have joined Archivorum’s Library in Turin, open to students, researchers, and the public, supporting Archivorum’s mission to preserve and activate artists’ books archives.

(Apart from Library and research activities, Archivorum also publishes artists’ books, worth checking out)

Special thanks to Emilie.

#rroseeditions #archivorum by @rroseeditions

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5 months ago