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RSPE Audio Solutions

@rspeaudio

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Studio Design & Gear for Music & Post
Beyond retail: We design & build Atmos rooms, wire racks, and dial in workflows.
📍 Los Angeles | Since 1991

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@house__post Dolby Atmos 7.1.4 PMC master grade theatrical mix room is complete. Along side 5.1 PMC near field mix room and 5.1 Neumann sfx edit bay, no expense was spared. Thank you @rspeaudio for your support in the build, and @kevinclark for pulling out all the stops. Excited for the road ahead with @house__post by @rspeaudio

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12 days ago

It’s not every day you get to handle a true grail piece. We just took delivery of this vintage Neumann M50 Decca set, and the condition is absolutely pristine.

This isn’t just a standard trio. This matched LCR set has been custom-modified by Klaus Heyne, pulling an already legendary omni mic into an entirely different tier of detail and phase coherence.

The set is fully complete and ready for heavy tracking. It includes the original power supplies, plus a set of modern Peak Power units to keep the noise floor dead quiet and the power delivery rock solid.

If you know what an M50 Decca Tree is capable of on a tracking floor, you know how rarely a complete, Klaus-modded set like this surfaces.

Given their rarity, they are securely stored, but available to view if you’re interested. Hit the DMs or call RSPE for details. taken in RSPE Audio Solutions by @rspeaudio

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25 days ago

Inside House Post’s Mix Theater. While Edit Bay 1 handles 5.1 surround workflows, this multipurpose stage is built for full-scale playback, edit, color, and immersive sound.

The room is built around a 7.1.4 Dolby Atmos system powered entirely by PMC’s ci series: ci140s for the LCR, a ci140 SUB anchoring the low end, ci65s for the surrounds, and ci30s overhead. Because the entire ci series is voiced identically, the phase coherence is absolute. Objects pan seamlessly through the room without any tonal shift.

Visually and acoustically, the space is dialed. The walls are color-drenched in a deep, matte finish to eliminate screen glare during critical color sessions.

It’s a highly accurate, comfortable immersive room whether you’re doing critical work or playing PS5 after. by @rspeaudio

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a month ago

The Harrison Flex-10 is a desktop audio interface that operates more like a console, built to keep your hands on the hardware.

Now that the launch dust has settled, the specs on this thing speak for themselves: 32-bit resolution, premium preamps, and real VU meters. But what makes it a Harrison are the channel strips. You get immediate access to H-Drive saturation, phase flip, and filters before you even open your DAW. It brings a true large-format console workflow into a desktop footprint.

Available now at rspeaudio.com. DM or call RSPE to order yours. by @rspeaudio

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a month ago

We just got in front of the Solid State Logic Odyssey for the first time, and it’s safe to say we’re impressed. It brings every feature you could ever want in a large-format console, and then some.

The Odyssey is fully integrated at PMC Studios and ready for the official launch party tonight.

If you can’t make the event tonight—or if you want to sit at the desk and really test the workflow yourself—the Odyssey will remain set up at PMC for the next week.

Looking for that same Future Analogue architecture in a tighter footprint? We also have the SSL Oracle fully dialed in at the RSPE showroom.

DM or call us to book a private, one-on-one demo for either console. by @rspeaudio

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a month ago

Inside House Post’s Edit Bay 1. House Post is a boutique post house handling edit, color, and sound, and their whole ethos is built on uncompromising quality. If you’re doing critical post work at that level, your translation has to be rock solid.

For the monitoring, they went with a 5.1 PMC rig: PMC6-2s for the LCR, PMC6s for the surrounds, and a PMC8-2 sub all surrounded by the ASC AttackWall. It’s just an incredibly honest setup. The phase response is tight, and mixes translate exactly how you expect them to without having to second-guess the room.

To keep the desk clear, everything is built around an Avid S1 and Dock. You get the tactile speed of EUCON without a massive console footprint getting in the way of the acoustics.

Just a clean, highly functional room by @rspeaudio

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a month ago

If you’ve been looking to upgrade your room’s converters, this could be the move. The Apollo X Gen 2 units are dialed in for zero-latency tracking and massive headroom. Plus, the onboard DSP lets you print and mix through spot-on vintage analog emulations without putting a dent in your computer’s CPU.

Right now, get $100 off an Apollo Rack, and add UAD Ultimate for only $99! (That’s UAD Ultimate for basically free).

Desktop units get the same $100 off, plus the Native Pro bundle for only $99.

Hit the DMs or give us a call to plan your I/O upgrade. by @rspeaudio

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2 months ago

The SSL Odyssey is here. 100% analog signal path. 100% instant recall.

SSL just brought ActiveAnalogue™ infrastructure to a state-of-the-art large-format, in-line console. You get the PureDrive pres, E & G series EQs, and an integrated THE BUS+, all with the ability to recall complex session states in seconds without touching a patch cable. Available in 24 up to 96 channels.

Call the RSPE integration team to map design your custom SSL Odyssey with angled ProStation bays and dropped meter bridges to fit your room perfectly. Or shop the 24, 32, and 48-channel configurations on rspeaudio.com by @rspeaudio

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2 months ago

Avid MTRX Studio: Monitor Control, SPQ Calibration, and I/O for 7.1.4 or 9.1.6 Dolby Atmos systems in one box! And for a limited time get a free Thunderbolt 3 module and Pro Tools Studio license.

Studio In a Box Bundle (Ends Sept 18):
Purchase MTRX Studio for $4,999.
FREE MTRX Thunderbolt 3 Module.
FREE Pro Tools Studio Perpetual License.

Everything you need to handle immersive monitor routing and speaker tuning in a single 1U unit.

DM or give us a call to start your Atmos studio upgrade. by @rspeaudio

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2 months ago

Studio 401 is locked in. The PMC12 XBDs are tuned, and the SSL Oracle is wired up in our Los Angeles listening room.

Whether you want to hear how the PMCs translate in stereo or how they handle the heavy lifting in our 9.1.4 Atmos rig, the room is ready for you. And with Oracle in the sweet spot, you can get hands-on and hear the headroom, saturation, and dynamics for yourself.

Hit our DMs to book a session and experience it in person. taken in RSPE Audio Solutions by @rspeaudio

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2 months ago

If your room is still built around a 10+ year-old console, the routing limitations and lack of deep EUCON integration are actively slowing down your turnarounds, especially in high-channel-count Atmos sessions.

If it’s time to upgrade and you have an old console collecting dust, Avid is running a heavy trade-in program through September 18th.

The Trade-In Details:
Trade in any older Avid/Digidesign or qualifying third-party console (original purchase price of $10k+) and receive up to $35,000 off a new Avid S6 or S4 system.

Pictured:
BrightFrame’s PMC 9.1.4 Dolby Atmos room, anchored by a 32-fader Avid S6.

Call the showroom at 818-509-5876 or shoot us a DM us to start mapping out your custom upgrade. by @rspeaudio

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2 months ago

Unboxing and dialing in the new PMC12 XBDs in our demo studio. They are fully tuned, sound amazing and are ready for private listening sessions. Come test them in stereo or in our 9.1.4 Dolby Atmos system. Shoot us a DM to book your time. taken in RSPE Audio Solutions by @rspeaudio

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3 months ago